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The Snows of Kilimanjaro and Other Stories contains ten of Hemingway's most acclaimed and popular works of short fiction. Selected from Winner Take Nothing, Men Without Women, and The Fifth Column and the First Forty-Nine Stories, this collection includes "The Killers," the first of Hemingway's mature stories to be accepted by an American periodical; the autobiographical "Fathers and Sons," which alludes, for the first time in Hemingway's career, to his father's suicide; "The Short Happy Life of Francis Macomber," a "brilliant fusion of personal observation, heresay, and invention," wrote Hemingway's biographer, Carlos Baker; and the title story itself, of which Hemingway said: "I put all the true stuff in," with enough material, he boasted, to fill four novels. Beautiful in their simplicity, startling in their originality, and unsurpassed in their craftsmanship, the stories in this volume highlight one of America's master storytellers at the top of his form.
About the Author
Ernest Hemingway did more to influence the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established him as one of the greatest literary lights of the 20th century. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. He died in 1961.
Date of Birth:July 21, 1899
Date of Death:July 2, 1961
Place of Birth:Oak Park, Illinois
Place of Death:Ketchum, Idaho
Read an Excerpt
from The Snows Of Kilimanjaro
Kilimanjaro is a snow covered mountain 19,710 feet high, and it is said to be the highest mountain in Africa. Its western summit is called the Masai "Ngàje Ngài," the House of God. Close to the western summit there is the dried and frozen carcass of a leopard. No one has explained what the leopard was seeking at that altitude.
"The marvellous thing is that it's painless," he said. "That's how you know when it starts."
"Is it really?"
"Absolutely. I'm awfully sorry about the odor though. That must bother you."
"Don't! Please don't."
"Look at them," he said. "Now is it sight or is it scent that brings them like that?"
The cot the man lay on was in the wide shade of a mimosa tree and as he looked out past the shade onto the glare of the plain there were three of the big birds squatted obscenely, while in the sky a dozen more sailed, making quick-moving shadows as they passed.
"They've been there since the day the truck broke down," he said. "Today's the first time any have lit on the ground. I watched the way they sailed very carefully at first in case I ever wanted to use them in a story. That's funny now."
"I wish you wouldn't," she said.
"I'm only talking," he said. "It's much easier if I talk. But I don't want to bother you."
"You know it doesn't bother me," she said. "It's that I've gotten so very nervous not being able to do anything. I think we might make it as easy as we can until the plane comes."
"Or until the plane doesn't come."
"Please tell me what I can do. There must be something I can do."
"You can take the leg off and that might stop it, though I doubt it. Or you can shoot me. You're a good shot now. I taught you to shoot didn't I?"
"Please don't talk that way. Couldn't I read to you?"
"Anything in the book bag that we haven't read."
"I can't listen to it," he said. "Talking is the easiest. We quarrel and that makes the time pass."
"I don't quarrel. I never want to quarrel. Let's not quarrel any more. No matter how nervous we get. Maybe they will be back with another truck today. Maybe the plane will come."
"I don't want to move," the man said. "There is no sense in moving now except to make it easier for you."
"Can't you let a man die as comfortably as he can without calling him names? What's the use of slanging me?"
"You're not going to die."
"Don't be silly. I'm dying now. Ask those bastards." He looked over to where the huge, filthy birds sat, their naked heads sunk in the hunched feathers. A fourth planed down, to run quick-legged and then waddle slowly toward the others.
"They are around every camp. You never notice them. You can't die if you don't give up."
"Where did you read that? You're such a bloody fool."
"You might think about some one else."
"For Christ's sake," he said, "That's been my trade."
He lay then and was quiet for a while and looked across the heat shimmer of the plain to the edge of the bush. There were a few Tommies that showed minute and white against the yellow and, far off, he saw a herd of zebra, white against the green of the bush. This was a pleasant camp under big trees against a hill, with good water, and close by, a nearly dry water hole where sand grouse flighted in the mornings.
"Wouldn't you like me to read?" she asked. She was sitting on a canvas chair beside his cot. "There's a breeze coming up."
"Maybe the truck will come."
"I don't give a damn about the truck."
"You give a damn about so many things that I don't."
"Not so many, Harry."
"What about a drink?"
"It's supposed to be bad for you. It said in Black's to avoid all alcohol. You shouldn't drink."
"Molo!" he shouted.
"You shouldn't," she said. "That's what I mean by giving up. It says it's bad for you. I know it's bad for you."
"No," he said. "It's good for me."
So now it was all over, he thought. So now he would never have a chance to finish it. So this was the way it ended in a bickering over a drink. Since the gangrene started in his right leg he had no pain and with the pain the horror had gone and all he felt now was a great tiredness and anger that this was the end of it. For this, that now was coming, he had very little curiosity. For years it had obsessed him; but now it meant nothing in itself. It was strange how easy being tired enough made it.
Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now.
"I wish we'd never come," the woman said. She was looking at him holding the glass and biting her lip. "You never would have gotten anything like this in Paris. You always said you loved Paris. We could have stayed in Paris or gone anywhere. I'd have gone anywhere. I said I'd go anywhere you wanted. If you wanted to shoot we could have gone shooting in Hungary and been comfortable."
"Your bloody money," he said.
"That's not fair," she said. "It was always yours as much as mine. I left everything and I went wherever you wanted to go and I've done what you wanted to do. But I wish we'd never come here."
"You said you loved it."
"I did when you were all right. But now I hate it. I don't see why that had to happen to your leg. What have we done to have that happen to us?"
"I suppose what I did was to forget to put iodine on it when I first scratched it. Then I didn't pay any attention to it because I never infect. Then, later, when it got bad, it was probably using that weak carbolic solution when the other antiseptics ran out that paralyzed the minute blood vessels and started the gangrene." He looked at her, "What else?"
"I don't mean that."
"If we would have hired a good mechanic instead of a half baked kikuyu driver, he would have checked the oil and never burned out that bearing in the truck."
"I don't mean that."
"If you hadn't left your own people, your goddamned Old Westbury, Saratoga, Palm Beach people to take me on "
"Why, I loved you. That's not fair. I love you now. I'll always love you. Don't you love me?"
"No," said the man. "I don't think so. I never have."
"Harry, what are you saying? You're out of your head."
"No. I haven't any head to go out of."
"Don't drink that," she said. "Darling, please don't drink that. We have to do everything we can."
"You do it," he said. "I'm tired."
Now in his mind he saw a railway station at Karagatch and he was standing with his pack and that was the headlight of the Simplon-Orient cutting the dark now and he was leaving Thrace then after the retreat. That was one of the things he had saved to write, with, in the morning at breakfast, looking out the window and seeing snow on the mountains in Bulgaria and Nansen's Secretary asking the old man if it were snow and the old man looking at it and saying, No, that's not snow. It's too early for snow. And the Secretary repeating to the other girls, No, you see. It's not snow and them all saying, It's not snow we were mistaken. But it was the snow all right and he sent them on into it when he evolved exchange of populations. And it was snow they tramped along in until they died that winter.
It was snow too that fell all Christmas week that year up in the Gauertal, that year they lived in the woodcutter's house with the big square porcelain stove that filled half the room, and they slept on mattresses filled with beech leaves, the time the deserter came with his feet bloody in the snow. He said the police were right behind him and they gave him woolen socks and held the gendarmes talking until the tracks had drifted over.
In Schrunz, on Christmas day, the snow was so bright it hurt your eyes when you looked out from the weinstube and saw every one coming home from church. That was where they walked up the sleigh-smoothed urine-yellowed road along the river with the steep pine hills, skis heavy on the shoulder, and where they ran that great run down the glacier above the Madlener-haus, the snow as smooth to see as cake frosting and as light as powder and he remembered the noiseless rush the speed made as you dropped down like a bird.
They were snow-bound a week in the Madlenerhaus that time in the blizzard playing cards in the smoke by the lantern light and the stakes were higher all the time as Herr Lent lost more. Finally he lost it all. Everything, the skischule money and all the season's profit and then his capital. He could see him with his long nose, picking up the cards and then opening, "Sans Voir." There was always gambling then. When there was no snow you gambled and when there was too much you gambled. He thought of all the time in his life he had spent gambling.
But he had never written a line of that, nor of that cold, bright Christmas day with the mountains showing across the plain that Barker had flown across the lines to bomb the Austrian officers' leave train, machine-gunning them as they scattered and ran. He remembered Barker afterwards coming into the mess and starting to tell about it. And how quiet it got and then somebody saying, "You bloody murderous bastard."
Those were the same Austrians they killed then that he skied with later. No not the same. Hans, that he skied with all that year, had been in the Kaiser-Jägers and when they went hunting hares together up the little valley above the saw-mill they had talked of the fighting on Pasubio and of the attack on Pertica and Asalone and he had never written a word of that. Nor of Monte Corno, nor the Siete Commum, nor of Arsiedo.
How many winters had he lived in the Voralberg and the Arlberg? It was four and then he remembered the man who had the fox to sell when they had walked into Bludenz, that time to buy presents, and the cherry-pit taste of good kirsch, the fast-slipping rush of running powder-snow on crust, singing "Hi! Ho! said Rolly!" as you ran down the last stretch to the steep drop, taking it straight, then running the orchard in three turns and out across the ditch and onto the icy road behind the inn. Knocking your bindings loose, kicking the skis free and leaning them up against the wooden wall of the inn, the lamplight coming from the window, where inside, in the smoky, new-wine smelling warmth, they were playing the accordion.
"Where did we stay in Paris?" he asked the woman who was sitting by him in a canvas chair, now, in Africa.
"At the Crillon. You know that."
"Why do I know that?"
"That's where we always stayed."
"No. Not always."
"There and at the Pavillion Henri-Quatre in St. Germain. You said you loved it there."
"Love is a dunghill," said Harry. "And I'm the cock that gets on it to crow."
"If you have to go away," she said, "is it absolutely necessary to kill off everything you leave behind? I mean do you have to take away everything? Do you have to kill your horse, and your wife and burn your saddle and your armour?"
"Yes," he said. "Your damned money was my armour. My Swift and my Armour."
"All right. I'll stop that. I don't want to hurt you."
"It's a little bit late now."
"All right then. I'll go on hurting you. It's more amusing. The only thing I ever really liked to do with you I can't do now."
"No, that's not true. You liked to do many things and everything you wanted to do I did."
"Oh, for Christ sake stop bragging, will you?"
He looked at her and saw her crying.
"Listen," he said. "Do you think that it is fun to do this? I don't know why I'm doing it. It's trying to kill to keep yourself alive, I imagine. I was all right when we started talking. I didn't mean to start this, and now I'm crazy as a coot and being as cruel to you as I can be. Don't pay any attention, darling, to what I say. I love you, really. You know I love you. I've never loved any one else the way I love you."
He slipped into the familiar lie he made his bread and butter by.
"You're sweet to me."
"You bitch," he said. "You rich bitch. That's poetry. I'm full of poetry now. Rot and poetry. Rotten poetry."
"Stop it. Harry, why do you have to turn into a devil now?"
"I don't like to leave anything," the man said. "I don't like to leave things behind."
It was evening now and he had been asleep. The sun was gone behind the hill and there was a shadow all across the plain and the small animals were feeding close to camp; quick dropping heads and switching tails, he watched them keeping well out away from the bush now. The birds no longer waited on the ground. They were all perched heavily in a tree. There were many more of them. His personal boy was sitting by the bed.
"Memsahib's gone to shoot," the boy said. "Does Bwana want?"
She had gone to kill a piece of meat and, knowing how he liked to watch the game, she had gone well away so she would not disturb this little pocket of the plain that he could see. She was always thoughtful, he thought. On anything she knew about, or had read, or that she had ever heard.
It was not her fault that when he went to her he was already over. How could a woman know that you meant nothing that you said; that you spoke only from habit and to be comfortable? After he no longer meant what he said, his lies were more successful with women than when he had told them the truth.
It was not so much that he lied as that there was no truth to tell. He had had his life and it was over and then he went on living it again with different people and more money, with the best of the same places, and some new ones.
You kept from thinking and it was all marvellous. You were equipped with good insides so that you did not go to pieces that way, the way most of them had, and you made an attitude that you cared nothing for the work you used to do, now that you could no longer do it. But, in yourself, you said that you would write about these people; about the very rich; that you were really not of them but a spy in their country; that you would leave it and write of it and for once it would be written by some one who knew what he was writing of. But he would never do it, because each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all. The people he knew now were all much more comfortable when he did not work. Africa was where he had been happiest in the good time of his life, so he had come out here to start again. They had made this safari with the minimum of comfort. There was no hardship; but there was no luxury and he had thought he could get back into training that way. That in some way he could work the fat off his soul the way a fighter went into the mountains to work and train in order to burn it out of his body.
She had liked it. She said she loved it. She loved anything that was exciting, that involved a change of scene, where there were new people and where things were pleasant. And he had felt the illusion of returning strength of will to work. Now if this was how it ended, and he knew it was, he must not turn like some snake biting itself because its back was broken. It wasn't this woman's fault. If it had not been she it would have been another. If he lived by a lie he should try to die by it. He heard a shot beyond the hill.
She shot very well this good, this rich bitch, this kindly caretaker and destroyer of his talent. Nonsense. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do. And he had chosen to make his living with something else instead of a pen or a pencil. It was strange, too, wasn't it, that when he fell in love with another woman, that woman should always have more money than the last one? But when he no longer was in love, when he was only lying, as to this woman, now, who had the most money of all, who had all the money there was, who had had a husband and children, who had taken lovers and been dissatisfied with them, and who loved him dearly as a writer, as a man, as a companion and as a proud possession; it was strange that when he did not love her at all and was lying, that he should be able to give her more for her money than when he had really loved.
"The Snows of Kilimanjaro" copyright 1936 by Ernest Hemingway
Copyright renewed © 1964 by Mary Hemingway
Table of Contents
The Snows of Kilimanjaro
A Clean, Well-Lighted Place
A Day's Wait
The Gambler, the Nun, and the Radio
Fathers and Sons
In Another Country
A Way You'll Never Be
The Short Happy Life of Francis Macomber
Most Helpful Customer Reviews
I had never read anything by Hemingway until a friend loaned me this collection of ten short stories. Although I can't comment on Hemingway's entire body of work, in these stories he seems to find disappointment in his major characters. His characters are all interesting, flawed human beings, with the exception of the women, whom he seems to revere and loathe at the same time. The men are all consumed with manly pursuits like gambling, hunting, boxing and warfare. Hemingway created vivid scenes with short bursts of dialogue and long run-on sentences jam-packed with prepositional phrases. Like medicine, I knew these stories were 'good for me' in a way the next best-seller never will be, yet the acidic tang and sticky-sweet syrup taste lingered long after.
Hemingway does a great job in the story of showing the regrets of a dying man. It shows how his choices have lead him down the path he is currently on. It creats in one the desire to act now.
Hemingway's most popular short story collection includes auto-biographical material and his earliest stories that were accepted by American periodicals.
I'm still reading the first story. It's a tough read, but it is worth it. The character is very interesting, talking about his unfilled wish to write stories based on the experiences he's had.
I am probably one of the few people who find Hemingway's writing a disappointment. I felt this way the first time I read Faulkner, too. I asked myself 'What is he trying to say?' or 'Why am I reading this if it's not meaningful or enjoyable to me?' I persist through books I am not liking because I felt like this during the first hundred pages of 'A Tale of Two Cities' and that ended up being one of my favorite books. Not this book, however. These stories felt to me like Hemingway was purging himself of something and not trying to tell me a story. Some literature I guess can be like that but not the kind I like to read.
I read this in my Honors English class, and not many people liked it. Though I don't exactly like the subjects he writes about, I can see why Hemingway is considered a literary genius. His writing is straight and to the point. I must say, though, it takes a while to get used to his writing. When I read aloud, I stumbled for a while until I got the swing of things.