Prague 1938
Prague 1938 is a coming-of-age novel, or a novel of lost illusions, set in a Czechoslovakia threatened with incorporation into the Third Reich. Centred on the 15 year old Guido Hayek, it traces his infatuation with Leah Meisel, an orphaned Jewish girl several years older than him who, he discovers, is part of a street-gang of con-artists and petty thieves. His initiation into their world occurs when Leah challenges him to steal a ring from a jewellers. Soon he is enmeshed.
Guido is aware that Leah’s grandfather Ezra Meisel, an antiques dealer, has plans to emigrate to Odessa with her, particularly as the Sudeten Crisis comes to a head. Guido’s own crisis comes to a head when he discovers that his father Emil, an art-dealer whom he adores, is bent on cheating old Meisel, and he must choose between aiding the Meisels or helping his own half-sister, the ‘degenerate’ artist Katya, who also has the ‘taint’ of Jewish blood, emigrate to the New World.

"The streets of Prague take centre stage in this smorgasbord of a novel: coming-of-age, familial upheaval, political unrest, artistic intrigue, rag order existence, the folly of youthful infatuation, the warp and woof of flight to a new world; and all of it played out under the looming shadow of war, of a world approaching the precipice. This is elegant, vibrant and read-on storytelling at its very best." – Alan McMonagle

"[Dara Kavanagh] has written a vivid coming-of-age morality tale set in pre-WWII Prague that holds a magic mirror up to our own strange and disrupted times" – Paul Lynch
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Prague 1938
Prague 1938 is a coming-of-age novel, or a novel of lost illusions, set in a Czechoslovakia threatened with incorporation into the Third Reich. Centred on the 15 year old Guido Hayek, it traces his infatuation with Leah Meisel, an orphaned Jewish girl several years older than him who, he discovers, is part of a street-gang of con-artists and petty thieves. His initiation into their world occurs when Leah challenges him to steal a ring from a jewellers. Soon he is enmeshed.
Guido is aware that Leah’s grandfather Ezra Meisel, an antiques dealer, has plans to emigrate to Odessa with her, particularly as the Sudeten Crisis comes to a head. Guido’s own crisis comes to a head when he discovers that his father Emil, an art-dealer whom he adores, is bent on cheating old Meisel, and he must choose between aiding the Meisels or helping his own half-sister, the ‘degenerate’ artist Katya, who also has the ‘taint’ of Jewish blood, emigrate to the New World.

"The streets of Prague take centre stage in this smorgasbord of a novel: coming-of-age, familial upheaval, political unrest, artistic intrigue, rag order existence, the folly of youthful infatuation, the warp and woof of flight to a new world; and all of it played out under the looming shadow of war, of a world approaching the precipice. This is elegant, vibrant and read-on storytelling at its very best." – Alan McMonagle

"[Dara Kavanagh] has written a vivid coming-of-age morality tale set in pre-WWII Prague that holds a magic mirror up to our own strange and disrupted times" – Paul Lynch
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Prague 1938

Prague 1938

by Dara Kavanagh
Prague 1938

Prague 1938

by Dara Kavanagh

Paperback

$15.99 
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Overview

Prague 1938 is a coming-of-age novel, or a novel of lost illusions, set in a Czechoslovakia threatened with incorporation into the Third Reich. Centred on the 15 year old Guido Hayek, it traces his infatuation with Leah Meisel, an orphaned Jewish girl several years older than him who, he discovers, is part of a street-gang of con-artists and petty thieves. His initiation into their world occurs when Leah challenges him to steal a ring from a jewellers. Soon he is enmeshed.
Guido is aware that Leah’s grandfather Ezra Meisel, an antiques dealer, has plans to emigrate to Odessa with her, particularly as the Sudeten Crisis comes to a head. Guido’s own crisis comes to a head when he discovers that his father Emil, an art-dealer whom he adores, is bent on cheating old Meisel, and he must choose between aiding the Meisels or helping his own half-sister, the ‘degenerate’ artist Katya, who also has the ‘taint’ of Jewish blood, emigrate to the New World.

"The streets of Prague take centre stage in this smorgasbord of a novel: coming-of-age, familial upheaval, political unrest, artistic intrigue, rag order existence, the folly of youthful infatuation, the warp and woof of flight to a new world; and all of it played out under the looming shadow of war, of a world approaching the precipice. This is elegant, vibrant and read-on storytelling at its very best." – Alan McMonagle

"[Dara Kavanagh] has written a vivid coming-of-age morality tale set in pre-WWII Prague that holds a magic mirror up to our own strange and disrupted times" – Paul Lynch

Product Details

ISBN-13: 9781912868513
Publisher: Dedalus, Limited
Publication date: 08/05/2022
Series: Dedalus Original Fiction in Paperback
Pages: 280
Product dimensions: 5.00(w) x 8.00(h) x 1.00(d)

About the Author

Dara Kavanagh is a writer, academic, translator and poet. A native of Dublin, he spent more than a decade working in Africa, Australia and Latin America before returning to settle in Ireland. He is the author of several books and poetry collections.

Read an Excerpt

III

Old Meisel

1938 is a catastrophic date in the history of the Czech people, a people who have never lacked for catastrophic dates. It was a pivotal moment for all of Europe, a year during which the course of history might have gone any number of directions. For the house on Nerudova St, too, it was a time of unlooked-for change. As the bells of Our Lady of Týn rang in the New Year, and the crowds in the Old Town Square embraced one another with apprehensive smiles, we had little real idea of just how bad things would get before the year was out.

All through spring, the Marconi wireless was turned far less to music, as it always had been. In previous years, the main battleground had been whether to tune into Munich or Prague or Vienna, to classical or jazz, to Italian opera or Django Reinhart or Smetana's Ma Vlast. Now, bulletins and political broadcasts were the order of the day. 'That machine,' declared Fr Kaufmann, rather more sententiously than was his wont, 'is the tabernacle in everyone's home. And we must be careful, or demagogues of the stamp of Dr Goebbels are like to become the new household gods.'

XIV

Apprenticeship

Throughout that long summer of '38, I led a double life. It was a long hot summer for Czechoslovakia too, a time when the future hung perilously in the balance. We were a small country surrounded by enemies. Not just the German Reich, with its growing demands for the Sudeten Mountains, Poland was eyeing up the territory around Cesky Tesin, Hungary had an appetite for great swathes of Slovakia, the Ruthenians to the east were making separatist noises, even the Slovaks were restless. Who could Benes look to, with so many wolves circling? Romania was weak. Daladier was miles away, sitting pretty behind his Maginot line. The Soviets? But could Russian wolves be trusted any more than German wolves? As for Mr Chamberlain, he’d dispatched a sheep named Runciman to council Benes to simply allow the wolves into the fold.

It was a time of anxiety. The dread was palpable. Every news broadcast deepened the sense of ineluctable disaster. And yet there was a sort of recklessness abroad. Life should go on as though that future might never arrive. There was a defiant gaiety or a gay defiance, the hysterical jauntiness of the condemned prisoner. Papa determined that the U Cerneho Slunce summer catalogue should be the thickest yet, though who in their right mind buys art with a catastrophe looming?

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