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Intelligence, companion catalog to the exhibition of the same name, explores the stimulating and productive relationship between painting and photography in American art. The essays in this beautifully illustrated book describe how this dynamic developed, beginning in the nineteenth century and continuing to the twenty-firstfrom Thomas Eakins to the Stieglitz circle and Georgia O’Keeffe to contemporary art. The book shows that while the initial proponents of photography were struggling to secure its place among the fine arts, photography’s inherent expressiveness was leading painters to use the camera in their work. And as cameras and photographs became part of American culture, photographic seeinghow a photograph freezes, flattens, enlarges, and crops its subjectbegan to affect artists’ visual representations. This gorgeous volume, which also includes interviews with artists Robert Bechtle, Barkley Hendricks, and Sherrie Levine, documents the complex ways in which painting and photography have influenced one anothernot to undermine each’s originality, but to celebrate the deep, continuing connections between them.
|Publisher:||University of California Press|
|Product dimensions:||8.60(w) x 10.60(h) x 0.80(d)|
About the Author
Barbara Buhler Lynes, Curator of the Georgia O’Keeffe Museum and Emily Fisher Landau Director of the Museum Research Center, is the author of many other publications, including Georgia O’Keeffe Catalogue Raisonné. Jonathan Weinberg is the author of several books, including Male Desire: The Homoerotic in American Art and Fantastic Tales: The Photography of Nan Goldin.
Table of Contents
Introduction: Making It Real
Composite Images in a Hybrid Medium by Thomas Eakins and His Contemporaries
Calling the Shots: Negotiating Photographic Authority in the Paintings of Frederic Remington and Elbridge Ayer Burbank
Intelligence in the Stieglitz Circle
Georgia O'Keeffe and Photography: A Refined Regard
Barbara Buhler Lynes
Henry Koerner, Honoré Sharrer, and the Subversion of Reality: "Magic Realism" and the Photograph
Something Old, Something New
Ghosts of Ghosts: On the Uses of Photography in Contemporary Painting
The Devil's Bargain: An
Interview with Robert Bechtle
After Sherrie Levine: An
Interview with the Artist by Jeanne Siegel
The Mechanical Sketchbook: An
Interview with Barkley Hendricks
What People are Saying About This
"This fascinating look at the intersections and overlaps of painting and photography will be enjoyed by aficionados of both mediums."New Mexico Magazine
"Well-documented and very informative."Choice
"This heavily illustrated volume . . . is recommended for large institutions whose holdings emphasize modern and contemporary painting."Arlis/Na Reviews