Silver Sword

Silver Sword

by David Zindell

Paperback(Mass Market Paperback - First Edition)

$7.48 $7.99 Save 6% Current price is $7.48, Original price is $7.99. You Save 6%.
View All Available Formats & Editions

Product Details

ISBN-13: 9780765355928
Publisher: Tom Doherty Associates
Publication date: 04/01/2008
Edition description: First Edition
Pages: 384
Product dimensions: 4.17(w) x 6.71(h) x 1.02(d)

About the Author

David Zindell's short story "Shanidar" was a prize-winning entry in the L. Ron Hubbard Writers of the Future contest. In addition to The Lightstone and The Silver Sword, he is the author of several critically acclaimed novels: Neverness, The Broken God, and The Wild. He resides in Colorado.

Read an Excerpt

Chapter One

The siren choked off in mid-wail. Within seconds, the flashing red light swept through the frosted glass of the ER’s sliding door like a disco ball on overdrive.

I heaved a self-pitying sigh. Ten minutes before the end of a long night shift, I’d counted on an uneventful and punctual exit. Any chance for either vanished when the ambulance stretcher and two paramedics burst through the main Emergency Room doors.

“Which room?” the tall scraggy paramedic yelled as they careened past the triage desk.

“Trauma Two,” the triage nurse called back.

I ran alongside the paramedics, but our pace wasn’t fast enough to outrun the acrid smells of urine and vomit wafting up from the stretcher. A woman of indeterminate age lay on her side, twitching and thrashing. Without the restraining hand of the female paramedic she might have bucked off the stretcher. Legs and arms jerked in violent rhythm. Her chin slammed into her chest. A mess of long brown hair covered her face. Her T-shirt was spattered with vomit. A chain of drool connected the corner of her mouth to the sheets. An image of Linda Blair from The Exorcist flashed in my mind.

“What’s the story?” I asked the baby-faced female paramedic running beside me.

“Seizing when we got to her. Found down at Cloud Nine.” She glanced at me, deciding I was old enough to require clarification. “It’s an after-hours club.”

“Thanks,” I grunted. “What’s she got on board?”

“Her sister says she dropped two tabs of Ecstasy about an hour before we got to her. First-time user. Otherwise the kid is healthy.”

“Kid?”

“Fourteen years.” She wiped her flushed brow with a palm. “Name’s Lara Maxwell.”

“How long has she been seizing?”

“Twenty minutes, give or take.”

Way too long. Within half an hour of a continuous seizure, or status epilepticus, irreversible brain damage can occur. “What have you given her?” I asked.

“Nothing. We scooped and ran. Impossible to get an IV in her in the back of our rig.” She flailed her own arms, as if the wildly twitching patient wasn’t explanation enough.

We wheeled into Trauma Two, one of St. Jude’s three identical resuscitation rooms. Nothing architecturally unique about this or any resuscitation bay I’ve ever seen; all are big bland rooms filled with medical supplies, lights, X-ray viewing boxes, and, at times like these, people. The place swarmed with them. Some moved with purpose, others—the usual array of wide-eyed students and ER lookie-loos (staff who find any excuse to turn up whenever something exciting rolls in)—just milled about.

Swaddling her in the ambulance stretcher’s sheet, the two paramedics swung the patient over to the room’s stretcher. Lara Maxwell was oblivious to her new surroundings; her arms and legs never missed a beat of their syncopated contraction.

Anne Bailey, arguably the poster girl for hardened frumpy ER nurses the world over, was the nurse in charge. She had no time for the bustling crowd. “If you don’t serve a purpose, get out!” Anne shouted and, on cue, the room thinned. She turned to the other nurses. “Lucy, two IVs. Jan, get an oral airway into her. Tommy, you record, okay? And where are my vital signs?” Anne turned to me, her lower jaw working side to side as if chewing a gob-stopper. “What meds do you want us to give, Ben?” Despite her businesslike tone, her eyes clouded over with urgency.

Relieved as I was to see Anne in charge, the rare show of concern on her face concerned me. “Lorazepam 4 mg IV push, now,” I said, referring to the Valium-like drug we use for seizures. “Full lab panel including calcium, magnesium, and phosphate. ECG. Chest X-ray. Blood gas. Urine drug screen ASAP, and—”

The nurse cut in from bedside. “Pulse is 140, pressure 260 on 140, respiratory rate of 28, and temperature of 38.4.” There was a pause as she fiddled with the oxygen saturation probe that kept slipping off Lara’s jerking finger. “Oxygen saturation is sitting at 88 percent.”

Not a normal vital sign in the bunch. “Sugar?” I asked.

“Glucometer was normal at the scene,” the scrawny paramedic piped up.

Damn! Gone was the most rectifiable cause for a seizure: low blood sugar.

I edged closer to my patient. The mingled odors of vomit and urine assaulted me, forcing me to breathe through my mouth. Lara’s hair had fallen back from her face, and I could see beyond the strands of drool and blood. The flickering eyelids and gnashing jaw belonged to the face of a child, someone who had no business being near after-hours clubs and their inevitable cache of designer drugs. I felt familiar stirrings. Fucking junk! I wanted to shout.

I glanced at the clock. Five minutes since arrival, twenty-five minutes since onset, and the seizure showed no sign of lessening. The drool at her mouth had begun to bubble, and became a rich froth like an exploding soda pop can. As I reached for my stethoscope, my worry meter crept higher.

“Another four of lorazepam. And hang a Dilantin drip. Run in a gram over fifteen minutes,” I said, calling for the heavy artillery of anti-seizure drugs. Pulling the stethoscope off my shoulders, I leaned over Lara’s jerking form and raced through a head-to-toe physical exam. Filled with fluid, her lungs were all gurgles and wheezes. A bluish tinge enveloped her fingers and lips. I glanced at the monitor. Her oxygen saturation had dipped into the seventies—respiratory failure territory—and her blood pressure had risen even higher. “We have to stop this seizure. Now!” That meant medically paralyzing the young girl. I recited the drugs and sequence I wanted them given.

“Dr. Dafoe, you better look at this. . . .” Jan waved an ECG printout at me like it was a flag.

I studied the twelve squiggly lines, stunned by their implication. “A heart attack? At fourteen? She must have cocaine on board, too.” I looked to the respiratory technician. “Everything ready?”

She nodded, and pointed shakily to the tray beside me.

“Okay, Anne, give her 100 of sux.”

Anne stuck a syringe into one of the four IV lines leading into Lara’s arms. She pushed on the plunger. Within seconds of administering the succinylcholine—a fast-acting drug that paralyzes muscles and renders patients into rag dolls—the twitching began to subside. Soon Lara lay still on the bed. As expected, she stopped breathing. What I didn’t foresee (but should have) was the fountain of foam spewing from her mouth, as her lungs passively expelled their fluid contents.

I grabbed for the scythe-shaped laryngoscope. The knuckles of my left hand ached, and I glanced down at the source: the healing jagged gash from my bike chain that ran across my knuckles like a jailhouse tattoo. Ignoring the pain, I clicked open the laryngoscope’s blade and eased it into Lara’s mouth, pushing her tongue out of the way. To pass the endotracheal tube into her windpipe, I needed to see her vocal cords, but I couldn’t visualize anything through the froth. I stuck a suction catheter in her mouth but it was as hopeless as trying to vacuum up water from a burst and still-spewing pipe. The monitor’s alarm screamed, warning me what I already knew: Lara’s oxygen level was dangerously low.

“Bag her!” I said to the respiratory technician who fumbled to cover Lara’s mouth with the clear face mask and pump oxygen in with a balloon-shaped Ambu-Bag.

I turned to Anne. “I have to do this retrograde.”

Anne’s eyes betrayed her skepticism as she reached for the retrograde intubation kit. Her doubt was well founded, too. It was a technically challenging procedure at the best of times, and I was firmly perched on the “wing and a prayer” side of the statistical success curve.

I took a long deep breath and willed my hands to steady. I reached for the open tray Anne held out for me. Setting it on the bedside, I scoured through it until I found the syringe with the long ominous attached needle. I slid an index finger along Lara’s soft damp neck until I felt it dip into the groove of her cricothyroid membrane.

The alarm throbbed in my ears.

With a slight tremor, I aimed the needle, directing it slightly upward for the skin over the cricothyroid membrane. I held my own breath as the needle pierced the skin. I felt a pop as I penetrated Lara’s windpipe. Suddenly the tension on the syringe’s plunger gave way, and air whooshed into its hub. I steadied the syringe and uncoupled it from the needle.

“Ben, her oxygen saturation is critical,” Anne said calmly over the shrieking alarm.

“Noted,” I grunted, as I reached for the soft metal guide-wire that looked like a loose coil of silver string. Steadying my hand, I threaded the guide-wire through the needle. “Stop bagging her,” I said, needing a clearer view of her mouth.

Hesitantly, the respiratory tech pulled the mask off Lara’s blue face.

I kept advancing the guide-wire through the needle until a glint of metal appeared through the froth of Lara’s mouth. Then more wire poked out. My hand shot out to grab it. I nodded to Anne, and she handed me the clear endotracheal tube. I snaked the wire through the length of the tube. Then, using the wire as a guide, I threaded the tube into Lara’s windpipe. Sighing with relief, I felt the welcome resistance of the cartilaginous tracheal rings as the tube bumped down the rest of her windpipe. The moment its tip reached her lungs, frothy white sputum erupted out of its end.

I grabbed the Ambu-Bag, attached it to the tube, and squeezed the balloon-like pump, meeting fierce resistance. My forearms ached as I fought to squeeze breath after breath of oxygen into Lara’s waterlogged lungs. For a while, the abysmal oxygen reading held constant on the monitor, but slowly, almost reluctantly, it began to climb as pinkness crept back into her blue complexion. I passed the bag over to the respiratory tech, who pumped it feverishly. Lara’s color steadily improved. Even the monitor took a much-needed break from its relentless screaming.

Tasting the sweat drip into my mouth, I wiped my brow and turned to Anne. “What’s a child doing with this crap in her blood?” Though, of course, I knew as well as anybody.

“She were my daughter? I’d kill her soon as she gets out of the ICU.” Anne’s lips cracked slightly at the corners in what passed for her version of a smile. She nodded once at me. High praise indeed, coming from Anne.

Copyright © 2007 by Daniel Kalla. All rights reserved.

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

Silver Sword 4 out of 5 based on 0 ratings. 1 reviews.
harstan More than 1 year ago
While much of the large island landmass Ea has fallen under the evil spell of the Lord of Lies Morjin, King Kiritan of Alonia selects Prince Valashu 'Val' Elahad to begin a quest to obtain THE LIGHTSTONE Cup of Heaven before Morjin finds it. Val carefully heeds the prophecy in order to prevent Morjin from freeing the Lord of Lies. This seventh son of the ruler of Mesh successfully assembled his magnificent seven and retrieved the Sword of Fate Alkaladur (see THE LIGHTSTONE). --- Val and his team begin the second trek of their quest which is more dangerous as they must enter dark lands under Morjin¿s malevolent control. Using the Alkaladur¿s glowing gelstei magical gem as a guide, the magnificent seven fight the enemy horde until they reach their second major stop, the Library of Khaisham, where they learn the location of the Lightstone. To his consternation and fear, Val realizes that the journey ends in the darkest place in the island, Morjin¿s underground city of Argattha he expects to confront the evil face to face with only one leaving alive in possession of the Lightstone. He does not yet understand that dead has an entirely different meaning when the Lord of Lies is the power behind the throne as allies are traitors and war between the Kingdoms of Ishka and Mesh is imminent. --- The action picks up in the second Lightstone saga as the magnificent seven¿s quest takes them behind enemy lines. However, the increase in daring deeds comes at the cost of the fascinating sidebars that made the first tale unique such as the minstrels¿ ballads providing the history of the island and the words of the ancient prophecy. Still Val and his crew display their valor as the escapades never stop. David Zindell's sequel is a terrific good vs. evil fantasy with a fabulous finish. --- Harriet Klausner