Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature

Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature

by Tison Pugh

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Overview

Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature by Tison Pugh

For the U.S. South, the myth of chivalric masculinity dominates the cultural and historical landscape. Visions of white southern men as archetypes of honor and gentility run throughout regional narratives with little regard for the actions and, at times, the atrocities committed by such men. In Queer Chivalry, Tison Pugh exposes the inherent contradictions in these depictions of cavalier manhood, investigating the foundations of southern gallantry as a reincarnated and reauthorized version of medieval masculinity. Pugh argues that the idea of masculinity -- particularly as seen in works by prominent southern authors from Mark Twain to Ellen Gilchrist -- constitutes a cultural myth that queerly demarcates accepted norms of manliness, often by displaying the impossibility of its achievement.

Beginning with Twain's famous critique of "the Sir Walter disease" that pilloried the South, Pugh focuses on authors who questioned the code of chivalry by creating protagonists whose quests for personal knighthood prove quixotic. Through detailed readings of major works -- including Twain's A Connecticut Yankee in King Arthur's Court, Flannery O'Connor's short fiction, John Kennedy Toole's A Confederacy of Dunces, Robert Penn Warren's A Place to Come To, Walker Percy's novels, and Gilchrist's The Annunciation -- Pugh demonstrates that the hypermasculinity of white-knight ideals only draws attention to the ambiguous gender of the literary southern male.

Employing insights from gender and psychoanalytic theory, Queer Chivalry contributes to recent critical discussions of the cloaked anxieties about gender and sexuality in southern literature. Ultimately, Pugh uncovers queer limits in the cavalier mythos, showing how facts and fictions contributed to the ideological formulation of the South.

LSU Press

Product Details

ISBN-13: 9780807151846
Publisher: Louisiana State University Press
Publication date: 12/19/2013
Series: Southern Literary Studies
Pages: 240
Product dimensions: 5.50(w) x 8.50(h) x 1.10(d)

About the Author

Tison Pugh is the author of Innocence, Heterosexuality, and the Queerness of Children's Literature; Sexuality and Its Queer Discontents in Middle English Literature; and Queering Medieval Genres. He is a professor of English at the University of Central Florida, where he specializes in medieval, children's, and southern literature.

LSU Press

Table of Contents

Acknowledgments ix

1 Introduction: Southern History, Mythic White Masculinity, and Queering the Medieval Chivalric Ideal 1

2 Dialectical History, White Indians, and Queer Anxiety in Mark Twain's A Connecticut Yankee in King Arthur's Court 26

3 Medieval Masculinity, Southern Chivalry, and Redemptive Homosexuality in Flannery O'Connor's Fiction 53

4 "It's prolly fulla dirty stories": Queer Masculinity and Masturbatory Allegory in John Kennedy Toole's A Confederacy of Dunces 83

5 "I am the Lost Cause": Queer History, the Southern Phallus, and the Quest for Medieval Timelessness in Robert Perm Warren's A Place to Come To 112

6 "The Sir Walter Disease" and Queer Quests for Masculinity in Walker Percy's Novels 138

7 Conclusion: Ellen Gilchrist's The Annunciation and the Queer Future of Chivalric Masculinities 176

Notes 185

Bibliography 203

Index 219

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