Red Tent (10th Anniversary Edition)

Red Tent (10th Anniversary Edition)

by Anita Diamant
Red Tent (10th Anniversary Edition)

Red Tent (10th Anniversary Edition)

by Anita Diamant

eBook

$9.99 

Available on Compatible NOOK Devices and the free NOOK Apps.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

In this modern classic interpretation of the biblical story of Dinah, Anita Diamant imagines the traditions and turmoils of ancient womanhood--the world of The Red Tent, a New York Times bestseller and the basis of the A&E/Lifetime mini-series.

Twentieth Anniversary Edition


In the Bible, Dinah's life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that tell of her father, Jacob, and his twelve sons.

The Red Tent begins with the story of the mothers--Leah, Rachel, Zilpah, and Bilhah--the four wives of Jacob. They love Dinah and give her gifts that sustain her through childhood, a calling to midwifery, and a new home in a foreign land. Dinah's story reaches out from a remarkable period of early history and creates an intimate connection with the past.

Deeply affecting, The Red Tent combines rich storytelling and the valuable achievement of presenting a new view of biblical women's lives.


Product Details

ISBN-13: 9781429903639
Publisher: St. Martin's Publishing Group
Publication date: 04/01/2010
Sold by: Macmillan
Format: eBook
Pages: 336
Sales rank: 23,373
File size: 2 MB

About the Author

About The Author
Anita Diamant is the author of The Red Tent, a word-of-mouth bestseller and the Booksense Best Fiction selection. She is also the author of the novels Good Harbor, The Last Days of Dogtown and Day After Night, a collection of essays, Pitching My Tent, as well as several books about contemporary Jewish life, including The New Jewish Wedding and Choosing a Jewish Life: A Guidebook for People Converting to Judaism. Diamant grew up in Newark, New Jersey, and Denver, Colorado. She has a bachelor’s degree from Washington University in St. Louis and a master’s in English from the State University of New York at Binghamton. She lives in Massachusetts with her husband.

Hometown:

Boston, Massachusetts

Date of Birth:

June 27, 1951

Place of Birth:

New York, New York

Education:

M.A. in English, SUNY, Binghamton, NY, 1975; B.A. in Comparative Literature, Washington Univ., St. Louis, MO, 1973.

Read an Excerpt

The Red Tent


By Anita Diamant, Honi Werner

St. Martin's Press

Copyright © 1997 Anita Diamant
All rights reserved.
ISBN: 978-1-4299-0363-9



CHAPTER 1

Their stories began with the day that my father appeared. Rachel came running into camp, knees flying, bellowing like a calf separated from its mother. But before anyone could scold her for acting like a wild boy, she launched into a breathless yarn about a stranger at the well, her words spilling out like water into sand.

A wild man without sandals. Matted hair. Dirty face. He kissed her on the mouth, a cousin, son of their aunt, who had watered sheep and goats for her and told off the ruffians at the well.

"What are you babbling?" demanded her father, Laban. "Who is come to the well? Who attends him? How many bags does he carry?"

"He is going to marry me," said Rachel matter-of-factly, once she had caught her breath. "He says I am for him and that he would marry me tomorrow, if he could. He's coming to ask you."

Leah scowled at this announcement. "Marry you?" she said, crossing her arms and throwing back her shoulders. "You won't be marriageable for another year," said the older girl, who, though only a few years older than Rachel, already acted as head woman of her father's small holdings. The fourteen-year-old mistress of Laban's house liked to take a haughty, maternal tone with her sister. "What's all this? And how did he come to kiss you?" This was a terrible breach of custom—even if he was a cousin and even though Rachel was young enough to be treated as a child.

Rachel stuck out her lower lip in a pout that would have been childlike only a few hours earlier. Something had happened since she opened her eyes that morning, when the most pressing matter on her mind had been to find the place where Leah hid her honey. Leah, that donkey, would never share it with her, but hoarded it for guests, giving tastes to pathetic little Bilhah and no one else.

All Rachel could think of now was the shaggy stranger whose eyes had met hers with a shock of recognition that had rattled her to the bone.

Rachel knew what Leah meant, but the fact that she had not yet begun to bleed meant nothing to her now. And her cheeks burned.

"What's this?" said Leah, suddenly amused. "She is smitten. Look at her," she said. "Have you ever seen the girl blush before?"

"What did he do to you?" asked Laban, growling like a dog who senses an intruder near his herd. He clenched his fists and beetled his brow and turned his full attention to Rachel, the daughter he had never once hit, the daughter whom he rarely looked at full in the face. She had frightened him from her birth—a tearing, violent entry that had killed her mother. When the baby finally emerged, the women were shocked to see that it was such a small one—a girl at that—who had caused so many days of trouble, costing her mother so much blood and finally her life.

Rachel's presence was powerful as the moon, and just as beautiful. Nobody could deny her beauty. Even as a child who worshiped my own mother's face, I knew that Leah's beauty paled before her younger sister's, a knowledge that always made me feel like a traitor. Still, denying it would have been like denying the sun's warmth.

Rachel's beauty was rare and arresting. Her brown hair shaded to bronze, and her skin was golden, honeyed, perfect. In that amber setting, her eyes were surprisingly dark, not merely dark brown but black as polished obsidian or the depth of a well. Although she was small-boned and, even when she was with child, small-breasted, she had muscular hands and a husky voice that seemed to belong to a much larger woman.

I once heard two shepherds arguing over which was Rachel's best feature, a game I, too, had played. For me, the most wonderful detail of Rachel's perfection was her cheeks, which were high and tight on her face, like figs. When I was a baby, I used to reach for them, trying to pluck the fruit that appeared when she smiled. When I realized there was no having them, I licked her instead, hoping for a taste. This made my beautiful aunt laugh, from deep in her belly. She loved me better than all her nephews put together—or so she said as she wove my hair into the elaborate braids for which my own mother's hands lacked patience or time.

It is almost impossible to exaggerate the dimensions of Rachel's beauty. Even as a baby, she was a jewel upon whatever hip bore her from place to place, an ornament, a rare pleasure—the black-eyed child with golden hair. Her nickname was Tuki, which means "sweetness."

All the women shared in Rachel's care after her mother, Huna, died. Huna was a skilled midwife known for her throaty laugh and much mourned by the women. No one grumbled about tending to Huna's motherless daughter, and even the men, for whom babies held as little fascination as cooking stones, would stoop to run a callused hand across her remarkable cheek. They would rise, smelling their fingers and shaking their heads.

Rachel smelled like water. Really! Wherever my aunt walked, there was the scent of fresh water. It was an impossible smell, green and delightful and in those dusty hills the smell of life and wealth. Indeed, for many years Laban's well was the only reason his family hadn't starved.

There were hopes, early on, that Rachel would be a water witch, one who could find hidden wells and underground streams. She did not fulfill that hope, but somehow the aroma of sweet water clung to her skin and lodged in her robes. Whenever one of the babies went missing, more often than not the little stinker would be found fast asleep on her blankets, sucking his thumb.

No wonder Jacob was enchanted at the well. The other men had grown accustomed to Rachel's looks and even to her startling perfume, but to Jacob she must have seemed an apparition. He looked directly into her eyes and was overcome. When he kissed her, Jacob cried out with a voice of a man who lies with his wife. The sound woke Rachel out of her childhood.

There was barely time to hear Rachel describe their meeting before Jacob himself appeared. He walked up to Laban, and Rachel watched her father take his measure.

Laban noticed his empty hands first, but he also saw that the stranger's tunic and cloak were made of fine stuff, his water skin was well crafted, his knife hilt was carved of polished bone. Jacob stood directly before Laban and, dropping his head, proclaimed himself. "Uncle, I am the son of Rebecca, your sister, the daughter of Nahor and Milcah, as you are their son. My mother has sent me to you, my brother has chased me to you, my father has banished me to you. I will tell you the whole story when I am not so dirty and weary. I seek your hospitality, which is famous in the land."

Rachel opened her mouth to speak, but Leah yanked her sister's arm and shot her a warning glance; not even Rachel's youth would excuse a girl speaking out when men were addressing one another. Rachel kicked at the ground and thought poisonous thoughts about her sister, the bossy old crow, the cross-eyed goat.

Jacob's words about Laban's famous hospitality were a courteous lie, for Laban was anything but pleased by the appearance of this nephew. Not much caused the old man pleasure, and hungry strangers were unwanted surprises. Still, there was nothing to be done; he had to honor the claim of a kinsman, and there was no denying the connection between them. Jacob knew the names and Laban recognized his sister's face on the man standing before him.

"You are welcome," Laban said, without smiling or returning his nephew's salute. As he turned to walk away, Laban pointed his thumb at Leah, assigning her the task of seeing to this nuisance. My mother nodded and turned to face the first grown man who did not look away when confronted by the sight of her eyes.


Leah's vision was perfect. According to one of the more ridiculous fables embroidered around my family's history, she ruined her eyes by crying a river of tears over the prospect of marrying my uncle Esau. If you believe that, you might also be interested in purchasing a magical toad that will make all who look upon you swoon with love.

But my mother's eyes were not weak, or sick, or rheumy. The truth is, her eyes made others weak and most people looked away rather than face them—one blue as lapis, the other green as Egyptian grass.

When she was born, the midwife cried out that a witch had been brought forth and should be drowned before she could bring a curse on the family. But my grandmother Adah slapped the stupid woman and cursed her tongue. "Show me my daughter," said Adah, in a voice so loud and proud even the men outside could hear her. Adah named her beloved last-born Leah, which means "mistress," and she wept a prayer that this child would live, for she had buried seven sons and daughters.

There were plenty who remained convinced that the baby was a devil. For some reason, Laban, who was the most superstitious soul you can imagine (spitting and bowing whenever he turned to the left, howling at every lunar eclipse), refused to hear suggestions that Leah be left outside to die in the night air. He swore some mild oath about the femaleness of this child, but apart from that, Laban ignored his daughter and never mentioned her distinction. Then again, the women suspected the old man could not see color at all.

Leah's eyes never faded in color—as some of the women predicted and hoped—but became brighter in their difference and even more pronounced in their strangeness when her lashes failed to grow. Although she blinked like everyone else, the reflex was nearly invisible, so it seemed that Leah never closed her eyes. Even her most loving glance felt a bit like the stare of a snake, and few could stand to look her straight in the eye. Those who could were rewarded with kisses and laughter and bread wet with honey.

Jacob met Leah's eyes straight on, and for this she warmed to him instantly. In fact, Leah had already taken note of Jacob on account of his height. She was half a head taller than most of the men she had ever seen, and she dismissed them all because of it. She knew this was not fair. Surely there were good men among those whose heads reached only to her nose. But the thought of lying with anyone whose legs were shorter and weaker than her own disgusted her. Not that anyone had asked for her. She knew they all called her Lizard and Evil-Eye, and worse.

Her distaste for short men had been confirmed by a dream in which a tall man had whispered to her. She couldn't recall his words, but they had warmed her thighs and woken her. When she saw Jacob, she remembered the dream and her strange eyes widened.

Jacob noticed Leah with favor, too. Although he was still ringing from his encounter with Rachel, he could not ignore the sight of Leah.

She was not only tall but shapely and strong. She was blessed with full, high breasts and muscular calves that showed to good advantage in robes that somehow never stayed closed at the hem. She had forearms like a young man's, but her walk was that of a woman with promising hips.

Leah had dreamed once of a pomegranate split open to reveal eight red seeds. Zilpah said the dream meant she would have eight healthy children, and my mother knew those words to be true the way she knew how to make bread and beer.

Leah's scent was no mystery. She smelled of the yeast she handled daily, brewing and baking. She reeked of bread and comfort, and—it seemed to Jacob—of sex. He stared at this giantess, and his mouth watered. As far as I know, he never said a word about her eyes.


My aunt Zilpah, Laban's second-born, said that she remembered everything that ever happened to her. She laid claim to memories of her own birth, and even of days in her mother's womb. She swore she could remember her mother's death in the red tent, where she sickened within days after Zilpah arrived in the world, feet first. Leah scoffed at these claims, though not to her sister's face, for Zilpah was the only one who could cause my mother to hold her tongue about anything.

Zilpah's memory of Jacob's arrival is nothing like Rachel's or Leah's, but then Zilpah had little use for men, whom she described as hairy, crude, and half human. Women needed men to make babies and to move heavy objects, but otherwise she didn't understand their purpose, much less appreciate their charms. She loved her sons passionately until they grew beards, but after that could barely bring herself to look at them.

When I was old enough to ask what it was like on the day that my father arrived, she said that the presence of El hovered over him, which is why he was worthy of notice. Zilpah told me that El was the god of thunder, high places, and awful sacrifice. El could demand that a father cut off his son—cast him out into the desert, or slaughter him outright. This was a hard, strange god, alien and cold, but, she conceded, a consort powerful enough for the Queen of Heaven, whom she loved in every shape and name.

Zilpah talked about gods and goddesses almost more than she spoke about people. I found this tiresome at times, but she used words in the most wonderful ways, and I loved her stories about Ninhursag, the great mother, and Enlil, the first father. She made up grandiose hymns in which real people met with the deities and together they danced to the sound of flutes and cymbals, singing them in a high, thin voice to the accompaniment of a small clay drum.

From the age of her first blood, Zilpah thought of herself as a kind of priestess, the keeper of the mysteries of the red tent, the daughter of Asherah, the sister-Siduri who counsels women. It was a foolish idea, as only priests served the goddesses of the great city temples, while the priestesses served gods. Besides, Zilpah had none of the oracle's gifts. She lacked the talent for herbs, and could not prophesy or conjure or read goat entrails. Leah's eight-seeded pomegranate was the only dream she ever interpreted correctly.

Zilpah was Laban's daughter by a slave named Mer-Nefat, who had been purchased from an Egyptian trader in the days when Laban still had means. According to Adah, Zilpah's mother was slender, raven-haired, and so quiet it was easy to forget she had the power of speech, a trait her daughter did not inherit.

Zilpah was only a few months younger than Leah, and after Zilpah's mother died, Adah gave them suck together. They were playmates as babies, close and loving friends as children, tending the flocks together, gathering berries, making up songs, laughing. Apart from Adah, they needed no one else in the world.

Zilpah was almost as tall as Leah, but thinner and less robust in the chest and legs. Dark-haired and olive-skinned, Leah and Zilpah resembled their father and shared the family nose, not unlike Jacob's—a regal hawk's beak that seemed to grow longer when they smiled. Leah and Zilpah both talked with their hands, thumb and forefinger pressed together in emphatic ovals. When the sun made them squint, identical lines appeared around the corners of their eyes.

But where Leah's hair was curly, Zilpah's black mane was straight, and she wore it to her waist. It was her best feature, and my aunt hated to cover it. Headdresses caused her head to pound, she said, putting a hand to her cheek with silly drama. Even as a child I was permitted to laugh at her. These headaches were the reason she gave for keeping so much inside the women's tents. She did not join the rest of us to bask in the springtime sun or find the breeze on a hot night. But when the moon was young-slender and shy, barely making herself known in the sky—Zilpah walked around the camp, swinging her long hair, clapping her hands, offering songs to encourage the moon's return.


When Jacob arrived, Bilhah was a child of eight, and she remembered nothing of the day. "She was probably up in a tree somewhere, sucking on her fingers and counting the clouds," said Leah, repeating the only thing that was remembered of Bilhah's early years.

Bilhah was the family orphan. The last daughter born of Laban's seed, she was the child of a slave named Tefnut—a tiny black woman who ran off one night when Bilhah was old enough to know she had been abandoned. "She never got over that hurt," said Zilpah with great gentleness, for Zilpah respected pain.

Bilhah was alone among them. It's not just that she was the youngest and that there were three other sisters to share the work. Bilhah was a sad child and it was easier to leave her alone. She rarely smiled and hardly spoke. Not even my grandmother Adah, who adored little girls and gathered motherless Zilpah to her inner circle and doted upon Rachel, could warm to this strange, lonely bird, who never grew taller than a boy of ten years, and whose skin was the color of dark amber.

Bilhah was not beautiful like Rachel, or capable like Leah, or quick like Zilpah. She was tiny, dark, and silent. Adah was exasperated by her hair, which was springy as moss and refused to obey her hands. Compared to the two other motherless girls, Bilhah was neglected dreadfully.

Left to herself, she climbed trees and seemed to dream. From her perch, she studied the world, the patterns in the sky, the habits of animals and birds. She came to know the flocks as individuals, giving each animal a secret name to match its personality. One evening, she came in from the fields and whispered to Adah that a black dwarf she-goat was ready to give birth to twins. It was nowhere near the season for goats to bear, and that particular animal had been barren for four seasons. Adah shook her head at Bilhah's nonsense and shooed her away.


(Continues...)

Excerpted from The Red Tent by Anita Diamant, Honi Werner. Copyright © 1997 Anita Diamant. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Generations,
Prologue,
Part One: My Mothers' Stories,
Part Two: My Story,
Part Three: Egypt,
Acknowledgments,

Reading Group Guide

About this Guide

The following author biography and list of questions about The Red Tent are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach The Red Tent.

From the B&N Reads Blog

Customer Reviews