"[Robinson] strikes sweetly at the commonality of people rather than narrowing in on cultural differences. The entire book is fast, colloquial, and engaging; concise enough to be read in one sitting, yet retaining the weightiness of a larger work. Its brevity makes it an ideal re-read and the second reading proves just as entertaining. The funny parts remain funny, the rendering of landscapes evocative and intimate, and the general themes stay relevant. Through rich and often comic dialogue and her painterly descriptions of the northwest landscape, Eden Robinson presents a glimpse into her community with the delicious, whispered quality of a well-told, yet well-protected, family story. Cara-Lyn Morgan, The Malahat Review, Winter 2011 [Full review at http://bit.ly/wJo067]
... reading the essays inside feels like visiting with a curious, thoughtful friend-one who has always just read something interesting and leaves you with lots of new ideas to consider, a friend who also has her feet on the ground, plenty of experience, and an easy playfulness that makes her company a pleasure.... [G]uided by Major, we readers populate our minds with seemingly disparate elements, energize that space with reason, imagination, and emotion, and listen to the reverberations of whatever collisions ensue. This book is an obvious fit for courses in science writing or creative science writing.... It would make an excellent gift book, too...
Interdisciplinary Studies in Literature and Environment [Full article at doi:10.1093/isle/iss093] - SueEllen Campbell
Eden Robinson's The Sasquatch at Home offers the reader a taste of her skill as a storyteller. The book is a tiny gem.... This brilliant little jewel, under 50 pages, offers readers a quick, but intense opportunity to experience the work of a rising Canadian writer. Like her novel, Monkey Beach , the accessibility of The Sasquatch at Home suggests its appropriateness for use in undergraduate courses. Above all, it is an essential acquisition for anyone with an interest in Pacific Northwest or Native Canadian studies, but it is also a find for those who just like a good story.
American Review of Canadian Studies - Amy J. Ransom
[Eden Robinson's] lecture reprises the Sasquatch theme from her novel, Monkey Beach . It is less a lecture than an extended poem - a love song to a place and people, a celebration of survival of places, names, and humans.... The work is filled with alternate narratives. Just when we are eagerly following a line of story or thought, out come Trickster-ish turns and teases.... Robinson seductively draws outsiders in, then sharply clarifies the limits of the welcome.... Eden Robinson brings her own literary ethics to the discussion [of the limits of cross-cultural sharing]. Her consciousness and conscientiousness permeate her fiction as well as the Sasquatch lecture. It is fitting that Paula Simons calls her 'one of Canada's most provocative and talented writers' and also 'a moral and cultural force'.
Robinson sees and shows how culture is not something frozen in the past, that it embraces shopping and mail order and outboard motors and McDonald's as much as it does medicinal plants, poles, and potlatches. That the processing is the same, whether the stories involve Elvis, his mother, and Graceland, or Sasquatch and oolichan. If I were minister of culture or of education, I would recommend this book as compulsory reading for every Canadian; it's about who we are and how we know.
Prairie Fire Review of Books (Vol. 12, No. 1) - J.M. Bridgeman
Since publishing Monkey Beach , Eden Robinson has been one of Canada's most engaging writers.... Her latest work is flat out delicious reading, entertaining and informative at same time.... That's Robinson's method-righteous storytelling, straight from the heart. With this new one, Robinson further cements her place as a national treasure.
Pacific Rim Review of Books (full review at http://www.prrb.ca/articles/issue16-sasquatch.htm) - Trevor Carolan
[Robinson] strikes sweetly at the commonality of people rather than narrowing in on cultural differences. The entire book is fast, colloquial, and engaging; concise enough to be read in one sitting, yet retaining the weightiness of a larger work. Its brevity makes it an ideal re-read and the second reading proves just as entertaining. The funny parts remain funny, the rendering of landscapes evocative and intimate, and the general themes stay relevant. Through rich and often comic dialogue and her painterly descriptions of the northwest landscape, Eden Robinson presents a glimpse into her community with the delicious, whispered quality of a well-told, yet well-protected, family story.
The Malahat Review [Full review at http://bit.ly/wJo067] - Cara-Lyn Morgan
