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Rowing to Latitude: Journeys Along the Arctic's Edge

Rowing to Latitude: Journeys Along the Arctic's Edge

by Fredston

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Jill Fredston has traveled more than twenty thousand miles of the Arctic and sub-Arctic — backwards. With her oceangoing rowing shell and her husband, Doug Fesler, in a small boat of his own, she has disappeared every summer for years, exploring the rugged shorelines of Alaska, Canada, Greenland, Spitsbergen, and Norway. Carrying what they need to be


Jill Fredston has traveled more than twenty thousand miles of the Arctic and sub-Arctic — backwards. With her oceangoing rowing shell and her husband, Doug Fesler, in a small boat of his own, she has disappeared every summer for years, exploring the rugged shorelines of Alaska, Canada, Greenland, Spitsbergen, and Norway. Carrying what they need to be self-sufficient, the two of them have battled mountainous seas and hurricane-force winds, dragged their boats across jumbles of ice, fended off grizzlies and polar bears, been serenaded by humpback whales and scrutinized by puffins, and reveled in moments of calm. Rowing to Latitude is a celebration of these journeys and a passionate testimonial to the extraordinary grace and fragility of wild places, the power of companionship, the harsh but liberating reality of risk, the lure of discovery, and the challenges and joys of living an unconventional life.

Jill Fredston and her husband, Doug Fesler, are avalanche experts and co-directors of the Alaska Mountain Safety Center. When they are not rowing, they live near Anchorage.

Editorial Reviews

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A scull seems an unlikely place for romance; but, after peeling back all the muscle-ripping, digit-freezing, grizzly-fearing drama that's inherent to rowing in the Arctic, that's exactly what you'll find at the heart of Rowing to Latitude. Faithful to that classic literary form, author Jill Fredston and her husband, Doug Fesler, are engaged in an ongoing quest to experience the earth's last remaining truly wild areas. Along the way, we share in their various entanglements -- being showered with the nearly-permanent stench of whale spout, watching innocuous snowdrifts morph rather too quickly into hungry polar bears -- all of which Fredston recounts in a vastly readable style marked by a plucky, self-deprecating wit and a feeling of inclusion for the less athletically/adventurously inclined among her readers.

Fredston's powers of observation are remarkable, concomitant with a gift for conveying them into resonant language: Sea swells are "boiling hydraulics," and a border of coastline on a map becomes a "swatch of decaying lace held to the sky." You can also sense the deep and genuine passion Fredston has for nature in, for example, her simple yet scathing indictment of timber clear-cutting practices or through the elevation to an art form of the simple yet infinitely loving act of carefully cleaning up each campsite to let whoever may follow experience the full thrill of discovering pure wild country. That passion is likewise present in the work's episodic structure.

Whether it's the exhilaration of Alaska's "Inside Passage" or another summer's exploration of the more domesticated Norwegian coast, you understand that for Fredston and Fesler, life may go on in the meantime, but that it is only truly lived with oars in hand. And that feeling, so wonderfully common to Rowing to Latitude as it is to any good romance, is something to be savored. (Fall 2001 Selection)

Publishers Weekly
In this lyrical look at rowing some of the world's most isolated and pristine coasts, Fredston focuses as much on her personal experience and her relationship with her husband, Doug Fesler, as she does on their actual journeys. The two avalanche experts, researchers and rescue trainers canoe the Arctic and sub-Arctic coastlines of Alaska, Canada, Greenland, Norway and Sweden for three months out of each year. They travel together but in separate canoes: an apt metaphor for their marriage. An avid rower since childhood, Fredston ultimately landed in Alaska, drawn by its possibility and wildness. There she met Fesler, the state's leading avalanche authority. They worked and rowed together, and eventually fell in love. Fredston ably describes both the big picture the coastline, encounters with polar bears, the high-stakes game of second-guessing storms and tides and the details of their travels. Her description of the physical act of rowing is rapturous, even sensual: "Sculling is the closest I'll ever come to being a ballerina, to creating visual music." Fredston seems less at ease relating her mother's battle with cancer, near the book's end. Still, the book soars. "Wilderness rowing is far more than sport to me; it has been a conduit to know and trust myself," Fredston explains. "It is my way of being, of thinking, of seeing. In the process, rowing has evolved from something I do to some way that I am. Figuratively and literally I have spent years rowing to latitude." A must-read for armchair travelers, as well as a close and loving look at an intimate relationship. (Sept.) Copyright 2001 Cahners Business Information.
Library Journal
Growing up in a house on the waters of Long Island, Fredston started rowing at the age of ten, when she got her first rowboat. She and her husband, Doug Fesler, are avalanche experts and codirectors of the Alaska Mountain Safety Center, but during the summer months they explore the desolate reaches of the North, traveling under their own power in oceangoing skulls and kayaks. This is the story of their 20,000-mile water journeys through Alaska, Canada, Greenland, Spitsbergen, and Norway. The pair sees the world pass by in reverse as they row, backwards, down remote rivers and along barren, rugged shorelines. They travel along many of the same routes that Jonathan Waterman detailed in Arctic Crossing (LJ 4/15/01), but Fredston focuses more on the trip and only respectfully mentions contacts with the indigenous people and their culture. Like Waterman, the couple encounters fierce storms, ever-present mosquitoes, and abundant wildlife, but Fredston maintains that it is worth facing all this adversity in order to see and experience the natural beauty of the North. Enjoyable and well written, this first book is sure to be popular in public libraries. John Kenny, San Francisco P.L. Copyright 2001 Cahners Business Information.
Kirkus Reviews
In unremarkable prose, an intrepid adventurer recounts her rowboat experiences contending with some of the earth's most beautiful and treacherous waters. Fredston and her husband have divided lives: In the winters they are avalanche experts and co-directors of the Alaska Mountain Safety Center near Anchorage; in the summers they take extensive trips (in separate craft, sometimes for thousands of miles) on wild waterways. Paddling, says Fredston, is their favorite way to travel: "It allows us to tickle the shoreline, and opens our senses to the rhythms around us." Fredston begins with a bit of autobiography. For her tenth birthday, she received her first rowboat, and has since used every opportunity to get to the remote waterways of the northern world and advance her considerable skills. She recounts seven long trips (with an interlude about avalanche rescues), the first in 1986 from Seattle to Skagway, Alaska. Then it's a journey down the entire length of the Yukon River, another in the Chukchi Sea, then down the Mackenzie River and along the coasts of Labrador and Norway, with a final trip in Greenland's waters. Lots of miles, bears, and high winds for a little volume, and therein lies one of the problems. Each of these trips offers enough material to fill a book, so there's a pervasive sense of incompleteness, a rush to load another boat and shove it out into the water before we've really figured out, or even thought much, about where we are. Pretty soon we don't care. Fredston cannot resist telling us what wonderful condition she is in, how quickly she learns, how cool she is under fire. She disdains people on cruise ships and those who pollute her playgrounds. But the mostserious problem is her writing, which rarely breaks the surface of conventionality: "Most days were a rich collage"; "the country is a study in contrasts"; and so on. Extraordinary trips; ordinary writing.
From the Publisher

“As with most trips, Rowing to Latitude rewards you when you finally get to where you're going. Fredston makes you see wilderness as a more precious commodity than you thought, and inspires you to stretch your limits physically and mentally.” —Lynne McNeil, The San Diego Union-Tribune

“An honest and self-aware woman's record of her unusual life...a shrewd analytical look at human existence as a balance of danger and joy.” —Judith Niemi, The Women's Review of Books

“Beguiling.” —Gail Caldwell, The Boston Globe

“The book is far more than an adventure travel narrative. It also is deeply personal memoir and love story.” —Brian Maffly, The Salt Lake Tribune

“[Fredston] sticks to telling good stories about battling, on primitive terms, the weather, the water, the land, the animals and some of the demons that haunt us all.” —Craig Medred, Anchorage Daily New

“[Fredston] provides armchair travelers with a vivid portrait of wilderness rowing...full of intriguing personal digressions and moments of high drama.” —John Freeman, The Wall Street Journal

Product Details

Farrar, Straus and Giroux
Publication date:
Edition description:
Product dimensions:
6.08(w) x 8.54(h) x 1.03(d)

Read an Excerpt

And so in time the rowboat and I became one and the same — like the archer and his bow or artist and his paint. What I learned wasn't mastery over the elements; it was mastery over myself, which is what conquest is ultimately all about.
—Richard Bode, First You Have to Row a Little Boat

The Pull of Rowing

When I was ten, my family moved to a house at water's edge in Larchmont, a well-heeled town on Long Island Sound north of New York City. Initially, I was anchored in the rose garden, with only a cheap marine air horn to engage in the bustle of my new backyard. I'd give three quick blasts, the local signal used by crews for pickup from their moored sailboats and motor cruisers, then duck behind the seawall, chortling as the launch from the yacht club circled aimlessly, looking for passengers. Though my distinguished lawyer father denies it, I'm quite sure the idea was originally his.

As a belated birthday present, my parents gave me a rowboat, on the condition that they could name it. I craved a boat so intensely that I would have sacrificed more than my pride. Promises to do dishes for a year or not to spy on my teenage sisters could have been extorted. But all my parents wanted was to choose a name. That seemed simple enough until I was marooned on the wrong side of a closed door, while the two people who theoretically loved me most in the world conferred, oblivious to the passage of time. Finally, the moment came when I was led to see my new boat. A five-foot fiberglass pram, almost as wide as it was long, with two unscratched wooden oars, a speckled blue interior, plank seat, and shiny oarlocks: it was perfect. Prominently emblazoned on its stern, in oversized black letters, were the words Ikky Kid. My eldest sister, Dale, insists that the name was her inspiration.

Being ten, I did not waste time pondering the message my family was trying to convey. I just launched my boat, clambered in, and rowed away to a new freedom. In hindsight, the name was a good fit. It accurately described a stick-figure brat with a tendency to whine. Dale remembers me as a nonconformist from an early age, but I think the label is a euphemism. I was stubborn, allergic to criticism, and loath to admit I was wrong. I'd back myself into corners and say things I didn't mean but was too proud to recant. "I'm not hungry," I'd assert, then wind up listening to my stomach growl through the night.

Ikky Kid provided an outlet for my frustrations. I spent most of my time in her, cruising all the crannies of Larchmont Harbor, slipping past large houses with their stone gazebos and private docks. I followed families of Canada geese as they swam sedately through rustling salt marsh grasses and surprised couples nestled in the smooth granite of a waterside park shaded by stout oak trees. I rowed to imaginary Olympic glories. Once, trying to execute one of my father's poorer plans, I towed a putrid, bloated swan that had washed up on our beach out beyond the harbor's breakwater to the main body of Long Island Sound, which stretches more than a hundred miles from open ocean off Rhode Island to New York City. I passed whole days inside that little boat, swigging warm orange juice from a carton, gobbling cookies, lying in the sun, reading, drifting. It was a world of its own, and I was the captain.

The next summer, accompanied by a friend in an equally undersized sailboat, I made the seven-mile crossing to Long Island. We swam gleefully, uninvited and unnoticed, in the outdoor pool of a stately Gatsby-type house with a sloping green lawn lined by bright beds of flowers. On our way home and scarcely a mile from Larchmont Harbor, we were stopped by the Coast Guard. A pockmarked, humorless man in an orange jumpsuit asked our ages, carefully logged our names and addresses onto a clipboard, and called our parents. It hadn't occurred to us to think about the distance or the danger. We were simply heading for another shore, propelled by a spirit that reminds me of Joseph Conrad's words: "I remember my youth and the feeling that will never come back any more — the feeling that I could last for ever, outlast the sea, the earth, and all men."

My family's turreted, slate-roofed house was one of only four on a small island. At low tide, it was close enough to the mainland so that a good long jumper might have been able to make the leap onto a thick bank of hold-your-nose muck. There was an arched stone bridge, but as far as I was concerned, living on an island meant rowing everywhere. I rowed to my junior high school, undeterred by the fact that if it was low tide when school let out, I had to walk home and return later when there was enough water in the channel to float the boat.

It is impossible to move a rowing boat across the surface of the water without leaving an imprint, a disappearing record of the boat's passage. I'll never know if Ikky Kid shaped the way I see the world or was simply the outlet for the person I already was. Certainly, I was given plenty of other opportunities. Regular piano lessons and long fingers didn't inspire me to be a pianist, and my mother's good cooking unfortunately did not encourage me to follow suit. I wouldn't have minded converting hundreds of hours on tennis courts into a career as a professional player, but I wasn't good enough. My tendency was to go for instant gratification, for the slam, rather than biding my time for an opening. I do know that from the moment I stepped into Ikky Kid, at some waterline level, I sensed the potential of using my own power to compose a life. Ikky Kid floated me into wider horizons, away from my circle of competitive, achievement-oriented friends, giving me room to find good company in myself and in nature.

I have a friend whose short, pudgy son was determined to play high school basketball. None of us wanted to discourage him, but the odds seemed starkly slim. Josh spent hours at the hoop in the driveway, challenging all comers to games of one-on-one. Then, seemingly overnight, he metamorphosed into two tall legs on a lean frame that almost had to stoop to enter a doorway. Everyone was surprised but him. It was as though he had known all along the possibilities within him. Rowing helped me to outgrow my Ikky Kid persona in the same way. I just bided my time and took a while to let others in on the secret.

Ikky Kid only whetted my appetite for the outdoors. Though confused by how they had ended up with a kid like me in suburban New York, my parents did everything they could to foster my interests, shipping me further and further west. In my early teens, they packed me off to a ranch camp in Wyoming, where I earned coveted status as a "roughrider" by guiding my horse through swamps and drinking, with eyes scrunched shut, snake blood that tasted suspiciously like lemon juice. With an unopened tin of snuff conspicuously stuck in the back pocket of my jeans, I came home saying crik instead of creek, and spent hours trying to lasso the dog. When I returned from a National Outdoor Leadership School (NOLS) wilderness skills course the following year, the same dog refused to eat a coffee cake I baked over a fire in the backyard but deigned to keep me company when I forsook my bed for a sleeping bag outside.

Under the misleading headline "She Practices What She Preaches," an article in the local newspaper featured a photograph of me at sixteen, looking like an orangutan with long arms and drooping shoulders. I was about to spend weeks hauling rocks with a Student Conservation Association trail crew in Yosemite National Park. In the article, I chirp, "I'm going to be involved with the wilderness for the rest of my life. If I don't do something about it now, there won't be any wilderness left later." I graduated early from high school and interned for an environmental education program in New Jersey, which wasn't as oxymoronic as it sounds. By eighteen, I was a National Park Service summer naturalist at the Grand Canyon. Photographs from that era show me looking as cool as I knew how — my left hip juts out at an angle, both hands are stuffed into the pockets of drab green pants, the trademark flat-brimmed hat is pulled firmly over my head, and the gold-colored badge over the pocket of my gray shirt appeared excessively polished.

Copyright © 2001 Jill Fredston

Meet the Author

Jill Fredston and her husband, Doug Fesler, are avalanche experts and co-directors of the Alaska Mountain Safety Center. When they are not rowing, they live near Anchorage.

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