In the years just before the Civil War, during the most intensive phase of American slave-trade suppression, the U.S. Navy seized roughly 2,000 enslaved Africans from illegal slave ships and brought them into temporary camps at Key West and Charleston. In this study, Sharla Fett reconstructs the social world of these "recaptives" and recounts the relationships they built to survive the holds of slave ships, American detention camps, and, ultimately, a second transatlantic voyage to Liberia. Fett also demonstrates how the presence of slave-trade refugees in southern ports accelerated heated arguments between divergent antebellum political movementsfrom abolitionist human rights campaigns to slave-trade revivalismthat used recaptives to support their claims about slavery, slave trading, and race.By focusing on shipmate relations rather than naval exploits or legal trials, and by analyzing the experiences of both children and adults of varying African origins, Fett provides the first history of U.S. slave-trade suppression centered on recaptive Africans themselves. In so doing, she examines the state of "recaptivity" as a distinctive variant of slave-trade captivity and situates the recaptives' story within the broader diaspora of "Liberated Africans" throughout the Atlantic world.
|Publisher:||The University of North Carolina Press|
|Product dimensions:||5.90(w) x 9.30(h) x 1.10(d)|
About the Author
Sharla M. Fett is professor of history at Occidental College.
What People are Saying About This
Recaptured Africans is our first real chance to explore in depth the cultural and political meaning of African recaptives in the American context. At the same time, Fett also foregrounds the experience of the recaptives who were penned up in American camps and stockades, farmed out to American enslavers, and shipped off to Liberia and other places very different from those that they had left. The tragedy of the disruption, suffering, and, often, death undergone by the thousands of (mostly young) recaptives is nowhere explored with the same kind of subtle but powerful emotional depth we see here."—Edward E. Baptist, Cornell University