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The Vienna Action Group, known for their grotesque, iconoclastic, ritualistic, and sexual works, formed one of the most provocative art movements of the 1960s. This short-lived groupwith participants including Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler stirred shock and moral outrage as it produced a series of performance-based works that transformed the human body through violent and transgressive actions, often involving blood, semen, meat, and excreta. Defying the powers of the state and rejecting traditional commodifiable art practices, they enacted their art on the body, creating performances that live on in works of residue, photography, and film. The films of the Vienna Action Groupmade both by members of the group and by collaborators such as Kurt Krenform the essential records of their performances. The medium of film is intimately tied to their experiments in performance and material, and this book provides an essential focus on those films that reveal the obsessions, ambitions, and outrages of the Action Group. Their work constitutes a significant moment in twentieth-century art and continues to influence contemporary art today, and The Art of Destruction offers a comprehensive introduction to their radical works in film and performance. This new edition includes new photographs throughout along with updates on the lives and recent events of the Vienna Action Group. With copious illustrations, annotations, and an extensive filmography, this book will be a resource for students and scholars of film, art, and performance, and for those invested in questioning social and corporate cultures.
|Edition description:||New edition|
|Product dimensions:||7.00(w) x 10.00(h) x 0.60(d)|
About the Author
Stephen Barber is professor at the Kingston School of Art, Kingston University, London, and a fellow of the Free University Berlin. His recent books include Berlin Bodies: Anatomizing the Streets of the City, White Noise Ballrooms, and Film’s Ghosts: Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan.