Includes Native Son, now an HBO original movie by Rashid Johnson, with a screenplay by Suzan-Lori Parks and starring Ashton Sanders.
Native Son exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago’s South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts—including the replacement of an entire scene—that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright’s electrifying novel shows his determination to write honestly about his controversial protagonist. As he wrote in the essay “How ‘Bigger’ Was Born,” which accompanies the novel: “I became convinced that if I did not write Bigger as I saw and felt him, I’d be acting out of fear.”
This volume also contains Wright’s first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom’s Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day—February 12—in the life of a black Chicago postal worker. The text for this edition reinstates Wright’s stylistic experiments, and the novel emerges as a far livelier work of the imagination.
Uncle Tom’s Children first brought Wright to national attention when it received the Story Prize for the best work submitted to the Federal Writers’ Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks “what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity.” All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay “The Ethics of Living Jim Crow.”
Richard Wright was “forged in injustice as a sword is forged,” wrote Ernest Hemingway. With passionate honesty and courage, he confronted the terrible effects of prejudice and intolerance and created works that explore the deepest conflicts of the human heart.
This Library of America edition presents for the first time Wright’s works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society. The volume includes notes on significant changes in Wright’s text and a detailed chronology of his life.
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
About the Author
Richard Wright (1908-1960) is one of the most influential African American writers of the last century. His major works include the story collection Uncle Tom's Children, the novel Native Son, and the autobiography Black Boy.
Date of Birth:September 4, 1908
Date of Death:November 28, 1960
Place of Birth:Near Natchez, Mississippi
Place of Death:Paris, France
Education:Smith-Robertson Junior High in Jackson, Mississippi (1925)
Most Helpful Customer Reviews
I realize the point Richard Wright is trying to make is one of social injustice and how racism can lead innocent people down the wrong path. I realize there is a sociological lesson to be learned from Native Son. Bigger Thomas is portrayed as a 21 year old African American sent out to work for the white man so that his mother and younger siblings have a place to live. With the 1930s as the backdrop it is portrayed that the African American man of that era has a choice - either be a church-going, loyal and submissive type, or a jaded, violent, hardened criminal type. There is no chance for anything in between. Yet, Bigger tries. He is constantly trying. Unfortunately, he is haunted by a paranoid hatred of white people. His fear that they are always out to "get him" gets him in touble time and time again. He is constantly thinking the worst of everyone around him and that causes him to make terrible decisions. There is rape, murder and the death penalty in this book.