Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008
Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
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Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008
Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.
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Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008

Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008

by Bryan M. Santin
Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008

Postwar American Fiction and the Rise of Modern Conservatism: A Literary History, 1945-2008

by Bryan M. Santin

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Overview

Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.

Product Details

ISBN-13: 9781108932202
Publisher: Cambridge University Press
Publication date: 05/11/2023
Series: Cambridge Studies in American Literature and Culture , #186
Pages: 308
Product dimensions: 5.94(w) x 8.98(h) x 0.71(d)

About the Author

Bryan M. Santin obtained his Ph.D. in English from the University of Notre Dame in 2017. He is Assistant Professor of English at Concordia University, Irvine, where he teaches courses in American literature, world literature, and composition.

Table of Contents

Introduction; 1. US Literature and the Modern Right at Midcentury: Conservative Modernism, Race, and the Cold War, 1945-1960; 2. The Conservative Movement's Foundational Fictions: Flannery O'Connor, Ayn Rand, and the Evolving Literary Forms of Conservatism, 1950-1964; 3. The Strongbox of Custom: James Baldwin, Norman Mailer, and the Shifting Racial Logic of Postwar Conservatism, 1955-1972; 4. Movement Conservatism, Neoconservatism, and the New Right: Saul Bellow and Thomas Pynchon in the Age of Reagan, 1970-1990; 5. The American Novel and the Reagan Revolution: The Ascent of Toni Morrison in the Age of Conservative Pop Fiction, 1987-2000; Coda: The Curious (Conservative) Case of Marilynne Robinson.
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