“Bold, brutal, and making no compromises—Morgan doesn’t so much twist the clichés of fantasy as take an axe to them.”—Joe Abercrombie
A dark lord will rise.
Such is the prophecy that dogs Ringil Eskiath—Gil, for short—a washed-up mercenary and onetime war hero whose cynicism is surpassed only by the speed of his sword. Gil is estranged from his aristocratic family, but when his mother enlists his help in freeing a cousin sold into slavery, Gil sets out to track her down. But it soon becomes apparent that more is at stake than the fate of one young woman. Grim sorceries are awakening in the land. Some speak in whispers of the return of the Aldrain, a race of widely feared, cruel yet beautiful demons. Now Gil and two old comrades are all that stand in the way of a prophecy whose fulfillment will drown an entire world in blood. But with heroes like these, the cure is likely to be worse than the disease.
Praise for The Steel Remains
“The award-winning author of Altered Carbon and Market Forces brings the same iconoclastic approach to his fantasy debut as he did to his sf technothrillers. . . . [Richard K.] Morgan’s storytelling talent and his atmospheric, hard-hitting prose make this a strong addition to mature fantasy collections.”—Library Journal
“Spellbinding . . . There’s so much to like about the adventure.”—The Star-Ledger
“Morgan has taken traditional sword and sorcery tropes and given them a hard, contemporary kick. The antithesis of the cosy fairytale, this one is for big boys.”—The Times (London)
“[A] dark, gritty tale . . . The well-developed characters and realistic battle scenes ring true.”—Publishers Weekly
About the Author
Richard K. Morgan is the acclaimed author of Thirteen, which won the Arthur C. Clarke Award, Woken Furies, Market Forces, Broken Angels, and Altered Carbon, a New York Times Notable Book that also won the Philip K. Dick Award. Morgan sold the movie rights for Altered Carbon to Joel Silver and Warner Bros. His third book, Market Forces, has also been sold to Warner Bros. and was winner of the John W. Campbell Award. He lives in Scotland.
Read an Excerpt
When a man you know to be of sound mind tells you his recently deceased mother has just tried to climb in his bedroom window and eat him, you only have two basic options. You can smell his breath, take his pulse, and check his pupils to see if he's ingested anything nasty, or you can believe him. Ringil had already tried the first course of action with Bashka the Schoolmaster and to no avail, so he put down his pint with an elaborate sigh and went to get his broadsword.
"Not this again," he was heard to mutter as he pushed through into the residents' bar.
A yard and a half of tempered Kiriath steel, Ringil's broadsword hung above the fireplace in a scabbard woven from alloys that men had no names for, though any Kiriath child could have identified them from age five upward. The sword itself also had a name in the Kiriath tongue,
as did all Kiriath- forged weapons, but it was an ornate title that lost a lot in translation. "Welcomed in the Home of Ravens and Other Scavengers in the Wake of Warriors" was about as close as Archeth had been able to render it, so Ringil had settled on calling it the Ravensfriend. He didn't
like the name especially, but it had the sort of ring people expected of a famous sword—and his landlord, a shrewd man with money and the potential for making it, had renamed the inn the same way, setting an eternal seal on the thing. A local artist had painted a passable image of
Ringil wielding the Ravensfriend at Gallows Gap and now it hung outside for all the passing world to see. In return, Ringil got bed and board and the opportunity to sell tales of his exploits to tourists in the residents' bar for whatever was dropped into his cap.
All that, Ringil once remarked ironically in a letter to Archeth, and a blind eye turned to certain bedroom practices that would doubtless earn Yours Truly a slow death by impaling in Trelayne or Yhelteth. Heroic status in Gallows Water, it seems, includes a special dispensation not available to the average citizen in these righteous times. Plus, he supposed, you don't go queer baiting when your quarry has a reputation for rendering trained swordsmen into dogmeat at the drop of a gauntlet. Fame, Ringil scribbled, has its uses after all.
Mounting the sword over the fireplace had been a nice touch, and also the landlord's idea. The man was now trying to persuade his resident celebrity to offer dueling lessons out back in the stable yards.
Cross blades with the hero of Gallows Gap for three Empire- minted elementals the half hour. Ringil didn't know if he felt that hard up yet.
He'd seen what teaching had done to Bashka.
Anyway, he dragged the Ravensfriend from the scabbard with a single grating clang, slung it casually over his shoulder, and walked out into the street, ignoring the stares from the audience he had been regaling with tales of valor about an hour ago. He guessed they'd follow him at least part of the way to the schoolmaster's house. It couldn't do any harm, if his suspicions about what was going on were correct, but they'd probably all cut and run at the first sign of trouble. You couldn't blame them really. They were peasants and merchants, and they had no bond with him. About a third of them he'd never even seen before tonight.
Introductory comment from the treatise on skirmish warfare that the Trelayne Military Academy had politely declined to publish under his name: If you don't know the men at your back by name, don't be surprised if they won't follow you into battle. On the other hand, don't be surprised if they will, either, because there are countless other factors you must take into account. Leadership is a slippery commodity, not easily manufactured or understood. It was simple truth, as gleaned in the bloody forefront of some of the nastiest fighting the free cities had seen in living memory. It was, however, the Lieutenant Editor in Trelayne had written kindly, just too vague for the Academy to consider as viable training material. It is this ambivalence as much as any other that leads us to decline your submission. Ringil looked at that last sentence on the parchment and suspected a kindred spirit.
It was cold out in the street. Above the waist he wore only a leather jerkin with loose half- length sailcloth sleeves, and there was an unseasonal early chill sloping down the spine of the country from the
Majak uplands. The peaks of the mountains that the town nestled under were already capped with snow, and it was reckoned that Gallows Gap would be impassable before Padrow's Eve. People were talking again about an Aldrain winter. There had been stories circulating for weeks now, of high- pasture livestock taken by wolves and other, less natural predators, of chilling encounters and sightings in the mountain passes.
Not all of them could be put down to fanciful talk. This,Ringil suspected,
was going to be the source of the problem. Bashka the Schoolmaster's cottage was at the end of one of the town's cross streets and backed onto the local graveyard.As by far the most educated man in the tiny township of Gallows Water— its resident hero excluded— Bashka had been handed the role of temple officiator by default, and the house went with the priest's robes.And in bad weather, graveyards were a fine source of meat for scavengers.
You will be a great hero, a Yhelteth fortune- teller had once read in
Ringil's spittle. You will carry many battles and best many foes.
Nothing about being a municipal exterminator in a border- town settlement not much bigger than one of Trelayne's estuary slums.
There were torches fixed in brackets along the main streets and river frontage of Gallows Water but the rest of the town must make do with bandlight, of which there wasn't much on a night this clouded. True to
Ringil's expectations, the crowd thinned out as soon as he stepped onto an unlit thoroughfare. When it became apparent where he was headed specifically, his escort dropped by more than half. He reached the corner of Bashka's street still trailing a loose group of about six or eight, but by the time he drew level with the schoolmaster's cottage— the door still gaping open, the way its owner had left it when he fled in his nightshirt—
he was alone. He cocked his head back to where the rubberneckers hovered at the far end of the street. A wry grin twitched his lips.
"Stand well back now," he called.
From among the graves, something uttered a low droning cry.
Ringil's skin goosefleshed with the sound of it. He unshipped the
Ravensfriend from his shoulder and, holding it warily before him,
stepped around the corner of the little house.
The rows of graves marched up the hill where the town petered out against outcroppings of mountain granite. Most of the markers were simple slabs hewn from the self- same stone as the mountain, reflecting the locals' phlegmatic attitude to the business of dying. But here and there could be seen the more ornately carved structure of a Yhelteth tomb, or one of the cairns the northerners buried their dead under,
hung with shamanistic iron talismans and daubed in the colors of the deceased's clan ancestry. As a rule, Ringil tried not to come out here too often; he remembered too many of the names on the stones, could put faces to too many of the foreign- sounding dead. It was a mixed bag that had died under his command at Gallows Gap that sweltering summer afternoon nine years ago, and few of the outlanders had family with the money to bring their sons home for burial. The cemeteries up and down this stretch of the mountains were littered with their lonely testimony.
Ringil advanced into the graveyard, one bent- kneed step at a time.
Clouds broke apart overhead, and the Kiriath blade glinted in the sudden smear of bandlight. The cry was not repeated, but now he could make out smaller, more furtive sounds. The sounds, he reckoned unenthusiastically, of someone digging.
You will be a great hero.
He found Bashka's mother, as it seemed, grubbing around in the dirt at the base of a recent headstone. Her burial shroud was torn and soiled,
revealing rotted flesh that he could smell from a dozen paces upwind even in the cold. Her deathgrown nails made an unpleasant raking sound as they struggled with the casket she had partially unearthed.
In life, this woman had never liked him. As temple officiator and priest, her son was supposed to despise Ringil for a worthless degenerate and a corruptor of youth. Instead, as a schoolmaster and man of some education himself, Bashka turned out to be far too enlightened for his own good. His easygoing attitude to Ringil and the late- night phil -
osophical debates they occasionally got into at the tavern earned him vitriolic reprimands from visiting senior priests. Worse still, his lack of condemnatory zeal gave him a reputation in the religious hierarchy that ensured he would always remain a humble teacher in a backwater town.
The mother, naturally enough, blamed the degenerate Ringil and his evil influence for her son's lack of advancement, and he was not welcome in the schoolmaster's house while she drew breath. This latter activity had come to an abrupt halt the previous month, following a swift and unquenchable fever, sent presumably by some preoccupied god who had overlooked her great righteousness in religious matters.
Trying not to breathe through his nose, Ringil tapped the flat of the
Ravensfriend on a convenient grave to get her attention. At first she didn't seem to hear the noise it made, but then the body twisted wrenchingly around and he found himself looking into a face whose eyes had long ago been eaten by whichever small creatures took care of that sort of thing. The jaw hung slack, most of the nose was gone, and the flesh of the cheeks was mottled and holed. It was remarkable that
Bashka had even recognized her.
"Come on out of there," said Ringil, readying his sword.
It came through the dead woman's rib cage with a cracking, sucking sound, a corpsemite fully a yard long not counting the tendril appendages it had used to puppet the corpse's limbs. It was gray in hue, not unlike some species of smooth- skinned maggot, which its body in many ways resembled. The blunt snout of the thing ended in chomping jaws set with horny ridges that could shatter bone, and Ringil knew that the tail end looked much the same. Corpsemites didn't excrete their waste, they oozed it from pores along the slug- like body, a substance that, like their saliva,
was lethally corrosive.
No one knew where they came from. Folklore had it that they were originally lumps of witch's snot, hawked up and animated to voracious life by their evil owners for reasons most of the tales were rather vague on. Authorized religion insisted variously that they were either ordinary slugs or maggots, possessed by the souls of the evil dead, or demonic visitations from some cemetery hell where the spiritually unworthy rotted, fully conscious, in their graves. Archeth had had a slightly saner theory: that the mites were a mutation produced by the Kiriath's experiments with lower life- forms centuries before, a creature designed to dispose of the dead more efficiently than conventional scavengers would.
Whatever the truth, no one was quite sure what level of intelligence the corpsemites had. But somewhere in their evolution, natural or otherwise, they'd learned to use the carcases they fed upon for a whole host of other purposes. A body could serve them as a hiding place or an incubation bed for their eggs; if not too badly decayed, it might become a means of rapid motion or disguise; and, in the case of humans or wolves, it could be a digging tool. It was the use of human corpses that triggered the spate of zombie sightings throughout the northwest whenever the winters were hard.
Ringil had occasionally wondered whether the corpsemites didn't also manipulate carcasses as a form of play. It was entirely his own macabre idea, conjured up when he first read about the creatures in accounts by travelers to the Kiriath wastes. After all, he reasoned to his father' s librarian, a corpsemite's own secretions would eat through a wooden casket nearly as fast as a corpse's decaying hands could open it,
so why else would they bother? The opinion of the librarian, and later of his father, was that Ringil was a very sick young man who ought to concern himself, as his elder brothers already did, with more natural pursuits like riding, hunting, and bedding the local wenches. His mother, who no doubt already had her suspicions, said nothing.
From his one or two previous encounters with these creatures,
Ringil also knew that they could be very—
The corpsemite flexed its body free of the encaging ribs, leapt straight at him.
He hacked sideways, rather inelegantly, and succeeded in batting the thing away to the left. It hit a headstone and dropped to the ground writhing, sliced almost in half by the stroke. Ringil brought the sword down again and finished the job, mouth pursed with distaste. The two severed halves of the creature twisted and trembled and then lay still.
Demons and the souls of the evil dead were not, it seemed, up to repairing that kind of damage.
Ringil also knew that corpsemites moved in groups. As the slimy filigree of a tendril appendage touched his cheek, he was already spinning around to face the next one. The drops of secretion burned.
No time to wipe it off. He spotted the creature, coiled on top of a
Yhelteth tomb, skewered it on reflex. The tendrils recoiled and the thing made angry chittering noises as it died. Ringil heard a clatter of response from the other side of the tomb and saw movement. He stepped wide around the worked stone slab, saw the two smaller mites hauling themselves up out of the wreckage of a rotted coffin and its equally far- gone contents. A single downward blow sliced them both irreparably open, body fluids gushing like pale oil from the wounds. He did it again, just to be sure.
The fifth mite landed on his back.
He didn't think at all. In retrospect, he guessed it must have been pure revulsion that drove him. He dropped the sword with a yell,
reached down to the fastenings of his jerkin, and tore them open with both hands. In the same motion he shrugged himself halfway out of the garment while the corpsemite was still finding out that the leather was not his real skin. The jerkin sagged under the creature's weight, helped him to pull clear. The tendrils around his waist and over his shoulders were still creeping toward each other and they didn't have time to tighten against the movement. His left arm came free and he whirled like a discus thrower, hurling the bundle of jerkin and mite off his right sleeve and away among the headstones. He heard it hit something solid.
Tendrils had touched him on the chest and back— later he would find the weals. Now he snatched up the Ravensfriend and stalked after his jerkin, eyes and ears open for any remaining members of the group.
He found the garment, partially dissolved, at the base of an ancient moss- grown slab near the back of the cemetery. Not a bad throw, that,
from a standing start. The corpsemite was still trying to disentangle itself from the leather and flapped confusedly at him as he approached. Its jaws were bared and it was hissing like a new sword in the cooling trough.
"Yeah, yeah," he muttered and plunged the Ravensfriend down point- first, impaling the mite on the earth. He watched with somber satisfaction as it died. "That was clean on today, you little shit."
He stayed among the graves long enough to start feeling the cold again, and to take a brooding interest in the slight but unmistakable paunch that was beginning to threaten the aesthetics of his narrowhipped waist. No further corpsemites showed themselves. He took an uncontaminated shred of his jerkin as a rag and cleaned the body fluids off the Ravensfriend's bluish surfaces with fastidious care. Archeth had insisted the Kiriath blade was proof against all and any corrosive substances, but she had been wrong about things before.
The final outcome of the war, to name but one.
Then, finally, Ringil remembered that the creatures had touched him and, as if on cue, the blisters they'd left began to burn. He rubbed at the one on his cheek until it burst, deriving a certain brutal amusement from the thin pain he got out of it. Not what you'd call a heroic wound,
but it was all he'd have to show for the evening's exertions. No one would be coming out here to check on the carnage until it got safely light.
Oh well, maybe you can narrate it into a couple of pints and a fowl platter. Maybe Bashka'll buy you a replacement jerkin out of sheer gratitude, if he can afford it after he's paid to rebury his mother. Maybe that towheaded lad from the stables will listen in and be impressed enough to overlook this gut you're so intent on developing.
Yeah, and maybe your father's written you back into his testament.
Maybe the Yhelteth Emperor is a queer.
That last was worth a grin. Ringil Angeleyes, scarred hero of Gallows
Gap, chuckled to himself a little in the chill of the graveyard, and glanced around at the silent markers as if his long- fallen comrades might share the joke. The quiet and the cold gave him nothing back.
The dead stayed stonily unmoved, just the way they'd been now for nine years, and slowly Ringil's smile faded away. A shiver clung at his back.
He shook it off.
Then he slung the Ravensfriend back across his shoulder and went in search of a clean shirt, some food, and a sympathetic audience.
Most Helpful Customer Reviews
This was a terrific read. If you're looking for a noir, tough hero detective story like Altered Carbon (with a complex mystery, steamy sex, etc.), this is your book. If you're looking for a tale of an epic swordsman, dark magic, and ancient rivalries between gods, this is also your book. Morgan has taken the best of his Takeshi Kovacs series and mixed it into a fascinating world that will satisfy fantasy lovers (like me). Highly recommended if you're looking for a book to draw you in and race you to the finish.
Simply the best fantasy I've ever read. If you like dark, human stories that are also "sword and sorcery" and are tired of "heroes and happy endings", this book is for you. And a hint of "magic is simply science beyond our understanding".
Ringil Eskiath, the hero of Gallows Gap, found fame brought notoriety due to his sexual preference, which led to exile from his ashamed aristocratic family as his saving humans from the Scaled Folk is superseded by his being gay. Legally as a degenerate the state should execute him. He remains alive due to his family connections; his heroism; and his speed with the sword that matches the speed of his temper. Angry by the prejudice he faces and the lack of gratitude for risking his life, he has become an out of shape has-been residing in the squalid boondocks Gallows Water where he earns room and board at a dive talking about his glory days and pocket change using his Kiriath sword to battle the mighty mite populace.
His mother Ishil arrives to demand Ringil search for his cousin Sherin, whose husband Bilgest legally sold her into slavery. Reluctantly he returns to Trelayne where he acts like a bull in a pottery shop flaunting his sexual proclivity. He angers Poltar, shaman of the nomadic Skaanak, who wants to dispose of the clan master Egar the Dragonbane for his blasphemous ideas learned in the Kiriath city Yhelteth. The Emperor sends the last Kiriath, Archeth Indamaninarmal, to investigate the destruction of Khangset. She, Ringil and Egar meet as they did once before when they defeated the Scaled Folk, but that seems like a picnic compared to their foe, the Dwenda magical race that ignores the laws of physics when it comes to the time-space continuum.
This character driven sword and sorcery science fiction fantasy focuses on the three heroes, flaws and all, as they prepare for a second adventure of a lifetime. The world is detailed so it seems genuine as a wonderful hyperbole of our country (even with Richard K, Morgan being a Scottish author). Although much of the story line is inner musings and angry diatribes over unfairness, the military battles are exhilarating. From the opening gay encounter, Mr. Morgan provides a deep look at what happens to heroes when they choose to behave differently than the societal expectations of what a champion must be.
Morgan continues to write new and exciting fiction. Great twist on the fantasy theme. Highly recommend this one if you like the thrill of a good read.
I am a pretty big fan of Morgan's Kovac novels, but unlike some of the others who gave this an unfavorable review because they were used to Morgan doing Sci-Fi (and well I might add), I appreciated what RKM was doing with this fantasy novel. This is a hardboiled style detective novel set in a fantasy world. A few people complain about Ringel's "modern sensibilities" but frankly I think it helps combined these two genre's beautifully. Also, I am not sure, but I also think that "modern sensibilities" may be code speak for, "I hate that the main character was gay". What I have to say to those people is to get over it. The fact that the main protagonist was gay was NOT hidden in the description. If you read it without reading the description, then don't blame the author for your own ignorant stupidity. As far as story goes, Morgan takes a lot of time to set up the atmosphere and I can honestly say there was one twist that I was not expecting. The end however was a little bit of a let down as it does not quite live up to the build up through the story line. In the end, it was pretty apparent that RKM left the ending open on purpose to make a sequel. I don't blame him for that. I just wish the ending to Steel was more satisfying. In the end however, it did leave me greatly anticipating the next novel due to be released in October, "The Cold Commands", and for ONCE I can say that a gay character in a fantasy novel has finally become the main protagonist in a genre that usually delegates them to side kicks and comedy relief. Hurrah!!
INTRIGUING WORLD AND CHARACTERS Ringil Eskiath or Gil is a famous war hero from an aristocratic Southern family, but is also bitter, cynical, and held in disgrace in his homeland by his father and the church for his irreverence and sexual preference. He is called home from a backwater village by his Mother to rescue a cousin sold into slavery. In the process of locating and freeing her he runs afoul of those enriched by the slave trade, those involved in a political conspiracy against the empire and an alien race (the Aldrain or Dwenda) intent on reassuming dominance of a world they had been driven out of several thousand years in the past. Along the way he is reunited with comrades from the war. Egar or Dragonbane is a former clan master of one of the Majak nomadic buffalo raising steppe peoples (reminiscent of a combination of our cowboys and Indians) who found it necessary to leave the prairie after a coup by his brothers. The Lady kir-Archeth Indamaninarmal is half Kiriath and half human, the last of a dark skinned technologically advanced immortal alien race that appeared, assisted humans in establishing civilization for several thousand years, and then departed. She is senior advisor to Emperor Jhiral Khimran II, an empire the Kiriath established. Archeth runs into Gil and Egar as she is investigating reports of a mysterious assault in the far reaches of the empire. The world Richard Morgan creates, similar to many sword fantasies, is reminiscent of our middle ages. However, the grey places that border reality and defy time and place and can only be entered by the Dwenda and a select few are a new twist. A unique twist is also provided by the Dwenda and the Kiriath and their relationship to and with humans. This book is not for those easily offended by irreverence or foul language. It does provide a unique world and unique characters within the sword fantasy genre.
Interesting story, but the main character is not an antihero, he is just another of many villains. The out of place alternative sexuality feels out of place. I get the impression that his agent told him that he had to have gay characters to be nominated for an award, so the writer put in: a violent child murdering gay man, a black mixed race lesbian, a whole race of magical time travelling gay elves I'd love to read more of this world, it's history with hints of continuity to our, the different races and their story. To the author: Please stick to the plot and stop trying so hard to angle for an award.
The Steel Remains tries hard to create a new niche in the high fantasy genre. Morgan's heroes are three disparate characters, each carrying their own baggage from previous (unwritten) campaigns. The separate strands run parallel until the final fifth, creating three stories with little interconnection and even their meeting seems almost random. Unfortunately two of the three plots are unrewarding, with characters that offer no wit or reason to enjoy their arc. The one redeeming storyline, the most prominent in the novel, follows the path of anti-hero Ringil and although even his tale is somewhat padded, there are some decent scenes which are a treat to read. Ringil's story is peppered with scenes of a strong sexual nature and frequent profanity, which actually distance the reader from the character, rather than create a vibrant and adult scenario, assuming that was Morgan's intention. There's a worthy plot buried in there, however it's not entirely worth the digging required.
An interesting read if you enjoy having every fantasy novel you've ever read getting hit over the head with the sharp edge of a broadsword. A sharp, gritty reality of a dark world. Characters seem a little reminiscent of Macbeth - you migth like them but there's a little matter of the fact they've been not-coping for how many years? It leans a little too heavily on the sex and drugs (what? no rock and roll?) but is otherwise an good read.
Usually I'm a big fan of anything Richard K. Morgan writes. He's truly the current king of Hard-boiled detective style books right now. It has worked very well for him in his own creative scifi setting; however, in the fantasy genre it falters. The pacing is so slow it gets tedious and his raw dialogue and fighting scenes are not even half as good as other fantasy writers. To be honest, it seems out of place, like watching Michael Phelps in a track event. The only good for the series so far is his character development, which is marvelous! Ringil plays the gay Conan/Sherlock to a tea!
Richard K. Morgan has made a career of taking the familar elements of science-fiction, breaking them down and building them into something that respects its past but it willing to challenge readers by trying something new. After a successful and award-winning run in sci-fi, Morgan is now turning to the world of fantasy to take the familar and make it new and fresh again.¿The Steel Remains¿ is the first of a new trilogy by Morgan. The story has the usual fantasy tropes on display¿a hero with a glorious past, fuedal power plays, a new power from outside the kingdom that is slowly becoming a threat. But Morgan is able to take each of these and stamp his own signature on them, which is part of what makes ¿Remains¿ such a refreshing entry in the fantasy genre. Morgan pays homage to the roots of the genre, but doesn¿t let them show when he colors them a different way.One of the most interesting is how Morgan creates his charcters. Just as he does in ¿Altered Carbon,¿ his protagonists aren¿t exactly the most loveable of people. Morgan¿s strength is drawing characters who are shades of gray and having readers root for those people because they¿re actually fully, fleshed out and realized characters and not your typical genre archetypes. On the surface, one character, Ringil, sounds like a typical fantasy hero. He¿s had his past glories, he¿s estranged from his family but he¿s willing to do the right thing when push comes to shove. Morgan is able to subvert the usual expectations of the classic sword-wielding fantasy hero with the backstory of Ringil, including why he¿s estranged from his powerful family and doesn¿t get along with his father. I won¿t tell you what that is here¿Morgan tells you quickly within the first few chapters. But watching the flashbacks of the events will be far more entertaining and interesting for readers to discover for themselves.Ringil is called upon by his mother to look into the disappearance of a cousin. The cousin was sold into marriage to pay a debt, but Mom thinks something more is going on. Ringil reluctantly takes the assignment and soon finds the world is changing and there¿s some kind of threat from outside the realm that is slowly creeping into things. Ringil is joined by friends to look into this and Morgan slowly gives readers all the pieces of the puzzle. Satisfyingly enough, this novel can stand on its own with most of the central conflict wrapped up before you turn the last page. But Morgan is shrewd enough to offer hints of things to come that could be picked up in future volumes. It seems that just as he did with the ¿Altered Carbon¿ novels, he¿s working on a continuing series that isn¿t so interconnected that readers can¿t drop in the middle and not feel hopelessly lost. You may miss some of the character development or some nuances, but overall you¿re going to be able to enjoy the story a single novel is telling on its own merits.It¿s something I wish a lot of other genre publishers would realize fans want these days.This is a mature novel¿it deals with a lot of mature themes and it does contain Morgan¿s signature coarse language. If you can¿t wrap your head around fantasy characters prodigiously using the f-bomb, this may not be your cup of tea. But if you want something new, different and yet very much in the fantasy tradition of the greats of the genre, then ¿The Steel Remains¿ is definitely a must read
Not every writer can move from hard core science fiction to fantasy, but Richard K Morgan has managed it with grace and ease. He takes the tropes of fantasy and gives them a subtle spin - the elvinish half breed is an ebony skinned drug addict, the Dragonsbane clansman spends his time having sex with teenagers and the Ringal hero of the last war, is gay. I liked how the Empire had theoretically been combined after the horrors of the lizard men war, but the Empire remembers Ringil as a 'faggot', using his sexuality to diminish his heroism, which feels entirely real to me. The whole world feels entirely real to me, if there was a world where this sort of magic/history happened, then this is far more likely what the characters would be like. It's definitely adult swords and sorcery, and I loved it. I'd be happy to spend more time there and am so glad that there is another one coming out in 2010.
Amazing. High fantasy with passion, grit and unflinching violence. I loved the characters and read the last 100 pages in a breathless rush. I can't wait for the sequel.
This book seems to have been mostly written for its shock value. There's not a lot new here, the author himself acknowledges the similarity to Moorcocks' works. The characters and fight scenes are right out of Gemmell's works. The bad guys may as well all be Melniboneans, except with fancy armor that seems be totally useless against heroes. The world isn't fresh, original, or interesting. Morgan seems to be going along with the recent trend of more graphic sex in mainstream fantasy novels, which does not interest me at all. Otherwise, the book is fairly ordinary. The sex is both hetero and homosexual, and at times the situations are fairly ridiculous. I doubt I'll bother with the next one.
I have only ever not been able to finish about 5 books. This makes 6. I'm not a prude, yet there is no reason for the language or the bizarre sexuality brought forth in this book. It adds nothing to the story with the exception of perhaps trying to shock the reader. I don't know what Richard was trying to accomplish here...2 of his other works; Altered Carbon and Black Man, are both excellent and i would recommend to anyone... but i shall no longer just buy one of his for his name on the cover.
The 1st chapter does a nice job of pulling interest. By page 80 something the main character (Ringal) is whining like an immature teen at his close minded father. The story does not weave together well in the end....
So good! Grabs you from the start and keeps you guessing
Readers should be told IN ADVANCE of the gay theme of this novel
Overall a good sci fi read but I felt that I was dropped in the middle of something at the start and had to founder around for a bit before the story started to come together. I think the paper book would be easier to read than the nook book I was reading having said that I just bought the 2nd book on my nook and cant wait to start it. Mr Morgans reliance on place settings would have worked better if a map of his world would have been included.