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4.0 27
by Joanna Hershon

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Twenty years ago, Vivian Silver abandoned her dreams of travel to marry the mysterious Jeb Wheeler, seduced both by his unnerving charm and his acres of untamed New Hampshire land. The hand-built house and swimming pond become the center of the universe for their entire family. Lila, their youngest, is consumed with love for her two older brothers, Aaron and Jack,


Twenty years ago, Vivian Silver abandoned her dreams of travel to marry the mysterious Jeb Wheeler, seduced both by his unnerving charm and his acres of untamed New Hampshire land. The hand-built house and swimming pond become the center of the universe for their entire family. Lila, their youngest, is consumed with love for her two older brothers, Aaron and Jack, and remains blind to the simmering tension between them. For beneath the surface of their idyllic setting lies a depth of explosive feeling that none of them can control.

Into this heated atmosphere glides Aaron’s girlfriend, Suzanne, whose presence is threatening, exciting; Lila thrills to the ominous quality of Aaron’s absolute adoration for this young woman. Before her visit is over, Suzanne will unleash the forces of rage between Aaron and Jack, compelling one brother to commit an act against the other that can never be taken back.
A decade later, living in New York, Lila still searches for Aaron, who disappeared that night, and Suzanne, whose mystique still exerts a hold on her memory. For Lila to move past her family’ s tragedy, she must piece together what happened that fateful weekend–and recover the things lost down by the water–before she can at last let them go.

A stunning literary novel that captures the lingering effects of longing and loss, Swimming is by turns a gripping family story, a heartbreaking coming of age journey, and a suspenseful psychological investigation into the meaning and limits of fidelity, identity, and intimacy.

BONUS: This edition includes an excerpt from Joanna Hershon's A Dual Inheritance.

Editorial Reviews

Library Journal
Memory and desire--these two words sum up this immersive novel. Memory of a summer night, a lake, an accident. Desire of Aaron for Suzanne, of Suzanne for Jack. Lila's memories of her brothers and her desire to make sense of the past. Hershon wraps you in her spell, intimately creating fine details--the prickliness of wet skin drying in the dark, the sound of a pale green porcelain teacup breaking, the smell of a dingy hotel room. Like Jane Hamilton or Sue Miller, she has an eye for place, an ear for dialog, and true feeling for character. While the details serve to propel the plot forward, the dialog brings to life characters so real that they breathe behind you. Marred only by two coincidences used to advance the story, this is a work of real feeling, talent, and great beauty. Buy a copy and dive in.--Yvette Olson, City Univ. Lib., Renton, WA Copyright 2000 Cahners Business Information.
Kirkus Reviews
Unrealized or discarded possibility are both the subject and nature of this earnest debut, a story reminiscent of the family-centered fiction of Sue Miller and Jane Hamilton. It begins in 1966, when Jeb Wheeler meets Vivian Silver and impulsively brings her to his house in the New Hampshire woods. The action then fast-forwards to 1987: the Wheelers' eldest son Aaron, 21 years later, has brought his gorgeous girlfriend Suzanne Wolfe for a visit. His parents are barely glimpsed presences (as they remain in fact), but Hershon focuses close attention on Aaron's mercurial eight-year-old sister Lila and especially his brother Jack, a vaguely sinister, sardonic misfit to whom Suzanne finds herself helplessly attracted. A midnight swim following a chaotic party at a friend's house shatters the Wheelers' already precarious solidarity, ends Aaron's relationship with Lila, sends him into self-imposed exile—and leads to a long final sequence dominated by the heretofore peripheral figure of Lila. Another decade has passed: she's now a student and part-time tutor in New York City, and she directly engages the ghosts of the Wheelers' past upon reencountering (now married) Suzanne and laboriously extracting the truth about her family's losses and Aaron's whereabouts. In a scarcely credible series of scenes, Lila finds Aaron (who doesn't recognize her), acknowledges in herself the tortuous complex of motives and emotions experienced by the people whom she's been quick to blame, and achieves a muted reconciliation. Much of Swimming absorbs and satisfies, because Hershon writes lucid, stinging dialogue and movingly conveys the sense of hollowness and waste that overpowers the livesofherpeople. The characterizations are sketchy, however, making for both an intermittently static and overlong read. A flawed if interesting debut by a more than capable writer who'll surely give us better. Author tour

From the Publisher
"Joanna Hershon has a gift for choreographing a group of characters in space and in time. She is persuasive with moments of sexual passion, and she knows how to make them last for the reader long after the lovemaking is over. In her novel, the past pulses in the present, and we experience these lives with real sorrow, and real hope."
–Frederick Busch, bestselling author of Girls and The Night Inspector:

"Reading Joanna Hershon’s Swimming is like diving in over your head– intoxicating and terrifying at once. Not since Jane Hamilton’s Map of the World have I read such an affecting tale of memory and loss. I couldn’t put it down."
–Sheri Holman, bestselling author of The Dress Lodger

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Random House Publishing Group
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Read an Excerpt


There is no such thing as silence in the woods. Vivian Silver trusted
this, as she followed the man she'd met only hours ago down the pine-dark
path of his property. She watched his lean figure and became hypnotized by
his uneven gait, the majesty of his long narrow back. He hadn't once
turned around to make sure that she'd kept up, and this did not surprise
her. Just as she knew that there was no such thing as silence in the
woods, she also somehow trusted that as carefully as she was watching him,
he was listening even more carefully for her quick footfalls and the
high-pitched swish of her navy blue windbreaker. She could feel him
listening, and that was good enough.

She walked on and heard skitters of invisible creatures, the wind through
the thinning pines. There was a sense of clarity that accompanied the
quiet, and this was something Vivian already knew to look for in a man.
When one held back from her, she couldn't help but pay attention.
The path finally opened up into a clearing, and because the sun had just
set, the land-his land-was the darkest of greens, a shade brought on by
October in New Hampshire when the day holds on to the richness of color
even when light is gone.

There in the distance, just as he'd promised, was a pond.

She couldn't quite see the water. He was blocking her view with his body,
but she could smell the wet sand and fallen leaves, the swampy, reedy
darkness. And although it was unquestionably autumn, Vivian could feel the
brazen heat of summer, the lovely shock of a dive. She could also hear the
slice of blades on ice, the scrape and shriek of skating. On sensing this
body of water, she briefly forgot why she was here. Then a distinct shift
took place inside of her as he placed his hand-as if he'd done so
countless times-under her long tangled hair. He still hadn't said a word.
Here was a feeling both thrilling and disappointing, as if someone had
just informed her that the world was about to end. Her neck was cold and
his hand was warm. It was the first time they had touched.

Vivian was saving money to sail away to Spain. She was substitute teaching
and writing poetry while staying with her brother Aaron. That night Aaron
sent her to Cal's Bar, where he knew the bartender. Aaron knew a lot of
bartenders for someone
who didn't drink. He knew everybody in Portsmouth. Only months later,
having decided not to go to Canada, he would
die a reluctant private in a Vietnam helicopter accident; the funeral in
their Massachusetts hometown would be so crowded that his pregnant sister
wouldn't recognize half of the people there. Her first son would be his
namesake. She would name him Aaron and pray, like any mother, that he
would not die young.

But she knew none of this that evening, when she sat alone at Cal's Bar,
drinking a bottle of beer. She had been aware of Jeb Wheeler's presence
since he'd walked through the door in worn jeans, a workshirt, and a red
down vest. She guessed he was at least thirty-five. He was very tall and
thin with a long crooked nose, full lips, and arresting green eyes. It was
his eyes that
she noticed first. There was something wrong with them. She tried not to
stare as he sat down beside her and ordered a rare hamburger. She tried
not to stare but soon became acutely aware that he was the one who was
staring. And he wasn't shy about it either.

"Hello," he said.

"Oh, hi." She smiled and looked into his eyes that were strange. As one
moved normally in the socket, the other stayed quite still. While his
pupils were the same light green color
and were framed by the same long dark lashes, the left eye appeared to be
made of glass. It was foreign and would stay foreign. She'd never quite
get used to it.

"I've never been here," she said, just to say something.

But he wasn't like that. He kept on looking at her and smiling. Finally he
said, "Well, I'm glad you're here now."

She told him what there was to tell about herself, how she'd graduated
from college and was leaving for Spain in the springtime. She tried to
keep it brief and ended up drinking her beer too quickly. He didn't ask
many questions and the ones he did ask were blunt: Why Spain? What will
you do for money once you're there? Have you noticed my eye yet?

He had lived in New York City and worked as a chemist. In
a slightly suspect explanation of how he'd ended up here-
looking like a lumberjack or possibly a carpenter-Vivian learned that he
had sold something, a patent of sorts, and that he had quit his job.

"What do you do now?" she asked, leaning into him, not completely aware
she was doing so. She could smell woodsmoke on his clothes, the faint
toxic smell of varnish.

"Well," he said, smiling, as if he somehow wasn't quite sure what to say,
"I bought land. I bought some fine land, and I've been building myself a

"Where is it?" Vivian asked. She pictured herself on top of him on a spare
iron bed, being cold and even lonely and asking him to build a fire. She
didn't bother trying to stop fantasizing. She knew herself better than

"It's about forty-five minutes from here," he said, and raised his
eyebrows. "Kind of out there." He gave her a look as if to say, I dare you.
When he was through with his burger, they left together. He opened the
passenger door of his truck for her.

He said, "You don't need to worry; I'm not very dangerous."
Until that moment, the thought hadn't crossed her mind.

And now they were in a forest clearing between his half-built house and
the pond. Pine needles covered the loamy ground, and sycamores framed the
sky. They weren't looking at each other. As he moved his hand very gently
along the back of
her pale neck, she found she was straining to see the pond-
over his shoulder, beyond the trees-as if to see the black-green water
would be to inhabit the sense of certainty that she knew water created.
But from where she stood, the water was not much more than a ghost in the
trees watching and assessing this union.

Vivian reached out to touch him, letting him know right away where she
stood. Under the down vest, his denim shirt was hot. She rested her hand
there as if it were the most normal thing in the world.

"Beautiful," she finally said. The trees moved so slightly. The sky was
full of stars.

"You are," he told her, and, taking her pale face in his two rough hands,
he kissed her.

A kiss can be as minuscule as a moth or the tiny flame it craves, a torn
fingernail or an eyelash; and yet a kiss can be huge. It can be as
expansive and dangerous as this one was. It can be the origin of a family.
They kissed softly and tenderly at first, and then things
got rougher. As the clear sky became clearer and darker, they grabbed hold
of each other's clothing. They kissed hard, almost bitterly, as if they
resented their mutual attraction.

They were both impatient people. They'd wage battles against impatience
all their lives, but not tonight. Tonight they did exactly what they

They didn't even make it to the house. Without any debate, she lay down on
the cold damp grass. She wasn't taking birth control pills and he didn't
use a rubber, and-as if it were a dream and she was using dream logic-she
found she knew exactly what she was doing without any fear of

Vivian watched for the pond over his shoulder but couldn't see a thing;
the promise of a pond sat under the moon and stared at her boldly,
watching her gasp for breath. She thought of Spain with a kind of
nostalgia: it seemed smaller than before and awfully far away. She said
goodbye to Cordoba and Sevilla, adios to flamenco and paella.
He breathed in her ear and she kissed his long, stubbled neck.
"I can't believe we just did that," he told her. But she knew that he was

"Let me show you the house," Jeb said, after gently taking her hand in his
and heading for the path. When he kissed her again, she felt a surge of
greed and strained to see the water. "What?" he asked.

He was close to her, leaning down to see her face. She could smell the
varnish and the brackish smell of his sweat. It was purely carnal and she
backed away from him-head tilted, coy-as if she had a secret.

"What?" he repeated.

She retreated some more-a come-and-catch-me set of eyes, an attempt at a
wicked smile. The water was so close just beyond the stand of trees and
weeds, and-with a toss of her hair, having barely a notion of what she was
doing-she ran.

As she expected, he did not run after her. Vivian was now free to get as
near to the water as possible, to trample over the fallen wet reeds and
feel her boots sink into the sand. The wind blew and the pond came to her,
slowly lapped at her boot toes in a lazy, ancient rhythm. The moon shone
down in a harsh slant, casting the pond as particularly separate from the
soil and the trees and from her. She felt younger out here in this untamed
space, and-as if she were being watched, as if the pond itself were
judging her-she stood up straighter as she surveyed the landscape. She
took a deep clean breath.

Jagged rocks began a few yards to her left. Smooth slabs framed the water,
flat as if they'd been carefully beaten down. Dried-out grass stood tall,
interspersed with endless weeds.

She wouldn't have changed a thing.

The pond wore its surroundings like careless attire, as if to protect its
luminous beauty. Its surface shimmered, innocent of the forest's tall
shadows or the mountains' cranky terrain. The water divulged nothing, and
she couldn't help but bend down and touch it with her fingertips. It felt
brutally cold, and she put her fingers in her mouth at once, sucking back
some comfort from herself. Vivian gazed at the water and there it was-her
reflected self, round as an infant but twice the size. Then, quick as
lightning, the distorted shape was gone as a dark cloud shrouded the moon.
Here was where she would make her life. Over years to come she would swim
and sunbathe, take walks with Jeb and the children, take time alone with
her thoughts. She would eat potluck meals here, engaging in terrific
conversations with neighbors who would move away. And later in life, after
drinking too much, she would come straight to the slabs of rock by the
water's edge and she would sit-her mouth parted, too tired for
wonder-staring at the water for hours.

This was where her future would unfold. Later she'd say she knew it right
then and without a single doubt. She would tell her sons and daughter that
she just knew it, the same way she knew that Spain was only a single
country on so many maps of the world.

From the Hardcover edition.

What People are Saying About This

Frederick Busch
Joanna Hershon has a gift for choreographing a group of characters in space and in time. She is persuasive with moments of sexual passion, and she knows how to make them last for the reader long after the lovemaking is over. In her novel the past pulses in the present, and we experience these lives with real sorrow, and real hope.
Sheri Holman
Reading Joanna Hershon's Swimming is like diving in over your head—intoxicating and terrifying at once. Not since Jane Hamilton's Map of the World have I read such an affecting tale of memory and loss. I couldn't put it down

Meet the Author

Joanna Hershon received a masters of fine arts in fiction from Columbia University in 1999. She has been a Breadloaf Working Scholar, an Edward Albeen Writing Fellow, and a twice-produced playwright in New York City. She lives in Brooklyn with her husband, Derek Buckner, a painter.

From the Hardcover edition.

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Swimming 4 out of 5 based on 0 ratings. 26 reviews.
Guest More than 1 year ago
Hershon's heart-touching novel definately falls under my 10 top favorite! I love how I got lost into the story. I was immediately attached to the characters, loving and hating them as if I really knew them. However, I admit that the beginning was a bit slow. In just the right atmosphere the reader can and will fall in love, and lost in this novel.
Guest More than 1 year ago
At the end of this novel, I was floored. There is so much beauty, depth, and sadness that I found myself shedding tears on almost every page. Hershon is a magnificent writer. It's as if she is whispering a story in your ear. Not some mundane novel about generic characters and their generic emotions. Just magnificently, disturbingly, bittersweet. I've never read anything that explained human emotions exactly the way they should be explained. She made me feel. And that is what an author should always do. Make you feel.
Guest More than 1 year ago
It is startling how much one can come to care for a cast of characters within a hundred pages. I have to say that the beginning was not even a shadow of how engaging the book became as the story evolved. I love the fact that Hershon wrote from the perspectives of multiple characters, allowing the reader to feel their thoughts and desire, and to understand the complexities which drive human behavior. This novel is one that hints at closure, but yet leaves the reader wanting just one more question answered, which is a very empowering ending to the reader. The ending says that Hershon now trusts the reader with her characters, that by the end of the novel, you will know them well enough to answer the questions for yourself.
Guest More than 1 year ago
I loved this book! I couldn't wait to wake up and start reading it again. Hopefully Hershons next book will be just as good.
Guest More than 1 year ago
I think it took awhile to get interested, the first 30 pages were good but didn't keep me overly interested. Then watch out because then I could barely put it down. I actually cried in this and that's unusual for me. I can't waite for her to write another book. WONDERFUL!!
Guest More than 1 year ago
I picked this book up after standing at the 'New Arrivals' section for quite a long time. I thought it sounded interesting so I bought it. I absolutely COULD NOT put it down! The characters become people you care about, people you could know yourself, people you feel something for, whether it be deep fondness or deep dislike. The settings described are places you feel that you have been to, or could easily go. There are situations that occur in this book that I think at one point or another we have all felt or experienced for ourselves. Considering myself an avid reader, I have not in a long time read a book that has touched me so profoundly as this one has. I have a long list of titles left to read, but when I will get around to doing that now, I don't know. This is a book that keeps you thinking long after you have finished reading it. It keeps you wondering if another such amazing book could come your way.
Guest More than 1 year ago
This book will leave you shell-shocked, and then yearning for just a few pages more, and then some. If there is closure to be found at the end, it is not within the book's printed word, but rather where your mind will take you in an ensuing multitude of satisfying flashbacks. Ms. Hershon has created the perfect collaboration between writer and reader.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I am not saying this was a poorly written book, but it was not meant for me. I read it following foot surgery and it was too disturbing of a story. I skimmed passages and mainly read dialogue just to get closure. Ending was ok.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This novel has potential to be an intriguing mystery but is ruined by paragraphs...sometimes full pages of utterly boring passages that often make no sense. It reads like someone trying to impress their high school English teacher. While not horrible, it was a bit annoying
Anonymous More than 1 year ago
shanbritts More than 1 year ago
Loved It
Anonymous More than 1 year ago
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Aylae More than 1 year ago
This book was extremely intense. Almost every page was filled with passion, and interest. Like some people mentioned, this book definitely starts out slowly but eventually it turns into something you can't put down at all. I highly recommend this book!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
This book stretches the limits regarding the logic of how 'too many' people meet throughout the book. I kept remembering that I was reading a book and was not lost in the story....just not my cup of tea.
Guest More than 1 year ago
I'll admit, the backcover summary of this book is what made me buy it; however, I thought that the author took one little matter and stretched it into a novel. A little girl's brother gets killed by a lake on one summer night, and the other brother disappears. Her life is forever drastically changed, which is understandable, so, ten years later as a young adult, she decides to go hunting the missing brother down. She tries to contact his ex-girlfriend, who was present the night of the accident, actually, she stalks this woman. Then, when she retrieves her missing brother's whereabouts from his ex-girfriend, she finds him; and, oh-it's amazing how she finds these people, walking past a restaurant, she just "happens" to spot the ex-girlfriend whom she hasn't seen since she was eight, and standing outside of a college she just "happens" to start talking to a guy who "happens" to invite her to his house where her missing brother "happens" to be one his roommates. This, in part is not even the half of it. Get this-her brother doesn't even know who she is; ten years, she's grown into a young woman, but wouldn't one be able to recognize their own sibling? And, she, noticing that her brother did not recognize her and is obviously using an alias, plays along and uses one as well, hangs around the house for a few days under the pretense of being a traveler, develops an almost romantic relationship with her long lost brother, and then it so happens they go swimming-in another pond, and there she confesses who she really is. I just thought the whole thing was pretty pointless, and the story definitely brought out the meaning of making a mountain out of a mowhill. Anyway, the storyline was interesting, but I don't think the author should have based the whole book on a girl trying to find out where her missing brother has gone after 10 years, only to meet up with him and not have zilch happen. There was no climax whatsoever.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Kai if u took off ur shirt and shorts... wouldnt u be na.ked?
Anonymous More than 1 year ago
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