Blackie Doyle is dying. That’s what Jake Donovan’s literary agent tells him. Sales are falling, and the rough draft of Jake’s latest Blackie novel doesn’t look promising. Maybe Jake has been distracted by a recent barrage of real-life homicides, or by his marriage to the beautiful up-and-coming actress Laura Wilson, now slated for a part opposite Clark Gable himself. Whatever the reason, Jake decides to return to his roots. Which is why he and Laura hop the next train to the small town in Pennsylvania where Jake once worked as a Pinkerton detective.
Ten years ago, the murder of a teenage girl interrupted life in quiet, God-fearing Hanover. The unsolved case has always gnawed at Jake, and it seems no coincidence that as soon as he starts digging up old ghosts, he’s once again writing like a dervish. Nor is it surprising that some townfolk would rather see the truth stay buried—and maybe even Jake and Laura with it. But the glamorous crime-solving pair refuse to leave before sorting through a bevy of suspects—and at long last nailing the one who almost got away with the not-so-perfect crime.
Praise for The Big Brush-off
“This entry in the series is every bit as much fun as the previous books.”—Reading Reality
“If you like clever repartee mixed with a fun historical whodunit and a bit of glamour mixed in, then this series is going to make your day.”—Popcorn Reads
Praise for Michael Murphy’s Jake & Laura mysteries
“Glittering with a hint of Nick and Nora, Michael Murphy’s 1930s Manhattan provides a witty setting for murder and mayhem.”—Mary Daheim, bestselling author of The Alpine Yeoman, on The Yankee Club
“[Jake and Laura] are fun, witty, and charming, and [All That Glitters] is filled with the same kind of 1930s Hollywood glamour that made the film of The Thin Man such a classic.”—Popcorn Reads
“The third installment in Murphy’s series is just as much fun as the first. The mystery is full of twists with an ample amount of red herrings, suspects, and action.”—Mystery Please!, on Wings in the Dark
About the Author
Read an Excerpt
June 1935. In spite of Roosevelt’s New Deal, the stubborn Great Depression continues its stranglehold on America and the world’s economy. There are signs of improvement, however. Unemployment drops from a high of twenty-five percent to below twenty. In April, the government enacts the WPA. The program puts Americans to work building roads and bridges, and offers vocational training for the unemployed. Government programs support the arts, theater, music, literature, and painting. Social Security is launched. Hope is on the horizon. Five months after Amelia Earhart flew solo from Hawaii to the West Coast of the United States, newlyweds Jake Donovan and Laura Wilson travel to their old home in New York City. Laura gets busy filming her latest screwball comedy on location while Jake struggles to produce another Blackie Doyle novel.
There’s a Dog on the Bookcase
Footsteps sounded on the rickety stairs of the quiet home a block from St. Catherine’s Church. The young girl, Katie Caldwell, was reading a movie magazine open to a photo of Jean Harlow. A baseball glove, a first baseman’s mitt, dangled from the bedroom doorknob. A mirror hung above a simple mahogany dresser containing fingernail polish, freshly ironed hankies, and other dainty girl things Katie accumulated. A desk in the corner was littered with school supplies and a book of poetry given to her by her English teacher, George Hanson. She had other presents: a rosary Father Ryan gave her for her First Communion and a twelve-inch brass baseball trophy, a cherished gift from her boyfriend, Alan Tremain.
The figure, whose face, as always, was clouded in shadows, stepped into the room and approached the bed. I tried to warn Katie. I struggled to shout, but the words didn’t come. The two struggled until the shadowy figure swung the baseball trophy then shot the young girl. She managed to snatch her rosary before dying in a pool of blood on her bedroom floor.
I woke up with a choked groan.
Beside me, illuminated by the early morning glow through the hotel room window, Laura slept soundly. Her black hair rested on the soft white pillow, her skin as smooth as moonlight. In the hotel bathroom I splashed cold water on my face and stared into the mirror at tired eyes. Why had I revisited my last Pinkerton case, something I hadn’t dreamed about in more than a year? At least the vision had taken my mind from the dreaded task that awaited me, a confrontation with my editor, Mildred Hawthorn. An hour later I kissed Laura goodbye as she headed off for the final location shoot of her latest movie. I took my time getting ready.
A cab drove me to the forty-story building that housed Empire Press. At eleven, I sat across
the desk from Mildred, the toughest person I’d ever met, and I’d met some doozies. I’d gone toe to toe with mobsters, Nazis, and a Japanese spy, but Mildred was in a class by herself. She was harder on me than my old man, who taught me to box; coarser than my drill sergeant in the Great War.
She set one hand on the chapters Laura and I had dropped off two weeks earlier when we arrived back in New York. Her eyes locked on mine like a doctor about to express grave concerns over a recent X-ray. “Jake Donovan, we have a problem.” This problem wasn’t life or death, but the next half hour would determine my future with my publisher. For five years, I’d been one of Empire Press’s most successful authors. What’s the worst that could happen?
I stared back at Mildred. “Give it to me straight.”
She pulled out a bottle of Kentucky bourbon from the bottom drawer and set two glasses on her desk. I glanced at the clock: 11:45. “Too early for me.”
“It’s after twelve somewhere.” She poured herself half a shot and set the bottle beside the phone.
She took a sip and gazed out the window overlooking the Manhattan skyline at similar tall office buildings where guys like me sweated out meetings with their bosses that would determine their careers. Movement caught my eye at the top of the window. I leaned forward and glanced up. An American airship, imposing, but still half the size of the German behemoth Hindenburg, was approaching the spire of the Empire State Building. Apparently she wanted to make small talk before ripping apart my chapters.
Mildred’s office was like her, organized and efficient. On her desk, a half-dozen red pens sat in a blue Yahtzee cup. Beside the pens was a metal desk lamp that no doubt got a lot of use during the long hours she worked. A green desk blotter looked as smooth as a pool table, bare except for three familiar-looking chapters. We’d worked closely for five years, but I knew next to nothing about her life away from the office. She once mentioned an apartment in the Bronx and a mutt of some kind, part Chihuahua, I thought. I couldn’t remember his name. “How’s . . . your dog?”
Mildred peered at me over the top of her glasses “He’s behind you.”
I glanced over my shoulder at a bookshelf next to the door. I expected to see some mutt lying on the floor beneath the bottom shelf, but I didn’t see a dog. Something, however, was out of place among the books and framed awards and photos of authors. In the center of the top shelf was a jade ceramic jar with a lid: a miniature urn. I’d experienced the pain from the death of a pet, but I never kept an animal’s ashes. I cleared my throat and faced Mildred. “I’m sorry for your loss.”
“I know.” More than a hint of sarcasm tinged her voice. “The sympathy card you sent touched me deeply.”
Her lip curled with contempt. “Apparently your wife sent it.”
She gazed at the urn and blinked away tears I wasn’t certain she was capable of producing. “Twain died in January . . . after a long illness.”
May he rest in peace. “I’m sure Laura mentioned the news, but I was focused so much on my
writing. Maybe she wanted to spare me the grief of—”
Mildred held up her hand, looking mean again. Bringing up the dog had been a mistake. “Can the crap, Jake. You haven’t focused on your writing in quite some time.”
Here it was. I never expected her to call a meeting to tell me how much she liked my writing. She generally offered as many compliments as a tax collector.
Bracing for what was sure to be pages of red ink, I picked up the chapters and turned them over. I sifted through several pages. Nothing. Not a spot of red. “I don’t see any edits,” I said, not to mention the missing four-letter metaphors demanding punching-up.
She finished her drink. “I didn’t get that far.”
I set the pages on her desk.
Mildred cocked her head. “You and Laura okay?”
“I’m not here to talk about my marriage, which is fine, thank you.”
My editor thought my wife was a distraction. Her opinion only intensified as Laura’s Hollywood career took off. Apparently I had written better back when I lived alone in a tiny apartment. “Laura sends her regards.”
“I’ll just bet.” To my surprise, her face softened. “We’ve been friends for a lot of years . . .”
Friends? We rarely saw each other outside the office. I recalled a single business lunch after Blackie Doyle was released. She visited me in the hospital after I got shot a couple of years ago. She sent a card of congratulations when Laura and I got married, but that was about it. She didn’t need to be a friend. Mildred pushed, goaded, threatened, and ultimately transformed me into a better writer. More important, if one believed, as I did, that a career was critical in life, she made me a better person as well.
Without her and Empire Press, my first mystery, Blackie Doyle, would’ve been a five-cent pulp novel at best. I’d still be a gumshoe in a cramped office in Queens instead of a bestselling author married to a gorgeous movie star. She stared at the whiskey bottle as if contemplating a second drink. “I never told you this, but before your first manuscript crossed my desk, my career was finished here. I hadn’t produced a bestseller for Empire Press in three years. I signed off on some real stinkers. I vowed if the company gave me another chance, I wouldn’t be so nice.”
Her plan was working.
“You thought I was taking a chance on you, Jake, but really, my boss took the chance, on me. You came through because you took my criticisms to heart and rewrote Blackie Doyle into a bestseller. Your first three books were fabulous.”
I remembered all the red ink on my first manuscript, the one I had thought was perfect. Mildred gestured out the window. “I owe this corner office to you.”
Her story, like the whiskey, was an attempt to soften the blow of what was coming. My earlier apprehension turned to something near panic, an emotion I seldom allowed to surface. I held up one hand, trying to fend off the inevitable. “I can write better.”
The minute the words left my mouth, I wanted them back. The plea sounded perilously close to begging. She pushed her glasses higher on her nose. “The sales of your last novel were half of your first.”
“The country’s in an economic depression.”
“We were in a depression when your first novel came out. People still go to movies and buy books.” Mildred poured another shot. “I can make a case with my boss about declining sales, but my concern isn’t the bottom line, it’s something more critical.”
Then hit me with your damn concern. “I’m not following.”
“Let me show you something.” Mildred left her glass of bourbon and opened the door. I trailed her to the elevator. We rode down one floor and stepped out. I’d been to Empire Press plenty, but never to this area of the company. We walked past several offices, where the occupants talked on the phone without looking up. We stopped at the
edge of a large room to the clackety-clack of two dozen emotionless typists, who ignored us.
She pointed to a young brunette seated in the second row. “The typing pool. I sat right there when I landed my job with Empire, twenty-some years ago.”
Mildred had shared more about her past in the last five minutes than in the five years we’d known each other. Why now?
I followed her into an empty conference room with a window overlooking New York. She sat, and I remained standing, still unclear about my writing future. “I got into this business because growing up, I read every book I could get ahold of. I worked hard, harder than the rest, thinking each promotion would bring me more important and fascinating jobs. Eventually I became an editor. Finally, I got to spend time with authors who introduced me to enthralling heroes in exotic locales. I love mysteries most of all because . . . well, life’s a mystery, isn’t it?” This meeting had become a mystery. “It must’ve worked. I mean, you’re successful.”
“My career’s been an interesting journey, but along the way, I lost something: the ability to enjoy a well-written book.” She gazed out the window. “Last summer I managed to schedule my first vacation in years. At the train station I picked up a novel from another publisher. I’d never heard of the author, but the plot sounded interesting. I brought the book to the beach and sat under an umbrella. I couldn’t get past the first page without seeing what the editor missed. I made it to the second chapter, making mental notes of each mistake. I never finished the novel.”
She studied my face. “You still don’t get it. I love working with authors and creating successful books.”
I must’ve missed something.
“You think I’m tough on you.
Mildred chuckled. “Let’s go back to my office and talk business.”
We rode the elevator in silence. She still hadn’t expressed her concerns about my chapters and why there was no red ink on the pages.
Inside Mildred’s office, I returned to my chair as my editor slid into the chair behind her desk. She leaned forward and clasped her hands. “You’re one of my favorite authors. I liked you from the get-go, Jake, but I loved Blackie Doyle. So did your readers, his hard-boiled nature with a caring heart. You could write what it was like to struggle with a dangerous case because you once pounded those New York back alleys and speakeasies. As a PI, you cared about your clients. Your last novel and this one?” She pushed the stack of papers away. “Written by a man
who’s lost his connection to the beating pulse of the bloody city.”
I hadn’t lived in New York for almost two years, but lost the connection? I understood the Big Apple, every flaw, bruise, and worm, and there were plenty of worms. I walked to the window and gazed down at the familiar streets. Maybe my writing had slipped a little, but I hadn’t lost touch with my past. That was crazy talk.
“Jake, come sit down.”
I did what I was told. I sat and leaned forward, with my elbows on my knees, staring at the expensive shoes I’d bought for the meeting. Mildred’s voice softened. “I’m not sure what to tell you, because I don’t know whether
you’ve lost your gift or just misplaced it. Your writing lacks its original charm and appeal. I get it, Blackie Doyle has grown more cynical over time, but the reader needs to feel your detective gives a damn.”
I jumped to my feet. “Of course he gives a damn!”
“Not in these pages.” She thumped the chapters.
I studied her face. Mildred might be goading me into redoubling my efforts. That was okay. Then again, maybe she was letting me down easy. “I’m in a slump, that’s all.”
She shook her head. “Your last book had the same problem. I shouldn’t have ignored it.” Mildred leaned back. “I read your chapters three times. They come across like they were written by someone who has life too easy.”
Life was easy. I married my childhood sweetheart. I became a successful writer and Laura had gone from Broadway star to Hollywood actress. She was making so much dough we . . . was it true? Had life softened me so I’d lost touch with my past? I knew who Mildred would blame for any drop off in my writing. “It’s not Laura’s fault.”
“Of course not. It’s you.”
The words hit like a punch to the kidneys. Mildred let out a deep sigh. “Readers enjoy Blackie, a rascal, sure, but a character who cares about the cases and those he helps when he solves the mystery. You’ve lost the connection with the reader about why Blackie does what he does.”
I snatched the pages. “I’ll punch the story up.”
“It doesn’t need punching up. It begs to be trashed or used to line a birdcage. You need to start over.”
Mildred rose and walked around the desk. She perched on the edge of it like a vulture about to swoop on unsuspecting prey. “No one else has the guts to say this to you, but since you left New York, you’ve lived your life for Laura. She’s lucky to have someone who cares so much, but you’ve neglected your career, and it shows in your writing. You need to get away from what you think is your responsibility as the husband of a famous actress.”
“I’ve been away: Hollywood, Hawaii . . .”
“I mean away from . . .”
“From”—she closed her eyes as if searching for the proper words—“the distractions Laura’s profession brings to your life, your career.”
Maybe she was right. Because of Laura’s success, I didn’t worry about things I should have, like book sales. I let out a deep breath. Four years ago Mildred had talked me into leaving for Florida for a few months. A few months turned into nearly two years, and I’d almost lost Laura. In Florida I was a nobody and thrived on the anonymity. Now I couldn’t go anywhere without being recognized, either as Jake Donovan, mystery author or, more frequently, Jake Donovan, husband of movie star Laura Wilson. “So, what are you saying?”
“Empire Press has taken a few hits since the Depression spread.” She let out a long sigh. “I can’t offer you a new contract.”
That was it? After working together for five years and four novels, Mildred was giving me the brush-off.
“Jake, I like you, but I like my corner office much better than the typing pool.” She returned to her chair. “I’m giving you another chance. Empire Press is giving you a final opportunity. Find someplace you can be Jake Donovan, instead of a movie star’s husband. Get in touch with Blackie Doyle. Take your time, and resubmit new chapters in ninety days.”
I rose and shook her hand. I gazed around the room. “I’m going to get you a bigger office.” Mildred laughed, something she rarely did. “Do you want your chapters?”
I swept them into a trash can beside her desk. I grabbed the bottle of whiskey, poured a shot into the second glass, and downed the bourbon in one gulp.
She walked me to the door. “Blackie Doyle would’ve thrown those pages in my face.”
I wasn’t Blackie. I was Jake Donovan, not so long ago Empire Press’s rising star. There wasn’t any more to say. I got canned and was unemployed, like millions of others in the country. My pride took the brunt of the pain. I’d taken a fall I never envisioned. This was how Dempsey must’ve felt when he lost the title to Tunney. An hour ago, I was the luckiest man in the world. Now I was like so many others, hopes dashed and futures uncertain, but I was still better off than most. Mildred had given me another chance, an opportunity I wouldn’t squander. I took a quick glance at the urn on the bookshelf. Unless I came up with something in ninety days, my writing career was deader than Mildred’s dog.
Most Helpful Customer Reviews
A well written period story, part pulp, part cozy that captures the glamor of Hollywood's golden age and the pain of the depression.
Jake and Laura are back on the East Coast, trying to settle in to married life and catching up with old friends. I liked this return to their roots, along with the Nick and Nora like banter that hasn't gotten old yet. Jake learns from his editor that he needs to step up and resurrect a good Blackie Doyle manuscript, or his career will be over. Looking for a quiet place to write, the pair heads to Hanover, PA, the location of Jake's final, unsolved, Pinkerton case ten years earlier. The Depression hasn't been kind to Hanover and most don't believe Jake is there to just write. Many worry he will be investigating Katie's death, something most have put in the past. I like the hard-boiled light style of these mysteries and the way Murphy keeps an eye on current matters, in this case, the Depression. Jake and Laura are definitely aware of their good fortune and as a team, always work so well together.
Loved the mystery. Loved the characters. Loved the era. Loved it, loved it, loved it! It took me a while to figure out who committed the murder. Jake and Laura are newly married. Jake's writing isn't going too well, but Laura's career has taken off. He needs to get back in touch with the character in his book and in doing so, he has gone back to a little town in Pennsylvania to write. It is also the place where a young girl was murdered 10 years before. Where he was when he quit working for the Pinkertons in the middle of the case. The girl's mother is dying and wants to have closure before she dies. Laura is ready to jump in and help, but Jake doesn't want to put her in danger. It seems that the whole town is against them finding the murderer.
The Big Brush-off is number four in Michael Murphy's Jake and Laura mystery series. Although this is a part of a series it is a stand alone with enough information to understand continuity but not so much as to be redundant for a series enthusiast. In this tale, it is 1935 and we find mystery writer Jake Donovan and his movie starlet wife Laura Wilson in New York City where Laura is just wrapping up shooting on her latest movie. While in New York, Jake is meeting with his publisher, Mildred, to discuss the chapters he has sent her of his latest Blacky Doyle mystery. But the meeting doesn't go exactly as Jake had planned and he has ninety days to present new chapters or his writing career may just be over. As if that isn't enough of a downer, while in New York the dying mother of the teenage victim he investigated in his final Pinkerton case visits him, asking him to please reopen the case, she needs closure before she dies. The ten year memorial service will be held in small town Hanover, Pennsylvania in just a short time. Jake does not vow to reopen the case, but does promise to attend the ceremony. With the movie finished and time on their hands, Jake and Laura travel to Hanover on the premise that it is a nice quiet place for Jake to work on his new novel. However, when they arrive in Hanover they don't exactly receive a warm welcome. In fact they are faced by those that strongly encourage them to leave. Ironically, the ones that perhaps should want them out of town are the ones that ask Jake to investigate and remove the shadow of doubt that has followed them ever since Katie's murder. Fast paced and witty, Jake and Laura tag team to investigate, ruffle a few feathers, and ultimately bring justice for a girl lost too soon and her mother grieving for too long. Kudos to Mr. Murphy for a delightful read and an intriguing mystery series. He takes his place next to the likes of Dashiell Hammett.
Each of the Jake and Laura books is a great read, and this is one of the best. The scene shifts from the glamour of Hollywood to New York and rural Pennsylvania, Embedded in a great mystery surrounding a decade-old crime is an analysis of the relationship Jake has to the world and to Laura, as his convictions are tested. It is definitely a deeper insight into Jake than previous books in this series.
Yay, Jake and Laura are back. There's not a lot of name dropping this time as the scene is set in a small town. They are the ones who's names are being dropped. This time, Jake's novels are becoming lackluster and he's being asked to look into a ten year old cold case. And no one in this small town wants a ten year old murder being brought back up. Of course, Jake and Laura are their gracious selves, and conduct their lives inn the Hollywood way they've come to live by. Laura is being pestered to go back to LA, but will have nothing to do with it. She is going to help Jake figure out this mystery. Hollywood will wait for her, she says throwing back her scarf. HA!! So it's another fun journey with one of my favorite couples while they try to figure out which of their four suspects killed a teenage girl ten years ago. As always, the story was entertaining, fun and enjoyable. I always look forward to Jake and Laura and now have to sit back and patiently wait for the next one. Thanks to Random House/Alibi for approving my request, to Michael Murphy for reminding me and to Net Galley for providing me with the free e-galley in exchange for an honest review. You simply must read this series dahling! HA!
What fun! I enjoyed the storyline, the characters, the pacing, and the time period. All rang true. We have a Hollywood bombshell leading lady married (happily) to a noir story writer. They've known each other almost their whole lives and they are trying to work on how best to balance their two rather different work worlds. The writer's publisher has given him the frightening news that his latest offering is so sub-par, that if he can't recapture his old flair, there will be no more books published by him. Adding to his angst is the reminder of a murder he worked on briefly 10 years ago. A murder that has never been solved. Can they successfully juggle Hollywood, writing, and a rather cold murder trail? It's well worth the read to find out.
The brilliant writing continues by this highly talented mystery writer! This author has a witty, era appropriate writing style which draws the reader into the time and scenarios, making you feel as though you are there witnessing and partaking in events. There are references to people and events from that time (though not as many as in earlier novels) and it all blends superbly to make this a fantastic murder mystery that keeps you guessing. In this story, Jake and Laura are married and Laura is proving to be highly successful in Hollywood films whilst Jake’s writing has deteriorated to the point that his publisher is giving him a last chance to produce a new novel worthy of his talent. At the same time, he is reminded of his last case as a Pinkerton Detective, the murder of a teenage girl that remains unsolved. The victim’s mother is terminally ill and hopes Jake will resume his investigations and discover the perpetrator before she dies. When the couple stay in the small town where the murder happened to attend the memorial service in her honour they are greeted with very mixed reactions as many people seem reluctant to discuss the past and discover the murderer in their midst. The novel has all the angst and turmoil, twists and turns, red herrings, danger and adversity packed into an enthralling, intriguing investigation. As the couple work independently and together, there are other issues, too as their relationship and work both impact on events. With a convoluted, well developed plot and great characters, it is a tumultuous, astounding story which I have no hesitation in highly recommending, a must for anyone who enjoys murder mysteries and thrillers! Thanks to the author, publishers and NetGalley, too, for letting me read an ARC of this book in exchange for this, an honest review.
Best-selling mystery writer Jake Donovan has (at least) two problems. Ten years ago, in 1925, he had to leave his last case as a Pinkerton detective unsolved when he was called to the bedside of his dying father. The teen-aged victim’s mother is now terminally ill herself and asks Jake to resume investigating her daughter’s murder, which she says none of the authorities is interested in solving. In addition, Jake’s editor tells him that his series is getting stale; his sales are slumping; and the publisher is not willing to offer him a new contract unless he shows them a manuscript with promise. Jake and his movie-star wife Laura (who is facing some important career decisions herself) visit Hanover, PA, to give Jake a quiet environment in which to write and to take another look at the unsolved mystery. Having read The Yankee Club, the first book in the Jake and Laura series, I was very pleased to see that The Big Brush-off seemed to capitalize on the elements of the first book that I liked but eliminated what I had not enjoyed. Book one was appropriately described as a “noir” detective mystery, and the nasty violence in it, even from Jake, turned me off. The violence was missing from this book, which had almost more of a “cozy” mystery feel, especially the setting in a small town with a limited number of characters. I had enjoyed the characters in the first book, and personalities were explored more in The Big Brush-off. Jake and Laura’s love is very clear, as they each worry about the other’s challenges as well as their own and make plans for future family life. They come across as decent folks. Jake may be a tough-minded writer and detective, but he can still say things like, “as a boy, I always placed priests on a pedestal, and the older I got, many of them met my expectations.” There are also enjoyable portrayals of the citizens of Hanover, like teen-aged Freddy, son of the owner of the Hanover Inn, who seems to observe a lot that goes on in his town. Murphy depicts the 1930s era very well. Obviously, there are sobering examples of the hardships people experienced during the Depression, but there are also nice small details that flesh out the picture. I especially noted the reference to the “simple mahogany dresser” in the murder victim’s bedroom, which put me in mind of the mahogany furniture throughout my grandparents’ homes and so many other homes of the period. I was enjoying the characters and the setting so much that I realized the book was about half over and there had not been a lot of progress in the investigation. Murphy soon rectified that situation, however, and delivered a much more plausible situation and resolution than he did in The Yankee Club. I correctly identified the killer but not so early that it spoiled the book, a good device for a writer---to make the reader feel smart but not cheated. Since I did not yet read books 2 and 3 in the series, I do not know what they were like, but based on the changes from Book 1 I can’t help but wonder whether we have a situation of an author writing what he knows---in this case an author rejuvenating a series that is going stale. If so, I can happily report success for both Jake and Michael. NOTE: I received a free copy of this book from Netgalley in exchange for an objective review.