"[A] suspenseful trip through the rarely seen darker strata of complex, contemporary Greece." Publishers Weekly
Saint John wrote the apocalyptic Book of Revelation over 1900 years ago in a cave on Greece's eastern Aegean island of Patmos. Today, on the pristine Aegean peninsula of Mount Athos, isolated from the rest of humanity, twenty monasteries sit protecting the secrets of Byzantium amid a way of life virtually unchanged for more than 1500 years.
When a revered monk from that holy island's thousand-year-old monastery is murdered in Patmos' town square during Easter Week, Chief Inspector Andreas Kaldis of Greece's twenty-first century Special Crimes Division is called upon to find the killer before all hell breaks loose.
Andreas' impolitic search for answers brings him face-to-face with a scandal haunting the world's oldest surviving monastic community. He finds that this ancient and sacred refuge harbors some very modern international intrigues that threaten to destroy the very heart of the Church.
About the Author
Jeffrey Siger was born and raised in Pittsburgh, Pennsylvania, practiced law at a major Wall Street law firm, and later established his own New York City law firm where he continued as one of its name partners until giving it all up to write full-time among the people, life, and politics of his beloved Mykonos. The Mykonos Mob is the tenth novel in his internationally best-selling and award nominated Chief Inspector Andreas Kaldis series, following up on An Aegean April, Santorini Caesars, Devil in Delphi, Sons of Sparta, Mykonos After Midnight, Target: Tinos, Prey on Patmos, Assassins of Athens, and Murder in Mykonos.
The New York Times described Jeffrey Siger's novels as "thoughtful police procedurals set in picturesque but not untroubled Greek locales," and named him as Greece's thriller writer of record. The Greek Press called his work "prophetic," Eurocrime described him as a "very gifted American author...on a par with other American authors such as Joseph Wambaugh or Ed McBain," and the City of San Francisco awarded him its Certificate of Honor citing that his "acclaimed books have not only explored modern Greek society and its ancient roots but have inspired political change in Greece." He now lives in Greece.
Read an Excerpt
Prey on PatmosAn Inspector Kaldis Mystery
By Jeffrey Siger
Poisoned Pen PressCopyright © 2011 Jeffrey Siger
All right reserved.
Chapter OneThere was an unnatural cadence to the man's walk. Maybe it was the uneven stone lane. But he'd walked this path ten thousand times, though not so soon before first light. Still, he knew it well enough. He paused, as if to listen, then moved five paces and paused again. In the shadows outside the monastery's wall, his black monk's rasso was long enough to conceal his body and the short, flat-topped kalimafki his hair, but neither hid his snow-white beard. Perhaps he should have been looking as carefully as he listened, but it wouldn't have mattered. The men stood quietly at the bottom of the path, just beyond where it opened into the town square. He could not see them.
* * *
Andreas had told Lila he'd be home early. Forget about it. Here he was yelling over the noise of a military helicopter commandeered by his boss, the minister of public order, to get Chief Inspector Andreas Kaldis, head of the Greek Police's Special Crimes Division, and his assistant, detective Yianni Kouros, out of Athens and over to a northern Dodecanese island close to Turkey "before all hell breaks loose."
"There's no reason for him tossing this mess in our laps. No damn reason at all."
Kouros shrugged. "I don't know, Chief, maybe the minister thought a monk turning up murdered the Sunday before Easter in the middle of the town square on the Holy Island of Patmos qualified as a special crime?"
Andreas ignored him. They'd worked together long enough for him to let the younger man tease him, at least when they were alone. Besides, Kouros was right. Throat cut, everything but the monk's crosses taken. Hard to imagine anyone who'd kill a monk being considerate enough to leave them behind.
The two-hundred-mile flight east from Athens took a little more than forty minutes. They landed at a heliport next to a hilltop military installation. There was no airport on Patmos, and lacking permission to land a helicopter, the only way to reach the island was by boat.
Patmos was a nine-mile-long, thirteen-square-mile, dark beige and green ribbon of fertile valleys, rocky hills, eclectic beaches, and crystal blue bays. Slightly more than half the size of New York City's Manhattan, with three thousand permanent residents, it was far less developed for tourism than the better known western Aegean Greek islands of Mykonos and Santorini. Visitors came here for serenity and a slower-paced, spiritual holiday, seeking enrichment for the soul rather than excitement for the body—or so the church liked to think.
The road from the heliport snaked south, down toward the port area known as skala, with its ubiquitous one-, two-, and occasional three-story buildings filled with tourist shops, restaurants, hotels, bars, and clubs facing east across the harborside road. The police car made its way through the port, turned right at the first road past the post office, and headed toward the mountain road leading to Patmos' ancient chora, perhaps the most desired and beautiful village in all of Greece. During the summer, its quiet lanes and simple but elegant stone houses were home to members of Greece's former royal family, current and past government leaders, and understated wealth and power from around the world.
Andreas sat behind the driver as the police car wound its way up to Chora along a two-mile band of road lined with eucalyptus. It was Andreas' first time on the island, and like every other tourist, he couldn't help but stare down toward the port. It was an extraordinary view: green fields and olive trees against a sapphire sea laced with muted brown-green islands running off to the horizon, a scene from antiquity.
The driver said, "Locals say this is the same view as he had when he wrote The Book." He paused. "And right over there is where he did it."
Andreas didn't have to ask who he was. On Patmos there was only one he. They were almost halfway up the mountain and tourist buses were parked everywhere.
"The entrance to The Cave is over there." The driver gestured with his head to the left. "You should see it if you have the chance."
Andreas thought to remind the young cop that this was a murder investigation, not a sightseeing tour. But he let it pass. After all, this spot was hallowed ground to much of the world: the cave where Saint John wrote the Book of Revelation, the apocalyptic tale of the end of the world—or its beginning, depending on your point of view.
"Take a look at that." It was Kouros pointing up the hill toward a monastery. It dominated the hilltop.
"That's the Monastery of Saint John the Divine. It controls the island. What the monastery wants, it gets. What it doesn't want, doesn't happen," said the driver.
Andreas looked up, wondering not for the first time, why me? Yes, theoretically his unit had jurisdiction over any crime in Greece considered serious enough to warrant special attention, a unique and feared position in a politically sensitive department, but for practical purposes there was no way he could keep up with all the serious, big-time crime threatening Athens, let alone the rest of Greece. Sometimes he wondered if that might have been the plan: give him too much to do to accomplish a single thing. If so, he'd sure as hell surprised more than a few high-profile bad guys now serving time.
I've never been here, Andreas thought. I have no connections here. Why did the minister say I'm "the only one in Greece" qualified to conduct this investigation? The Byzantine thinking of his superiors never ceased to amaze him. If this was just a mugging turned cutthroat, as the Patmos cops had reported to the ministry in Athens, they were far more qualified than he to find the locals responsible. On the other hand, if there were something more, the ministry knew better than to expect political correctness or a coverup from Andreas. Threats and tenders of bribes only pissed him off more. Perhaps this was one of those rare cases where politicians didn't care about scandal as long as the guilty were caught. Yeah, and maybe he should go back to believing in the tooth fairy.
At the crest of the hill, just before the road began twisting down the other side of the mountain, the driver made a sharp right turn. A bus stood a hundred-fifty yards ahead, waiting its turn to discharge a load of tourists and pilgrims to the monastery. There was nothing to do but wait. A man in a black baseball cap marked GO STEELERS in gold lettering stood slowly spinning a rack of postcards outside a souvenir kiosk. From the hat and the camera around his neck, Andreas assumed he was a tourist. On any other island, he'd also assume the man was in the midst of one of those epiphanies overwhelming to so many first-time visitors as they gazed at a host of "Hi from Greece" postcards adorned with nudes and body parts arranged in mind-boggling positions. But here, so close to the monastery, he doubted such commerce was allowed. Then again, this was Greece, and business was business.
Once the bus moved, the car passed through a barrier prohibiting all but authorized vehicles up into a tiny town square overlooking Skala and the sea. They parked beside Patmos' neoclassical town hall of white plaster, beige stone, and pale blue wood trim. Andreas looked across the square. He felt as if he'd stepped back in time, to the eleventh century to be exact. But, today, this was the scene of a twenty-first century murder. Time to get to work.
"Yianni, find who's in charge."
Kouros walked toward three cops on the other side of the square steering the curious and a TV crew away from a lightweight, black plastic tarp surrounded by blaze orange cones of the sort commonly seen guarding potholes.
Andreas was always amazed at how quickly the media got to a crime scene. This crew must be local, or maybe from a neighboring island, probably Kos. No way a crew from Athens could have beaten him here. They'd never get permission to land a helicopter to cover this story. But they'd arrive soon enough. This was too lurid for the press to miss.
The tarp covered an area roughly three times the size of a man and ten feet or so from the entrance to a narrow lane running off between two white buildings. Four more lanes led off the square, all paved in stones of different shapes and sizes.
Kouros waved to Andreas and pointed at one of the cops. Andreas walked to where they were standing.
"Hello, Chief Inspector, my name is Mavros," said the man with Kouros.
From his stripes Andreas could tell he was a sergeant. Andreas nodded. "Where's your captain?"
"He's in a meeting with the mayor and said not to be disturbed. But I can answer your questions."
"How about, 'Where's the body?'"
The sergeant looked surprised. "Back in the monastery. Being prepared for the funeral." In the Greek Orthodox Church, burial occurred as soon as possible after death, absent complicating circumstances such as murder.
The captain in charge of the island's police was too busy making political nice-nice to meet with the chief inspector of special crimes at the murder site. He'd let the body be moved and tampered with before Andreas had the chance to examine it. If someone wanted Andreas to conduct a real investigation, he sure as hell didn't bother to tell the Patmos police.
Andreas drew in and let out a breath. "Any idea of the time of death?"
"Between two-thirty and three in the morning."
Andreas nodded. "Take off the tarp."
The sergeant paused.
Andreas smiled and patted the sergeant on the arm. "I'm sorry, I meant to say, 'Take off the tarp, please.'"
"Chief, there's blood everywhere. We can't let the tourists see that."
So that's why the corpse was gone, thought Andreas. "Who told you to move the body?"
The sergeant hesitated. "It's Easter Week. We couldn't leave a holy man lying dead in the middle of the town square."
That's what Easter Week is all about, thought Andreas. A holy man's death in public view. He hoped that wasn't a clue. Some twisted psycho murdering monks was more than he wanted to think about.
Andreas turned to Kouros. "Yianni, do you think he's having trouble with my accent?"
Andreas turned back to the sergeant. "Please, just tell me, 'Who told you to move the body?'" Andreas still was smiling, but not in a way meant to calm a sergeant heading toward a pension.
"The abbot thought it disrespectful to the church." The sergeant paused. "But we videotaped and photographed everything."
Great, thought Andreas. Now I've got the police chief, the mayor, and the head of the monastery working together at screwing up this investigation. He shook his head. "Just move everybody back and lift the tarp."
"The captain said not to touch it without his okay." Now he sounded as if he were giving an order.
At six feet two inches tall, Andreas was about a head taller than the sergeant, and Kouros, though an inch or so shorter and at least a foot broader than the sergeant, was built like a bull. Andreas ignored him, looked at Kouros, and nodded toward the tarp.
As much as police sergeants on tourist islands were used to being obeyed, this one must have realized he couldn't win this confrontation on any level. He stepped back to allow Kouros to pass and remove the cones, then helped Andreas and Kouros lift the tarp.
Though only mid-April, it was a bright, sunny day. Perfect for baking blood onto black plastic sheeting. Whatever clues the tarp may once have protected were now part of an ugly, impenetrable mess. They set the tarp off to one side and Andreas studied the ground. There wasn't much left to see except shoe prints. Lots of shoe prints.
"What the hell was going on here, a track meet?"
The sergeant shrugged. "A baker on the way to work found the body, panicked, and ran through the streets screaming, 'Kalogeros Vassilis was murdered in the square.' People came running from everywhere to see if they could help, and when they saw it was too late, they stayed to pray by his body. He was a much loved man, and by the time we got here the square was packed with mourners. We had to pull two hysterical old women off his body."
As if on cue, an old woman dressed head-to-foot in black hobbled into the square from a nearby lane. Chanting loudly, she walked to where Andreas was standing, crossed herself three times, and threw flowers smack-dab into the heart of the blood soaked crime scene. Those gathered at the edge of the square responded in a chorus of amens.
Andreas stared at the woman, then looked at Kouros. "Let's get out of here."
Chapter TwoThe police station was in Skala. It shared space with the post office in an all-white island landmark on the southern end of the harbor road. The distinctive, three-story tower at one corner of the building looked like a runaway little brother to the massive stone towers guarding the monastery above.
"Everything we found at the scene is in there." The sergeant pointed down a hallway to a door marked CAPTAIN. "It's all inside, on the table."
It was a cave of a room. The only window was shuttered. A dark desk sat on a dark carpet at the far end, with a dark bookcase behind it and two dark chairs in front. A dark table was beside the door. The only color came from a large, gold and crimson poster set in a gilt frame on the opposite wall. It was a reproduction of one of the island's most famous icons, the sixteenth century Vision of Saint John depicting elements of his Revelation. Words wrapped around the poster's edge advertised Patmos' celebration nearly two decades ago of the nineteen-hundredth anniversary of the Book of Revelation.
To its left hung signed and framed photographs of the current archbishop of the Eastern Orthodox Church in Greece and his two predecessors. No politicians shared the walls. Obviously, it was the church that held influence in this office.
Andreas pulled two pairs of latex gloves from the dispenser box on the table and handed one pair to Kouros. Very carefully, they began sorting through the items. Blood seemed everywhere.
"All we found were his robe, hat, sandals, undergarments, and two crosses."
"Do you know what was taken?"
"No, but his pockets were turned inside out."
"Any idea of how many attackers?"
The sergeant did a quick upward jerk of his head, Greek for "no." "No idea, but my guess is more than one. These mugger bastards are cowards when alone."
"A lot of monks get mugged here?"
He gestured no again. "This is the first I know of."
Andreas looked at the crosses. One was heavy, silver, and connected to a long, thick, woven black cord. The other was much smaller and lighter, like tin, and tied to a thin black lanyard. It was the only item without bloodstains. He pointed at the smaller cross. "Why is there no blood on this?"
"We found it clenched in his fist."
Andreas nodded. "Any thoughts on why the crosses were left behind?"
The sergeant shrugged. "No. The captain thinks it's because he was a man of God and the muggers thought it a sacrilege to take them."
Andreas stared deadpan at the sergeant. Kouros started to laugh. "Can't wait to meet your captain," said Andreas. "A monk is butchered in your town square and he thinks the muggers were worried about committing a sacrilege by stealing his crosses?"
The sergeant stammered. "No ... no ... I ... I'm sure what the captain meant was that ... uh ... they didn't know Vassilis was a monk when they attacked him."
Andreas kept staring. "Show me the photographs of the body."
The sergeant took an envelope off the desk and handed it to Andreas. "These were taken after we removed the body from the square. I'll have to get you copies of the ones we took at the scene, the captain has them."
It contained two dozen eight-by-tens of a very old, very thin, naked man. For an instant, Andreas wondered what passed through that poor soul's mind in his last seconds on earth. His youth? His parents? His loves? Children perhaps? Regrets? Andreas moved on. He had to be clinical and focus: focus on finding the miserable, damned-to-hell bastards who murdered this old man.
Andreas studied the first few photos very carefully, handing each to Kouros as he finished. Then he quickly shuffled through the rest as if disinterested. "What do you think, Yianni?"
Excerpted from Prey on Patmos by Jeffrey Siger Copyright © 2011 by Jeffrey Siger. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
An enjoyable third Inspector Kaldis mystery, set primarily on the Greek island of Patmos, where Saint John wrote the Book of Revelation. A beloved elderly monk is murdered, and as Kaldis and his partner investigate, all trails lead to a conspiracy to influence the future location of the Ecumenical Patriarchate of Constantinople (at either Mount Athos in Greece or somewhere in Russia). The mystery is secondary here to island and church history, described in interesting detail by various characters. In fact, I'd say read this book for the setting more than the mystery. The characters are a bit too quick with repartee to be completely believable, but, the book is great beach reading or entertainment for an evening before the fire. (Read in galley format via netgalley.com. The book will be published in January 2011.)
PREY ON PATMOS is the third book in the Chief Inspector Andreas Kaldis series and, like its predecessors, is an entertaining police procedural and an engrossing look at twenty-first century social problems against the background of an ancient culture.¿There was an unusual cadence to the man¿s walk. Maybe it was the uneven stone lane. But he¿d walked this path ten thousand times, thought not so soon before first light. Still, he knew it well enough. He paused, as if to listen, then moved five paces and paused again¿.Perhaps he should have been looking as carefully as he listened, but it wouldn¿t have mattered. The men stood quietly at the bottom of the path, just beyond where it opened in the the town square. He could not see them.¿ In an instant, his throat cut, Kalogeros Vassilis lies dead in the town square of Patmos, the island home of monasteries built on the holy ground where St. John wrote the Book of Revelations. Vassilis was an old man who had lived a life of devotion to his faith. Why would anyone kill him?The answer to that question becomes the responsibility of Chief Inspector Andreas Kaldis and his partner, Yianni Kouros. Andreas is the head of the Greek Police¿s Special Crimes Division and the murder of a monk on Patmos just before Easter, the most important day in the Christian calendar, is a very special crime. Andreas isn¿t just confronted with satisfying the demands of the government functionaries who want credit for a quick solution of the murder; Andreas is up against the formidable power and position of the Eastern Orthodox Church.As they investigate, Andreas and Yianni learn that Vassilis was a committed researcher, using the internet to unravel the rules that governed the choice of the Ecumenical Patriarch, the leader of all the branches of the Orthodox church. To the secular world such issues hardly seem the stuff of life and death. But the religious world is also a world of human beings and a religious life doesn¿t mean a life without temptation and sin.The death of Vassilis reveals that monasteries that have thrived for over a thousand years are not immune from the intrusion of twenty-first century political reality. For a thousand years, men have withdrawn from the world to do penance for the evils they have committed and men have escaped from the world to avoid punishment for the crimes they do not regret. Andreas and Yianni, with the help of Mykonos cop Tassos Stamatos, are faced with investigation by secret meetings, hidden identities, and role playing. Gaining control of the great wealth of the Orthodox church is a powerful motivator for the ruthless and the amoral.The author creates this piece of dialogue: ¿So much of life is illusion, driven by masters of manipulation who incite passions, instill mortal fears, justify actions. They¿ve always existed, always will. But those to fear, to guard against ¿ and yes, to pray against ¿ are illusionists who act without conscience, without values, without any moral compass.¿ It succinctly expresses the theme of this excellent book.On one level, PREY ON PATMOS is an excellent police procedural. On another level, the book continues Jeffrey Siger¿s look at some of the most profound problems faced by society now. MURDER IN MYKONOS examined the phenomenon of the serial killer, a person who kills simply for the joy of killing. Victims are random, there is no motive other the compulsion of the killer and, in that, lies the fear that no one is safe. ASSASSINS OF ATHENS uses the murder of the scion of a wealthy family, intense family rivalries, and a return to some of the practices of ancient Athens to undermine the democracy that the Athenians invented. PREY ON PATMOS goes to the core of the Greek character. In the Author¿s Note at the beginning of the book, Siger writes, ¿Today, Greece is a land of unwavering faith in God and a unique commitment to the Eastern Orthodox Church as an integral part of its way of life.¿ In this third book,
there was a major problem w/B&S system accepting my credit card (even thought it took my $$$ initial purchase) and was unable to open this item......very sorry state of affairs at B&N....was told I was not the only one w/this problem!!!!!.....so, I had my $$$ returned....never again will I purchase an MP3 book from them....end of story....
PREY ON PATMOS is the third book in the Chief Inspector Andreas Kaldis series and, like its predecessors, is an entertaining police procedural and an engrossing look at twenty-first century social problems against the background of an ancient culture. His throat cut, Kalogeros Vassilis lies dead in the town square of Patmos, the island home of monasteries built on the holy ground where St. John wrote the Book of Revelations. Vassilis was an old man who had lived a life of devotion to his faith. Why would anyone kill him? The answer to that question becomes the responsibility of Chief Inspector Andreas Kaldis and his partner, Yianni Kouros. Andreas is the head of the Greek Police's Special Crimes Division and the murder of a monk on Patmos just before Easter, the most important day in the Christian calendar, is a very special crime. Andreas isn't just confronted with satisfying the demands of the government functionaries who want credit for a quick solution of the murder; Andreas is up against the formidable power and position of the Eastern Orthodox Church. As they investigate, Andreas and Yianni learn that Vassilis was a committed researcher, using the internet to unravel the rules that governed the choice of the Ecumenical Patriarch, the leader of all the branches of the Orthodox church. To the secular world such issues hardly seem the stuff of life and death. But the religious world is also a world of human beings and a religious life doesn't mean a life without temptation and sin. The death of Vassilis reveals that monasteries that have thrived for over a thousand years are not immune from the intrusion of twenty-first century political reality. For a thousand years, men have withdrawn from the world to do penance for the evils they have committed and men have escaped from the world to avoid punishment for the crimes they do not regret. Andreas and Yianni, with the help of Mykonos cop Tassos Stamatos, are faced with investigation by secret meetings, hidden identities, and role playing. Gaining control of the great wealth of the Orthodox church is a powerful motivator for the ruthless and the amoral. The author creates this piece of dialogue: "So much of life is illusion, driven by masters of manipulation who incite passions, instill mortal fears, justify actions. They've always existed, always will. But those to fear, to guard against - and yes, to pray against - are illusionists who act without conscience, without values, without any moral compass." It succinctly expresses the theme of this excellent book. On one level, PREY ON PATMOS is an excellent police procedural. On another level, the book continues Jeffrey Siger's look at some of the most profound problems faced by society now. MURDER IN MYKONOS examined the phenomenon of the serial killer, a person who kills simply for the joy of killing. Victims are random, there is no motive other the compulsion of the killer and, in that, lies the fear that no
Twenty First Century Special Crimes Division Chief Inspector Andreas Kaldis travels to Patmos to investigate the violent murder of a Father Kalogeros Vassili. Upon arrival at the holy Greek isle, the cop quickly learns that the monk was popular amongst the locals and no one can provide a hint of scandal or motive. However, Kaldis digs deeper and begins to uncover ties to international intrigue that he would not expect from Father Vassili or his order. Soon in a place where The Book of Revelation was allegedly written, Kaldis finds a document with eerie apocalyptic scribe and even stranger images that has him wonder if a larger conspiracy than a simple homicide is behind the Vassili murder. Though he prefers not to conjecture Kaldis fears an assault on the leaders of the Orthodox Church. Armchair detectives will enjoy the latest trip to Greece to follow the escapades of Kaldis and his team including the antics of his pregnant lover. The story line contains less present tense action than in the previous cases (see Assassins of Athens and Murder In Mykonos); as most of the events is discussed in the past tense by the investigators. Still readers will find fascinating the descriptive Prey on Patmos, which connects the locale where Saint John wrote the Book of Revelation and in which life has not changed amongst the secluded monks for fifteen centuries with a modern day police procedural. Harriet Klausner