"It takes a certain amount of guts and wild abandon to recast a Shakespeare comedy as a hard-boiled detective story, but if anyone can pull it off, it’s master satirist Moore, whose gift for funny business apparently knows no bounds. . . . A welcome return of a fan-favorite character in a romp of a tale that will delight not only mystery buffs but also fantasy fanatics, and, of course, Bard lovers." — Booklist (starred review)
"Moore’s trademark humor is on full display with his cast of strangely lovable characters. This is Shakespeare with an edge and will not only appeal to Moore’s fans but garner new ones." — Library Journal (starred review)
"Nobody writes mystery novels quite like Christopher Moore . . . . As hilarious as A Midsummer Night’s Dream is to begin with, Moore adds a contemporary dose of sly humor that I think would impress the Bard." — Bookpage (starred review)
“[I]n Shakespeare for Squirrels . . . Pocket travels to Athens and gets mixed up with the events and characters from A Midsummer Night’s Dream, and they are fully more fantastical than even Shakespeare imagined. Moore’s Athens is as historically and geographically accurate as Shakespeare’s (which is to say not at all), and it’s filled with not only fairies and a man turned into an ass, but goblins, Amazon warriors, animal transformations, a breathtaking conception of the Fairy King’s Night Palace that could never be realized on any stage,.” — Austen Tichenor, Shakespeare & Beyond , Folger Shakespeare Library
“Buckle in for Shakespeare for Squirrels , an uproarious take on Shakespeare’s A Midsummer Night’s Dream—transformed into a murder mystery. . . A funny, fast-paced, and wild read.” — Huffington Post
"Christopher Moore has written a wonderful diversion for hard times. Even Shakespeare would have appreciated the jokes." — Wall Street Journal
"A hilariously noir tale of love, magic and murder." — USA Today
“Manic parodist Moore…returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap. . . . A kicky, kinky, wildly inventive 21st century mashup with franker language and a higher body count than Hamlet.” — Kirkus Reviews
“This cheeky homage will please lovers of Shakespeare and camp.” — Publishers Weekly
"Nobody writes mystery novels quite like Christopher Moore . . . . As hilarious as A Midsummer Night’s Dream is to begin with, Moore adds a contemporary dose of sly humor that I think would impress the Bard."
Bookpage (starred review)
"Christopher Moore has written a wonderful diversion for hard times. Even Shakespeare would have appreciated the jokes."
Buckle in for Shakespeare for Squirrels , an uproarious take on Shakespeare’s A Midsummer Night’s Dream—transformed into a murder mystery. . . A funny, fast-paced, and wild read.”
"It takes a certain amount of guts and wild abandon to recast a Shakespeare comedy as a hard-boiled detective story, but if anyone can pull it off, it’s master satirist Moore, whose gift for funny business apparently knows no bounds. . . . A welcome return of a fan-favorite character in a romp of a tale that will delight not only mystery buffs but also fantasy fanatics, and, of course, Bard lovers."
Booklist (starred review)
"A hilariously noir tale of love, magic and murder."
"A hilariously noir tale of love, magic and murder."
"Christopher Moore has written a wonderful diversion for hard times. Even Shakespeare would have appreciated the jokes."
03/09/2020
Moore’s amusing third installment to the Fool series (after The Serpent of Venice ) finds series hero Pocket of Dog Snogging transported into the plot of Shakespeare’s A Midsummer Night’s Dream . When Pocket and his apprentice, Drool, are shipwrecked in Greece, they quickly run afoul of the powers that be. However, their initial adventures seem harmless enough: they discover a group of tradesmen rehearsing a play, run into Demetrius’s jilted lover, Helena, and make good use of their codpieces to store the nuts and berries they collect in the forest. But when Pocket witnesses the murder of Puck, the sprightly fellow responsible for the hijinks in Shakespeare’s original, he is forced to begin negotiations with various kings and queens— Duke Thesesus and his soon-to-be bride, Hippolyta the Amazon; the sex-crazed Fairy Queen Titania; kinky King Oberon—to deduce who committed the murder. Along the way, Drool is thrown into Duke Theseus’s dungeon, and Pocket aims to free him and solve the mystery with the help of enchanted puppet Jones and Cobweb the fairy. In this raucous, crass, and innuendo-filled romp, Moore once again delivers light and derivative fun. This cheeky homage will please lovers of Shakespeare and camp. (May)
★ 05/01/2020
This third book (after The Serpent of Venice ) to feature Pocket the Fool in a twisted version of a Shakespeare play has Pocket washed up on the shores of Athens and into a Midsummer's Night Eve . Drool, his slow-witted apprentice, and Jeff the monkey have also been jettisoned from their pirate ship. Soon, they run into a theater troupe of local craftsmen attempting to rehearse their play for the duke's wedding. After the troupe is raided by the local guard, Drool is taken into custody, but Pocket manages to evade arrest. To free his apprentice, our fool must solve Puck's murder, save some fairies from King Oberon, and resolve the problem of the mixed-up lovers. Hilariously wacky adventures ensue as Pocket discovers that there is much more to fairies than meets the eye. In true Shakespearean fashion, Pocket rewrites the wedding play to reveal the murderer and wrap up all other loose ends. VERDICT Moore's trademark humor is on full display with his cast of strangely lovable characters. This is Shakespeare with an edge and will not only appeal to Moore's fans but garner new ones. [See Prepub Alert, 11/11/19.]—Kristen Stewart, Pearland Lib., Brazoria Cty. Lib. Syst., TX
Euan Morton, the one-man all-star cast of this hilarious, raunchy, twee, utterly sui generis audiobook, is really dazzling. Moore starts with the Fool from King Lear, sends him off with a giant apprentice named Drool, and shipwrecks them in a mythical Greece. There’s an Athens inhabited by Oberon, Titania, a Queen of Amazons, and a Theseus several thousand years old, also rude mechanicals (Bottom the Weaver!), and in the adjoining enchanted forest, a pack of lascivious fairies, and even goblins that seem to come from the world of Harry Potter. Oh, and there’s a plot! Who has killed the Puck, Robin Goodfellow? Morton never misses a joke or a beat, misreads a line or misses the pitch of a magical character. Standing O, Mr. Morton. B.G. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
Euan Morton, the one-man all-star cast of this hilarious, raunchy, twee, utterly sui generis audiobook, is really dazzling. Moore starts with the Fool from King Lear, sends him off with a giant apprentice named Drool, and shipwrecks them in a mythical Greece. There’s an Athens inhabited by Oberon, Titania, a Queen of Amazons, and a Theseus several thousand years old, also rude mechanicals (Bottom the Weaver!), and in the adjoining enchanted forest, a pack of lascivious fairies, and even goblins that seem to come from the world of Harry Potter. Oh, and there’s a plot! Who has killed the Puck, Robin Goodfellow? Morton never misses a joke or a beat, misreads a line or misses the pitch of a magical character. Standing O, Mr. Morton. B.G. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
2020-02-09 Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir , 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.
Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice , 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.
A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet .