Named a Best Art Book of 2017 by the New York Times and Artforum
In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Kellie Jones, a 2016 recipient of a MacArthur "Genius Grant," is Associate Professor of Art History at Columbia University and the author of several books, including EyeMinded: Living and Writing Contemporary Art, also published by Duke University Press. Jones has curated numerous national and international exhibitions, including Now Dig This! Art and Black Los Angeles, 1960–1980 and Witness: Art and Civil Rights in the Sixties.
Table of Contents
List of Illustrations ix Acknowledgments xiii Introduction. South of Pico: Migration, Art, and Black Los Angeles 1 1. Emerge: Putting Southern California on the Art World Map 23 2. Claim: Assemblage and Self-Possession 67 3. Organize: Building an Exhibitionary Complex 139 4. In Motion: The Performative Impulse 185 Conclusion. Noshun: Black Los Angeles and the Global Imagination 265 Notes 277 Selected Bibliography 359 Index 379
What People are Saying About This
Posing Beauty: African American Images from the 1890s to the Present - Deborah Willis
“A gifted and original scholar, Kellie Jones offers unique and stimulating insights into the role L.A.’s close-knit African American artists and communities played in creating art spaces in museums, cultural centers, and storefronts. South of Pico is broad in scope, tracing the narratives of oft-neglected artists, exploring the contributions of women artists and feminist visual theory, and highlighting the history of collecting by Hollywood movie stars and entertainers. Wonderfully innovative and extraordinarily researched, South of Pico is a foundational study for western American art.”
Henry Louis Gates Jr.
"Born of decades of research as well as her award-winning exhibition Now Dig This! Art and Black Los Angeles, 1960–1980, this brilliant book by Kellie Jones narrates the rise of this African American art world. Examining the migration of black visual artists to Los Angeles, she discloses the geography of artistic invention against the backdrop of the civil rights movement, Black Power and arts activism, and violent unrest. With this volume, Professor Jones has authored a nuanced and essential history of African American art in the West."
A Nation Rising chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian
sovereignty movement. Scholars, community organizers, journalists, and filmmakers contribute essays that explore Native Hawaiian resistance and resurgence from the 1970s to the early 2010s. Photographs ...
The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all
crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity ...
From his arrival in Britain in the 1950s and involvement in the New Left, to
founding the field of cultural studies and examining race and identity in the 1990s and early 2000s, Stuart Hall has been central to shaping many ...
A daughter of the poets Hettie Jones and Amiri Baraka, Kellie Jones grew up immersed
in a world of artists, musicians, and writers in Manhattan's East Village and absorbed in black nationalist ideas about art, politics, and social justice across ...
What explains our current obsession with selfies? In I Love My Selfie noted cultural critic
Ilan Stavans explores the selfie's historical and cultural roots by discussing everything from Greek mythology and Shakespeare to Andy Warhol, James Franco, and Pope Francis. ...
Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart
Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because ...
This study of colonialism and art examines the intersection of visual culture and political power
in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating ...
In Punk and Revolution Shane Greene radically uproots punk from its iconic place in First
World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political ...