With an unforgettable cast of characters and exhilarating twists and turns, this brilliant psychological thriller from the author of Under Your Skin is sure to please fans of Gone Girl.
Everyone keeps telling me I have to move on. And so here I am, walking down the road where he died, trying to remember him the right way.
A year after her husband Zach’s death, Lizzie goes to lay flowers where his fatal accident took place.
As she makes her way along the road, she thinks about their life together. She wonders whether she has changed since Zach died. She wonders if she will ever feel whole again.
At last she reaches the spot. And there, tied to a tree, is a bunch of lilies. The flowers are addressed to her husband. Someone has been there before her.
Lizzie loved Zach. She really did. But she’s starting to realize she didn’t really know him. Or what he was capable of…
|Publisher:||Atria/Emily Bestler Books|
|Product dimensions:||5.20(w) x 8.10(h) x 1.10(d)|
About the Author
Sabine Durrant is a former assistant editor of The Guardian and a former literary editor at The Sunday Times whose feature writing has appeared in numerous British national newspapers and magazines. She is currently a magazine profile writer for The Sunday Telegraph and a contributor to The Guardian’s family section. She lives in south London with her partner, sportswriter Giles Smith, and their three children.
Read an Excerpt
Remember Me This Way
February half-term, 2013
A deep breath. Petrol, manure, the mineral tang of salt. I’m not that far from the sea, even here. My face is damp from the drizzle and the spray of tires on wet road. I’m gripping the flowers in both hands now, like a bride. I chose hyacinths, though I wasn’t sure—blue ones only. Zach told me you should only ever have one color in a bunch. I’ve wrapped the stems in wet paper towels and secured them in a small freezer bag. Either I made the paper too wet or there’s a small hole in the bag, because water is seeping out. It’s dripping down to my elbow.
Over the road, I can see a slope of grass, a copse of blunt trees, the shadow of a hill behind. Above that, sky the color of dirty sheep, darker patches, a dribble of falling sun in the distance as the cold afternoon closes in. I am concentrating hard on all these things, because I know that somewhere in the corner of my vision, across the carriageway and away to the left, is the spot. But I’m not going to look. Not yet.
It is Valentine’s Day, exactly a year since my husband’s car crash, and I am two hundred miles from home beside an A-road in the middle of Cornwall. This trip is an ending or a beginning—I’m not quite sure which. It’s time to move on. People tell me that all the time. I’m trying to believe them.
I pick my moment between the streaming cars and run. When I reach the far side, I look back at the lay-by where my Nissan Micra sits, rocking in the backdraft of the passing lorries. My dog watches me from the side window. I’ve had a feeling since I parked that I’m being shadowed. It’s probably just the remoteness of the place; so many people driving past, no one else stopping. Or it’s guilt—guilt about all sorts of things, but mostly that I should have come sooner.
It’s conventional to visit the scene of a fatal accident, to leave flowers: all those lampposts decked with cellophane where poor cyclists have been killed. It’s less usual to leave it this long. The night it happened, when PC Morrow came to the door, she would have brought me here straightaway. The patrol car was waiting. My sister Peggy stopped me. She told Morrow I needed to go home with her, not drive five hours to a wet, windswept Cornish roadside, to smoke and wreckage. It would be insane, she said. I could go another time. Zach was gone. There was nothing I could do.
And it wasn’t as if I didn’t know what happened. Morrow, fresh from her Family Liaison training, went over it again and again. I understood about the lethal combination: the sea fog and the wet road, the sharp bend, the soft-top roof, the bottles of his favorite distillery-only whiskey on the passenger seat, the oil paints, the solvent-soaked rags in the boot, the thick trunk of the tree—the disastrously placed tree.
I kept putting it off. People understood. Cornwall was Zach’s favorite place. He had a house down there that would need sorting out; they assumed I would get to it in my own time. But then, in the days and weeks that followed, I began to dread it—seeing the emptiness of his bungalow, feeling the loss of him all over again.
I feel a shiver up my back. The clouds are thickening. A gust whips my coat. I must hurry up, get this done, return to the car before it gets any darker. A motorbike, overtaking a lorry, howls. I step back. This thing that had seemed so necessary when I was two hundred miles away has started to feel mad, reckless.
I pick my way along the narrow crumbling shoulder between the white line and the barrier. One foot in front of the other. That’s how you get through—everyone tells you that. One step at a time. I focus as hard as I can on the littered ground: a hamburger wrapper, smeared with ketchup; a used condom, oddly bright in the polluted grass. A polystyrene cup, lodged in the barrier, flips and flaps every time a car passes. As I near the bend, a horn blares—in anxious warning maybe, or perhaps in astonishment at the madwoman in the road with her hands full of flowers.
When I get there, I’ll put the hyacinths down flat at the base. Is that right? Or do they need to be higher? Perhaps I should have thought more about it, brought Scotch tape. Zach would know—though he’d hate me for coming. He would take it as an insult, not a tribute. He hated sentimentality. He didn’t even like anniversaries. He’d think I was giving in to cliché, or to the advice of others. “Who’ve you been listening to, Lizzie Carter?”
I can sense the tree’s form now, its arms veined against the gray sky. I reach the frayed slash in the hedgerow. Pale green shoots on the tip of each twig. It’s callous, the way this hawthorn has regenerated, the way it has bounced back. I glance behind once more and then I hoist myself over the crash barrier, and there it is: the tree, an oak, oddly dignified despite the deep gash in its gnarled bark.
Zach’s tree. I reach out to touch it, to feel the rough grooves of the bark with my fingers. I rest my head against it. My eyes fill.
My friend Jane didn’t think I should have come on my own today. I made her laugh to prove I could cope. I put on a funny voice and talked about my “ceremonial visit,” my “ritual deposit of floral tribute”—phrases from the self-help book my sister gave me. I didn’t tell her the whole truth—how complicated my grief is, how murky, how, more than anything, this is about laying ghosts.
Is all grief so confused, or is it just my particular misshapen form of it? There are days I accept his death and I move through the world as if underwater. Ordinary tasks, like filling the dishwasher, or sending off bills, feel brutal and empty. I resent the pigeons nesting outside the bedroom window, the schoolkids at the start of the term in their new uniform. I can be sideswiped by the smallest of things. I saw a white bike helmet on the head of a man cycling down Northcote Road last week and a wave hit me with such strength, my knees buckled. I had to crouch for a bit on the pavement outside Capstick Sports. Other days, I forget. I am almost carefree, relieved, and then I am overcome by feelings of such intense shame I don’t know where to put myself. I succumb to lethargy and depression. I put things off.
Standing here, I feel close to him in a pure way. This was the point of coming. His death feels real for the first time. I must let him go, hard as it is, because, despite everything, he was the love of my life. Peggy is right. He was the man I have spent most of my life loving—the most minutes, the most hours, the most days, the most time. I close my eyes, blink my tears away, and wonder if I can now let my restless thoughts lie.
Something crackles beneath my foot, and I look down.
Propped against the roots is a bouquet of flowers. Casablanca lilies, formally wrapped in cellophane, secured with a large purple ribbon.
I step back. Another accident in the same place: that’s my first thought. A black spot. The curve of the road, and the unfortunate lay of the land. Another night of fog, perhaps. More rain.
I’m disconcerted. I don’t know where to put my hyacinths. The lilies look so professional and important. I stand there, wondering what to do. I’m not sure Zach, despite his contempt, would want to share. So it’s a moment before I even see the note. It’s white. Someone has drawn a large heart with a name—I tilt my head sideways: X E N I A—spelled out around it. And at the top, in big black letters, it reads: FOR ZACH.
And for a moment, honestly, I think: what a coincidence. Someone else called Zach has crashed and died here. Did they, to use PC Morrow’s verb, “fireball” too?
And then, as the truth settles, I lay the flowers down meekly, on the ground. I rise and, in a trance, pass again through the gap in the hedge, over the crash barrier, and I’m heading along the road the way I came, empty-handed, head down. It’s only when I look up that I see another car—a silver SUV, right up close behind the Micra, tight against its bumper.
A knot begins to press at the top of my spine. I try to run back across the road, but my legs feel weighted, drugged. Cars are coming from behind. A horn blares. My skirt is flapping, trails of scarf whip around my face. Brakes squeal, another horn sounds. A rush of air and spray.
I fumble at the car door, hurl myself into the seat, greeted by the dog, his wiry lurcher body, licking and wriggling and trying to get away from me all at the same time. In the rearview mirror I watch the SUV pull out, catch the hunched form of the driver wrestling the wheel. He must have stopped to check directions, or take a call. Mustn’t he?
Seen in the mirror, my eyes are red-rimmed. A scratch has appeared across my cheek. I rub the top of Howard’s head, roll my fingers under his collar and dig them into the folds around his neck. I am trying not to cry.
A hand-drawn heart. Xenia. He never mentioned a Xenia.
I feel a sharp ache of jealousy, mixed with the old longing, but I am aware also for the first time of its opposite: a slipping of responsibility. Someone else loved him. I have a taste at the back of my throat, clean and metallic, and, despite everything, I realize it’s relief.
• • •
The Internet played Cupid. I like to be up front about that. My sister Peggy, who cares more about appearances than I do, decided early on that we shouldn’t. Pretend it began with a chance encounter at the supermarket. “Tell people you bumped into each other by the fresh fruit,” she said, “reaching for the same Fairtrade pineapple or what have you.”
“Or at the ready-made meals for one,” I said.
“Picking over the Mr. Brains Pork Fingers,” said Zach. “Or what have you.”
I was wary at first. I couldn’t think what he saw in me. But at that moment, in Peggy’s kitchen, watching him charm my sister, the “what have you” already a private joke between us, I let myself fall in love.
Jane, happily married to her childhood sweetheart, had encouraged me to sign up. Since we first met at sixth form college, apart from a brief period in my twenties she had never known me not single. We worked at the same school—it was Jane who put me forward for the job in the library—and she nagged every break time. “It’s not like it used to be,” she said. “No stigma. You just need to pick a website attached to a broadsheet newspaper. You’ll get the right kind of person there. You know”—she made a rolling gesture with her hands, spinning delicacy from snobbery—“educated.” Jane went to university and sometimes forgets that I didn’t.
For my profile, I wanted to write: dowdy librarian, few qualifications, main carer for parent with dementia, very little romantic experience. Jane had other ideas. My friends describe me as an outgoing and fun-loving world traveler, she wrote, batting me away from the screen. Equally comfortable in jeans and a little black dress.
“I don’t even own a black dress.”
She tutted dismissively. “Who cares?”
Zach was my sixth date. An artist, he lived in Brighton, way beyond my prescribed five-mile radius, so I almost didn’t meet him. On the phone, he suggested a walk. They tell you to avoid that sort of interaction; better to meet in a public place. He had already showed himself a rule breaker. The others had engaged in a series of emails in which personality-revealing issues were debated—country life versus town, sexual excitement versus companionship. He just asked if he could ring me. Plus he used his real name right away, not “Lookin’forluv_007,” say, but Zach Hopkins.
In his photograph he wasn’t skiing, or braced in front of a vintage car. He didn’t have his arms around a German shepherd. His picture was black-and-white, out of focus, shot at a low speed, taken from above, his mouth half open, a slight frown, the puzzled concentration of a person deciphering a crossword. The picture looked artless, picked at random, though as I would find out, nothing was ever artless or random with Zach.
I said yes to the walk. I don’t think I hesitated. His low, steady voice; his air, very slightly ironic, of cutting to the chase. Already I was enthralled, knocked off course by his certainty.
He caught the train from Brighton to Clapham Junction, and I waited for him nervously outside the new entrance at the top. It was November, overcast, with a light chill in the air—but it wasn’t cold. He was wearing a Russian fur hat and a heavy coat over a baggy linen suit. As we set off toward the common, me tugging at Howard to stop him from leaping up at the hat, he told me it had taken a long time to choose his outfit. “I wanted to impress you with my natural sophistication. You are, after all, a world traveler.” He gave a small bow. “I was also pursuing a note of eccentricity, an oddity about which we could reminisce. I wanted us to be able to look back and say, ‘Remember that fur hat you wore on our first date. What were you thinking?’ With the added advantage”—he paused to strike a pose—“I thought the trench made me appear more muscular.”
I found it hard to talk because I was so overwhelmed by how handsome he was. The breadth of his shoulders, the blue intensity of his eyes, the stooped height of him. Halfway through my previous date, a coffee in Starbucks with Mr.NiceGuy, a telecoms engineer from Crystal Palace, I had caught sight of the two of us in a mirror. Our rounded shoulders, our bland and yet vulnerable expressions. We looked like two turtles without their shells. I couldn’t think what Zach was doing here. Or why he would waste any time with me. The way he spoke, too, the self-conscious theatricality and the slight nervousness behind it, the accelerated intimacy that might have been ironic or might not. He was the opposite of shell-less turtle, the opposite of bland.
“You seem quite muscular to me,” I said eventually.
We hadn’t even walked as far as the traffic lights across the South Circular when he reached for my hand, stuffing it inside his pocket along with his own.
I remember that more than anything—the rough warmth of his fingers, the dryness I was to discover came from oil paint and white spirit, the cracks across his palm. I remember that more than his volubility, or the heavy overcoat, or the ridiculous hat. He didn’t told my hand stiffly, either. He rubbed it as we walked, massaging it back and forth with his thumb, as if testing the flesh.
Later, when I knew more about him, when he’d explained about his childhood, the problems he had with trust, when he had gazed so deeply into my eyes I felt as if my insides were melting, he told me it wasn’t loneliness that had led him to the Internet. In the normal run of things, he met single women all the time. He was in search of a new beginning, that was all. He just wanted to start again.
• • •
I turn the key in the ignition and pull out. The traffic is heavy. It’s the dull end of a Saturday afternoon, locals are heading away from a soccer match. Dusk is beginning to roll out across the fields. I still have twenty miles to drive from here and I promised Jane, who knows how much I am dreading opening the door to Zach’s holiday house, that I would reach it before dark.
I keep going the long way—the Bodmin bypass and the main road into Wadebridge; two sides of a triangle. It’s the route Zach used to take to Gulls before he discovered the shortcut. A year ago, according to Morrow’s analysis, Zach missed the junction and turned round at the next roundabout. Morrow said he’d probably been drinking. He would definitely have been tired, out late the night before with an art dealer in Exeter, a bad night in a B and B, and then a long day with his paints on the moors.
I think, before I can stop myself, about the last time I saw him—the morning before he died. We were in our small kitchen in Wandsworth. The radio was on, broadcasting the results of a by-election in Hampshire. I was late for work, wary of him, shrugging on my coat, finding a lead for the dog, stuffing on my hat. But as I passed by the door, he reached out and grabbed my sleeve. His pupils were smaller, the irises a lighter blue. His mood had changed. “I love you,” he said intensely, tugging me closer. “You do know, don’t you?”
“I do,” I said. I never doubted that.
“Because I do,” he said. “I do love you.”
He kissed me full on the mouth. I tasted coffee, and mint, and last night’s whiskey. I felt myself sink, yielding, as I always had. My stomach clenched. Tears began to prick. If he had moved his lips to brush the hollow of my neck, I’d have gone upstairs with him, however late I was for school, however scared I was.
I said: “I’m sorry the chicken had mushrooms in it.”
His voice was soft. “It’s just I thought you knew.”
I said: “I should have remembered. And I’m sorry I was late home. Peggy was in a state about the baby.”
“She’s got you round her little finger,” he said.
Howard came up then and nudged my elbow. I scratched behind his ears. He hadn’t been well and I put my hand to his chest, checking.
Zach looked away. “You love that dog more than me.”
He rearranged the coffeepot and his coffee cup on the table so the handles faced the same way. He aligned the teaspoon on the saucer. “Do you promise?”
I’d been kneeling and I stood up, forcing myself to laugh. I had already decided to leave. I had written the letter and posted it. It would be waiting for him in Cornwall. I’d sent it there because I thought it would be better if he were a long way away when he read it. I was hoping this last breakfast would be normal. But my voice sounded too high, strangulated, the words squeezed dry on my tongue. “I promise I don’t love the dog more than you.”
I spoke to him twice more before he died—once on the phone that night and once late the following afternoon. I wanted to hear his voice one more time. He was still on Dartmoor when I rang, at a point called Cosdon, painting a run of ancient stone tors. Bleak and funereal, he said, stretching into the distance like unmarked graves. He was after a dying light. He would reach the bungalow after dark. I told him to be careful on the last unlit stretch of road. It was the last time I spoke to him.
I pull off the dual carriageway, slow down, head over the bridge. The road narrows to a single lane. I put my lights on. I stay under the speed limit. I always do. Zach said I drive like an old woman. It’s the sort of thing I try to remember, his fondness for a casual insult, the way his jokes could tip into something nastier. I hope it will make me miss him less.
It doesn’t work.
You can love and hate someone at the same time. You can so pity them it’s like a fist in your stomach, be so resentful you want to hit them. They can be the best thing that ever happened to you, and the worst. You can have thoughts of leaving them, and yet the memory of their skin, the pads of their fingers across your rib cage . . . these can take your breath away, even after a year.
The letter will still be there at the house. It has sat unopened for a whole year. I imagine it buried under the pizza flyers and the TV license reminders, the Electoral Roll brown envelopes.
Thank God he died before he read it. That’s one thing to be grateful for. He never learned of my betrayal.
When I get there I am going to burn it.
I change gears for the hill. The car jerks. Howard, curled next to me, doesn’t lift his head from his paws.
I have driven past the holiday park, and caught, through a hedgerow, my first velvet glimpse of sea, when I see headlights glaring in my rearview mirror. Undipped, right up close. I am on a slight incline and I accelerate until the lights have receded. Stupid idiot, I think, but then the lights are back. Dazzling, flashing. The car is on my bumper. Its horn is sounding. I think of the silver SUV in the lay-by. Is this an SUV? I can’t see anything else, not the sea, not the banks, not the road, just these insistent, blazing lights, and I’ve started driving faster and faster, hurtling down the hill toward the village until I reach the farm shop. I skid into the entrance and screech to a halt.
The car zooms past and is gone. I wait for a moment. Howard has got to his feet and is nosing at the window. It is dark out, the vegetable racks loom like gallows, and suddenly everything is very still.
The self-help books with their formal stages of grief, they expect a standard trajectory: shock, disbelief, bargaining, anger, depression, final acceptance. I think I’ve got jammed. The one Peggy gave me, The Flowering of Your Passing, had a chapter on “pathological grief.” It’s when a bereaved person finds it impossible to move on. I think pathological grief might be what I’ve got.
No one is out to get me. It’s pathological. Survivor’s guilt. Leaver’s guilt. Unfinished business.
If I had stolen the lilies, I could have them with me now. I would touch them, rub their dusty satin between my fingers, breathe their sickly scent and know that I hadn’t made them up.
It’s a short drive from here, along a web of rough roads that follow the contour of the hill. Gulls is on the outside of this network, close to the edge of the cliff where the properties begin to run out. I put on the radio and rattle the last pockmarked stretch of journey, singing thinly to Taylor Swift.
Most Helpful Customer Reviews
Suspenseful, keeps you guessing...great read!
I agree with others comments that it read in a similar style to "Gone Girl". However, I found the descriptions and details boring and unnecessary at times. The also wasn't held captive by the suspense and unraveling of the story. I actually considered not finishing the book a couple of times, which I NEVER do.
Not the big ending I was hoping for.
From the publisher: One year after he husband Zach’s death, Lizzie Carter, 41 years old, goes to lay flowers on the site of his fatal accident. Since the tragedy, she just hasn’t been the same, racked with grief and guilt and regret and . . . relief. Even though her friends tell her she’s grieved enough for her ‘prince charming,’ her memories of a darker side of Zach that no one else knew are burned into her brain and won’t let her forget him. But as she puts her flowers down at the roadside, she sees a bouquet of lilies at the foot of the tree. Addressed to her husband. She isn’t the first to pay her respects . . . but who is Xenia? As Lizzie learns more about her husband’s past, she begins to realize that maybe she didn’t know Zach at all. But she’s still tormented by her guilt and the memories that just won’t fade . . . because Zach doesn’t seem to be as gone as everyone thinks. And she just can’t shake the feeling that he’s still out there, watching her, waiting to claim her as his own once again. After all, just because we love someone doesn’t mean we can trust them . . . . Lizzie does psychometric testing for a living; Zach is an artist, although a not-yet-successful one. The p.o.v. alternates between that of Zach (the first page is his, and though only one page long [before the narration switches to Lizzie’s], it is quite startling, letting the reader know at once what he/she is in for. Lizzie’s p.o.v. sections take place initially in February 14, 2013, a year to the day of Zach’s car crash, on a Cornish roadside in the middle of Cornwall and 200 miles from her home in London. She thinks to herself “His death feels real for the first time. I must let him go, hard as it is, because, despite everything, he was the love of my life.” The next section, Zach’s, takes place in July, 2009. As opposed to Lizzie’s thoughts as described above, he is thinking “She doesn’t appreciate me, that’s the problem.” All the following alternating p.o.v. sections follow those same timelines [Zach’s last ending on the day of his car crash], wherein initially Zack has a significant other named Charlotte, overlapping with his meeting and becoming involved with Lizzie. All who meet Zack, who is pretty much addicted to Xanax and tramadol, see him as a very handsome and charming man, although he is self-described as being “not very nice” [with which the reader wholeheartedly agrees], and “. . . People like me can’t relax. We may roam outside the boundaries that restrict the behavior of other people, but we’re never free.” The characters all come alive in these pages, but Zack is one of a kind, displaying love, jealousy, and vengeance, among other traits. The ending is shocking, but thoroughly believable. This is a book, and characters, who will stay with the reader after the last page is read, and it is highly recommended.
I found the book to be a bit boring and slow. I felt like I was living the character's lives in real time. Sorry to disagree with the other good reviews.
Lizzie Carter thought she knew her husband Zach. Before he died in a terrible car accident, one for which she blames herself, they spent every possible second together, very much in love. Then, on the anniversary of his death, she visits the site where he died and finds a bouquet of flowers left for him ... by another woman. Thus begins a nightmarish mystery as Lizzie recalls her relationship with Zach, with all of its unexplained surprises and unexpected turns, and works to convince herself that her husband really is dead, and not still alive somewhere, watching her to make sure he still has her all to himself ... Author Sabine Durrant's dark psychological thriller REMEMBER ME THIS WAY debuted in May this year. You think you know someone, the person you married, the person you dated, the person you've lived with for five or ten or thirty years. You think you've got that person figured out, all his or her quirks, ticks, habits, hobbies, likes, dislikes, and patterns. Durrant's work is a testament to the fact that sometimes, you really can't say you know someone until you've seen that person in a whole different light. That's what happened to Lizzie, the protagonist in this page-turner of a suspense novel. Sweet, likable, and willing to believe the best about everyone, Lizzie never even suspected something might be wrong with Zach's mental state until he was gone and she was faced with incontrovertible evidence to the contrary. The novel works both sides of the story. In one half, Lizzie makes increasingly frantic attempts to track down who her husband really was while remembering one conversation, event, or circumstance after another about their relationship that should have told her Zach was growing more and more unstable and controlling. In alternating chapters, Durrant feeds readers Zach's point of view about those same memories Lizzie revisits, except that Zach's is an immediate "happening now" perspective on each of those events, while Lizzie is only recalling them from the "now" present future. The glimpses into Zach's psychological makeup are some of the most fascinating and compelling in the whole novel. He is truly a troubled character --- very much an active force on Lizzie's present circumstances, even in death --- and therefore truly frightening for his constant neediness and insecurity, which gradually manifest themselves as jealousy and then even more. He is the most dynamic character in the work. For Lizzie, change comes slowly as she fights her way through years of denial (hers) and deception (his) to realize the truth about Zach, their marriage, and his death. If anything, Lizzie sometimes comes across as so naive and innocent she seems almost unbelievable. Could anyone really live with so much faith in humanity that he or she didn't see the reality that actually existed? Then again, how many of us could actually say that we know, really know, those to whom we are closest? Every twist and shocking revelation in this novel is guaranteed to keep readers turning pages into the night. # # # Author: Sabine Durrant Title: REMEMBER ME THIS WAY ISBN: 978-1-4767-1634-3 Disclaimer: I received a complimentary copy of this work from the publisher via Netgalley in exchange for an honest, though not necessarily positive, review. The opinions I have expressed are my own.
The reviews are pretty strange, gonna give it a try.
I'm sorry for being mean<br>for everything l've done<br>to break your heart<br>and being the one<p>to stand up<br>for what l believe in<br>and what l love<br>and trying to win.<p>You've tried to form me<br>to society<br>but why can't you stop<br>and let me be me for me?<p>Synthesis<br>Next res for more poems.