Sounding the Color Line: Music and Race in the Southern Imagination

Sounding the Color Line: Music and Race in the Southern Imagination

by Erich Nunn

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Overview

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South.

Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners’ racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull—between segregationist cultural logics and music’s disrespect of racially defined boundaries—is an animating force in twentieth-century American popular culture.

Product Details

ISBN-13: 9780820347370
Publisher: University of Georgia Press
Publication date: 06/01/2015
Series: The New Southern Studies Series
Edition description: New Edition
Pages: 224
Product dimensions: 5.90(w) x 8.90(h) x 0.70(d)

About the Author

ERICH NUNN is assistant professor of English at Auburn University and a postdoctoral fellow at Emory University’s Bill and Carol Fox Center for Humanistic Inquiry. His work has been published in the Faulkner Journal; The Mark Twain Annual; Criticism: A Quarterly for Literature and the Arts; Studies in American Culture; and in the edited collection, Transatlantic Roots Music: Folk, Blues, and National Identities.

Table of Contents

Acknowledgments vii

Introduction 1

1 American Balladry and the Anxiety of Ancestry 16

2 Country Music and the Souls of White Folk 45

3 Plantations, Prisons, and the Sounds of Segregation 78

4 The New Negro Looks South 106

5 Rethinking Music and Race in Jean Toomer's Cane 133

6 Music and Racial Violence in William Faulkner's Sanctuary 154

Coda: Race, Region, and the Politics of Hip-Hop Authenticity 173

Notes 181

Bibliography 199

Index 211

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