Possessed: A Cultural History of Hoarding
In Possessed, Rebecca R. Falkoff asks how hoarding—once a paradigm of economic rationality—came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM—5, because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects.

The 2000s have seen a surge of cultural interest in hoarding and those whose possessions overwhelm their living spaces. Unlike traditional economic elaborations of hoarding, which focus on stockpiles of bullion or grain, contemporary hoarding results in accumulations of objects that have little or no value or utility. Analyzing themes and structures of hoarding across a range of literary and visual texts—including works by Nikolai Gogol, Arthur Conan Doyle, Carlo Emilio Gadda, Luigi Malerba, Song Dong and E. L. Doctorow—Falkoff traces the fraught materialities of the present to cluttered spaces of modernity: bibliomaniacs' libraries, flea markets, crime scenes, dust—heaps, and digital archives. Possessed shows how the figure of the hoarder has come to personify the economic, epistemological, and ecological conditions of modernity.


Thanks to generous funding from New York University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell—open) and other Open Access repositories.

1138805020
Possessed: A Cultural History of Hoarding
In Possessed, Rebecca R. Falkoff asks how hoarding—once a paradigm of economic rationality—came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM—5, because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects.

The 2000s have seen a surge of cultural interest in hoarding and those whose possessions overwhelm their living spaces. Unlike traditional economic elaborations of hoarding, which focus on stockpiles of bullion or grain, contemporary hoarding results in accumulations of objects that have little or no value or utility. Analyzing themes and structures of hoarding across a range of literary and visual texts—including works by Nikolai Gogol, Arthur Conan Doyle, Carlo Emilio Gadda, Luigi Malerba, Song Dong and E. L. Doctorow—Falkoff traces the fraught materialities of the present to cluttered spaces of modernity: bibliomaniacs' libraries, flea markets, crime scenes, dust—heaps, and digital archives. Possessed shows how the figure of the hoarder has come to personify the economic, epistemological, and ecological conditions of modernity.


Thanks to generous funding from New York University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell—open) and other Open Access repositories.

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Possessed: A Cultural History of Hoarding

Possessed: A Cultural History of Hoarding

by Rebecca R. Falkoff
Possessed: A Cultural History of Hoarding

Possessed: A Cultural History of Hoarding

by Rebecca R. Falkoff

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Overview

In Possessed, Rebecca R. Falkoff asks how hoarding—once a paradigm of economic rationality—came to be defined as a mental illness. Hoarding is unique among the disorders included in the American Psychiatric Association's DSM—5, because its diagnosis requires the existence of a material entity: the hoard. Possessed therefore considers the hoard as an aesthetic object produced by clashing perspectives about the meaning or value of objects.

The 2000s have seen a surge of cultural interest in hoarding and those whose possessions overwhelm their living spaces. Unlike traditional economic elaborations of hoarding, which focus on stockpiles of bullion or grain, contemporary hoarding results in accumulations of objects that have little or no value or utility. Analyzing themes and structures of hoarding across a range of literary and visual texts—including works by Nikolai Gogol, Arthur Conan Doyle, Carlo Emilio Gadda, Luigi Malerba, Song Dong and E. L. Doctorow—Falkoff traces the fraught materialities of the present to cluttered spaces of modernity: bibliomaniacs' libraries, flea markets, crime scenes, dust—heaps, and digital archives. Possessed shows how the figure of the hoarder has come to personify the economic, epistemological, and ecological conditions of modernity.


Thanks to generous funding from New York University and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell—open) and other Open Access repositories.


Product Details

ISBN-13: 9781501752803
Publisher: Cornell University Press
Publication date: 05/15/2021
Pages: 264
Product dimensions: 5.50(w) x 8.50(h) x 0.60(d)
Age Range: 18 Years

About the Author

Rebecca R. Falkoff is Visiting Assistant Professor of Italian at Johns Hopkins University. Follow her on X @rebeccarfalkoff and @ifiwereahoarder.

Table of Contents

Introduction to Hoardiculture
1. Psychologies: The Personal Library
2. Economies: The Flea Market
3. Epistemologies: The Crime Scene
4. Ecologies: An Oikos for Everything
5. Conclusion: Archive Failures

What People are Saying About This

Jessie Sholl

In academic yet accessible prose, Rebecca R. Falkoff adds a powerful voice and poignancy to the topic of hoarding—all while helping us see the relationship between current day hoarders and key figures of modernity.

Gail Steketee

In Possessed, Rebecca R. Falkoff succeeds in capturing the many nuances of hoarding behavior by probing history, psychology, markets, the role of waste, opportunity, and much more. This stimulating read is for anyone with interest in and experience of this challenging problem.

Raymond Malewitz

Exhaustively researched and brimming with new ideas, Possessed offers a richly detailed account of the last two centuries of hoarding and hoarding—adjacent practices in Western culture.

Federica Pedriali

Possessed brilliantly traces the cultural history of hoarding. The book marks a highly rewarding intellectual journey for both author and reader as six delightfully packed units unravel the deeper anthropological mechanisms that make hoarding the ultimate stuff of modernity. Soul—searching in tone and method, and a very personable (as well as personal) account of what has been classed as a pathology, Possessed is at once rigorous and adventurous, overloaded and light—footed, informative and challenging.

William Davies King

I found it thrilling to discover the many inspiring passageways Rebecca R. Falkoff has found into the topic of hoarding: philosophical, critical, historical, and personal. She shows how the literary and artistic imagination bring vision, not diagnosis, to a phenomenon usually relegated to pathology.

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