The Ark: A Novel

The Ark: A Novel

by Boyd Morrison
The Ark: A Novel

The Ark: A Novel

by Boyd Morrison



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In nationally bestselling author Boyd Morrison’s debut, the unraveling of one of the greatest archeological mysteries from the bible—Noah’s Ark—could threaten civilization itself in this blockbuster hailed by James Rollins as “a stunning thriller.”

When brilliant archaeologist Dilara Kenner is contacted by Sam Watson, an old family friend who says that he has crucial information about her missing father, Dilara abandons her Peruvian dig and rushes to Los Angeles to meet him. But at the airport, Sam speaks instead of Noah’s Ark—the artifact her father had long been searching for—and the possible death of billions. Before Sam can explain, he collapses. With his dying breath, he urges Dilara to find Tyler Locke—a man she’s never heard of.

Two days later Dilara manages to track down former combat engineer Tyler Locke on an oil rig off Newfoundland. Her helicopter transport goes down well short of the oil rig’s landing pad and Dilara and those aboard nearly drown. No sooner is Dilara safely on the rig than she convinces Tyler the crash was no accident. Tyler agrees to help her uncover the secret behind Noah’s Ark and, more important, her father's disappearance. As the picture begins to come into focus, they realize they have just seven days to find the Ark before its secret is used to wipe out civilization once again.

With a chilling premise and a blistering pace, Boyd Morrison combines all the best elements of a blockbuster thriller with an intelligent and fascinating exploration of one of the Old Testament’s great mysteries.

Product Details

ISBN-13: 9781439181812
Publisher: Gallery Books
Publication date: 05/11/2010
Format: eBook
Pages: 432
Sales rank: 4,576
File size: 3 MB

About the Author

About The Author
Boyd Morrison has a Ph.D. in industrial engineering and has worked for NASA, Microsoft’s Xbox Games Group, and Thomson-RCA. In 2003, he fulfilled a lifelong dream and became a Jeopardy! champion. He is also a professional actor who has appeared in commercials, stage plays, and films. He lives with his wife in Seattle.

Read an Excerpt


Three Years Ago

Hasad Arvadi’s legs wouldn’t cooperate. He strained to pull himself to the wall so he could spend his final moments propped upright, but without the use of his legs, it was a hopeless task. The stone floor was too slick, and his arm strength was sapped. His head dropped to the floor. Breaths came in ragged gasps. He remained on his back, the life draining from him.

He was going to die. Nothing would change that now. This inky black chamber, a room hidden from the world for millennia, would become his tomb.

Fear over his own fate was long past. Instead, Arvadi wept in frustration. He had been so close to his life’s goal—seeing Noah’s Ark with his own eyes—but that opportunity had been snatched from him with three pulls of a trigger. The bullet in each knee made it impossible to move. The one in his belly ensured that he wouldn’t last another five minutes. Although the wounds were excruciating, they weren’t as painful as falling short of reaching the Ark when it was within his grasp.

He couldn’t bear the awful irony of the situation. He finally had proof that the Ark existed. Not only existed, still exists. Waiting to be found where it had lain for six thousand years. He had unearthed the last piece of the puzzle, revealed to him in ancient text written before Christ was born.

We’ve been wrong all this time, he had thought as he read. Wrong for thousands of years. Wrong because the people who concealed the Ark wanted us to be wrong.

The revelation had been such a triumphant event that Arvadi hadn’t noticed the pistol aimed at his legs until it was too late. Then it had all happened so fast. The crack of gunshots. Shouted demands for information. His own pathetic pleas for mercy. Fading voices and dimming light as his killers stole away with their prize. Darkness.

Lying there awaiting his own death, thinking about what had been taken from him, Arvadi seethed with fury. He couldn’t let them get away with it. Eventually someone would find his body. He had to record what had happened here, that the location of Noah’s Ark wasn’t the only secret this chamber held.

Arvadi wiped his bloody hand on his sleeve and pulled a notebook from his vest pocket. His hands were shaking so violently that he dropped the notebook twice. With tremendous effort, he opened it to what he hoped was an empty page. The darkness was so total that he had to do everything by touch. He removed a pen from another pocket and flipped the cap off with his thumb. The silence in the chamber was broken by the sound of the plastic cap skittering across the floor.

With the notebook resting on his chest, Arvadi began to write.

The first line came easily, but he was rapidly becoming light-headed with shock. He didn’t have much time. The second line was exponentially more difficult. The pen grew heavier as he wrote, as if it were being filled with lead. By the time he got to the third line, he couldn’t remember what he’d already written. He got two more words out onto the paper, and then the pen dropped from his fingers. His arms would no longer move.

Tears streamed down his temples. As Arvadi felt oblivion closing in on him, three terrible thoughts echoed in his mind.

He would never again see his beloved daughter.

His killers were now walking the earth with a relic of unimaginable power.

And he would go to his grave without gazing on the greatest archaeological discovery in history.

© 2010 Boyd Morrison

Reading Group Guide

This reading group guide for The Ark includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.


When archaeologist Hasad Arvadi's quest to uncover the truth and power behind one of the Old Testament's most mysterious artifacts, Noah's Ark, ends in his brutal murder, his daughter Dilara assembles a team of super-engineers to help connect the dots and pick up the pieces. Meanwhile, mastermind Sebastian Ulric has unearthed the secrets behind what caused the Genesis catastrophe, and is ready to cleanse the world once again; only this time, he plans to decide who lives—and who dies.

Dilara, along with engineer Tyler Locke and his best friend, former Army Ranger and pro-wrestler Grant Westfield, begin a frantic quest to save humanity. But they only have seven days to do it. Their quest takes them to the holy peaks of Mt. Ararat, where the discovery of the Book of the Cave of the Holy Treasures reveals the location of the greatest man-made wooden structure the world has ever known. They don’t have much time to revel in their success, however, as their awe-inspiring discovery soon turns into a cat-and-mouse game of survival in the depths of the ancient ship.

Questions for Discussion

1. After hearing Tyler's credentials Dilara imagines him as a “bald, paunchy man in his fifties wearing a white short-sleeved shirt and a pocket protector.” (p. 36) We quickly learn, however, that he is nothing like what she imagines. What were your first impressions of Tyler Locke? Did you think he’d be any more significant than Hayden and Coleman, the other names Sam Watson mumbled as he was poisoned early in the book?

2. Do you think Ulric's idea to test Arkon-B on Rex Hayden's private jet was a sound plan, or did he allow his grudge against Hayden to cloud his judgment? What other possible blunders did Ulric make leading up to the maiden voyage of the Genesis Dawn?

3. Howard Olsen, a member of the Church of the Holy Waters, is described as having "little hope for the future of the human race after what he’d seen in Iraq and Afghanistan," (p. 88). Despair seems to be a common thread in many of the Diluvian personal stories throughout the book. How would you summarize the philosophy of the Church of the Holy Waters? Would you call them a religion? Sect? Cult?

4. The assassination attempt on Tyler and Dilara in Seattle was one of the first signs of Ulric’s desperation to be rid of them. Do you think this episode upped the stakes at all? What do you make of the assassin’s decision to die rather than be captured alive? Was he motivated more by his dedication to the cause of the Diluvians, or his fear of facing Ulric having failed?

5. Tyler and Dilara represent two different approaches to religion, as demonstrated by Tyler's thoughts at the close of the final chapter, "He looked up and wondered what Dilara would make of the phenomenon arcing across the sky. It had a perfectly rational scientific reason for existing, but she might think it had greater significance, given their recent experience." (p. 415) What do you think of this juxtaposition between science and religion? Do you think Tyler is too cynical, or does he admire Dilara's faith? Does either view negatively or positively affect their approach to stopping Ulric and saving humanity?

6. Tyler's relationship with his father, General Locke, provides some great moments of tension. It humanizes the seemingly superhuman Tyler, and gives him yet another chip on his shoulder. What do you make of General Locke? Is he a good father? How do you think their relationship evolves throughout the novel? Will it ever be the same after their joint effort to thwart Ulric?

7. As a techno-thriller, The Ark has a heavy emphasis on engineering and technology, often explaining in detail the weapons and machines used to aid the characters. Discuss some of your favorite gadgets and weapons in the book. How were they used? Do they really exist or are they fictional?

8. The book is broken into five sections Hayden, Coleman, Genesis Dawn, Oasis, and Noah's Ark. Each works to fill in back-story hinted at earlier in the novel, as well as advancing the plot forward. Which section do you think was the most suspenseful? Which was your favorite? If you could add a sixth section, what would it be called and where would you add it?

9. There were many personal vendettas in the book: Dan Cutter's for Grant Westfield, Dilara's for Svetlana Petrova, and of course, Tyler's for Sebastian Ulric. Which hero/villain pair did you find the most intriguing? Were there any cases in which you found yourself sympathizing with the villain?

10. The FBI and the military were often seen as barriers to the progress of Tyler, Grant, and Dilara. Tyler and Grant were both ex-military, but as employees of Gordian Engineering they were they free to take matters into their own hands. Do you think anyone working within the confines of a government-run institution like the military or FBI could have stopped Ulric? How would it have changed the way you felt about Tyler, Grant, and Dilara if they had been working for the government?

11. The relationship between Dilara and Tyler evolves in very interesting ways throughout the book. While it seems inevitable at times that they will become romantically linked, Tyler's memories of Karen and Dilara's quest to avenge her father's murder complicate things. How do you imagine Tyler and Dilara's relationship unfolding in the future? Do you think they're a good match that will stand the test of time, or are there factors that could tear them apart?

12. If Ulric’s vision for his New World had ever been realized, what do you think that world would have looked like? Would it have been sustainable beyond a couple of generations?

13. Did Tyler do the right thing in destroying the last known traces of Arkon instead of preserving it for scientific research? With Ulric dead, do you think it still would have been used for evil inevitably?

14. The discovery of Noah's Ark at the end of the book challenges our conventional wisdom of the story of the Ark and the Flood. The monastery's priest is concerned that faith in the Bible will be undermined, but Dilara argues that the Ark's discovery supports the Bible's status as not only a religious work but also as an historical document. How would an archaeological find such as this affect our understanding of the Bible?

Enhance Your Book Club

1. Go straight to the source of of the story of Noah's Ark: Genesis chapters 6-8. See if reading it after finishing The Ark gives you a slightly different perspective on the epic Bible story.

2. This story reads like a movie. If you were to cast the main characters in this book which actors/actresses would you chose to play the role of Tyler Locke? Dilara Kenner? Sebastian Ulric? Svetlana Petrova? Grant Westfield? General Locke? Sam Watson? Create your own cast list and chose a director, then compare notes with your friends and see how many names you have in common.

3. Delve a little into the stories of actual expeditions for the historical Noah’s Ark. Scores of westerners have searched for the coveted archaeological prize. In the early 19th century one of the first was Dr. Friedrich Parrot who wrote a book called Journey to Ararat. Recently, Hawaii-based businessman and Christian activist Daniel McGivern made quite a splash with his attempt. Read about it online or in the April and September 2004 editions of National Geographic magazine.

4. Learn more about Boyd Morrison on his website You can peruse his blog, get more information on his upcoming books, and even link to the questions and answers that were featured on his two Jeopardy! appearances.

A Conversation with Boyd Morrison

1. You were one of the first authors to self-publish on Kindle and turn your electronic success into a multi-book deal with a major publisher. What motivated you to try this non-traditional approach? Would you recommend it as an avenue for burgeoning young writers to explore?

When my agent, Irene Goodman, first submitted The Ark to publishers in 2008, I received what I call "wonderful rejections." Editors often praised the storyline, pacing, and characters, but they just didn't see a market for the novel for one reason or another. I was actually encouraged. I thought my books would find readers if given the chance, so with Irene's unwavering support, I made all three of them available for download from my web site and for the Kindle. No one was reading them anyway, so what did I have to lose?

My main goal was to get attention for my books. I briefly considered self-publishing print books, but without bookstore distribution, it would have been much harder to sell paper copies of my books on my own. Print-on-demand books can be expensive to the consumer, so unless I planned to do a lot of handselling, I didn't see how I was going to convince readers to take a chance on a new author like me. I could sell my books online for a much lower price, almost like an introductory offer. And other than paying for a graphic designer to develop professional-looking covers for my novels, selling my books online didn't cost me a penny (I would have built a web site anyway, so I don't count those costs). Publishing electronically let me focus on writing the next book rather than figuring out ways to sell print books. Now that I have a publisher, I can lean on many people with a lot more expertise in bookselling than I have to get my novels into the hands of readers.

I think electronic publishing is a fantastic opportunity for new writers. Literally anyone with a computer and an Internet connection can do it. With imagination, persistence, and a dedication to the writing craft, you can write a story and develop a fan base around the world. When my books were available on my web site, I received emails from readers in the US, Canada, England, France, India, Australia, Bangladesh, and half a dozen other countries. Nothing raises your morale more than readers telling you that they can't wait for your next book.

2. How does your PhD in Industrial Engineering and your previous experiences working for NASA inform your writing? Do you consider yourself a writer with an engineering background, or an engineer who knows how to tell a good story?

An engineering degree is a great education because it teaches you to logically and systematically develop creative solutions to difficult problems, which is my approach to writing thrillers. I start with a "what if" scenario. What if someone actually found Noah's Ark? How is that possible? Who found it and what were their motives? What are the implications of such a find? The questions go on and on, and now I have to answer them in a way that's not only exciting, but also makes sense to the reader. But answering each question raises even more questions, and constructing a plot requires answering those questions. There's a lot of trial and error involved as well as experimentation. Engineering also trained me to turn a problem on its head and look at it from a different angle when there's no obvious solution.

For my Master's and PhD, I had to write a thesis and a dissertation, which taught me to lay out my thoughts clearly in writing. But academic papers are also boring. By definition, thriller novels can't be boring, so there was a limit to the writing lessons I could carry over from my degrees. Luckily, I'm a huge fan of thriller novels, so over the years, I've learned from the masters in the genre, which is a great education in itself.

Working at NASA fed my inner ten-year-old boy's desire to explore. Nothing is more adventurous than heading out into space, but it also requires a lot of hard work and problem-solving. I suppose my NASA background prepared me for the same experience in writing thrillers. It's a huge amount of hard work to create a novel, but the end result is an adventure.

I've created my own stories since I was a kid building spaceships out of Legos and sending them into epic battles, so in a way I've been on the path to both writing and engineering from the beginning. I really consider myself a storyteller. My medium happens to be the written word, and my engineering background gave me many useful tools to build stories.

3. The techno-thriller requires you to use a very specific vocabulary when writing about weapons and military technology. How much research does a book like The Ark require? Is your research an ongoing process, or do you like to have all of the information laid out in front of you before beginning to write?

Research is extremely important for anyone writing a scientific thriller or techno-thriller. Readers expect you to get the details right, and they'll justifiably call you on it if those details are wrong. I do my best to make sure what I include in my novels is scientifically plausible, even if it stretches those limits occasionally. After all, I write fiction, and the story comes first.

My graduate degrees required scientific research, and I published several articles in academic journals, but no one would call them page-turners. Still, it gave me a nose for research, which for me is an ongoing process as I write. I may have an idea of where a story is going, but I may get to a chapter and realize that I need to equip my character with a particular weapon or learn more about a particular setting. Then it's off to the Internet or a few phone calls to experts to track down the specifics. Sometimes I learn something that offers intriguing story possibilities, so I fold that right into the novel. Serendipity plays a huge role in my writing.

I'm curious by nature, so I regularly read six newspapers online, as well as magazines such as Discover, Wired, National Geographic, and Popular Science. Often I'll see an article on something really cool and decide I've got to figure out a way to use it in a story. Sometimes I use it right away. Sometimes it takes years. But I've got an inexhaustible supply. The real problem is that I can't use it all.

4. Have you always been interested in the story of Noah’s Ark? What inspired you to re-imagine such a well known tale?

There's something so elemental and fascinating about the story of Noah's Ark. It has everything: wickedness, judgment, faith, calamity, family, redemption. It's the original thriller.

But I've always wondered about the details of the story. How did Noah build such an amazing ship? How did he fit all the world's animals into the Ark? How did water cover the entire earth? There has been debate through the centuries by those who believe that the story as told in the Bible happened exactly the way it is described and by those who believe the story is a metaphor. The differences seem irreconcilable.

But one night I was watching a special on the Discovery channel about the search for evidence of Noah's Ark, with some claiming that the boat still exists intact on the slopes of Mount Ararat in Turkey. So I thought, what if the story in the Bible is true, but because of translation errors by imperfect humans over the years, we've gotten the story wrong? Could there be another explanation for Noah's Ark and the Flood, one that would be scientifically plausible yet support the Bible? And most importantly, could that explanation be twisted by some evil mastermind to threaten civilization as we know it (I mean, I am a thriller writer)? Scarily enough, I had answers to all of those questions, and the premise for The Ark was born.

5. The countries and locations you chose as settings lend themselves well to advancing the story. Do you like to set your novels in places where you have personally traveled? Aside from locales dictated by the premise of the story, like Mt. Ararat, how important are the settings where the action takes place?

I've traveled to many countries over the years, so I love to feature places I've been to. It also makes it much easier to write believable scenes when you've been to the setting person to scout out locations and get a feel for the environment. But I don't let that limit me, and the Internet and travel guidebooks are useful for those places I haven't been to. A key part of the book takes place in Seattle where I live, so I was able to see exactly how the characters would move and the obstacles they'd encounter. But although I would have loved to visit Mount Ararat to scout out a scene that takes place there, it just wasn't possible.

Because my stories feature a ton of action, the setting can be crucial to how the scene unfolds. Often I can invent my own versions of real locations, whether it's a giant cruise ship or an off-shore oil rig. Then I can configure it exactly to the needs of the story. But if it's a real location, like Los Angeles International Airport, I like to use the real features of the location so that readers who've been there can put themselves in the characters' shoes.

6. Was it more difficult for you to write this book, or become a champion on Jeopardy!? Did your appearance on the show help raise your profile as a writer?

Writing The Ark was far more difficult because it took a year to complete, but I've never had a more nerve-wracking experience than appearing on Jeopardy! You get one shot at the show, and you have seconds to answer each question while appearing in front of a live studio audience. The pressure is intense, and I was so focused on the game as I played it, I don't think I ever blinked. I was lucky to come away as a one-day champion, lucky because the returning champion on my first game was crushing everyone in her path. But I was fast enough on the buzzer to pull out the win. I was ahead on the second game going into Final Jeopardy, but then I didn't know the answer in the category "Elegant words," and my champion run was over. I must say I'll never forget the origin of the word "posh" again (just think of the song Posh Posh Traveling Life from the movie Chitty Chitty Bang Bang; "Port out, starboard home").

Being a Jeopardy! champion did come in handy when I would meet agents and editors. When I pitched them my novel, I told them about my Jeopardy! appearance. Then when I sent a follow-up letter, I'd remind them that I was the Jeopardy! champion they'd met. I don't know how much it helped, but at least it was better than saying I was "that blond guy".

7. Scenes from the book, like the cave showdown with night-vision goggles, really seem like they would translate well to modern video games. Do you find that your work for the Xbox games group at Microsoft helps you be imaginative and creative when you write?

I've been an avid gamer since my dad got me the very first Pong video game. Like thriller novels, the best games are suspenseful, challenging for the characters, and rewarding at the end, and they make you want to find out what happens next.

Today, because the technology is so advanced, storytelling is a key aspect of most games and provides a truly immersive experience. In the Xbox division, my job was to figure out what made the games fun to play and where they became too frustrating. Our group collectively watched thousands of players interact with the games, and then tabulated the results from 150-question surveys to make them even better. We did research into what makes a game fast-paced, whether storylines made sense, whether enemies were too challenging or too easy, and what would make a person stop playing.

I hope I've internalized some of those lessons. In a way, reading a novel is an even more immersive, interactive experience than playing a video game because readers bring their own imaginations to bear in visualizing the story. If you've ever gotten so lost in a novel that you felt like you were there, that someone had to call your name three times to get your attention, you know what I mean.

8. Do you find yourself inadvertently or purposefully adding some of your own personal quirks to your characters? Which of the characters do you identify with the most?

I think every character in some way is an extension of myself. Somebody I wish I was, or somebody I'm glad I'm not but might be under different circumstances. But I also take qualities from people I know or people I've observed in public and then give each character a dose of those attributes. Sometimes I want a character to have a certain trait because it serves the story, and sometimes I give the character a trait that influences the plotline in ways I never anticipated. It's what makes the writing process both challenging and fun.

While a memorable and formidable villain is necessary for a thriller, I suppose I always identify with the heroes the most because I want my readers to identify with them. If readers can't, they won't care whether the hero is defeated or prevails. Without that, all suspense is drained from the story, and readers will neither buy the premise nor care about the outcome.

9. Who are your writing influences, and what are you currently reading? Do you stay away from reading your peers to avoid picking up a similar tone, or do you find it helpful to survey the competition?

I've been a fan of thrillers all my life. Some of the authors who've inspired me to write are H.G. Wells, Jules Verne, Stephen King, Dean Koontz, Michael Crichton, Clive Cussler, Robert Ludlum, and Tom Clancy. When I was younger, I also devoured books by the deans of modern science fiction: Robert Heinlein, Isaac Asimov, Arthur C. Clarke, James P. Hogan, Joe Haldeman, Larry Niven, and Harry Harrison.

When I'm writing a new book, I often read nonfiction for research. I love reading current thrillers so that I know what's out there. Plenty of it is stellar work, so why not learn from it? I don't think I'll be unduly influenced, but it does make me jealous sometimes. I'll read something really great and go, "why didn't I think of that?" Then it makes me work even harder.

10. In the final few paragraphs of the book the following thought crosses Tyler Locke’s mind: “Gordian and the rest of the world would survive without him for a week. He needed a little time to relax,” (p. 415). It sounds like we haven’t seen the last of him! Are you planning on reuniting Tyler, Grant, Dilara, and the crew for another adventure?

Whether he likes it or not, discovering Noah's Ark gives Tyler a reputation as a man who can solve ancient mysteries. I know for a fact that there are forces conspiring to draw him into another action-packed adventure, and you can be sure that Tyler will take Grant and Gordian Engineering along with him (although Grant won't need much prodding). Dilara's pretty busy excavating Noah's Ark, so she might be indisposed for a while, but I wouldn't be surprised if Tyler seeks out her help in the future.

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