Chapter One They called her the Queen of the Dead. Though no one ever said it to her face, Dr. Maura Isles sometimes heard the nickname murmured in her wake as she traveled the grim triangle of her job between courtroom and death scene and morgue. Sometimes she would detect a note of dark sarcasm: Ha ha, there she goes, our Goth goddess, out to collect fresh subjects. Sometimes the whispers held a tremolo of disquiet, like the murmurs of the pious as an unholy stranger passes among them. It was the disquiet of those who could not understand why she chose to walk in Death's footsteps. Does she enjoy it, they wonder? Does the touch of cold flesh, the stench of decay, hold such allure for her that she has turned her back on the living? They think this cannot be normal, and they cast uneasy glances her way, noting details that only reinforce their beliefs that she is an odd duck. The ivory skin, the black hair with its blunt Cleopatra cut. The red slash of lipstick. Who else wears lipstick to a death scene? Most of all, it's her calmness that disturbs them, her coolly regal gaze as she surveys the horrors that they themselves can barely stomach. Unlike them, she does not avert her gaze. Instead she bends close and stares, touches. She sniffs. And later, under bright lights in her autopsy lab, she cuts. She was cutting now, her scalpel slicing through chilled skin, through subcutaneous fat that gleamed a greasy yellow. A man who liked his hamburgers and fries, she thought as she used pruning shears to cut through the ribs and lifted the triangular shield of breastbone the way one opens a cupboard door, to reveal its treasured contents. The heart lay cradled in its spongey bed of lungs. For fifty-nine years, it had pumped blood through the body of Mr. Samuel Knight. It had grown with him, aged with him, transforming, as he had, from the lean muscle of youth to this well-larded flesh. All pumps eventually fail, and so had Mr. Knight's as he'd sat in his Boston hotel room with the TV turned on and a glass of whiskey from the minibar sitting beside him on the nightstand. She did not pause to wonder what his final thoughts might have been, or whether he had felt pain or fear. Though she explored his most intimate recesses, though she flayed open his skin and held his heart in her hands, Mr. Samuel Knight remained a stranger to her, a silent and undemanding one, willingly offering up his secrets. The dead are patient. They do not complain, nor threaten, nor cajole. The dead do not hurt you; only the living do. She worked with serene efficiency, resecting the thoracic viscera, laying the freed heart on the cutting board. Outside, the first snow of December swirled, white flakes whispering against windows and slithering down alleys. But here in the lab, the only sounds were of running water and the hiss of the ventilator fan. Her assistant Yoshima moved in uncanny silence, anticipating her requests, materializing wherever she needed him. They had worked together only a year and a half, yet already they functioned like a single organism, linked by the telepathy of two logical minds. She did not need to ask him to redirect the lamp; it was already done, the light shining down on the dripping heart, a pair of scissors held out and waiting for her to take them. The darkly mottled wall of the right ventricle, and the white apical scar, told her this heart's sad story. An old myocardial infarction, months or even years old, had already destroyed part of the left ventricular wall. Then, sometime in the last twenty-four hours, a fresh infarction had occurred. A thrombus had blocked off the right coronary artery, strangling the flow of blood to the muscle of the right ventricle. She resected tissue for histology, already knowing what she would see under the microscope. Coagulation and necrosis. The invasion of white cells, moving in like a defending army. Perhaps Mr. Samuel Knight thought the discomfort in his chest was just a bout of indigestion. Too much lunch, shouldn't have eaten all those onions. Maybe Pepto-Bismol would do the trick. Or perhaps there'd been more ominous signs which he chose to ignore: the weight on his chest, the shortness of breath. Surely it did not occur to him that he was having a heart attack. That, a day later, he would be dead of an arrhythmia. The heart now lay open and sectioned on the board. She looked at the torso, missing all its organs. So ends your business trip to Boston, she thought. No surprises here. No foul play, except for the abuse you heaped on your own body, Mr. Knight. The intercom buzzed. "Dr. Isles?" It was Louise, her secretary. "Yes?" "Detective Rizzoli's on line two for you. Can you take the call?" "I'll pick up." Maura peeled off her gloves and crossed to the wall phone. Yoshima, who'd been rinsing instruments in the sink, shut off the faucet. He turned to watch her with his silent tiger eyes, already knowing what a call from Rizzoli signified. When at last Maura hung up, she saw the question in his gaze. "It's starting early today," she said. Then she stripped off her gown and left the morgue, to usher another subject into her realm. The morning's snowfall had turned into a treacherous mix of both snow and sleet, and the city plows were nowhere in sight. She drove cautiously along Jamaica Riverway, tires swishing through deep slush, windshield wipers scraping at hoar-frosted glass. This was the first winter storm of the season, and drivers had yet to adjust to the conditions. Already, several casualties had slid off the road, and she passed a parked police cruiser, its lights flashing, the patrolman standing beside a tow truck driver as they both gazed at a car that had tipped into a ditch. The tires of her Lexus began to slide sideways, the front bumper veering toward oncoming traffic. Panicking, she hit the brakes and felt the vehicle's automatic skid control kick into action. She pulled the car back into her lane. Screw this, she thought, her heart thudding. I'm moving back to California. She slowed to a timid crawl, not caring who honked at her or how much traffic she held up. Go ahead and pass me, idiots. I've met too many drivers like you on my slab. The road took her into Jamaica Plain, a west Boston neighborhood of stately old mansions and broad lawns, of serene parks and river walks. In the summertime, this would be a leafy retreat from the noise and heat of urban Boston, but today, under bleak skies, with winds sweeping across barren lawns, it was a desolate neighborhood. The address she sought seemed the most forbidding of all, the building set back behind a high stone wall over which a smothering tangle of ivy had scrambled. A barricade to keep out the world, she thought. From the street, all she could see were the gothic peaks of a slate roof and one towering gable window which peered back at her like a dark eye. A patrol car parked near the front gate confirmed that she had found the correct address. Only a few other vehicles had arrived so far-the shock troops before the larger army of crime-scene techs arrived. She parked across the street and braced herself against the first blast of wind. When she stepped out of the car, her shoe skidded right out from under her, and she barely caught herself, hanging onto the vehicle door. Dragging herself back to her feet, she felt icy water trickle down her calves from the soaked hem of her coat, which had fallen into the slush. For a few seconds she just stood there, sleet stinging her face, shocked by how quickly it had all happened. She glanced across the street at the patrolman sitting in his cruiser, and saw that he was watching her, and had surely seen her slip. Her pride stung, she grabbed her kit from the front seat, swung the door shut, and made her way, with as much dignity as she could muster, across the rime-slicked road. "You okay, Doc?" the patrolman called out through his car window, a concerned inquiry she really did not welcome. "I'm fine." "Watch yourself in those shoes. It's even more slippery in the courtyard." "Where's Detective Rizzoli?" "They're in the chapel." "And where's that?" "Can't miss it. It's the door with the big cross on it." She continued to the front gate, but found it locked. An iron bell hung on the wall; she tugged on the pull rope, and the medieval clang slowly faded into the softer tick, tick of falling sleet. Just beneath the bell was a bronze plaque, its inscription partially obscured by a strand of brown ivy. Graystones Abbey The Sisters of Our Lady of Divine Light "The harvest is indeed great, but the laborers are few. Pray, therefore, to send laborers Into the harvest." On the other side of the gate, a woman swathed in black suddenly appeared, her approach so silent that Maura gave a start when she saw the face staring at her through the bars. It was an ancient face, so deeply lined it seemed to be collapsing in on itself, but the eyes were bright and sharp as a bird's. The nun did not speak, posing her question with only her gaze. "I'm Dr. Isles from the Medical Examiner's office," said Maura. "The police called me here." The gate squealed open. Maura stepped into the courtyard. "I'm looking for Detective Rizzoli. I believe she's in the chapel." The nun pointed directly across the courtyard. Then she turned and shuffled slowly into the nearest doorway, abandoning Maura to make her own way to the chapel. Snowflakes whirled and danced amid needles of sleet, like white butterflies circling their lead-footed cousins. The most direct route was to cross the courtyard, but the stones were glazed with ice, and Maura's shoes, with their gripless soles, had already proven no match for such a surface. She ducked instead beneath the narrow covered walkway that ran along the courtyard's perimeter. Though protected from the sleet, she found little shelter here from the wind, which sliced through her coat. She was shocked by the cold, reminded yet again of how cruel December in Boston could be. For most of her life, she had lived in San Francisco, where a glimpse of snowflakes was a rare delight, not a torment, like these stinging nettles that swirled under the overhang to nip her face. She veered closer to the building and hugged her coat tighter as she passed darkened windows. From beyond the gate came the faint swish of traffic on Jamaica Riverway. But here, within these walls, she heard only silence. Except for the elderly nun who had admitted her, the compound seemed abandoned. So it was a shock when she saw three faces staring at her from one of the windows. The nuns stood in a silent tableau, like dark-robed ghosts behind glass, watching the intruder make her way deeper into their sanctuary. Their gazes swerved in unison, following her as she moved past. The entrance to the chapel was draped with a strand of yellow crime scene tape, which had sagged in the doorway and hung crusted with sleet. She lifted the tape to step beneath it and pushed open the door. A camera flash exploded in her eyes and she froze, the door slowly hissing shut behind her, blinking away the afterimage that had seared her retinas. As her vision cleared, she saw rows of wooden pews, whitewashed walls, and at the front of the chapel, an enormous crucifix hanging above the altar. It was a coldly austere room, its gloom deepened by the stained glass windows, which admitted only a murky smear of light. "Hold it right there. Be careful where you step," said the photographer. Maura looked down at the stone floor and saw blood. And footprints-a confusing jumble of them, along with medical debris. Syringe caps and torn wrappings. The leavings of an ambulance crew. But no body. Her gaze moved in a wider circle, taking in the piece of trampled white cloth lying in the aisle, the splashes of red on the pews. She could see her own breath in this frigid room, and the temperature seemed to drop even colder, her chill deepening as she read the bloodstains, saw the successive splashes moving up the rows of benches, and understood what had happened here. The photographer began to click off more shots, each one a visual assault on Maura's eyes. "Hey Doc?" At the front of the chapel, a mop of dark hair popped up as Detective Jane Rizzoli rose to her feet and waved. "The vic's up here." "What about this blood here, by the door?" "That's from the other victim, Sister Ursula. Med-Q boys took her to St. Francis. There's more blood along that center aisle, and some footprints we're trying to preserve, so you'd better circle around to your left. Stick close to the wall." Maura paused to pull on paper shoe-covers, then edged along the perimeter of the room, hugging the wall. Only as she cleared the front row of pews did she see the nun's body, lying faceup, the fabric of her habit a black pool blending into a larger lake of red. Both hands had already been bagged to preserve evidence. The victim's youth took Maura by surprise. The nun who had let her in the gate, and those she had seen through the window, had all been elderly. This woman was far younger. It was an ethereal face, her pale blue eyes frozen in a look of eerie serenity. Her head was bare, the blond hair shorn to barely an inch long. Every terrible blow was recorded in the torn scalp, the misshapen crown. "Her name's Camille Maginnes. Sister Camille. Hometown, Hyannisport," said Rizzoli, sounding Dragnet-cool and businesslike. "She was the first novice they've had here in fifteen years. Planned to take her final vows in May." She paused, then added: "She was only twenty," and her anger cracked through the facade. "She's so young." "Yeah. Looks like he beat the shit out of her." Maura pulled on gloves and crouched down to study the destruction. The death instrument had left raggedly linear lacerations on the scalp. Fragments of bone protruded through torn skin, and a clump of gray matter had oozed out. Though the facial skin was largely intact, it was suffused a dark purple. "She died facedown. Who turned her onto her back?" "The sisters who found her," said Rizzoli. "They were looking for a pulse." "What time were the victims discovered?" "About eight this morning." Rizzoli glanced at her watch. "Nearly two hours ago." "Do you know what happened? What did the sisters tell you?" "It's been hard getting anything useful out of them. There are only fourteen nuns left now, and they're all in a state of shock. Here they think they're safe. Protected by God. And then some lunatic breaks in." "There are signs of forced entry?" "No, but it wouldn't be all that hard to get into the compound. There's ivy growing all over the walls-you could hop right over without too much trouble. And there's also a back gate, leading to a field, where they have their gardens. A perp could get in that way, too." "Footprints?" "A few in here.