Rosamunde Pilcher’s beloved, #1 New York Times bestselling novel is the captivating story of one familymothers and daughters, husbands and loversand of the passions and heartbreak that have held them together for three generations.
At the end of a long and useful life, Penelope Keeling’s prized possession is The Shell Seekers, painted by her father, and symbolizing her unconventional life, from bohemian childhood to wartime romance. When her grown children learn their grandfather’s work is now worth a fortune, each has an idea as to what Penelope should do. But as she recalls the passions, tragedies, and secrets of her life, she knows there is only one answer...and it lies in her heart.
"A huge warm saga...A deeply satisfying story written with love and confidence." Maeve Binchy for The New York Times Book Review
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About the Author
Rosamunde Pilcher (1924-2019) wrote such worldwide bestselling novels as The Shell Seekers, September, Coming Home, Winter Solstice, and Voices in Summer. Her breakthrough novel, The Shell Seekers, written in her early sixties, sold more than 10 million copies. Pilcher also authored the photographic autobiography, The World of Rosamunde Pilcher. She was an Officer of the Order of the British Empire (OBE) and lived in Dundee, Scotland.
Hometown:Invergowrie by Dundee, Scotland
Date of Birth:September 22, 1924
Place of Birth:Lelant, Cornwall, England
Education:St. Clare's Polwithen, Howell's School Llandaff, then Miss Kerr-Sanders' Secretarial College
Read an Excerpt
The Shell Seekers
By Rosamunde Pilcher
St. Martin's PressCopyright © 1987 Rosamunde Pilcher
All rights reserved.
She sometimes thought that for her, Nancy Chamberlain, the most straightforward or innocent occupation was doomed to become, inevitably, fraught with tedious complication.
Take this morning. A dull day in the middle of March. All she was doing ... all she planned to do ... was to catch the 9:15 from Cheltenham to London, have lunch with her sister Olivia, perhaps pop into Harrods, and then return home. There was nothing, after all, particularly heinous about this proposal. She was not about to indulge in a wild orgy of extravagance, nor meet a lover; in fact, it was a duty visit more than anything else, with responsibilities to be discussed and decisions made, and yet as soon as the plan was voiced to her household, circumstances seemed to close ranks, and she was faced with objections, or, worse, indifference, and left feeling as though she were fighting for her life.
Yesterday evening, having made the arrangement with Olivia over the phone, she had gone in search of her children. She found them in the small living room, which Nancy euphemistically thought of as the library, sprawled on the sofa in front of the fire, watching television. They had a playroom and a television of their own, but the playroom had no fireplace and was deathly cold, and the television was an old black-and-white, so it was no wonder they spent most of their time in here.
"Darlings, I have to go to London tomorrow to meet Aunt Olivia and have a talk about Granny Pen ..."
"If you're going to be in London, then who's going to take Lightning to the blacksmith to be shod?"
That was Melanie. As she spoke, Melanie chewed the end of her pigtail and kept one baleful eye glued to the manic rock singer whose image filled the screen. She was fourteen and was going through, as her mother kept telling herself, that awkward age.
Nancy had expected this question and had her answer ready.
"I'll ask Croftway to deal with that. He ought to be able to manage on his own."
Croftway was the surly gardener-handyman who lived with his wife in a flat over the stables. He hated the horses and constantly spooked them into a frenzy with his loud voice and uncouth ways, but part of his job was helping to cope with them, and this he grudgingly did, manhandling the poor lathered creatures into the horse-box, and then driving this unwieldly vehicle across country to various Pony Club events. On these occasions Nancy always referred to him as "the groom."
Rupert, who was eleven, caught the tail end of this exchange, and came up with his own objection. "I've said I'll have tea with Tommy Robson tomorrow. He's got some football mags he said I could borrow. How'm I going to get home?"
This was the first that Nancy had heard of the arrangement. Refusing to lose her cool, knowing that to suggest that he change the day would instantly bring on a high-pitched flood of argument and wails of "It's not fair," she swallowed her irritation and said, as smoothly as she could, that perhaps he could catch the bus home.
"But that means I've got to walk from the village."
"Oh well, it's only a quarter of a mile." She smiled, making the best of the situation. "Just for once it won't kill you." She hoped that he would smile back, but he only sucked his teeth and returned his attention to the television.
She waited. For what? For some interest, perhaps, in a situation that was patently important to the whole family? Even a hopeful query about what gifts she intended to bring back for them would be better than nothing. But they had already forgotten her presence; their total concentration homed in on what they watched. She found the noise of this all at once unbearable, and went out of the room, closing the door behind her. In the hall a piercing cold enveloped her, rising from the flagged floor, seeping up the stairs to the icy voids of the landing.
It had been a bitter winter. From time to time, Nancy stoutly told herself—or any person impelled to listen—that she did not mind the cold. She was a warm-blooded creature, and it did not bother her. Besides, she enlarged, you never really felt cold in your own house. There was always so much to do.
But this evening, with the children being so disagreeable, and the prospect before her of having to go along to the kitchen and "have a word" with the morose Mrs. Croftway, she shivered and pulled her thick cardigan closely about her, as she saw the worn rug lift and shudder in the draught that poured in from beneath the ill-fitting front door.
For this was an old house that they lived in, an old Georgian vicarage in a small and picturesque Cotswold village. The Old Vicarage, Bamworth. It was a good address, and she took pleasure from giving it to people in shops. Just put it down to my account—Mrs. George Chamberlain, The Old Vicarage, Bamworth, Gloucestershire. She had it embossed, at Harrods, at the head of her expensive blue writing paper. Little things like writing paper mattered to Nancy. They made a good impression.
She and George had moved here soon after they were married. Shortly before this event, the previous incumbent of Bamworth had all at once had a rush of blood to the head and rebelled, informing his superiors that no man ... not even an unworldly man of the Church, could be expected, on his painfully meagre stipend, to live and bring up his family in a house of such monstrous size, inconvenience, and cold. The Diocese, after some deliberation and an overnight visit from the Archdeacon, who caught a cold and very nearly died of pneumonia, finally agreed to build a new Vicarage. A brick bungalow was duly erected at the other end of the village, and the old Vicarage put on the market.
Which was bought by George and Nancy. "We snapped it up," she told her friends, as though she and George had been enormously quick off the mark and astute, and it was true that they got it for peanuts, but in time she discovered that was only because nobody else wanted it.
"There's a lot to do to it, of course, but it's the most lovely house, late Georgian, and quite a bit of land ... paddocks and stables ... and only half an hour to Cheltenham and George's office. Quite perfect, really."
It was perfect. For Nancy, brought up in London, the house was the final realization of all her adolescent dreams—fantasies nurtured by the novels that she devoured, of Barbara Cartland and Georgette Heyer. To live in the country and to be the wife of a country squire—these had long been the peak of her modest ambitions, after, of course, a traditional London Season, a white wedding with bridesmaids, and her photograph in the Tatler. She got it all except the London Season and, newly married, found herself mistress of a house in the Cotswolds, with a horse in the stable and a garden for Church fêtes. With the right kind of friends, and the right sort of dogs; with George Chairman of the local Conservatives, and reading the lesson on Sunday mornings.
At first all had run smoothly. Then, there was no lack of money, and they had done up the old place, and snow-cemmed the outside, and installed central heating, and Nancy had arranged the Victorian furniture that George had inherited from his parents and happily decorated her own bedroom in a riot of chintz. But as the years went by, as inflation ballooned and the price of heating oil and wages rose, it became more and more difficult to find anyone to help in the house and garden. The financial burden of simply keeping the place going grew heavier each year and she sometimes felt that they had bitten off more than they could chew.
As if that were not enough, they were as well already into the horrifying expense of educating their children. Both Melanie and Rupert were at local private schools as day pupils. Melanie would probably stay at hers until she finished her A levels, but Rupert was down for Charlesworth, his father's public school; George had entered his name the day after Rupert was born, and taken out a small educational insurance at the same time, but the paltry sum that this would realize would now, in 1984, scarcely pay the first train fare.
Once, spending a night in London with Olivia, Nancy had confided in her sister, hoping perhaps for some constructive advice from that hard-headed career woman. But Olivia was unsympathetic. She thought they were fools.
"Public schools are an anachronism, anyway," she had told Nancy. "Send him off to the local comprehensive, let him rub shoulders with the rest of the world. It'll do him more good in the long run than all that rarefied atmosphere and old-world tradition."
But this was unthinkable. Neither George nor Nancy had ever considered State education for their only son. In truth, from time to time Nancy had indulged in secret dreams of Rupert at Eton, trimmed with fantasies of herself at the Fourth of June in a garden-party hat; and Charlesworth, solid and reputable as it was, seemed a bit like second-best. She did not, however, admit this to Olivia.
"That's out of the question," she said shortly.
"Well then, let him try for a bursary or a scholarship. Let him do something to help himself.
What's the point of bleeding yourself white on account of one small boy."
But Rupert was not academic. He had no hope of a bursary or a scholarship and both George and Nancy knew this.
"In that case," said Olivia, dismissing the subject because she was bored by it, "It seems to me that you have no alternative but to sell up the old Vicarage and move somewhere smaller. Think of the money you'd save not having to keep the old place up."
But the prospect of such an action filled Nancy with more horror even than the mention of State education for her son. Not simply because it would be tantamount to admitting defeat and giving up everything she had ever strived for, but because, as well, she had an unhappy suspicion that she and George and the children, living in some convenient little house on the outskirts of Cheltenham, bereft of the horses, the Women's Institute, the Conservative Committee, the gymkhanas and the church fêtes, would become diminished, no longer of interest to their county friends and would be left to fade, like dying shadows, into a family of forgotten nonentities.
She shivered again, pulled herself together, turned from these gruesome imaginings and trod firmly down the flagged passage in the direction of the kitchen. Here the huge Aga, which never went out, rendered all comfortingly warm and cosy. Nancy sometimes thought, especially at this time of the year, that it was a pity they didn't all live in the kitchen ... and any other family but theirs would probably have succumbed to the temptation and spent the entire winter there. But they were not any other family. Nancy's mother, Penelope Keeling, had practically lived in the old kitchen in the basement of the big house in Oakley Street, cooking and serving enormous meals at the great scrubbed table; writing letters, bringing up her children, mending clothes, and even entertaining her endless guests. And Nancy, who had both resented and was slightly ashamed of her mother, had been reacting against this warm and informal way of life ever since. When I get married, she had sworn as a child, I shall have a drawing room and a dining room, just like other people do, and I shall go into the kitchen as seldom as I can.
George, fortunately, was of like mind. A few years before, after some serious discussion, they had agreed that the practicality of eating breakfast in the kitchen outweighted the slight lowering of standards. But further than that neither of them was prepared to go. Consequently, lunch and dinner were served in the huge, high-ceilinged dining room, with the table correctly laid, and formality taking the place of comfort. This gloomy apartment was heated by an electric fire that stood in the grate, and when they had dinner parties, Nancy turned this on a couple of hours before the meal was due to be served, and could never understand why her lady guests arrived swathed in shawls. Worse was that once ... never to be forgotten ... she had glimpsed beneath the waistcoat of a dinner-jacketed male the unmistakable traces of a thick V-necked pullover. He had not been asked again.
Mrs. Croftway stood at the sink, peeling potatoes for supper. She was a very superior sort of person (far more so than her foul-tongued husband), and, she wore, for her work, a white overall, as though that alone could render her cooking professional and palatable.
Which it didn't, but at least Mrs. Croftway's evening appearance in the kitchen meant that Nancy didn't have to cook dinner herself.
She decided to plunge straight in. "Oh, Mrs. Croftway ... slight change of plan. I have to go to London tomorrow to have lunch with my sister. It's this problem of my mother, and impossible to talk things over on the telephone."
"I thought your mother was out of hospital and home again."
"Yes, she is, but I had a word with her doctor on the phone yesterday, and he says that she really shouldn't live alone any longer. It was only a slight heart attack, and she's made a marvellous recovery, but still ... you never know ..."
She gave these details to Mrs. Croftway not because she expected much help or even sympathy, but because illness was one of the things the woman relished discussing, and Nancy hoped it might put her in a more expansive mood.
"My mother had a heart attack, she was never the same after that. Blue in the face she went and her hands so swollen we had to cut the wedding ring off her."
"I didn't know that, Mrs. Croftway."
"She couldn't live alone any more. I had her to live with me and Croftway, she had the best front bedroom, but it crucified me, I can tell you; up and down the stairs all day long, and her with a stick banging on the floor. By the end I was a mass of nerves. Doctor said he'd never seen any woman with nerves like mine. So he put Mother in hospital and she died."
This, apparently, was the end of the depressing saga. Mrs. Croftway returned to her potatoes, and Nancy said, inadequately, "I'm sorry ... what a strain it must have been for you. How old was your mother?"
"Eighty-six all but a week."
"Well ..." Nancy made herself sound robust. "My mother's only sixty-four, so I'm sure she'll make a good recovery."
Mrs. Croftway tossed a peeled potato into the pan and turned to look at Nancy. She rarely looked straight at people, but when she did it was unnerving because her eyes were very pale and never seemed to blink.
Mrs. Croftway had her own private opinions of Nancy's mother. Mrs. Keeling she was called, and Mrs. Croftway had met her only once, during one of her infrequent visits to the old Vicarage, but that had been enough for anybody. A great tall woman she was, darkeyed as a gypsy, and dressed in garments that looked as though they should be given to a jumble sale. Pigheaded she'd been too, coming into the kitchen and insisting on washing the dishes, when Mrs. Croftway had her own way of doing things and did not relish interference.
"Funny her having a heart attack," she observed now. "Looked strong as a bull to me."
"Yes," said Nancy faintly. "Yes, it was a shock—to all of us," she added, her voice pious as though her mother were already dead and it was safe to speak well of her.
Mrs. Croftway made a grim mouth.
"Your mother only sixty-four?" She sounded incredulous. "Looks more, doesn't she?
Thought she was well into her seventies."
"No, she's sixty-four."
"How old are you, then?"
She was outrageous. Nancy felt herself stiffen with the sheer offensiveness of Mrs. Croftway, and was aware of the blood rushing to her cheeks. She longed to have the courage to snap at the woman; to tell her to mind her own business, but then perhaps she would give in her notice and she and Croftway would depart, and what would Nancy do then with the garden and the horses and the rambling house and her hungry family to feed?
"I'm ..." Her voice came out on a croak. She cleared her throat and tried again. "As a matter of fact, I'm forty-three."
"Is that all? Oh, I'd have put you down as fifty any day."
Nancy gave a little laugh, trying to make a joke of it, for what else was there to do? "That's not very flattering, Mrs. Croftway."
Excerpted from The Shell Seekers by Rosamunde Pilcher. Copyright © 1987 Rosamunde Pilcher. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
10. Roy Brookner,
15. Mr. Enderby,
16. Miss Keeling,
Also by Rosamunde Pilcher,
An Outpouring of Praise for The Shell Seekers,
Most Helpful Customer Reviews
Shell Seekers is one of my all time favorite books. I loved the story, characters and messages it presented. I found myself reading all of Rosamunde Pilcher's books afterwords but none of them were as fun as the Shell Seekers. I was thrilled when I found a good used hardcover through Barnes on-line that I purchased for my permanent library.
I had to write.....this is a book I read years ago and I still recommend it to every one I meet. It was one of those books that you get so caught up in it that at the end, you are truly sad that the book has reached it's end. Beautifully written, the readers can picure themselves in another place. The characters are real, the story line is believeable, unlike so many today, and the ending is perfect. A real keeper in your library.
I first read Rosamunde (yes, I refer to her by her first name!) during a surgery as a 16 year old high school student. What I thought was a 'mom' book, soon turned into my favorite book of all time. Fifteen years later, I am still hugely in debt to Rosamunde for sharing her skill and imagination with me throughout all of her books. (I own them all.) I re-read them often as the mood strikes and am always filled with a renewed sense of appreciation for her imagery and depth of character. I feel an absurd connection with Cornwall that I use as my 'imaginary vacation spot'. Her beautiful stories are appropriate for such a broad age-range. The Shell Seeker's is original in that it does not contain any sexual content that would be objectionable. Lovely first novel for anyone!!!
I came across this book as I was in a second-hand bookshop (sadly I don't understand why some mainstream books are given priority instead of gems like this). Something about the synopsis caught my attention, and so I bought it. The characters were so real, it seemed like you met them for real. Penelope is a darling--a unconventional woman--but a darling, nevertheless. Olivia is a woman every woman wants to be--competent and confident. Antonia is a sweetie--you would wish her for a sister or girl friend. Danus is the perfect mysterious guy, but you would like to keep his acquaintance once you get to know everything him about him. Nancy and Noel have kept their role--you might hate them, but they also get the story rolling. I loved the flashbacks as well the story taking place forty years later--it would be so hard to put down! When I lost the hardbound format of this book, I was pretty much devastated and bought another. Reading it again and again never loses its flavour--I don't want to tell more and rob you of the pleasure of meeting the characters and be with them as the story rolls on!
Read this years ago as a college student. It is still one of my all time favorites! Great vacation book!
I enjoyed reading this book because the characters and storyline were so close to happenings in real life; therefore, I found myself weighing the author's insight on happenings in my own life. It was good to read a book wherein personally held values were addressed so well. Pilcher accomplished a realistic story that lasted through 3 generations of family. Each of her characters offered his/her own "take" on the situations and values addressed. This affords the reader plenty of points of view to reckon with-much like reality. Personally, I'm sorry the main character never found a real, personal belief in a greater power. The love story was beautifully and realistically told. The toll that war takes on love, family, personal values, and a person's ability to establish/maintain a faith in God are all issues that are addressed. An enjoyable read!
A wonderfully engrossing story which takes us to beautifully detailed places and allows us to know deeply interesting people. This is the ONLY book of this type that I still repeatedly give as a gift. When I last went to buy it in a store, I was told it was out of print. If so, what a shame. Its both intelligent and touching. Still memorable and worthwhile after 20 yrs. Just a great story.
I read this when it first came out. With all the unpleasantness in this country and the world today, it was a pleasant esape.
This is one of my favorite books Mrs. Pilcher has written. Her descriptions, location, characters, invite you into the story.
Families are complex organisms and it takes remarkable skill to make them come alive. Ms Pilcher possessed that skill in unlimited quantities. This is the third time I've read The Shell Seekers and I doubt it's the last; each time it evokes different emotions, raises new passions to the surface, or simply draws one's attention to a before-overlooked shrub, flower, or bird. I'm grateful to Ms Pilcher for having written such a beautiful book and my faith is renewed just knowing that God has bestowed such talent on her.
Just wonderful. I know I will read this again and again. This story is everything one wants in a book.
Thoroughly enjoying the reading of this novel, only problem is, the last page is printed on the inside of the back cover and it's MISSING! Can someone tell me what happens, does Antonia end up with Danus and live happily ever after??????
i first read this when my aunt introduced me to rosamunde pilcher's work-i still thank her for that! i very cozy, homey english read.
Like the descriptions of each character...makes for much good read.
I cried l laughed l reread it about 50 times
I am so glad that Rosamunde Pilcher's books are finally available on the Nook. I read "Shell Seekers" when it first came out and it has always been a favorite of mine. I just bought it for my Nook and reread it this summer. I am happy to say that the book was just as good as it was the first time I read it. Now I need to reread "Coming Home".
I have read this book about 4 or 5 times in the past 10 years. It is a wonderful, heart-warming story, with lovable characters. Gives great insight to how the events of World War 2 affected people who were not in the "thick of it," so to speak. I always picture Maureen O'Hara as Penelope, even though she is described as dark haired, dark eyed. Penelope has her spirit!
This is my all time favorite. I own a hardback, which I purchased after a friend loaned me her paperback, and I read it every summer. Never get tired of the characters.
I liked the characters & the story but thought that it dragged on a bit too much at the end.
A favorite and timeless classic. This was a reccomendation of my mother in laws... great storytelling.
Some how I read every other Pilcher book before reading The Shell Seekers (and September). I enjoyed it over all but given the fact that it is her most famous book - I expected more of it... in the end Coming Home is still my favorite of all her novels. I would have enjoyed it more if the chapter on Richard had been edited down. I found the parts that were set in the WWII time frame (flashbacks) dragged quite a bit and I was always very very eager to get back to the current time storyline. I thought it was a good diverting read - but not one of my favorites.
All time favorite airplane read. You skip a few paragraphs and you haven't missed a thing, but it is beautifully written, easy to imagine the characters and nothing to upset your sensitive little soul.
This is the only Rosamunde Pilcher I have read. I feared it would be formulaic happy-ever-after stuff, but I have to say it surprised me by being quite a good read. Following the fortunes of the various members of a family and loosely centred around the painting that gives the book its title, there is something for everyone in the various strands of the story. I liked Olivia's story best. A good undemanding read with lots of content and some surprises.
Pilcher delivers an engrossing family saga of a British family through four generations. Mostly set in the mid-1980s, it weaves in tales going back to World War II. At the center of the tale is sixty-four year old Penelope Keeling, the daughter of a renowned painter. She possesses only one finished painting of his, "The Shell Seekers" which two of her three grown children covet. The eldest, the "tiresome" Nancy Chamberlain, grew up reading the likes of Barbara Cartland and Georgette Heyer and dreaming of being landed gentry. Now her and her husband live beyond their means in a white elephant of a house and two unbearable children she's determined to place in expensive elite schools. Noel is the baby of the family--and not just in age. All too similar to his "feckless" father he leeches off upper-class friends going from party to party. He had to be pushed out of the nest, living with his mother into his mid-twenties. Now approaching thirty, he longs for easy money and like his sister, turns greedy eyes towards the painting when he learns it could bring in a over a quarter of a million pounds. That leaves the middle child, "cool-headed" Olivia, the editor of a fashion magazine. Independent and unsentimental without the need for money of the other two, she's also the only child who genuinely cares about her mother--or that her mother cares for. The pages really flashed by, and I enjoyed the look at life in war time Britain and the descriptions of Cornwall. However, in the end, I didn't find the book satisfying given the lack of complexity in the characters who are pretty black or white and don't grow through their experiences. Like another reviewer, I think I would have liked more in the period when Noel and Nancy grew up and developed their characters and more reflection on Penelope's part on her own role in shaping them, all the more because the way she treats and speaks of both of them is so very cold, and she can't be bothered with her grandchildren. It was the pregnancy that produced Nancy which forced Penelope into marriage and Noel greatly resembles her despised husband. Both had to have picked up early on that Olivia was very much the favored child, which couldn't have been easy for either. Indeed both Penelope and Olivia are alike in that they seem to go out of their way to not engage deeply with anyone. It made it hard to feel the sympathy and connection with either I'm sure the author intended.