Mary Austin's The Land of Little Rain (1903) and Lost Borders (1909), both set in the California desert, make intimate connections between animals, people, and the land they inhabit. For Austin, the two indispensable conditions of her fiction were that the region must enter the story "as another character, as the instigator of plot," and that the story must reflect "the essential qualities of the land." In The Land of Little Rain, Austin's attention to natural detail allows her to write prose that is geologically, biologically, and botanically accurate at the same time that it offers metaphorical insight into human emotional and spiritual experience. In Lost Borders, Austin focuses on both white and Indian women's experiences in the desert, looks for the sources of their deprivation, and finds them in the ways life betrays them, usually in the guise of men. She offers several portraits of strong women characters but ultimately identifies herself with the desert, which she personifies as a woman.
|Publisher:||Rutgers University Press|
|Series:||American Women Writers|
|Edition description:||New Edition|
|Product dimensions:||5.50(w) x 8.50(h) x 0.80(d)|
Table of Contents
Acknowledgements Introduction Notes to Introduction Selected Bibliography A Note on the Texts The Land of Little Rain Lost Borders Glossary of Spanish and Indian Terms
Most Helpful Customer Reviews
About a year ago, I was required to read several stories from Mary Austins' book for a college literature class, and I must say that the book is excellent. In the interest of brevity, I will simply add that if you are looking for REALISTIC stories about America's western heritage - so vivid in description that you are there - read this book.