The Art of History: African American Women Artists Engage the Past / Edition 1 available in Paperback
- Pub. Date:
- Rutgers University Press
“This important study is the first to confront head-on the avoidance of the visual that has plagued black studies in the United States. The Art of History opens the often hermetic world of black visual culture to a much broader realm in which questions central to contemporary feminism, black studies, and cultural theory are brought to bear.”Judith Wilson, University of California, Irvine
“The Art of History is an important book that expands the significance of visual culture to African American studies debates. It provides cogent and insightful explorations of the work of contemporary African American women artists. Scholars and general readers alike are sure to be compelled by this original and innovative study.”Valerie Smith, author of Not Just Race, Not Just Gender: Black Feminist Readings
In this lively and engaging book, Lisa Gail Collins examines the work of contemporary African American women artists. Her study comes at a time when an unprecedented number of these artistsphotographers, filmmakers, painters, installation and mixed-media artistshave garnered the attention and imagination of the art-viewing public.
To better understand the significance of this particular historical moment in American visual arts, Collins focuses on four “problems” that recur when these artists confront their histories: the documentation of truth; the status of the black female body; the relationship between art and cultural contact and change; and the relationship between art and black girlhood. By examining the social and cultural histories which African American women artists engage, Collins illuminates a dialogue between past and present imagemakers.
The Art of History is a major contribution to the study of American visual culture. It will be of use to both scholars and students in art history, African American studies, American studies, and women’s studies.
|Publisher:||Rutgers University Press|
|Edition description:||New Edition|
|Product dimensions:||7.00(w) x 9.90(h) x 0.40(d)|
About the Author
Lisa Gail Collins teaches in the art history department and the Africana studies program at Vassar College.
Table of Contents
|1||A Visual, Paradox: Art and Aesthetics in African American Thought||1|
|2||Historic Retrievals: Confronting Visual Evidence and the Imaging of Truth||11|
|3||Economies of the Flesh: Representing the Black Female Body in Art||37|
|4||Visible Roots and Visual Routes: Art, Africanisms, and the Sea Islands||64|
|5||Brown Crayons and Black Dolls: The Art of Coming of Age||99|