The Queen's Fool

by Philippa Gregory

Overview

#1 New York Times bestselling author and “queen of royal fiction” (USA TODAY) Philippa Gregory weaves a spellbinding tale of a young woman with the ability to see the future in an era when destiny was anything but clear.

Winter, 1553. Pursued by the Inquisition, Hannah Green, a fourteen-year-old Jewish girl, is forced to flee with her father from their home in Spain. But Hannah is no ordinary refugee; she has the gift of “Sight,” the ability to foresee the future, priceless in the troubled times of the Tudor court. Hannah is adopted by the glamorous Robert Dudley, the charismatic son of King Edward’s protector, who brings her to court as a “holy fool” for Queen Mary and, ultimately, Queen Elizabeth. Hired as a fool but working as a spy; promised in wedlock but in love with her master; endangered by the laws against heresy, treason, and witchcraft, Hannah must choose between the safe life of a commoner and the dangerous intrigues of the royal family that are inextricably bound up with her own yearnings and desires.

Teeming with vibrant period detail and peopled by characters seamlessly woven into the sweeping tapestry of history, The Queen’s Fool is a rich and emotionally resonant gem from a masterful storyteller.

Product Details

ISBN-13:	9780743246071
Publisher:	Atria Books
Publication date:	02/03/2004
Series:	Plantagenet and Tudor Series
Edition description:	Original
Pages:	512
Sales rank:	144,768
Product dimensions:	5.30(w) x 7.90(h) x 1.20(d)

About the Author

Philippa Gregory is the author of many New York Times bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Many of her works have been adapted for the screen including The Other Boleyn Girl. Her most recent novel, The Last Tudor, is now in production for a television series. She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds honorary degrees from Teesside University and the University of Sussex. She is a fellow of the Universities of Sussex and Cardiff and was awarded the 2016 Harrogate Festival Award for Contribution to Historical Fiction. She is an honorary research fellow at Birkbeck, University of London. She founded Gardens for the Gambia, a charity to dig wells in poor rural schools in The Gambia, and has provided nearly 200 wells. She welcomes visitors to her website PhilippaGregory.com.

Hometown:

Yorkshire, England

Date of Birth:

January 9, 1954

Place of Birth:

Nairobi, Kenya, East Africa

Education:

B.A. in history, Sussex University, 1982; Ph.D., 18th-century popular fiction, Edinburgh, 1984

Website:

http://www.PhilippaGregory.com

Read an Excerpt

Summer 1548

The girl, giggling and overexcited, was running in the sunlit garden, running away from her stepfather, but not so fast that he could not catch her. Her stepmother, seated in an arbor with Rosamund roses in bud all around her, caught sight of the fourteen-year-old girl and the handsome man chasing around the broad tree trunks on the smooth turf and smiled, determined to see only the best in both of them: the girl she was bringing up and the man she had adored for years.

He snatched at the hem of the girl's swinging gown and caught her up to him for a moment. "A forfeit!" he said, his dark face close to her flushed cheeks.

They both knew what the forfeit would be. Like quicksilver she slid from his grasp and dodged away, to the far side of an ornamental fountain with a broad circular bowl. Fat carp were swimming slowly in the water; Elizabeth's excited face was reflected in the surface as she leaned forward to taunt him.

"Can't catch me!"

" 'Course I can."

She leaned low so that he could see her small breasts at the top of the square-cut green gown. She felt his eyes on her and the color in her cheeks deepened. He watched, amused and aroused, as her neck flushed rosy pink.

"I can catch you any time I want to," he said, thinking of the chase of sex that ends in bed.

"Come on then!" she said, not knowing exactly what she was inviting, but knowing that she wanted to hear his feet pounding the grass behind her, sense his hands outstretched to grab at her; and, more than anything else, to feel his arms around her, pulling her against the fascinating contours of his body, the scratchy embroidery of his doublet against her cheek, the press of his thigh against her legs.

She gave a little scream and dashed away again down an allée of yew trees, where the Chelsea garden ran down to the river. The queen, smiling, looked up from her sewing and saw her beloved stepdaughter racing between the trees, her handsome husband a few easy strides behind. She looked down again at her sewing and did not see him catch Elizabeth, whirl her around, put her back to the red papery bark of the yew tree and clamp his hand over her half-open mouth.

Elizabeth's eyes blazed black with excitement, but she did not struggle. When he realized that she would not scream, he took his hand away and bent his dark head.

Elizabeth felt the smooth sweep of his moustache against her lips, smelled the heady scent of his hair, his skin. She closed her eyes and tipped back her head to offer her lips, her neck, her breasts to his mouth. When she felt his sharp teeth graze her skin, she was no longer a giggling child, she was a young woman in the heat of first desire.

Gently he loosened his grip on her waist, and his hand stole up the firmly boned stomacher to the neck of her gown, where he could slide a finger down inside her linen to touch her breasts. Her nipple was hard and aroused; when he rubbed it she gave a little mew of pleasure that made him laugh at the predictability of female desire, a deep chuckle in the back of his throat.

Elizabeth pressed herself against the length of his body, feeling his thigh push forward between her legs in reply. She had a sensation like an overwhelming curiosity. She longed to know what might happen next.

When he made a movement away from her, as if to release her, she wound her arms around his back and pulled him into her again. She felt rather than saw Tom Seymour's smile of pleasure at her culpability, as his mouth came down on hers again and his tongue licked, as delicate as a cat, against the side of her mouth. Torn between disgust and desire at the extraordinary sensation, she slid her own tongue to meet his and felt the terrible intimacy of a grown man's intrusive kiss.

All at once it was too much for her, and she shrank back from him, but he knew the rhythm of this dance which she had so lightheartedly invoked, and which would now beat through her very veins. He caught at the hem of her brocade skirt and pulled it up and up until he could get at her, sliding his practiced hand up her thighs, underneath her linen shift. Instinctively she clamped her legs together against his touch until he brushed, with calculated gentleness, the back of his hand on her hidden sex. At the teasing touch of his knuckles, she melted; he could feel her almost dissolve beneath him. She would have fallen if he had not had a firm arm around her waist, and he knew at that moment that he could have the king's own daughter, Princess Elizabeth, against a tree in the queen's garden. The girl was a virgin in name alone. In reality, she was little more than a whore.

A light step on the path made him quickly turn, dropping Elizabeth's gown and putting her behind him, out of sight. Anyone could read the tranced willingness on the girl's face; she was lost in her desire. He was afraid it was the queen, his wife, whose love for him was insulted every day that he seduced her ward under her very nose: the queen, who had been entrusted with the care of her stepdaughter the princess, Queen Katherine who had sat at Henry VIII's deathbed but dreamed of this man.

But it was not the queen who stood before him on the path. It was only a girl, a little girl of about nine years old, with big solemn dark eyes and a white Spanish cap tied under her chin. She carried two books strapped with bookseller's tape in her hand, and she regarded him with a cool objective interest, as if she had seen and understood everything.

"How now, sweetheart!" he exclaimed, falsely cheerful. "You gave me a start. I might have thought you a fairy, appearing so suddenly."

She frowned at his rapid, overloud speech, and then she replied, very slowly with a strong Spanish accent, "Forgive me, sir. My father told me to bring these books to Sir Thomas Seymour and they said you were in the garden."

She proffered the package of books, and Tom Seymour was forced to step forward and take them from her hands. "You're the bookseller's daughter," he said cheerfully. "The bookseller from Spain."

She bowed her head in assent, not taking her dark scrutiny from his face. "What are you staring at, child?" he asked, conscious of Elizabeth, hastily rearranging her gown behind him.

"I was looking at you, sir, but I saw something most dreadful."

"What?" he demanded. For a moment he was afraid she would say that she had seen him with the Princess of England backed up against a tree like a common doxy, her skirt pulled up out of the way and his fingers dabbling at her purse.

"I saw a scaffold behind you," said the surprising child, and then turned and walked away as if she had completed her errand and there was nothing more for her to do in the sunlit garden.

Tom Seymour whirled back to Elizabeth, who was trying to comb her disordered hair with fingers that were still shaking with desire. At once she stretched out her arms to him, wanting more.

"Did you hear that?"

Elizabeth's eyes were slits of black. "No," she said silkily. "Did she say something?"

"She only said that she saw the scaffold behind me!" He was more shaken than he wanted to reveal. He tried for a bluff laugh, but it came out with a quaver of fear.

At the mention of the scaffold Elizabeth was suddenly alert. "Why?" she snapped. "Why should she say such a thing?"

"God knows," he said. "Stupid little witch. Probably mistook the word, she's foreign. Probably meant throne! Probably saw the throne behind me!"

But this joke was no more successful than his bluster, since in Elizabeth's imagination the throne and the scaffold were always close neighbors. The color drained from her face, leaving her sallow with fear.

"Who is she?" Her voice was sharp with nervousness. "Who is she working for?"

He turned to look for the child but the allée was empty. At the distant end of it he could see his wife walking slowly toward them, her back arched to carry the pregnant curve of her belly.

"Not a word," he said quickly to the girl at his side. "Not a word of this, sweetheart. You don't want to upset your stepmother."

He hardly needed to warn her. At the first hint of danger the girl was wary, smoothing her dress, conscious always that she must play a part, that she must survive. He could always rely on Elizabeth's duplicity. She might be only fourteen but she had been trained in deceit every day since the death of her mother, she had been an apprentice cheat for twelve long years. And she was the daughter of a liar -- two liars, he thought spitefully. She might feel desire; but she was always more alert to danger or ambition than to lust. He took her cold hand and led her up the allée toward his wife Katherine. He tried for a merry smile. "I caught her at last!" he called out.

He glanced around, he could not see the child anywhere. "We had such a race!" he cried.

I was that child, and that was the first sight I ever had of the Princess Elizabeth: damp with desire, panting with lust, rubbing herself like a cat against another woman's husband. But it was the first and last time I saw Tom Seymour. Within a year, he was dead on the scaffold charged with treason, and Elizabeth had denied three times having anything more than the most common acquaintance with him.

Copyright © 2004 by Philippa Gregory Limited

Reading Group Guide

Touchstone
Reading Group Guide
The Queen's Fool
1. What kind of tone does the novel's opening scene instantly set, and what does it tell us up front about Hannah's and Elizabeth's characters? If you've read other fictional accounts of Elizabeth's life, how does this portrayal of her compare?
2. In public, Hannah plays the fool to Mary's queen, but in private their bond is more intimate. Why is the relationship valuable to each of them, both personally and politically? How is Hannah's connection to Elizabeth different?
3. Hannah is smitten with Robert Dudley from the moment she spots him in her doorway, an angel at his shoulder. How would you describe the bond that develops between them — and how does it change over time?
4. What are the advantages and disadvantages of being the queen's fool instead of a normal courtier?
5. Haunted by the Spanish Inquisition, Hannah describes her Judaism as "some sickness that we pass on," claiming that Jews are condemned to "a lifetime of fear, not Chosen so much as cursed." How do her feelings toward her faith change over the course of the story and why?
6. In the grip of her Sight, Hannah delivers this prophecy: "There will be a child, but no child. There will be a king but no king. There will be a virgin queen all-forgotten. There will be a queen but no virgin....[Dudley] will die, beloved by a queen, safe in his bed." Ultimately, how does history unravel her cryptic prediction?
7. As Mary's marriage falters and her unhappiness grows, she becomes increasingly obsessed with restoring the glory of the Catholic Church through the fires of an English inquisition. Given that Hannah's own mother was killed in just such a fire, how is she able to justify Mary's bloody reign? Did you sympathize with her unswerving loyalty?
8. What changes in both Hannah and Daniel allow their initially contentious relationship to blossom into love? Did you agree with Hannah's decision to leave him when she discovers another woman has borne his child?
9. How does King Henry VIII's dishonorable treatment of Catherine of Aragon continue to affect England even years after their deaths? Why is Mary driven to convert all of England back to Catholicism?
10. Poised to burn books that could condemn her and her father as heretics, Hannah stays her hand, explaining, "If I burned them I was no better than the Inquisition which had killed my mother. If I burned them, I became as one of those who think that ideas are dangerous and should be destroyed." What would you have done in her place? In a world where knowledge was very dangerous, how does Hannah's Sight make her both powerful and vulnerable?
11. What is your estimation of Dudley's character? Do you think he is a true friend to Hannah?
12. Why does Hannah cling to the boyish dress of the fool for so long? Why is she so afraid to become a woman, and what finally inspires her transformation?
13. At the end of her life, Mary finds herself in the place she has most feared: She is a forgotten queen, cast aside by her husband and her people, overthrown in their hearts by a Boleyn girl, just as her mother was. Do you think that this end was her destiny? Are there other paths she might have chosen that would have led her to a long and happy reign?
14. If you're familiar with Elizabeth's history, discuss how the events in this novel foreshadow both what is to come in her reign as queen and in her relationship with Robert Dudley.

Introduction

Touchstone

Reading Group Guide

The Queen's Fool

1. What kind of tone does the novel's opening scene instantly set, and what does it tell us up front about Hannah's and Elizabeth's characters? If you've read other fictional accounts of Elizabeth's life, how does this portrayal of her compare?

2. In public, Hannah plays the fool to Mary's queen, but in private their bond is more intimate. Why is the relationship valuable to each of them, both personally and politically? How is Hannah's connection to Elizabeth different?

3. Hannah is smitten with Robert Dudley from the moment she spots him in her doorway, an angel at his shoulder. How would you describe the bond that develops between them — and how does it change over time?

4. What are the advantages and disadvantages of being the queen's fool instead of a normal courtier?

5. Haunted by the Spanish Inquisition, Hannah describes her Judaism as "some sickness that we pass on," claiming that Jews are condemned to "a lifetime of fear, not Chosen so much as cursed." How do her feelings toward her faith change over the course of the story and why?

6. In the grip of her Sight, Hannah delivers this prophecy: "There will be a child, but no child. There will be a king but no king. There will be a virgin queen all-forgotten. There will be a queen but no virgin....[Dudley] will die, beloved by a queen, safe in his bed." Ultimately, how does history unravel her cryptic prediction?

7. As Mary's marriage falters and her unhappiness grows, she becomes increasingly obsessed with restoring the glory of the Catholic Church through the fires of an English inquisition. Given that Hannah's ownmother was killed in just such a fire, how is she able to justify Mary's bloody reign? Did you sympathize with her unswerving loyalty?

8. What changes in both Hannah and Daniel allow their initially contentious relationship to blossom into love? Did you agree with Hannah's decision to leave him when she discovers another woman has borne his child?

9. How does King Henry VIII's dishonorable treatment of Catherine of Aragon continue to affect England even years after their deaths? Why is Mary driven to convert all of England back to Catholicism?

10. Poised to burn books that could condemn her and her father as heretics, Hannah stays her hand, explaining, "If I burned them I was no better than the Inquisition which had killed my mother. If I burned them, I became as one of those who think that ideas are dangerous and should be destroyed." What would you have done in her place? In a world where knowledge was very dangerous, how does Hannah's Sight make her both powerful and vulnerable?

11. What is your estimation of Dudley's character? Do you think he is a true friend to Hannah?

12. Why does Hannah cling to the boyish dress of the fool for so long? Why is she so afraid to become a woman, and what finally inspires her transformation?

13. At the end of her life, Mary finds herself in the place she has most feared: She is a forgotten queen, cast aside by her husband and her people, overthrown in their hearts by a Boleyn girl, just as her mother was. Do you think that this end was her destiny? Are there other paths she might have chosen that would have led her to a long and happy reign?

14. If you're familiar with Elizabeth's history, discuss how the events in this novel foreshadow both what is to come in her reign as queen and in her relationship with Robert Dudley.

Philippa Gregory is the New York Times bestselling author of several books, including The Other Boleyn Girl and The Boleyn Inheritance. A writer and broadcaster for radio and television, she lives in England. She welcomes visitors and messages at her website, www.philippagregory.com.

Editorial Reviews

It's 1553, and a teenaged girl with a dangerous secret is caught up in royal intrigue as she tries to serve a scheming lord, an unhappy queen, and the queen's ambitious sister. As Edward VI, only male heir of Henry VIII, lies dying, 14-year-old Hannah Green is helping her father in his London printing and bookshop. Because young girls are not supposed to set print or deliver books, she's dressed in boy's clothing, but that's not Hannah's only secret. She and her father are Spanish Jews who fled the Inquisition after her mother was burned as a heretic. Finding refuge in Protestant England, the Greens observe Christian rituals in public, but privately they still honor the old ways. One day Hannah attracts the attention of a shop customer, handsome Lord Dudley, by innocently revealing that she has the gift of second sight-a particularly useful gift in these uncertain times, when it seems that Protestant Edward will be succeeded by Catholic Mary. Hannah becomes an aide to Lord Dudley, who recommends her to the young king to be his Fool. While serving Edward, she follows Dudley's orders to attend and spy upon the king's older sister Mary, whom she grows to love. When Mary becomes Queen, Hannah attends her at court, but (again at Dudley's request) also makes contact with her sister Elizabeth. Hannah admires the young princess's courage as Elizabeth faces losing her life when Mary starts burning Protestants as heretics. Her loyalties divided, fearful that she and her father are vulnerable in Catholic England, Hannah relies on her wits to survive threats, intrigue, and danger. She must also decide whether she will marry Daniel, a family friend, to whom she is officially betrothed. Tudor Englandis not a merry place, but Hannah is no fool. Another intelligent and engrossing tale of Tudor England from Gregory (The Other Boleyn Girl, 2002, etc.). Agent: Esther Newberg/ICM

Kirkus Reviews