Taj Mahal

Taj Mahal

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While Galileo suffered under house arrest at the hands of Pope Urban VIII, the Thirty Years War ruined Europe, and the Pilgrims struggled to survive in the New World, work began on what would become one of the Seven Wonders of the World: the Taj Mahal. Built by the Moghul emperor Shah Jahan as a memorial to his beloved wife, Mumtaz Mahal, its flawless symmetry and gleaming presence have for centuries dazzled everyone who has seen it, and the story of its creation is a fascinating blend of cultural and architectural heritage. Yet, as Diana & Michael Preston vividly convey in the first narrative history of the Taj, it also reflects the magnificent history of the Moghul Empire itself, for it turned out to mark the high point of the Empire’s glory at the same time as it became a tipping point in Moghul fortunes.
The roots of the Moghul Empire lie with the legendary warriors Genghis Khan and Tamburlaine; at its height it contained 100 million people, from Afghanistan in the north and present-day Pakistan in the west, to Bengal in the east and southwards deep into central India.. With the storytelling skills that characterize their previous books, Diana & Michael Preston bring alive both the grand sweep of Moghul history and the details that make it memorable: the battles and dynastic rivalries that forged the Empire alongside an intimate chronicle of daily life within the imperial palace. A tale of overwhelming passion, the story of the Taj has the cadences of Greek tragedy and the ripe emotion of grand opera, and puts a memorable human face on the marble masterpiece.

Product Details

ISBN-13: 9780786169016
Publisher: Blackstone Publishing
Publication date: 04/03/2007
Edition description: Unabridged
Pages: 8
Product dimensions: 6.12(w) x 6.75(h) x 1.19(d)

About the Author

Diana and Michael Preston are Oxford-trained historians who live in London, England.  Diana is the author of A First Rate Tragedy, The Boxer Rebellion, Lusitania: An Epic Tragedy, and Before the Fallout: From Marie Curie to Hiroshima, which won the 2006 Los Angeles Times prize for Science & Technology. She and Michael co-authored A Pirate of Exquisite Mind, a biography of the great 17th-century adventurer, William Dampier.

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Taj Mahal: Passion and Genius at the Heart of the Moghul Empire 4 out of 5 based on 0 ratings. 1 reviews.
jasonpettus on LibraryThing More than 1 year ago
(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted here illegally.)Regular readers know that later this fall, I'm going to be studying the ultra-complex history of India for the first time in my life, and that I'm slowly easing myself into it this year whenever I have an excuse; for example, last November during the terrible attacks in Mumbai, I became curious as to whether the historic Taj Mahal hotel there had anything to do with the actual Taj Mahal, which prompted my dad of all people to loan me Diana and Michael Preston's recent overview on the subject, Taj Mahal: Passion and Genius at the Heart of the Moghul Empire. And it turned out to be a great medium-sized guide, although I don't have too terribly much to actually say about it, because there's nothing especially unusual about it; it's simply a well-researched, well-written account of the late Moghul Empire, the collection of central-Asian war-obsessed royals (descendants of Ghengis Khan, actually) who ruled most of the subcontinent now known as India and Pakistan during roughly the same period as the European Renaissance (AD 1400 to 1700, that is).In fact, for Westerners who don't know, there were a whole series of uncanny similarities between various Eastern and Western societies in those years, despite the almost complete lack of communication between these far-scattered empires and nation-states; for example, like Italy during the Renaissance, Moghul India saw an explosive growth in the arts, culture and sensuality in those years, with just a ridiculous percentage of the empire's annual revenue (maybe as much as 30 percent by some estimates) devoted to the building of glittering new architectural masterpieces, simply for the sake of "classying up the joint." It was within such an environment, then, that Moghul leader Shah Jahan (second-to-last emperor before their downfall) unexpectedly fell into a deeply empathetic love with his arranged wife Mumtaz Mahal, even more unusual at the time because of Moghul emperors actually having something like 50 or 60 wives, nearly all of them political appointees chosen in order to broker truces among the dozens of regional tribal leaders (or rajas) still left in India, and that emperors weren't ever expected to actually "click" with any of these wives in a serious way. Shah Jahan did, though, even to the extent of seeking regular political advice from Mahal, an almost unheard-of thing back then; and so when she died unexpectedly in 1631, the man ended up really falling apart, deciding to spend what some think might've been up to half of the empire's entire extra fortune on her mausoleum, the "Taj Mahal" that we now acknowledge as one of the greatest edifices in human history. It was this folly, and Shah Jahan's descent into alcoholic madness afterwards, that made serious cracks first appear in the once unstoppable Moghul Empire; it was his cavalier, competitive attitude towards his children, then, that made them erupt into a bloody Shakespearean civil war after Shah Jahan's death, which then split the empire into a series of constantly fighting resource-poor territories, ripe for conquest by first the French in the 1700s and then the British in the 1800s, leading us to the Victorian "Raj" period that for most of us Westerners is our first introduction to the subject of Indian history.What the Prestons present us in this book, then, is a look not only at the building of the tomb itself, but the 50 years that led up to it and the 50 years after, a tightly-knit century-long dysfunctional-family saga that could roughly be compared in the West to, say, a general history of Great Britain's Georgian Era or Tudor Period; and like all good general histories, the Prestons tell us this story not just by examining the history and politics and war campaigns of the time, but the artistic and cultura