Return of the Song

Return of the Song

by Phyllis Clark Nichols

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Overview

Caroline Carlyle's dreams were crushed when her fiancé died six weeks before their wedding. For years she wrestled with aching loss and shattered faith, struggling to find the inspiration that once came so easily. Abandoning her half-finished piano compositions, Caroline trades her old ambitions for the comfort and familiarity of life as the town’s piano teacher.

But Caroline's world turns upside down when a mysterious stranger enters her life. Filled with courage and fresh purpose, Caroline embarks on a quest to track down the beloved, rare piano she played as a child. Her search leads her to Rockwater, the Kentucky estate of a wealthy gentleman, where Caroline finds her heart may be composing a surprising new song.

Product Details

ISBN-13: 9781683701453
Publisher: Gilead Publishing
Publication date: 09/18/2018
Series: Rockwater Suite Series , #1
Pages: 384
Sales rank: 642,706
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

Phyllis Clark Nichols grew up in the deep shade of magnolia trees in Georgia and weaves her Southern culture into character-driven stories that explore profound human questions. She is a classically trained musician and enjoys art, books, nature, cooking, travel, and ordinary people. After retiring as a cable network executive, Phyllis began leading mission teams to orphanages in Guatemala and now serves on three nonprofi t boards, where she works with others who are equally passionate about bringing hope and light to those who need it most. Phyllis and her husband live in the Texas Hill Country.

Read an Excerpt

CHAPTER 1

Picture Windows

* * *

SIX YEARS LATER

MOSS POINT, GEORGIA

The pendulum clock in the studio struck two. Caroline wished it were six. Painful memories and the dread of another anniversary had robbed her of sleep. She should have been lying next to David, wisps of his breath brushing her neck like a moth's wings and an occasional audible sigh interrupting the night's hush. Instead, the night's silence shouted, "David is gone, and you are alone."

Six years of life without him. Six years of unanswered questions. Why, God, didn't You hold back one thunderstorm for one hour — or maybe even a few seconds? Why did David have to be in Guatemala on that ridge that morning? Why didn't I give in and go with him? He begged me to go. If I had, I wouldn't be lying here by myself still longing for him.

Tears of loneliness moistened her pillow. She untangled her feet from the crumpled sheet, rolled over, and sat on the edge of the bed, rubbing her eyes and pulling the scrunchie from her ponytail. Her thick, dark hair fell loose and free to her shoulders. Cradling her head in her hands, she stared at the floor and watched the moving shadows of the ceiling fan blades.

Why do I keep up this act, trying to make everyone think I'm fine, that I'm no longer grieving for David, that my music and my students make my life complete? They don't know that the music isn't really music anymore. They don't know the piano is where I hide. They think I have it all together. Why should they think otherwise? What would it help if they knew that my ordered, predictable life makes me feel safe? Not alive — just safe.

Caroline stood up, brushed her hair back with her fingers, and twined the scrunchie around her ponytail again. The full moon seeping through the studio windows created a luminescence, making lamplight unnecessary for her trip to the kitchen for a cup of tea. She filled the kettle and turned to look out the window into the cottage garden. The air was still. Not even the plumes on the ornamental grass moved. She stood, twirling the string of the tea bag around her finger as she waited for the water to boil. Thinking herself the only mortal awake in Moss Point at such an hour, she longed for the familiar whistle of the teakettle to shatter the overwhelming silence.

That was her life: still and quiet.

She allowed the kettle to whistle two seconds before pouring the water over her tea bag and slumping over the sink to wait.

Waiting. That's what I do. I wait for the water to boil and for the tea to steep. I wait for the sun to rise. I wait for the summer. When will I quit waiting?

She pulled the tea bag from the cup and squeezed it against her spoon, then fumbled everything and dropped the spoon, splattering tea on the floor. She stared at it. Normally she would have wiped it up immediately. Tonight she didn't.

Teacup in hand, she wandered into the great room where her grand piano reigned in the alcove surrounded by three twelve-foot walls of glass. The painted wooden floor felt cool to her bare feet as she walked across the room. In April she often opened the French doors to the terrace, and the fragrance of spring's first roses drifted in on the sultry night air to mingle with the sounds from her piano before floating back out again. But not tonight. The doors remained closed as she sat at the piano, sipping tea and looking at the water garden. After a few minutes she set her cup down on the marble-topped table where she kept her appointment book and student files.

The moonlight's illumination of the keys was more than sufficient for her hands, so at home on the keyboard. Thoughts of David brought a familiar melody to her fingers: "David's Song," the most beautiful melody she ever conceived and yet never finished. She had written songs since childhood. She was trained to compose. She knew the fundamentals. When she'd begun this composition six years ago, the passionate rush of melody and lyrics had come together so quickly she could hardly record them fast enough. More than a song or a melody, this duet of voice and piano, capturing the essence of David and their passion, would have been her wedding gift to him.

It had been exactly three hundred and sixty-five days since she had allowed herself to play this melody. At least outside her head.

Caroline gazed out the window as she played its same notes over and over again. In six years she had not been able to get beyond this one unresolved phrase. Clenched fists finally replaced her nimble fingers, and a strident, dissonant pounding arrested the melody like David's death had halted her life.

At that moment, a shadow on the pond and a hasty movement across the water's edge caught her eye. She stepped to the window. The tea olives next to the glass still shuddered. Her discordant pounding must have startled some creature.

She turned to pick up her tea. Standing so near that the warmth from her cup fogged the pane, Caroline wondered how many more nights she would find herself here gazing through this glass. That was her life: looking through windows. Windows where she had glimpses of good things, then goodbyes.

Twenty-one years ago she'd stood in Ferngrove, looking out the picture window in her parents' living room, observing the delivery of her 1902 Hazelton Brothers piano: a seven-foot Victorian grand made of burled wood and accented with hand-carved scrolling. This piano had become her emotional vehicle, defining her and filling her hours. It had become her safest place. Her love affair with that instrument had charted the course of her life.

Nine years later, she'd stood at that same picture window as three movers, like pallbearers, removed her piano. The sale of it paid her college tuition. Often, over the years, she had imagined that piano, her first love, sitting in someone else's living room and responding to a stranger's touch. Even now she longed for the familiarity of those ivory keys.

Windows. She'd been standing at a picture window when she first saw David. He had stepped through the door — and quite unexpectedly into her heart — at her best friend's wedding.

Her pulse still quickened when she thought of watching him walk up the sidewalk of the Baker house.

Oh, David, we were so different, but we fit like the last two pieces of a puzzle. You were so full of life and so spontaneous. And your laugh ... Your laugh could fill up a room. Me? I was more soulful, always analyzing things, and all I had to bring to a room was my music.

You lived on the edge. I lived safely behind my keyboard. You wanted to teach the world to think and ponder life and its meaning. I just wanted to instill a love of music in one student at a time. You were bold and adventurous, and I was cautious. And look where it got us. You're gone, and I'm alone. How could you just walk in and through my life like that?

She had said goodbye to him at the Atlanta airport six weeks before their wedding. Standing at the terminal window, she'd watched him board his plane for Guatemala. A week later, she had stood at the same window awaiting his arrival as planned. He didn't come. It was days before they knew what had happened. No David, no goodbye, no closure. Only days and nights of looking through windows, hoping he'd come walking up again.

Her own life had been swept into a deep gorge like David's vehicle, never to be recovered. Her faith told her he was in heaven, but her doubt asked, "Where is heaven? What's it really like? Can he see me? Does he know how much I need him?"

Six years in this studio apartment of longtime family friends Sam and Angel Meadows had only numbed the pain. Coming to Moss Point and living at Twin Oaks provided privacy, a place to teach piano, and the nearness of two friends who had loved her all her life, but her wound was still fresh and deep, oozing with despair and loneliness. She kept it bandaged well so no one would notice.

But lately her life dangled like the dominant seventh chord or the unfinished scale she used to play at the end of her piano lesson as a prank on Mrs. Cummings, her childhood piano teacher. Countless times Caroline had run her fingers up the scale — do, re, mi, fa, so, la, ti ... — stopping just shy of the last do. She would run out the door and wait for Mrs. Cummings to play the last note of the scale. Mrs. Cummings always did. That was resolution, the kind Caroline longed for now.

The pendulum clock struck three. Her tea no longer fogged up the window, and the darkness remained. Memories absorbed her when she needed to think about her future. Nothing and no one would appear through this window to change the course of her life again. And important issues were converging in the next few days: her twenty-ninth birthday, the end of another year of piano teaching, and the deadline for a decision that could take her from Moss Point and from this studio that had become her glass cocoon.

She moved back to the piano, sat in the deafening silence, and remembered other windows and unfinished songs. Oh, that morning would come and drown this darknessand the quiet that screams of my solitary existence.

But for now it was still night. She was alone with her piano, and she looked through this window where the night lights danced on the pond's surface amid the silhouettes of magnolia leaves.

She set her teacup down and started to "doodle," conjuring up a melody to accompany the moonlight's waltz across the water. She instinctively darkened the melody when she noticed a shadow moving at the water's edge and she heard the rustling tea olives outside her window. Nighttime shadows nor stirring shrubs frightened her, for playing her piano ushered her into another reality where she was safe.

CHAPTER 2

Breakfast with the Meadows

* * *

April mornings in Moss Point, Georgia, were God's peace offering for the long January nights and early March's blustery breezes. With a steaming cup of coffee in hand, Caroline sauntered through the garden and took her seat on the bench at the pond's edge. Fingers of morning light stretched through the weeping willow and played on the water. She measured each morning's unfurling of the fiddlehead ferns and watched the rosebuds swell until color peaked through the green cradles of leaves.

She sipped her coffee. There really is life after a cold, dark winter. Wish there could be a million April mornings. The irises will disappear in June, and the roses will wilt in July's blistering sun. The ferns will curl crispy brown in August. Then it'll be winter again.

Caroline returned to the kitchen for her second cup. The phone rang, and before the receiver ever reached her ear, she heard, "You are my sunshine, my only sunshine. You make me happy when —" She didn't let him finish. "Good morning, Sam."

"'Good morning, Sam'? How'd you know it was me?"

"There are only two people in the world who'd be singing to me at seven o'clock in the morning. One's my daddy, and he's a tenor who can sing. That leaves you, my friend."

"Well, if you're going to be that way, I won't tell you that Angel is flipping flapjacks over here, and yours are almost ready. The bacon's crisp, the maple syrup's heating, and how do you want your eggs?"

"I'll pass on the eggs this morning, but I can't resist Angel's pancakes. Give me five minutes to get presentable. Oh, and, Sam, I'll bring my coffee, and tell Angel I'll bring her a cup too. She doesn't like that swamp water you drink any more than I do."

Sam broke into song again. "You'll never know, dear, how much I love you —"

"Five minutes, Sam!"

The morning sun, blasting through the east windows, spotlighted tea stains on the floor in front of the sink. A reminder of last night's restlessness. She knelt to wipe the stains with a damp sponge. These pine floors were from the elementary schoolhouse Sam had attended seventy-five years ago. He'd acquired the yellow pine before the building was demolished and used it to build this art studio for Angel for their twenty-fifth wedding anniversary. Floors, walls, ceilings, doors — everything but the twelve-foot walls of glass was white. The studio had been Angel's unblemished canvas where she painted until a few years before Caroline moved in. Now Caroline, grateful to call it home and her piano studio, kept it spotless like her mama had taught her.

A short hallway led to the bathroom. She brushed her long, wavy dark hair, inherited from her father, and pulled it away from her face into a ponytail. Gray sweats were fine for her trip to the big house. They'd be having breakfast on the back screened porch, and it was still cool.

She returned to the kitchen, poured coffee into a carafe, grabbed her own cup, and started over. It was this stone path, laid thirty years ago and worn smooth by Angel's trips to the studio, that led to the main house about a hundred yards away. Just this winding through the garden usually lifted Caroline's spirits, but her sleepless night had taken the spring out of her step.

She climbed the steps and opened the screen door with her one available finger, angling her body through the doorway as she heard Sam's trumpetlike voice from the kitchen.

"Caroline, don't —"

"I know, Sam. Don't slam the door. You tell me that every time I come in. It would have taken you less time to get the spring on the door fixed."

Angel's "Amen!" came from the kitchen.

Caroline set the coffee down on the white wicker table already set for breakfast. Sam, holding the platter of crisp bacon in one hand and a pitcher of warm maple syrup in the other, came through the kitchen door. He leaned down and kissed her on the forehead. "I always liked my women short. Makes me feel so tall." At eighty-four, Sam was still a solidly strong man with a six-foot-two-inch frame that had not yet given in to the weight of his years. Balding with only a few wrinkles in his tanned face, he could easily pass for mid-sixties. In his youth he had been an athlete, and he'd continued his workouts at the YMCA on almost a daily basis up until a few months ago. Now his morning jogs had turned into afternoon walks, and his workouts were in the garden.

Caroline stepped into the kitchen and pecked Angel on the cheek. "Angel, you are a wonder woman, flipping pancakes with one hand and eggs over easy with the other."

"Yep, don't know if it's my cookin' or something else that keeps Sam around." Angel winked at Caroline. "Thought he might decide to dump me for Evelyn Masters when my waistline disappeared and I traded in my belted slacks for floral muumuus."

"Sam crossed Evelyn off his list sixty years ago. Oh, he just thinks of you as his floating flower garden."

"Guess that's better than a floral fire hydrant." Angel flipped another pancake.

Caroline giggled. "I'd say it's those quick brown eyes and that feisty disposition of yours that keep him around. Here, let me help you."

"Gladly, my dear. Put that spatula to those pancakes. I'll do the rest. You know how Sam is about his eggs. Did you bring me some coffee?"

"Would I show up for breakfast without it? Still can't figure how Sam drinks that stuff."

"He's been doing it for years, and it's too late to change him now." Angel patted Sam's eggs with paper towel to remove the grease as Caroline put the last pancakes on the platter. She followed Angel step for step out the kitchen doorway onto the porch.

Sam seated them both and proceeded with the blessing. With oratorical voice and King James English, he prayed as though God was high in His heavens and might have trouble hearing him.

Their food — and possibly the neighbors' too — blessed, Angel looked at Caroline. "Oh, honey! I always said when God was passing out eyes, His basket was empty when He got to you, and He just decided to put in sapphires instead. So tell me, sweetie, why are those pools of blue surrounded by pink this morning?"

"Just a bit of trouble sleeping last night." Caroline took some butter and passed it to Sam.

"I know you. Normal people have nightmares, but you have 'songmares.' Too many tunes echoing in your head again?"

"Not only can you put pancakes, eggs, and bacon all hot on the table at the same time, now you're into mind reading." Caroline hoped that Angel wouldn't require further explanation.

"If she can read minds, then I'm in for some trouble," Sam said.

"You've been in trouble for the last sixty years, but right now I want to hear from Blue Eyes over here."

"You mean a song? Or what?" Caroline skirted the issue again.

"I mean 'what.'"

Caroline stared at her plate, stirring the melted butter into the syrup. "Well, it's an anniversary of sorts. Six years today David didn't return home from Guatemala. The what-might-have-beens always steal my sleep."

(Continues…)


Excerpted from "Return of the Song"
by .
Copyright © 2018 Phyllis Clark Nichols.
Excerpted by permission of Gilead Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Return of the Song 4.6 out of 5 based on 0 ratings. 9 reviews.
Reli 3 months ago
Six years ago Caroline's fiancee was killed in Guatemala just six weeks before their wedding. Since then, she's been surviving, but not necessarily thriving. She has settled in at Moss Point living in the studio of Sam and Angel who take very good care of her. But everyone who loves her is rooting for her to break out of her routine and learn to really experience life again. This book is the first in the series and it gently nudges Caroline out of her routine and she learns to sing again. She is an amazing pianist and gives lessons to students around Moss Point, but one day, as she is walking to her apartment from the main house, she hears a song being played that no one else knows. She had played it the evening before as she was remembering her fiancee's death, but how could someone else be playing it? And why is the fence broken at the back of the garden? These and other questions need to be untangled to answer the mystery. And then there's the piano that Caroline used to have, but was sold to pay for college. She goes on a hunt to find it and her hunt leads her out of Moss Point and that's all I am going to say about that. And when her favorite teapot is dropped and shattered, Caroline learns an important lesson on brokenness. A new friend takes the broken pieces and creates something beautiful out of them and tells Caroline, "Remember that's how God works. He sweeps up all the broken pieces and puts them back together again." And often it can create something even more beautiful than before. I need that reminder in my own life that when life takes an interesting twist I didn't see coming, God is in control and He can create something even more beautiful in my life. I really enjoyed this book. It's a story of redemption, of grief turning to joy again, of slowly learning to sing and maybe even dance again. There's a man, but the romance, if you can even really call it that, is very subtle, but I think will expand in the second book. It's a decently long book too, 400 pages. It's also the first in the series, but I was unable to find the second book anywhere even though it was listed as being released in spring, 2019. The preview I read of the second book makes me want to pick it up right away. I received this book from Gilead Publishing through NetGalley and was not required to write a positive review.
WarrriorPrincess More than 1 year ago
Fans of Phyllis Clark Nichols will not be disappointed by her latest work, Return of the Song. The story is rite with her signature descriptive style; writing that places readers right in the middle of the architecture, artwork, or home cooking of her characters. Caroline Carlyle is a talented musician who essentially stopped living six years ago when her fiancée died. Exhibiting a whole exterior, anyone not looking close enough, would overlook the obvious, Caroline has not recovered; she simply exists, moving from one task to the other. Surrounded by the beautiful scenery of Moss Pointe Georgia, some rather unique small town characters, close friends & family who love her as well as several new strangers who stumble into her life, can Caroline find healing for her broken heart? While readers will enjoy watching Caroline’s story unfold, the ending is sure to leave everyone anxious for Book 2 in “The Rockwater Suite.” ***The publisher provided a free book. However, all opinions included in this review are entirely my own.
BookishTay More than 1 year ago
I thought that Return of the Song was a good read. It was slow in the beginning but once we got more into the story things really picked up. I liked the main character Caroline and I'm excited to see what happens in the next book as the ending of this one left a lot of questions and several open ended relationships, friendships, and story lines. Overall it was a good read.
Pattistep More than 1 year ago
Phyllis_H More than 1 year ago
Poetry in prose Like a lovely melody, the words of this story lilted through my mind. It is poetry in prose. Return of the Song is such a rich, emotionally rewarding journey as Caroline finds her music again after six years of grief. There is a soft, comforting, yet melancholic, feel that had me basking in the experience. I was so hopeful through the story that things would work out well for everyone involved. I was struck by the way so many of the characters had such deep love for one another. Sam and Angel are in their eighties, and after fifty-plus years of marriage are still deeply enamored with each other. They basically adopted Caroline and shower her with the rich kind of love and care that is rare even in families. Ned and Fred, the bachelor twins, are a riot. With their Southern manners and small-town ways, they were simply charming. Though they can’t boast genius IQs, their hearts are so noble and heroic. And their conversations are always amusing. There is a mystery at the beginning of the story – its resolution rocks Caroline’s world. Music and pain bind her with an unexpected new friend and their relationship changes the direction of her life. The search for the piano she had as a child leads her in a surprising direction that just might give her back her music. Read with a Preview at AmongTheReads.net I was given a free copy of this item. This gift did not influence my opinion or review.
Linda_Hibner More than 1 year ago
Return of the Song is my favorite read this fall! With well-drawn details, three dimensional characters, dialogue that seamlessly carries every scene, and a story-line that tugs at one’s heart, this book has it all. The journey Phyllis Nichols takes readers on is one of joy and hope after a long period of heartbreak and grief. Who doesn’t love a developing love story? However, that’s only one aspect of the book. There are also: great touches of small town life with gossipy, humorous, and quirky but loving townspeople; a mystery that leads to a miraculous discovery; and powerfully vivid descriptions of southern life including wonderful music, good cooking, and beautiful homes and gardens. This story captured my attention instantly and I was constantly caught in the reader’s dilemma of wanting to quickly get to the plot’s solution juxtaposed against not wanting the story to ever end. And after all, isn’t that what we want a perfect read to do?!
lelesurfer More than 1 year ago
When life does not run a straight path With "Return of the Song" Gilead Publishing presents the first contemporary novel of the "Rockwater Suite", written by Phyllis Clark Nichols. The story is a southern fiction with some romance and mystery woven together. It presents the reader with beautiful and realistic characters but also with profound human questions. The story takes mainly place in Moss Point which is located in the proximity of Atlanta, Georgia. Caroline Carlyle's fiances passed away six years ago in Guatemala. Now she is 29 years old, has it seemingly all together and is over her grief. In reality she is still dealing with the loss. She is a pianist, composer, and piano teacher who did not finish the piece, "David's song", that was supposed to be her wedding gift to David. Despair and loneliness rule her life. Her relationship with her friends and close neighbors, Angel and Sam, sustain her in her difficult times. She even lives in a studio on their property. An interesting prowler disturbs her life and the search for her childhood piano which her parents had to sell in order to pay for Caroline's college studies leads to surprising contacts and events. Caroline has to decide if she leaves Moss Point in order to enroll in the doctoral studies that she is offered at the university of Georgia in Athens or if she lets the unexpected twists lead her differently. This was the first book by this author. That I am looking forward to read more books from Phyllis Clark Nichols and can recommend the book to to her readers who are looking for a clean novel that offers some romance but also some surprises. It is important to note that the book does not have a typic "cliff-hanger ending", but the story continues in the second book of the series which is entitled "Freedom of Song" and is supposed to be published in 2019. The electronic advance copy of this book was provided by the publisher through NetGalley free of charge. The reviewer was under no obligation to offer a positive review. #RockwaterStuite #NetGalley
katelynsbolds More than 1 year ago
Reminiscent of Jan Karon's Mitford series, Phyllis Clark Nichols has woven a beautiful story with remarkable depth, gorgeous scenery and food description, and a small town filled with lovable, zany characters. While there is a romantic thread throughout the story, the main focus is the character development and the issues that Caroline deals with in the small town of Moss Point, Georgia. I would greatly recommend this book for readers of the Mitford series, as well as readers of Debbie Macomber and Southern fiction. Please note, I received an ARC of this book and was not required to leave a positive review.
MaureenST More than 1 year ago
The author gives us a book that begins in tragedy and ends with hope, but we are reading the in between, and it kept me page turning. The main character has a heart for her fellow man, and has been given the gift of making awesome music by way of her piano. Add in a plethora of other characters that will warm your heart, and some will make you laugh, all to support a wonderful read. There was a time in the book that I was hoping that the break in was David, but that was not to be and it opened a whole new dimension to this read. When Caroline moves out of the studio, I would love to move in, the descriptions of this place are awesome, and the couple who own it were wonderful! I received this book through Net Galley and the Publisher Gilead and was not required to give a positive review.