Ted Kosmatka's sensational new thriller, Prophet of Bones, thrusts readers into an alternate present.
Paul Carlson, a brilliant young scientist, is summoned from his laboratory job to the remote Indonesian island of Flores to collect DNA samples from the ancient bones of a strange, new species of tool user unearthed by an archaeological dig. The questions the find raises seem to cast doubt on the very foundations of modern science, which has proven the world to be only 5,800 years old, but before Paul can fully grapple with the implications of his find, the dig is violently shut down by paramilitaries.
Paul flees with two of his friends, yet within days one has vanished and the other is murdered in an attack that costs Paul an eye, and very nearly his life. Back in America, Paul tries to resume the comfortable life he left behind, but he can't cast the questions raised by the dig from his mind. Paul begins to piece together a puzzle which seems to threaten the very fabric of society, but world's governments and Martial Johnston, the eccentric billionaire who financed Paul's dig, will stop at nothing to silence him.
|Publisher:||Holt, Henry & Company, Inc.|
|File size:||741 KB|
About the Author
Ted Kosmatka is the author of one previous novel, The Games. His short fiction has been nominated for both the Nebula Award and the Theodore Sturgeon Memorial Award, and appeared in numerous Year's Best collections.
Ted Kosmatka was born and raised in Chesterton, Indiana, and spent more than a decade working in various laboratories where he sometimes used electron microscopes. He is the author of Prophet of Bones and The Games, a finalist for the Locus Award for Best First Novel and one of Publishers Weekly's Best Books of 2012. His short fiction has been nominated for both the Nebula and Theodore Sturgeon Memorial Awards and has appeared in numerous Year's Best anthologies. He now lives in the Pacific Northwest.
Read an Excerpt
Prophet of Bones
By Ted Kosmatka
Henry Holt and CompanyCopyright © 2013 Ted Kosmatka
All rights reserved.
The Prophet set his nine-millimeter on the kitchen counter.
He leaned forward, bleeding hard into the sink, the only sound a rhythmic tap of blood on stainless steel. The blood struck in little dime-sized drops, bright red, gathering into a pool on the metallic surface. He hit the knob with the back of his hand and cold water swirled down the drain.
Behind him, feet crunched on spent shell casings as two men entered the room.
"My disciples," the Prophet said. He did not turn. "I knew you'd find me here."
But his disciples, for their part, remained silent. They pulled chairs out from the table and sat. They cocked their weapons. First one, then the other, making a point of it.
Somewhere in the house a TV blared daytime talk, or something like it — intermittent applause, and a deep male voice saying, She a damn lie, that baby don't look nothing like me, and the crowd hooting and hollering its approval.
The Prophet splashed cold water on his face, trying to clear the blood from his eyes. Head wounds bled like a bitch. They always looked worse than they were. Well, not always, he thought. He remembered the guard at the lab and clenched his eyes shut, willing the image away. Sometimes head wounds were exactly as bad as they looked. Sometimes they fucking killed you.
The Prophet peeled loose his tattered white sweatshirt, revealing a torso lean, and dark, and scarred. Tattoos swarmed up both arms to his shoulders — gang symbols across his deltoids, a crucifix in the center of his chest. He wiped his face, and the shirt came away red. The Prophet was not a big man, but wiry muscle bunched and corded beneath his skin when he tossed his stained shirt across the room. He was twenty years old or a thousand, depending on who you asked. Who you believed.
The Prophet turned and regarded his faithful. A smile crept to his lips. "You look like you could use a beer."
He walked to where the dead woman lay against the refrigerator. He kicked her body out of the way enough to open the door. Glass bottles clinked. "All they have is Miller," he said, a kind of apology. Blood trailed across the yellow linoleum. Not his blood, he noted. Not this time. He carried three beers back to the table and collapsed into a chair.
His faithful did not smile. They did not reach for their beers. They sat in their dark suits and black sunglasses; they sat perfectly still and watched him. The first was young, blond, baby-faced. A white scar ran diagonally across his upper lip where a cleft lip had been surgically corrected in childhood. If anything, the scar made him more boyish. The one imperfection in an otherwise perfect face. He held his gun casually, arm resting on the table. His white shirt collar was open at the neck, black tie loosened. The second man was older, darker — all jaw, chin, and shoulders. The hired muscle of the pair. But Babyface was still the one to watch. The Prophet knew this at a glance.
"What's your name?" he asked the blond.
"Does it matter?" the blond answered.
The Prophet shook his head. "I guess not." Babyface was right after all. In heaven there would be no need for names, for all are known to the eyes of God.
"We've been looking for you for a long time, Manuel," Babyface said.
The Prophet leaned back in his chair and took a long swig of beer. He spread his hands. "My followers," he said. "You have found me."
"You've cost a lot of money," the blond continued. "Which is something our employer could forgive." He took off his sunglasses and rubbed the bridge of his nose. He looked up, and his eyes were a bright baby blue. "But you've also caused a lot of trouble, which is something he cannot."
"I never asked forgiveness."
"Then we're agreed on the issue. None asked. None given." The man's pale eyes bore into him. He leaned across the table, pitching his voice low. "Tell me something, Manuel, just out of curiosity, between you and me, before this thing goes the way it's gonna go — what the fuck were you thinking?" The Prophet wiped a runnel of blood from his face. "I was called for this. You wouldn't understand."
"Oh, I suspect you got that right."
The Prophet sipped his beer.
"So then where is it?" Babyface snapped, seeming to lose patience.
The Prophet didn't answer.
"Come on, Manuel. We came such a long way. Don't give us the silent treatment now." He tapped the muzzle of the gun on the table.
"Our most holy is resting."
"Most holy?" Babyface laughed and shook his head. "You know, I thought that bullshit was a joke when they told me." He turned to his partner. "You hear this shit?"
But the muscle only stared, jaw clenched tight. Babyface turned back around. "Or maybe this is all just some game you're playing. Some elaborate con that didn't work out the way you wanted. I heard you're one to play games."
"No game," the Prophet said.
"So you believe it?"
"Then you're out of your mind after all."
The TV droned on, filling the silence, the deep male voice cohering again from out of the background noise — I told you she was lying about it. I told you.
"Where is it?"
The Prophet lowered his eyes. "I laid him upstairs on the bed. It's peaceful up there."
Babyface nodded to his partner. The second man stood. "You don't mind if we check, do you?" Babyface asked. The second man turned and disappeared up the stairs, taking them two at a time. His footfalls crossed heavily above them as he moved from room to room.
Babyface stared from across the table, his blue eyes deep and expressionless. The gun never wavered, held casually in a soft, pale hand.
The footfalls stopped.
The Prophet took another long pull from his beer. "I fed him every three hours, just like I was supposed to."
"And did it matter?"
The Prophet didn't respond. In the distance, the TV broke into applause again. Theme music, end of show. The footfalls crossed above them, slower this time, coming down the stairs. A moment later, the second man was back, carrying a dark form wrapped in a blanket. The bundle didn't move.
The blond man flashed his muscle a questioning look.
"It's dead," the big man said. "It's been dead."
The blond turned to him. "It's not your fault, Manuel," he said. "Most of them die in the first few weeks. Sometimes their mothers eat them."
The Prophet smiled. "He will rise again."
"Perhaps he will," Babyface said. "But I'd like to see that trick." He raised his gun.
The Prophet took a final, cool swallow, finishing his beer. Blood dripped from his forehead and fell to the stained Formica table. He glanced around the room and shook his head. He saw broken dishes, stained wooden cabinets, dirty yellow linoleum. He looked at the dead woman, resolute in her silence. "Nothing good will come of this," he prophesied.
"That's where you're wrong," the blond man said. He smiled, and the old surgical scar curled his lip slightly. "This part will make me feel a whole lot better."
"Though you strike me down, there will be other prophets after me. I won't be the last."
The muscle placed the body on the table, and the blanket opened at one end. A small, dark arm swung free of the blanket — a tiny distorted hand. A hand not quite human.
"I've got a secret for you," Babyface said. "God hates His prophets. Always has."
"God cannot hate."
"That's blasphemy," the blond man said. He lifted the gun to Manuel's face. "God is capable of all things."
He pulled the trigger.CHAPTER 2
Paul liked playing God in the attic above his family garage.
That's what his father called it, playing God, the day he found out. That's what he called it the day he smashed it all down.
Paul built the cages out of discarded two-by-fours he'd found under the deck and quarter-inch mesh he bought from the local hardware store. He gathered small scraps of carpet, odds and ends of plywood, a bent metal bracket that used to belong to his mother's old sewing machine table.
Paul drew the plans out carefully on graph paper during the last week of school.
Two weeks into summer break, his father left town to speak at a scientific conference. "Be good while I'm gone," his father warned him as they stood in the foyer. "Keep studying your verses."
Paul watched from the window as the long black car backed down the driveway.
Because he wasn't old enough to use his father's power tools, he had to use a handsaw to cut the wood for the cages. He used his mother's sturdy black scissors to snip the wire mesh. He borrowed hinges from old cabinet doors, and nails from the rusty coffee can that hung over his father's unused workbench.
That evening his mother heard the hammering and came out to the garage.
"What are you doing up there?" She spoke in careful English, peering up at the rectangle of light that spilled down from the attic.
Paul stuck his head through the opening, all spiky black hair and sawdust. "Nothing."
"You're doing something; I can hear you."
"I'm just playing around with some tools," he said. Which was, in some sense, true. He couldn't lie to his mother. Not directly.
"Just a hammer and some nails."
She stared up at him, her delicate face a broken Chinese doll — pieces of porcelain reglued subtly out of alignment.
"Be careful," she said, and he understood that she was talking both about the tools and about his father.
* * *
The days turned into weeks as Paul worked on the cages. The summer wore on, Lake Michigan humidity cloaking the region like a veil. Because the wood was big, he built the cages big — less cutting that way. The cages were enormous, overengineered structures, ridiculously outsized for the animals they'd be holding. They weren't mouse cages so much as mouse cities — huge tabletop-sized enclosures that could have housed border collies. He spent most of his paper-route money on the project, buying odds and ends he needed: sheets of Plexiglas, plastic water bottles, and small dowels of wood he used for door latches. While the other children in the neighborhood played basketball or wittedandu, Paul worked on his project.
He bought tiny exercise wheels and cedar chip bedding. He pictured in his head how it would be once he finished: a mouse metropolis. Rodent utopia. The mice themselves he bought from a pet store near his paper route. Most were white feeder mice used for snakes, but a couple were of the more colorful, fancy variety. And there were even a few English mice — sleek, long-bodied show mice with big tulip ears and glossy coats that felt slick under his fingers. He wanted a diverse population, so he was careful to buy different kinds.
The woman at the pet store always smiled at him when he came in. She was in her sixties, with bright, bottle-red hair and a pleasant, chubby face. A bell above the door would ring as he stepped inside the shop, and then he'd walk to the back, bend low, and stare through the glass at all the mice for sale. He'd tap his finger on the glass. "That one," he'd say. "And that one over there — the brown one in the corner grooming itself."
"Those are good ones," she always said, no matter which mice he picked. "Those are good ones."
Then the woman would pop the lid and reach inside the cage while the mice ran in berserk little circles to avoid being caught. Catching the mice wasn't easy. Paul understood their fear. For most of them, when that hand came down, it meant death. It meant they were about to join the food chain. He wondered if they sensed this, if they sensed anything at all. He wondered if they thought the hand was the hand of God.
"It's okay," he whispered to them, willing them to be still. "Not this time."
The woman put the mice in little cardboard travel boxes so he could carry them home in his paper-route bag. Later in the evening, when no one was watching, he snuck them up to the attic.
While he worked on their permanent homes, he kept his mice in little glass aquariums stacked on a table in the middle of the room. He fed them scraps of food he stole from the dinner table — chunks of buttered bread, green beans, and Ritz crackers. During the last weeks of summer break, Paul stood back and surveyed all he'd created. It was good. The finished cages were huge, beautiful habitats. He'd heard that word, "habitats," when doing research about zoos. Paul understood that his cages weren't natural habitats; they didn't have plants and rocks inside them. But Mus musculus wasn't a natural animal, not really. Maybe for a mouse, a habitat didn't have to look like nature. Maybe it looked like this.
In the attic, Paul opened the lids on the aquariums and released his mice into their new enclosures one by one. The mice advanced cautiously, sniffing the air — the first explorers on a new continent.
That afternoon, to mark the occasion, he set out on his bike to the local grocery store, where he bought a head of lettuce as a treat for the mice. He brought along his pad of graph paper, stuffed into his paper-route bag, and on the way back stopped at a park a few blocks from his house. The late afternoon sun slanted through the trees. The park was mostly empty. A few older kids hung out on the bleachers near the tennis courts. Kids his own age played near the swings.
Paul looked down at his graph paper and studied his designs. Already he could see ways in which the habitats might be improved. He put pencil to paper, bent over his work, and so didn't hear the footsteps behind him.
"What you doing?" The voice came from directly behind him.
Paul turned. It was Josh, a kid from his school, two grades older.
"I said, what you got there?"
"Nothing," Paul said. He knew Josh well. Knew his tactics from the school yard, all smiles and friendly until it turned bad.
"Doesn't look like nothing to me. Let's see."
Josh grabbed for the notebook and Paul jerked it away.
"Leave me alone."
The older boy slammed the pad out of Paul's hand and then kicked it, scattering the pages across the ground. He laughed. "I didn't really want to see it anyway," he said, and walked off.
Paul bent to pick up his drawings. The pad had split apart, and the papers were drifting away in the wind. On the bleachers, one of the older kids cackled. Paul had nearly gathered the last of his drawings when a sudden gust carried the final sheet toward the swings.
A narrow, sandaled foot came down on the paper, catching it.
"That guy is such a jerk," came a female voice.
Paul looked up from the sandal. A girl from the neighborhood. He'd seen her around but had never spoken to her. She didn't go to his school. He could tell by her long hair and dress that she went to Nearhaven. You could almost always tell Nearhaven kids that way. Just as they could tell the pubbies. And there beside her, on the swing, was a small boy. She bent, picked up the paper, and handed it to Paul.
"Thanks," he told her.
"You're as big as him. Why'd you let him do that?"
Paul shrugged. "He's older."
"I'm Rebecca, and this is my cousin Brian."
Rebecca turned and looked toward the bleachers. "We should go," she said. Josh was talking to the bleacher group now, glancing meaningfully in their direction.
Paul followed Rebecca and her cousin out of the park, riding his bike slowly as they walked beside him. The cousin, it turned out, was a quiet, gap-toothed boy of seven who was staying with Rebecca's family for summer break. Paul had no cousins, and he felt a momentary pang of jealousy. He had no family other than his parents.
When they arrived at her house, he was shocked to find how close she lived. On the other side of the street, one block down.
"We're practically neighbors," he told her.
Paul rode his bike up her driveway. The screen door squeaked as she opened it, but she didn't step inside.
"Those papers," she said. "What were you drawing?"
For a moment, Paul wasn't sure how to answer. She must have sensed the hesitation. "You don't have to say if you don't want to," she added.
Her saying that made it possible. So he told her.
"What do you mean, 'cages'?" she asked. She let the screen door close and sat on the stoop.
He pulled the pad from his paper-route bag. "Here," he said.
Rebecca took the papers, and her cousin leaned close.
"Construction plans, I guess you'd call them," Paul said.
She flipped to the next sheet. This one showed his largest cage, drawn out in intricate detail.
"You built this?"
"Yeah. It wasn't that hard."
"It looks hard to me. Where is it?"
"In the attic over my garage."
"Can we see?"
Paul glanced in the direction of his house. "No, I better not."
Rebecca flipped the page and studied the final drawing carefully. "It must have taken you a long time to put all this together."
Excerpted from Prophet of Bones by Ted Kosmatka. Copyright © 2013 Ted Kosmatka. Excerpted by permission of Henry Holt and Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.