Sister Carrie

Sister Carrie

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Overview

Sister Carrie by Theodore Dreiser, Richard Lingeman, Rachel Sarah

“When a girl leaves home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.” With Sister Carrie, first published in 1900, Theodore Dreiser transformed the conventional “fallen woman” story into a genuinely innovative and powerful work of fiction. As he hurled his impressionable midwestern heroine into the throbbing, amoral world of the big city, he revealed, with brilliant insight, the deep and driving forces of American culture: the restless idealism, glamorous materialism, and basic spiritual innocence.

Sister Carrie brought American literature into the twentieth century. This volume, which reprints the text Dreiser approved for publication during his lifetime and includes a special appendix discussing his earlier, unedited manuscript, is the original standard edition of one of the great masterpieces of literary realism.

Product Details

ISBN-13: 9781101077832
Publisher: Penguin Publishing Group
Publication date: 01/06/2009
Sold by: Penguin Group
Format: NOOK Book
Pages: 512
File size: 491 KB
Age Range: 18 Years

About the Author

Theodre Dreiser was born into a large and impoverished German American family in Terre Haute, Indiana, in 1871. He began his writing career as a reporter, working for newspapers in Chicago. Pittsburg, and St. Louis, until an editor friend, Arthur Henry, suggested he write a novel. The result was Sister Carrie, based on the life of Dreiser’s own sister Emma, who had run off to New York with a married man. Rejected by several publishers as “immoral”, the book was finally accepted by Doubleday and Company, and published–over Frank Doubleday’s strong objections–in 1900.

Numerous cuts and changes had been made in the lengthy original manuscript by various hands, including those of Arthur Henry, Dreiser himself. Later, when given to mythologizing his career, Dreiser was to suggest that the publishing history of Sister Carrie had been one of bowdlerization and suppression only; but the publication of his unedited manuscript by the University of Pennsylvania Press in 1981 shows that Dreiser approved and even welcomed Henry’s and Jug’s alterations. (Whether the book was ultimately improved or compromised by their liberal editing is a fascinating and as yet unresolved issue among Dreiser scholars.) Sister Carrie sold poorly, but writers like Frank Norris and William Dean Howells saw it as a breakthrough in American realism, and Dreiser’s career as a novelist was launched.

The Financer
(1912) and The Titan (1914) began his trilogy about the rise of a tycoon, but it was An American Tragedy (1925), based on newspaper accounts of a sensational murder case, which brought him fame. The novel was dramatized on Broadway and sold to Hollywood. Newly influential and affluent, Dreiser visited Russia and was unimpressed, describing his observations in the skeptical Dreiser Looks at Russia (1928). In later years, however, he became an ardent (through unorthodox) Communist, writing political Treatises such as America Is Worth Saving (1941) His artistic powers on the wane, Dreiser moved to Hollywood in 1939 and supported himself largely by the sale of film rights of his earlier works. He dies there, in 1945, at the age of seventy-four.

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Sister Carrie 3.7 out of 5 based on 0 ratings. 16 reviews.
Guest More than 1 year ago
This is the story of a young woman plagued by desire for a success she cannot fully understand or enjoy and the rather happenstance way she comes by it. The story is told with keen and absorbing psychological insight, but a psychology characterisitic of the period and Dreiser's ideas on Realism and what that entails. As an added bonus, the reader is given endless insight into the lifestyle, biases, expectations, and social rules of life in 1900's America: a bonus worth reading for. It is essential as well to read to the last sentence of the novel in order to fully appreciate Dreiser's world view and learn the fates of his characters.
Anonymous More than 1 year ago
It is obvious that Dreiser understood the motivations of humans, by the mind and heart. My two favorite things about the book are that, one, you truly are on a journey with the characters as their personalities and situations morph with every chapter, and two, it is such a wonderful take on human life and perspective and how, sometimes, no matter what you say or don't say, what you do, or don't do, fate unravels itself in funny, unexpected ways. Simply ingenious, probably my second favorite book ever.
Marhayter More than 1 year ago
No doubt about, this is one really good yarn.  It kept my interest throughout as the story unraveled.  A bit of a soap opera in parts, but you can't beat it for a great story.
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Guest More than 1 year ago
Sister Carrie is a tragic story by Theodore Dreiser of a girl who learns that materialism is an empty pursuit that only leads to unfulfilled dreams. The reader first meets Carrie as she travels from a small town to the endless ocean of possibilities that is Chicago. The book follows her ascent of the social ladder from poor factory worker in Chicago to respected actress in New York. The prose is filled figurative language and interesting diction and syntax, which make it easy to become absorbed in. The novel focuses on Carrie¿s emotional development rather than on plot development. This can make the plot slow at times, but teaches the reader the value of emotions and morals in a character. To those with loose morals, Sister Carrie may seem hypercritical as Dreiser condemns even the smallest moral infraction. The book does present insights about human nature including that because humans act on emotion they continually repeat their mistakes and compound their misfortunes. The first story of its kind, Sister Carrie ushered in a period of great American writing about the problems of the times, including the plight of the poor, materialism, social obligations, and others. The characters of Sister Carrie can be seen throughout literature in slightly different forms. The girl corrupted by the city, the idiotic wealthy who pay more than things are worth, and the naïve middle class constantly chasing wealth have become fixtures of American literature. Sister Carrie is at times hysterical, and at other times tear jerking, but it is the mixture that teaches valuable lessons and makes it a classic.
Guest More than 1 year ago
These paperback 'Thrift Editions' from Dover publications are a great way to collect classic titles at low prices!
Guest More than 1 year ago
Fascinating reading for someone unfamiliar with the 'zeitgeist' of America in 1900. This story captures a time when things were growing here and gives a historical window into the timeframe it encompasses. Carrie becomes her own woman, but she is not 'self-made' she is a product of her two lovers assistance and resolve. This was an interesting look into the life of a woman at this time. Not unlike Chopin's Awakening in that it chronicles an woman who asserts her independence!!
Guest More than 1 year ago
A lot of what is written in this book is unnecessary. Do we really need to know the make of the clothing the peole wear. The only thing left out was the price. This reads more like a catlog and street guide to Chicago than it does a story. Take out half of the descriptions and there would be a much more effective novel.
Guest More than 1 year ago
I have just finished reading Sister Carrie, and I must say I thoroughly enjoyed it. This is probably, and I am speaking as a someone from Europe, one of the best American novels ever written. The end is outstanding. A must.
Guest More than 1 year ago
This book is very boring and too dramatic. An example of it being too dramatic is when Carrie looks for work in the beginning. She is just so emotional when she is rejected by employers. It got a little better after that, but it was still boring.
Guest More than 1 year ago
In my opinion, Sister Carrie is a book of a young girl who mistakes richness for succsess and happiness. Carrie learned her lesson in the end when she was left all alone. Worst days for mr. hurstwood who killed himself because he was left broke and all the better days were gone. What Mr. hurstwood once had, dissapeared the day he cheated on his wife with Carrie.
Anonymous More than 1 year ago
You were cheating on with a blackmoon...
Anonymous More than 1 year ago
YOU SUCK HAHHAHA
Anonymous More than 1 year ago
Waits