Novelist Ian McEwan's dazzling piece of post-9/11 fiction follows a London neurosurgeon through a day that begins with an ominous portent, settles into routine, and then explodes in a single act of unexpected violence. Capturing the anxiety of a world on orange alert, McEwan exhibits typical subtlety as he steers the story toward its shattering denouement. Saturday is a study in narrative tension that shames most so-called thrillers.
… there's little question that McEwan is supremely gifted and knows all the tricks and sleights of fiction. His latest novel, Saturday, might be a textbook example of how to generate a growing sense of disquiet with the tiniest finger-flicks of detail -- a broken mirror, a flash of red, two figures on a park bench. Slowly, readers may start to guess what will happen, but not how or when or to whom. McEwan makes us wait, lulls us into thinking we might be mistaken, and then -- just as we're feeling relaxed, bathed in well-being as after a big glass of wine -- he springs.
The Washington Post
Though Saturday is too indebted to Mrs. Dalloway to resonate with the fierce originality of the author's last book, Atonement, it's clear that with this volume, Mr. McEwan has not only produced one of the most powerful pieces of post-9/11 fiction yet published, but also fulfilled that very primal mission of the novel: to show how we - a privileged few of us, anyway - live today.
The New York Times
His mood somewhat dampened by the impending war in Iraq, a London neurosurgeon heads out to play squash-and ends up offending a local thug. Copyright 2004 Reed Business Information.
An increasingly mellowed but no less gripping McEwan (Atonement, 2002, etc.) portrays a single day in the life of a well-off upper-middle-class Londoner, blessed in every conceivable way. While crowds mass to protest the coming invasion of Iraq, Henry Perowne, a 48-year-old neurosurgeon at the top of his game, intelligent and self-aware, goes about a Saturday that's by turns mundane and marvelous. We follow his reflections on surgeries, so well detailed as to be med-porn; lazy lovemaking upon awakening, and restorative sex at the end of the day with smart, devoted, lawyer wife Rosalind (he notes his unusual luck in still wanting no one else); a sometimes savage squash game with friend and partner Jay; a sad visit to his senile mother; and shopping for dinner. A chance encounter with Baxter, an intelligent young thug, provides the small plot; Henry escapes a mugging when he recognizes early signs of Huntington's in the lad and takes control. That evening, at Henry's well-appointed townhouse, in the warm glow of gathered family-father-in-law John Grammaticus, towering poet turned to drink; son Theo, a gifted young blues guitarist; daughter Daisy, a poet visiting from Paris, newly published and newly pregnant-Baxter returns and holds Rosalind at knifepoint. Terrorized and terrified, the family, through their various strengths, overcome Baxter, who lands in the hospital requiring emergency surgery from the forgiving Henry. Comprised by an active awareness of his place in the world, of his love for family and work, and of the contingencies that make his life his own, and that make Baxter's life his own, Henry's thoughts-especially since they're informed also by a matter-of-fact understandingof the neurological processes that emerge as behavior and look like choice-envelop us in a total immersion experience. A sort of middle-class humanist manifesto: when you find yourself fortunate beyond all measure in a random universe, gratitude, generosity, and compassion are a decent response.
“Dazzling. . . . Powerful. . . . McEwan has shown how we . . . live today.” –The New York Times“Finely wrought and shimmering with intelligence.” –The New York Times Book Review“McEwan is supremely gifted. . . . Saturday is a tightly wound tour de force.” –The Washington Post Book World“This extraordinary book is not a political novel. It is a novel about consciousness that illuminates the sources of politics.” –The Nation“Saturday is an exemplary novel, engrossing and sustained. It is undoubtedly McEwan’s best.” –The Spectator“Read the last 100 pages at one sitting–the pace and the thrill allow it. . . . Exhilarating.” –Los Angeles Times Book Review“Virtuosic. . . . Brilliantly macabre and suspenseful. . . . [A] fine novel.” –The Wall Street Journal“McEwan is in the first tier of novelists writing in English today. . . . He has achieved a complete mastery of his craft.” –The New York Observer“This is McEwan at the height of his powers. . . . More audacious than Atonement.” –The Baltimore Sun“In Saturday, the marvelously gifted Ian McEwan turns a single day into nearly twenty-four hours emblematic of an entire era.” –Chicago Tribune“One of the most powerful pieces of post—9/11 fiction yet published.” –The New York Times“Complex, suspenseful. . . . This novel . . . reinforces Ian McEwan’s status as the supreme novelist of his generation.” –The Sunday Times (London)“Engrossing. . . . A thoughtful, measured and mature look at our world today. . . . [McEwan’s] skill at weaving together suspense, psychological depth and beautiful prose makes him among Britain’s best.” –The Atlanta Journal-Constitution“A major event. . . . Saturday proceeds serenely into very different territory where the most secure existence is ringed by sinister possibilities.” –Time“Thoroughly fascinating. . . . For sheer intelligence and skill, it’s hard to beat Ian McEwan’s Saturday.” –The Philadelphia Inquirer“Impeccable. . . . Beautifully crafted. . . . Fluid, richly textured. . . . Engrossing.” –Entertainment Weekly“Read this book. . . . On the level of the sentence, McEwan is smart, witty and insightful. . . . His writing astounds. . . . Saturday is almost too good to bear.” –The Times-Picayune“Utterly enthralling. . . . Stunningly orderly and harmonious.” –The Seattle Times“Magnificently imagined.” –San Francisco Chronicle“A brilliant work. . . . Astoundingly enjoyable.” –O, The Oprah Magazine“McEwan’s special achievement . . . is not only to give his narrative . . . near-hallucinatory clarity and verisimilitude, but also to make you realize that the world of his novel is our world. It’s a book of poignant insight into the temper of the times. . . . And it’s something rare and precious: a wise book.” –San Jose Mercury News“Hypnotic. . . . Exquisitely detailed, rich and suspenseful, literate and surprisingly explosive.” –The Miami Herald“McEwan’s sentences are perfect, and his novels are always powerful and intelligent.” –People“Sober yet scintillating. . . . Lucidly shows us that civilization and culture and the life of the mind, fragile as they seemingly are, nonetheless have a resilience that can outlast barbarism.” –Christopher Hitchens, The Atlantic Monthly“A magnificent new novel that captures both the comforts and the anxieties of the world we live in right now.” –Vogue“The distinctive achievement of McEwan’s work has been to marry literary seriousness and ambition with a pace and momentum more commonly associated with genre fiction. He is the master clockmaker of novelists, piecing together cogs and wheels of his plots with unerring meticulousness.” –The New York Times Book Review“Marvelous. . . . A magical book. . . . McEwan shows again the quiet brilliance of his prose and his insights.” –Detroit Free Press“Captivating. . . . The prose is so precise and evocative the reader can ‘see’ the scenes unfolding. . . . [McEwan] is at the top of his game.” –The Denver Post