Ritual Imports: Performing Medieval Drama in America / Edition 1

by Claire Sponsler

Overview

Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture.

Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.

Product Details

ISBN-13:	9780801442957
Publisher:	Cornell University Press
Publication date:	12/13/2004
Edition description:	New Edition
Pages:	248
Product dimensions:	6.12(w) x 9.25(h) x 0.88(d)
Age Range:	18 Years

About the Author

Claire Sponsler is Professor of English at the University of Iowa. She is the author of Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England and coeditor of East of West: Cross-Cultural Performance and the Staging of Difference.

What People are Saying About This

Jody Enders

This is a terrific book. Ritual Imports is challenging, interesting, timely, and very pleasant to read. Claire Sponsler brilliantly demonstrates to modernists why medieval theater historiography is crucial to their enterprise.

Kathleen Ashley

Ritual Imports combines originality of approach with scholarly depth, and clarity of exposition with theoretical sophistication. It is smart, well researched, and well written. Claire Sponsler looks at many different kinds of ritualized 'paratheatrical' activity in America, challenging Americanists to stop privileging literacy, professional theater, modernity, and 'narratives of triumphant nationalism.'.

Editorial Reviews

"This is a terrific book. Ritual Imports is challenging, interesting, timely, and very pleasant to read. Claire Sponsler brilliantly demonstrates to modernists why medieval theater historiography is crucial to their enterprise."

Jody Enders

"Ritual Imports combines originality of approach with scholarly depth, and clarity of exposition with theoretical sophistication. It is smart, well researched, and well written. Claire Sponsler looks at many different kinds of ritualized 'paratheatrical' activity in America, challenging Americanists to stop privileging literacy, professional theater, modernity, and 'narratives of triumphant nationalism.'."

Kathleen Ashley

"This is a terrific book. Ritual Imports is challenging, interesting, timely, and very pleasant to read. Claire Sponsler brilliantly demonstrates to modernists why medieval theater historiography is crucial to their enterprise."—Jody Enders, University of California, Santa Barbara

"Ritual Imports combines originality of approach with scholarly depth, and clarity of exposition with theoretical sophistication. It is smart, well researched, and well written. Claire Sponsler looks at many different kinds of ritualized 'paratheatrical' activity in America, challenging Americanists to stop privileging literacy, professional theater, modernity, and 'narratives of triumphant nationalism.'"—Kathleen Ashley, University of Southern Maine

From the Publisher