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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory.
Forthcoming from the MIT Press
|Product dimensions:||4.75(w) x 7.50(h) x (d)|
|Age Range:||18 Years|
About the Author
Daniel Birnbaum is a Swedish art critic, theoretician, and curator. He was the director of the Museum of Modern Art (Moderna Museet) in Stockholm from 2010 to 2018, and currently directs the VR company, Acute Art.
Sven-Olov Wallenstein is Professor of Philosophy at Södertörn University, Stockholm, and editor-in-chief of Site.