Tales of Pain and Wonder

Tales of Pain and Wonder


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Product Details

ISBN-13: 9781596061446
Publisher: Subterranean Press
Publication date: 03/28/2008
Edition description: Signed
Pages: 345
Product dimensions: 6.27(w) x 9.29(h) x 1.25(d)

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Tales of Pain and Wonder 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
In some respects this is the diciest sort of book for me to cover, because once it comes time to sit at the Mac and transmit impressions, I have to rely strictly on memory. Which certainly speaks highly of the book in question, since that means, from start to finish, I've been loath to set the thing down and take notes, and risk breaking the mood established by the author. And in case you have thus far avoided encountering her work to any great degree (something that's getting harder and harder to manage), Caitlin Kiernan is a writer whose work is fairly drenched in mood and atmosphere, and emotions that linger heavily like the discomforting charge in the air after a shout. In an era short on spare time that prizes bare-bones minimalism, Kiernan is an unrepentant maximalist, engaged in an ongoing love affair with language that is vitally apparent throughout each of the twenty-one stories (and concluding poem) in this volume. Her work is every bit as exquisitely detailed as the complement of line drawings by Richard Kirk, specially commissioned for this release. As in her 1998 novel Silk, Kiernan's characters are most often marginalized types, existing -- by choice or design or fated circumstance -- on the crumbling edges of society. They're frequently of tender years and prematurely aged souls, with hearts that have been flayed within a shred or two of ceasing to beat at all. Sometimes they're inhabitants of goth and other youthful subcultures, such as the jaded, aching kids of 'Bela's Plot' and 'Superheroes,' and while this particular scene may be close to Kiernan's own heart, a one-trick pony she ain't. Equally well-limned are the well-heeled Hollywood Hills death fetishists of 'San Andreas', and the Eastern European immigrants of 'To This Water' (which sets its painful depiction of gang rape and prejudice against a backdrop of the historical catastrophe of the 1889 Johnstown, PA, flood), and the nineteenth-century fossil hunter of 'In the Water Works.' It's this latter story (in which a scientist gleaning specimens from the daily refuse of a Birmingham mine witnesses a Lovecraftian anomaly deep underground) that most fully exhibits what some may find pleasantly surprising about Kiernan's work. Kiernan, who herself has more than a casual interest in paleontology, sometimes roves landscapes and people alike with a scientific eye, and spies ... well, like the title says, wonders. More often than not they're just tantalizing glimpses, but even so, these biological asides provide a curious, affecting, and even hopeful counterbalance to the plight of her wounded characters, who are less the victims of mere existence than of the worst impulses in each other. But perhaps the most fascinating aspect of this collection is the interlocking nature of its stories. Each stands quite well on its own, and in fact many I've initially encountered in magazines and anthologies and they've never seemed incomplete, yet placed back-to-back they assume a much grander scheme: characters recur, sometimes taking multiple turns at center stage, other times making a cameo while on the way to their own fates; incidents alluded to in one tale become the focus of another; artifacts in an opulent room become mysterious dusty discoveries made decades later; a family lineage spans multiple generations. And then there's the enigmatic Jimmy DeSade, seen over the course of many years as everything from a grieving antihero to a gun-toting badass to something just this side of a demon, depending on perspective. The Tales are presented in the order in which they were written, but Kiernan also provides an alternate table of contents, so they can be read according to their internal chronology. It's a toss up, which choice to take. On the one hand, you get to follow the author's personal progress as it was lived, with the seeds of one story to be found in another. Then again, taken on their own terms, loose multiple narr