Ronald Frederick “Ronnie” Lane was an English musician, songwriter, and producer who is best known as the bass guitarist and founding member of two prominent English rock and roll bands: the Small Faces where he was nicknamed “Plonk” and after losing the band’s frontman, the Faces, who dubbed him “Three-Piece”.
Lane was born in Plaistow a working class area in the East End of London, to Elsie Lane and Stanley Lane, a truck driver. Lane later described his father as a “saint”, who would work a long work day, and then return home to nurse his wife and two sons, all of whom were diagnosed with M.S. at differing points in their lives.
After leaving school at the age of sixteen, Lane met Kenney Jones at a local pub, and they formed a group they named The Outcasts. Initially playing lead guitar, Lane quickly switched to bass. When shopping for a Harmony bass guitar, Lane visited the J60 Music Bar in Manor Park, London, where he met Steve Marriott, who was working there. Lane and Marriott set out to form a band, recruiting friends Kenney Jones and Jimmy Winston, who switched from guitar to organ. The Small Faces consisted of Lane on bass guitar, Marriott as guitarist and lead vocalist, Kenney Jones as drummer, and Winston on keyboards. They made their debut in 1965, with Ian McLagan replacing Winston in November 1965. Lane and Marriott began writing hit songs consistently, including “Itchycoo Park” and “All or Nothing”. The band disbanded in 1969 as Marriott left the group.
Lane formed the Faces with McLagan, Jones, Ronnie Wood and Rod Stewart in 1969. He shared primary songwriting duties with Rod Stewart and Ronnie Wood, composing, or co-composing, many of their best-loved pieces and taking a central role during the recording of their fourth and final album, Ooh La La, particularly, as the band’s front man Rod Stewart focused on his own solo career. Unhappy due to poor reviews of the album and Stewart’s lack of commitment, Lane quit in 1973, making his last appearance at the Sundown Theatre in Edmonton, London, on 4 June.
After leaving the Faces, Lane formed his own band, Slim Chance. Initial success commenced with a tour called “The Passing Show”, touring the UK as a carnival complete with tents and barkers. Lane moved to Island Records and issued Ronnie Lane’s Slim Chance and One for the Road.
In late 1976 he joined a short-lived reformation of Small Faces but quit after two rehearsals.However, Lane had signed a contract with Atlantic Records as part of the Small Faces, and was informed that he owed the company an album. His ensuing album with Pete Townshend, Rough Mix, produced by Glyn Johns, which was released in 1977, was lauded as contender for best album of the year by many critics, but the label did not promote it and sales were lackluster.
During the recording of Rough Mix, Lane’s multiple sclerosis was diagnosed. Nonetheless he toured, wrote and recorded (with Eric Clapton among others) and in 1979 released another album, See Me, which features several songs written by Lane and Clapton. Around this time Lane travelled, England and lived a ‘passing show’ modern nomadic life in full Gypsy traveller costume.
Lane emigrated to Texas, USA, in 1984 (first to Houston, then Austin). He formed an American version of Slim Chance, which was, as always, a loose-knit conglomeration of available musicians. He toured Japan but his health continued to decline.
In 1994 Ronnie and his wife Susan moved to the small town of Trinidad, Colorado. Jimmy Page, Rod Stewart and Ronnie Wood continued to fund his medical care because no royalties from the Small Faces’ work was forthcoming until Kenney Jones and Ian McLagan were eventually able to secure payments. Lane succumbed to pneumonia, in the final stages of his progressive multiple sclerosis, on 4 June 1997 and was buried in the Masonic Cemetery in Trinidad, Colorado.
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About the Author
PUBLICATIONS: Original 60s mod around town, John was born in Romford, Essex and spent my formative years playing drums in various bands in and around East London but it was with Johns writing that he found his niche not only as editor of the worldwide respected Small Faces (and related) magazine Darlings Of Wapping Wharf Launderette, which goes out worldwide to 5000 readers, but also as a free-lance writer with major music monthlies such as Mojo, Uncut, Loaded and Record Collector. His work also appear on numerous CDs/DVDs for all the major record companies. The first Small Faces book was back in 1996 and was a collaboration with Terry Rawlings and Keith Badman called “Quite Naturally” but his biggest triumph in this field is the Steve Marriott biography “All Too Beautiful” co-written with Paolo Hewitt and published in 2004 by Helter Skelter books. A labour of love, 77 interviews and three years graft but something hes very proud of. A third edition of this highly acclaimed book will be available later this year. A third book co-written with friend Paul Weller entitled “Here Come The Nice” was published in late 2005 and spent many months in the Music book best sellers. Two more books recently released are the Ronnie Lane biography as well as a biography about original Who manager Pete Meadon. PROMOTIONS: On the Promotions side his biggest venture to date was the very successful, sell-out Ronnie Lane Memorial Concert at the prestigious Royal Albert Hall in London in April 2004. He promoted and compered the show in front of 5500 fans. The show, entitled “One For The Road” featured many of Rock and Rolls premier league and included amongst others Pete Townshend, Ronnie Wood, Paul Weller and Ocean Colour Scene. Other promotions include a sell-out show in 2001 at the London Astoria in memory of Steve Marriott, ex Small Face, who had died in a house fire some ten years earlier (to the day). This concert once again featured Rock’s finest including Noel Gallagher, Paul Weller, Peter Frampton, Small Faces Kenney and Mac, Midge Ure and many, many more.
Paolo Hewitt definitely “was there then.” For four crucial years he was at the centre of Oasis’s inner circle. Working as the band’s DJ he saw first hand the incendiary power of the original line-up at era-defining shows in front of tens of thousands of people. Paolo also had exclusive access to the unfolding dramas as their fame exploded, in dressing rooms and in recording studios, watching moments of creative success and also familial tension. Written from that insider’s perspective, his two accounts of life with Oasis are the definitive telling of the Oasis story. Getting High, first published in 1997 and newly available as an e-book, takes the band’s story from childhood to Knebworth. The Be Here Now world tour is chronicled in Paolo’s second Oasis book, Forever the People, and finds life within the inner circle to have changed greatly.