Winner of the Swedish Crime Academy Award for Best Crime Novel, The Princess of Burundi introduces American readers to a crime writer who has quickly become an international sensation.
This spellbinding new thriller opens when a young father fails to show up for supper on a snowy night just before Christmas. His is not the only sinister disappearance, and before the final breathtaking climax, a secret killer terrorizes an entire frightened town.
About the Author
Already a huge star in Europe and the Nordic countries, Kjell Eriksson has American critics raving also. His next novel in the series, The Cruel Stars of the Night, is forthcoming soon from Thomas Dunne Books. Eriksson lives in Sweden.
Read an Excerpt
The Princess of Burundi
By Kjell Eriksson, Ebba Segerberg
St. Martin's PressCopyright © 2006 Kjell Eriksson
All rights reserved.
The plate trembled, knocking over the glass. The milk flowed out over the waxed tablecloth like a white flower.
Typical — we have almost no milk left, she thought. She quickly righted the glass and wiped up the milk with a dishrag.
"When is Dad coming home?"
She twirled around. Justus was leaning up against the doorpost.
"I don't know," she said, throwing the dishrag into the sink.
"What's for dinner?"
He had a book in his hand, his index finger tucked in to mark the page he was reading. She wanted to ask him what it was, but then she thought of something and walked over to the window.
"Stew," she said absently. She looked out at the parking lot. It had started to snow again.
Maybe he was working. She knew he had talked to Micke. He always needed extra workers for his snow-removal crew, and it had been coming down for days now. John wasn't afraid of heights, either.
Berit smiled at the memory of how he had climbed the drainpipe to her balcony long ago. It was only on the second floor, but still. He could have broken his neck if he had fallen. Just like his father, she thought, and her smile faded.
She had been furious with him, but he had just laughed. Then he had scooped her up in a tight embrace, with a strength you would never have thought John's slender body was capable of.
Later — clearly flattered — she liked to tell the story of his climb and his persistence. It was their earliest and most important shared memory.
Snow removal. A small tractor drove across the parking lot and pushed even more snow up over the heavily laden bushes by the edge of the lot. Harry was the driver. She recognized him by his red cap.
Harry was the one who had set Justus to work, giving him a summer job when no one else was hiring. Lawn mowing, clearing out trash, weeding. Justus complained, but he had been bursting with pride at his first paycheck.
Berit's gaze followed the snowplow. Snow was falling thickly. The orange signal light revolved on the roof of the tractor. Darkness settled in over the buildings and the parking lot. The light was flung to the far corners of the grounds. Harry was certainly busy. How many hours had he had to work the past few days?
"This weather's going to send me to the Canary Islands," he had shouted to her the other day when they met outside the front door.
He had leaned on his shovel and asked her about Justus. He always did.
She turned and meant to say hello from Harry but Justus had already gone.
"What are you doing?" she cried out into the apartment.
"Nothing," Justus yelled back.
Berit assumed he was sitting in front of the computer. Ever since August, when John had dragged home the boxes, Justus had sat glued to the screen.
"The kid has to have a computer. He'll be left behind otherwise," John had said when she complained at the extravagance.
"How much did it cost?"
"I got it cheap," he had told her, and quickly showed her the receipt from the electronics store when he caught her look. That accusing look, the one he knew so well.
She looked around the kitchen but there was nothing else to be done. Dinner was ready. She went back to the window. He had said he would be back around four and it was close to six now. He usually called if he was delayed, but that had been mostly when he was doing a lot of overtime at the workshop. He had never liked to work late, but his boss, Sagge — Agne Sagander — had a way of asking that made it hard to say no. It always sounded as if the order in question were going to make or break the company.
He had grown more quiet after he was fired. John had never been one to talk much, of course — Berit was the one who supplied the conversation — but he became even less talkative after he was let go.
He had cheered up only this fall. Berit was convinced that it had to do with the fish, the new aquarium he had been talking about for years and that had become a reality at last.
He had needed all that work with the fish tank, had spent a couple of weeks in September on it. Harry had given him a hand with the final assembly. He and Gunilla had come to the grand opening. Berit had thought it silly to inaugurate a fish tank but the party had been a success.
Their closest neighbor, Stellan, had looked in, as had John's mom, and Lennart had been sober and cheerful. Stellan, who was normally quite reserved, had put an arm around Berit and said something about how cute she looked. John had just smiled, though he usually was sensitive about things like this, especially when he had had a drink or two. But there was no reason to be jealous of Stellan.
Harry had finished clearing the parking lot. The flashing orange signal flung new cascades of light across the path to the laundry facilities and communal rooms. Snow removal. Berit had only a vague idea of what this task involved. Did they still climb up on the roof like in the old days? She could remember the bundled-up men from her childhood with their big shovels and ropes slung in great loops over their shoulders. She could even recall the warning signs they posted in the courtyard and on the street.
Was he over at Lennart's? Brother Tuck, as John called him. She didn't like it. It reminded her of the bad old days. She never knew what to make of it: Lennart's loquacious self-assurance and John's pressed silence.
Berit was only sixteen when the three of them met. First she got to know John, then Lennart. The brothers appeared inseparable. Lennart, tossing his long black hair off his face, unpredictable in his movements, always on the go, picking nervously, chattering. John, blond, thin-lipped, and with a gentleness about him that had immediately appealed to her. A scar across his left eye created an unexpected contrast with the pale skin in his slightly androgynous face. The scar was from a motorcycle accident. Lennart had been driving.
Berit had been unable to understand how John and Lennart could be brothers. They were so different, both in appearance and in manner. Once she had gone so far as to ask Aina, their mother, about it. It had been toward the end of the crayfish party, but she had only smiled and joked about it.
It didn't take long for Berit to figure out that the brothers didn't always make their money in traditional ways. John worked at the workshop off and on, but it seemed to Berit that this was more to keep up appearances, especially with regard to Albin, his father.
John had a criminal bent. Not because he was evil or greedy, but simply because a conventional lifestyle didn't seem to be quite enough for him. It was something he had in common with many of the people around him, teenagers who appeared well adjusted on the surface but who drifted around the eastern parts of Uppsala most evenings and nights in anxious herds. They picked pockets, snatched purses, stole mopeds and cars, broke into basements, and smashed shopwindows as the spirit moved them.
A few, like John and Lennart, were permanent fixtures. Others came and went, most of them dropping out after six months or a year.
Some took classes at the Boland School in order to become painters, concrete workers, mechanics, or whatever other professions were open to working-class youths in the early seventies. Others took jobs straight out of middle school. None of them continued with more formal academic subjects at the high school level. They had neither the will nor the grades for that.
Most of them lived at home with their parents, who were not always the ideal people to prevent substance abuse, theft, and other illegal activities. They had enough of their own problems and often stood by, quite powerless to do anything to stop their offspring. They were awkward and embarrassed when dealing with the welfare workers, psychologists, and other social officials, confused by the bureaucratic language, their own inadequacies, and their intense sense of shame.
"If I hadn't had them, it would all have gone to hell," John had said once.
It was only when he was getting regular work at the factory that he started to move away from life on the streets and the gangs. Regular work, a new sense of being appreciated, decent wages, and then Berit.
Lennart delivered groceries by day and hung out at the pool hall in Sivia at night. John was there too. He was the better player of the two, though that hardly bothered Lennart, who spent most of his time on the flipper machines down below.
That was where Berit met them. She had come with a girl named Anna-Lena, who was in love with a boy who frequented the place.
She fell in love with John at first sight. He snuck around the pool table with the cue in his hand and played with intense concentration, something that appealed to Berit. He rarely said anything.
His hands were slender. She studied his fingers splayed on the green mat, his gaze focused along the stick, serious. It was the seriousness she noticed. And eyelashes. His gaze, the intense gaze.
She wasn't sure what made her start thinking about the pool hall. It had been years since she had been there. It was probably because she had been thinking about Brother Tuck, and about how John was probably with him. She didn't want to call. They were probably drinking. Sometimes John felt he had to have a real session with Lennart. It didn't happen very often nowadays, but when his mind was made up nothing could stop him. Not even Justus. The boy knew it, knew his father deep under the skin, and his protests were never particularly loud or long-lived.
Once, when Justus was about twelve, John let himself be talked out of it and came home. Justus had called his uncle himself and demanded to speak to his father. Berit was not allowed to listen; Justus had locked himself in the bathroom with the portable phone. John came home after half an hour. Staggering, but he came home.
It was as if these occasional evenings with his brother functioned as a temporary return to his former existence. These drinking sessions kept the brothers close. Berit had no idea what they talked about. Old times, their childhood in Almtuna, or something else?
They didn't have much common ground. They cleaved to each other because of their shared past. Berit sometimes felt something akin to jealousy when confronted with this world that was largely foreign to her. Their childhood, the early years, appeared to be the only source of joy when they were talking. Even Lennart's voice, normally void of emotion, grew warm.
And Berit stood outside all of this. Her life with John didn't count, or so it seemed to her. She entered his life when everything turned, when his childhood reached a definitive end. She wasn't there in the early, light-filled days, the happy years that would be remembered and retold.
"When is he coming?"
"Soon," she replied, shouting.
She was grateful that Justus was in his bedroom.
"He's probably clearing snow somewhere. I've never seen anything like it."
She expected him to say something else, but he didn't. She wanted to hear his voice, but he didn't say anything. What is he doing, thinking? Did she dare leave the kitchen and go to his room? But the half-darkness of the kitchen was all she could handle. No light, no quick flickering characters on a computer screen, no questioning looks from Justus.
"Maybe you can help Harry," she shouted. "Make a little extra."
"He'll probably need some help with the basement stairs."
"I don't give a shit about his snow."
Justus had suddenly reappeared in the doorway.
"It's not just his snow," Berit said gently.
Justus snorted and stretched out a hand to the light switch.
"No, don't turn it on!"
She regretted it the instant she said it.
"It's just that it's cozy with a little darkness. I'll light some candles instead."
She felt his gaze from the doorway.
"You should make a little money," she said.
"I don't need any. And Dad has money, anyway."
"Of course, but not a lot. You've been talking about buying a camera."
Justus gave her a dismissive look. Was it a look of triumph?
"No harm in asking him, though, is there?" she continued.
"Nag, nag, nag," he said and turned on his heel, in that way that only he could, and went back to his room.
She heard him slam his door and the creaking of the bed when he threw himself on it. She walked back over to the window. Harry and his tractor had disappeared. A number of lights were on in the building across the way. She could see families around the dinner table. A bluish TV light flickered in a few others.
A shadow moved next to the parking garages and she almost shouted with joy, but as she kept watching no John appeared. Had she only imagined it? If you walked down between the rows of garages you eventually came out by the garbage cans, but there was no one there. No John. Berit stared out into the darkness. Suddenly she glimpsed the figure again. She had seen someone for a moment, a man in green, but it wasn't John.
Who was it? Why had he waited before emerging by the garbage cans? It occurred to her that maybe it was Harry's brother, who used to help him with the snow removal. No John. The short moment of relief was replaced by loneliness.
The potatoes on the stove were still lukewarm. She turned the burner with the stew to its lowest setting. He'll be here soon, she told herself, and cupped her hands around the pot.
She called Lennart at half past seven. He answered on the fifth ring and sounded sober. He hadn't heard from John in several days.
"He'll turn up," he said lightly, but she could hear the concern in his voice.
Berit could imagine him restlessly shuffling back and forth in the hall.
"I'll make a couple of calls," he said. "He's probably just having a few beers with someone."
Berit hated him for those words. A few beers. She hung up.
She called John's mother, but did not mention that he was more than a few hours late. She had called in the hope that he had looked in on her and been detained. They chatted for a while as Berit walked around the apartment.
Lennart called at a quarter past eight.
"Why'd you hang up on me?" he started, and she could hear that he had a few drinks in him. That's when she knew.
"Where can he be?" Now her desperation broke out.
Justus came out of his room.
"I'm hungry," he said.
She gestured to him to calm down and finished talking to Lennart.
"Do you have any idea where Daddy can be?" she asked.
She knew she shouldn't be letting it get the upper hand, but the anxiety made her tremble. Justus made an awkward movement with his hand.
"I've no idea, but he'll be here soon," he said.
Berit started to cry.
"Mom, he'll be here!"
"Yes, he'll be back soon," she said and tried to smile, but it was mostly a grimace. "I just get so worked up when he doesn't call and let me know. The potatoes are ruined."
"Can't we eat in the meantime?"
She was suddenly furious. Because she interpreted Justus's words as somehow disloyal, or because of an intimation that something terrible had happened?
They sat down at the kitchen table. Harry and his tractor reappeared in the courtyard, and Berit was about to say something again about snow removal but stopped when she saw his face.
The potatoes were pasty and the meat tender but lukewarm. Justus cleared the table in silence. She watched his mechanical movements. The jeans, which were two sizes too big, hung from his thin thighs and nonexistent butt. His fashion and music tastes had been changing lately, from a penchant for soft English pop, which Berit had often been able to appreciate, to a noisy, jerky rap music that sounded only discordant and angry to her ears. His taste in clothing had changed accordingly.
She looked at the clock on the wall. Nine. Now she knew it would be late. Very late.CHAPTER 2
He was watching the bus driver. She was all over the place, first pulling too close to the car in front and driving much too fast, then slamming on the brakes.
"Women drivers," he mumbled.
The bus was half full. An immigrant was sitting directly in front of him, probably a Kurd or an Iranian. Sometimes it seemed to him as if half of all the people he saw were svartskallar, the derogatory term for dark-haired foreigners. Gunilla sat three seats away. He smiled to himself when he saw her neck. She had been one of the prettiest girls in the class with her long blond wavy hair and shining eyes. Those silky tendrils had given her a fairy-like appearance, especially when she laughed. Now her hair had lost all its former luster.
Excerpted from The Princess of Burundi by Kjell Eriksson, Ebba Segerberg. Copyright © 2006 Kjell Eriksson. Excerpted by permission of St. Martin's Press.
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Most Helpful Customer Reviews
In Libro, Sweden, everyone is stunned when the mutilated corpse body of husband and father John Harald Jonsson, out on a job, is found in the snow. Based on the disfigurement, whoever killed the renowned cichlids tropical fish expert, passionately hated John. Death had to be a relief for the obvious evidence like three cut off fingers that shows he suffered while alive. Thus, homicide detectives Ola Haver and Ann Lindell, who comes off maternity leave to work the case, hone in on a forty-two year old troubled person, his family, and especially an acrimonious nutcase who apparently had a run in with John.----- However, proof proves difficult to come by making the two sleuths wonder if they are going down a wrong path. Reassessing what they know and suspect, Ola and Anna continue to search for the motive by someone who obviously detested the victim, but could it have to with his personal life or his work at the aquarium that led to this vicious homicide.----- This tranlastion of an award winning Swedish police procedural reads in many ways more like a deep insightful psychological thriller though the detectives diligently work the homicide. The characterization is top rate as the audicne undertsnads what motivates several key players while the support cast enhances that perception. Fans will enjoy the excitng tale and look forward to hopefully more translations of the works of Kjell Eriksson, perhaps THE ILLUMINATED PATH.... Harriet Klausner
Winner of the Best Swedish Crime Fiction in 2002, The Princess of Burundi is the first novel which introduced Inspector Ann Lindell and the writer Kjell Eriksson to U.S. mystery readers A Brief Summary Just before Christmas, a jogger finds a dead body in the snow, and the peace in the town of Libro in the Swedish region of Uppsala is shattered. The members of police force soon uncover the identity of the victim: John Jonsson, known to everyone as Little John, was a respectable family man and a local expert on tropical fish. But he had been quite a troublemaker, and his delinquent past seems to have caught up with him. Despite being on maternity leave, Inspector Ann Lindell is determined to find John's murderer. The cruel cat-and-mouse game that follows plus some additional murder cases leads Ann to a deadly confrontation with a treacherous killer. Ann must decide whether to take a huge risk that could result in many more dead bodies in the snow, including hers and that of her unborn child. Our Take Author Eriksson, similiar to many other Scandinavian crime novelists, portrays a rather cold and dark sociological landscape of his native country and it's people. He provides a snowy setting filled with little clues here and there to the solution of Little John's murder. The plot is also filled with an array of characters who deal with their own severe problems and challenges. The author skillfully captures the interplay among these characters whose shortcomings must be overcome in order for the puzzle to be unlocked. Eriksson is not shy in voicing his political or cultural views and we occasionally see the traces of the author's liberal viewpoints in the story. Reader doesn't need any knowledge of other Ann Lindell stories to understand the story and as the chapters are very short, the book can be written even in one sitting. Overall, a clever, mystifying and absorbing tale of crime which keeps the reader engaged from the beginning to the end.
I enjoyed it but the ending was too abrupt and Little John's brother's actions at the end did not make sense to me.
While Ann Lindell is on maternity leave, she is drawn into the murder of John Jonsson, known as Little John, the younger brother of local small time criminal Lennart Jonsson. Everyone agrees Little John was basically a good man, but it seems he had a scheme up his sleeve and had recently come into a good deal of money playing poker. A bit bored with being a stay-at-home mom, Lindell cannot resist getting drawn into the case to catch a cold-blooded killer.
The Princess of Burundi by Kjell Eriksson is an interesting and well-plotted mystery featuring Swedish detectives Ann Lindell and Ola Haver. They work together to solve the mystery of who tortured and murdered John Harald Jonsson, an out of work welder and tropical fish enthusiast. As like many other Scandinavian mysteries, the atmosphere of the country and thoughts of the characters are as important as any action. I like this style but felt this novel lost momentum part way through. However, the writing was eloquent and story was good, so I will undoubtedly pick up the next book in the series.
A bit slow and a lot confusing. One character, a policeman, is always referred to by his full name, even though the other officers and characters were by last names. Some terms could have been explained--for example, "black money"-- was that skimmed profits?, Illegal revenue from a black market scheme? How did John even know about it? The story made absolutely no sense, which may have been the author's point--murder is senseless.
A dense police procedural from Swedish writer Kjell Ericksson, which is in the same league with other Scandinavian greats like Mankell and Fossum. Yet again, we find ourselves in a country town, where the disappearance of a young husband starts a series of terrifying events. The detective, Inspector Ann Lindell, is believable and engaging, as are most of her colleagues (a few are not so engaging). The characterization is splendid, and the brooding atmosphere of a town in crisis is convincingly conveyed.
This book started out a bit dry, and the writing was a bit jumpy, though it was a translation so it may be fine in its original language. It was very low key, and eventually sucked me into the story.There seemed to be a huge cast of characters, many in the police department, and I am still not sure I have them straight, or even know who they all are. While the book was written for a Swedish audience, the American publisher should have done some work on it, besides the translation, for the American public. I would have liked to have seen a map of Sweden, and then one of Uppsala. I was almost 150 pages in before I realized that the places they were talking about, which I took as home towns, were really just sections of Uppsala. Also a glossary of words would have been helpful. I have no idea what Bandy is, other than it is played on the ice. Is it hockey, curling, or something else ?The story has a couple of crimes and no one is sure if they are the same killer of not. That part was interesting, a real mystery. The solution was not so good. A mysterious twin brother, no real foreshadowing, he just appears. There was also a duplicate wad of cash, that came in with the twin. Lazy plotting.The other odd thing was that the cops sat around the station and had these deep philosophical discussions about crime, society, politics, and their place in the current world, and the past of their memories. This would break out during the case meeting to determine what was known from the previous day, and what the new day's tasks were and who was going to do them. Of course the criminals had the same reveries too. Image a crime film done by Bergman ! Though it wasn't that slow or boring, more like Bergman lite.I guess even the socialist paradise of Sweden is having money problems because they are talking about cuts in social services, and police, hospitals, and libraries. But they have this one murder and it becomes the top priority, and their main perp, the victim's brother, is a small time petty thief but they treat him like a big time criminal. So perhaps they aren't used to lots of crime, or violent crime, which is nice, if bit odd.
Set in Uppsala, Sweden, as the story opens, the winter weather is terrible, and a son awaits the return of his father, John Harald Jonsson. However, John Jonsson isn't coming home that night, or any other night because he's been murdered. Not only that, but there is evidence that John has been tortured. His wife, Berit, can't think of anyone that would want to hurt him let alone want him dead. Enter the police department, with the investigation being led by Ola Haver, who has some personal issues of his own, and investigated on the sidelines by Ann Liddell, who's still on maternity leave and really wants to get back to her work on the force.The book is not only a story of the investigation of John's murder, but focuses on the impact of this crime on not only those left behind, but on the police as individuals. Eriksson's skill here is in her ability to create characters who come off as being real, as well as her ability to create and sustain an incredibly somber atmosphere throughout the novel. The mystery is okay, but there's just something about this woman's writing and her ability to create that transcends the plot. Eriksson's skill here is in her ability to create characters who come off as being real, as well as her ability to create and sustain an incredibly somber atmosphere throughout the novel. The mystery is okay, but there's just something about this woman's writing and her ability to create that transcends the plot.I would definitely recommend this novel to readers who want something different than what's currently out there. Readers of more mainstream-type mystery novels may be less likely to enjoy this one, but I find European mystery novels, for the most part, to be more to the point, less cutesy and more intense than what's available on most bookstore shelves.
Not great, but a few clues tie into the end. A better translation would definitely have helped; the language seemed a bit stilted.
Lots of characters to get to know in this mystery. I've finished it and am still not sure they're straight in my head! However, when I read the 2nd one the names should seem more familiar to me. In a way this reminded me of a Ruth Rendell in that there is more than one crime...are they connected? The reader may know but the police don't and that adds to the tension in the story. I enjoy reading books written in other countries---this was originally in Swedish.
This book is more about the psychological than the procedural. The mystery wrapped up in a somewhat unsatisfactory way. But it offered fascinating glimpses of life in Uppsala, Sweden - from the loneliness of the single mother to the desperation of a low-life whose only brother has been murdered to the oddness of being in charge of a murder investigation for the first time.
Very good book. I look forward to reading next in the series. I really enjoy the swedish authors. Great story line and characters
I read this book twice because I thought maybe I missed something, no I didn,t mis anyrhing it,s just not a book worth readind