Riot City Blues [Japan Bonus Track]

Riot City Blues [Japan Bonus Track]

by Primal Scream

CD(Bonus Tracks)

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If at first you don't succeed, try again. Riot City Blues is another attempt at straight-up trad rock where the ghosts of the Faces, the Rolling Stones, and others come traipsing into Bobby Gillespie's scope and he goes for it. Some heard an overly strenuous attempt at this on 1994's Give Out But Don't Give Up, where it worked not at all due to the band's attempt at literally mimicking the sounds of the aforementioned bands without adding anything else to the mix. Riot City Blues is a much more relaxed effort, and benefits significantly from that stance. Yeah, it's true that on first listen "Country Girl," the album's opener, sounds like an in-the-studio gathering of the Stones and the Faces riotously attempting a country gospel song -- but on deeper observation, it feels more like Delaney & Bonnie & Friends on Motel Shot. The straight-up raw boogie rock of "Nitty Gritty" takes the Delaney & Bonnie move even deeper and brings elements of R&B into the equation. This is late-night drunken rockism. It's not carefully crafted; it's throwing something at the wall because it's there to throw. Riot City Blues is not an "album as event" as many past Primal Scream records were; this is an "album for its own sake" recording. It's an offering where it really seems that Gillespie doesn't care if he loses his hipster following -- all that matters is that Riot City Blues rocks. One can hear traces of not only the Faces but everything from early Alice Cooper (à la Killer) to Mott the Hoople, David Bowie, the Kinks, the New York Dolls, and a whole lot of other rock & roll bands. Looser than the Black Crowes, thinner than even the Black Keys; it's simply shambolic from top to bottom. This is trashy, nasty rock music that doesn't feel modern but it does feel timeless. The songs are riff-centric, some of them joyous, others darkly freaky -- "When the Bomb Drops" is a fine example, and the complete dope and guitar orgy of "Suicide Sally & Johnny Guitar" is in the red zone in the same way "Suffragette City" is. (One can feel the gigantic pub-crawling smile of Mick Ronson from some strange Valhalla.) Most of the tracks here were produced by ex-Killing Joke bassist/Orb collaborator Youth, with a pair recorded and produced by the rather less intense Andrew Innes. Whether "We're Gonna Boogie," with its bluesy harmonica and slide guitar -- with Bobby Gillespie sounding like Donovan singing the Stones' "Country Honk" -- is taking the piss or not is debatable, but it's a gas to listen to, as is the down-home "Hell's Comin' Down," with its fiddle (courtesy of the Dirty Three and Bad Seeds' Warren Ellis), high-strung guitars, 12-strings, and mandolins. The 12-bar blues formula used on the latter cut is particularly refreshing. "Dolls" is such a raucous joy that it's infectious. It's a given that Riot City Blues, issued in 2006, is easily the most unhip record Primal Scream have ever issued. The songs are little more than dressing for the riffs, but they have lots of humor and cleverness and they lack the snide hipsterism of the times. It doesn't matter. Listened to with an open mind, it's a refreshingly retro rock & roll album that uses its waste-oid imagination in capturing every fantasy that entered Bobby Gillespie's teenage mind. Get it.

Product Details

Release Date: 01/13/2008
Label: Sony / Bmg Japan
UPC: 4547366025286
catalogNumber: 1085
Rank: 143997


  1. Country Girl
  2. Nitty Gritty
  3. Suicide Sally & Johnny Guitar
  4. When the Bomb Drops
  5. Little DeAth
  6. 99TH Floor, The
  7. We're Gonna Boogie
  8. Dolls (Sweet Rock and Roll)
  9. Hell's Comin' Down
  10. Sometimes I Feel So Lonely
  11. Stone Ya to the Bone
  12. To Live Is to Fly
  13. Zeppelin Blues While Thinking of Robert Parker
  14. Gimme Some Truth
  15. It's Not Enough
  16. Bloods
  17. Suicide Sally & Johnny Guitar

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