Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith.
In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmissionor lack thereofof legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurringfrom sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place.
In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.
|Publisher:||Rowman & Littlefield Publishers, Inc.|
|Series:||African American Cultural Theory and Heritage Series|
|Edition description:||New Edition|
|Product dimensions:||5.90(w) x 8.90(h) x 0.80(d)|
About the Author
Emmett G. Price III is chair of the Department of African American Studies and associate professor of Music and African American Studies at Northeastern University. He is the coeditor of Encyclopedia of African American Music (2011).
Table of Contents
Part I From Civil Rights to Hip Hop 1
1 From Civil Rights to Hip Hop: A Meditation Alton B. Pollard III 3
2 Dissed-Enfranchised: The Black Church under the Steeple Joshua Hutchinson 15
3 Chasing a Dream Deferred: From Movement to Culture 21 Emmett G. Price III
Part II Hip Hop Culture and the Black Church in Dialogue 31
4 Deep Calls to Deep: Beginning Explorations of the Dialogue between the Black Church and Hip Hop Charles L. Howard 33
5 Rap Music as Prophetic Utterance Cynthia B. Belt 43
6 Binding the Straw Man: Hip Hop, African American Protestant Religion, and the Dilemma of Dialogue Lerone A. Martin 55
7 Sermon: "Kick Your Delilah to the Curb" Sherman A. Gordon 63
8 Thou Shall Have No Other Gods before Me: Myths, Idols, and Generational Healing Shaundra Cunningham 67
9 Hip Hop Children of a Lesser God Paul Scott 81
10 Sermon: "Bling Bling" Stephen C. Finley 85
11 Formality Meets Hip Hop: The Influence of Hip Hop Culture on the Afro-European Church Shana Mashego 95
Part III Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix 105
12 Beats, Rhymes and Bibles: An Introduction to Gospel Hip Hop Josef Sorett 107
13 Isn't Loving God Enough? Debating Holy Hip Hop Cassandra Thornton 115
14 Five Theses on the Globalization of Thug Life and 21st Century Missions Kenneth D. Johnson 131
15 Hip Hop, Theology, and the Future of the Black Church Osagyefo Uhuru Sekou 153
16 Confessions of a Hip Hop Generation Minister Patricia Lesesne 159
17 Spiritually Educating and Empowering a Generation: Growing Up in a Hip Hop Matrix René Rochester 165
18 An Invisible Institution: A Functional Approach to Religion in Sports in Wounded African American Communities Onaje X. Offley Woodbine 173
19 "To Serve the Present Age": A Benediction Emmett G. Price III 189
Selected Bibliography 193
About the Editor and Contributors 205
What People are Saying About This
In both aesthetic and political terms, the Black Church and Hip Hop have demonstrated voracious muses as they've influenced and internalized the outside social world. Emmett Price's vibrant new collection engages from myriad angles some of the internal discussions—the "kitchen talk"—of these contiguous communities. What they've shared, how they've differed, and where they might go from here is theorized and imagined in intellectual terms in this book but with all the soulfulness of a church mother's moan or a digital loop. Let the church say: 'and you don't stop!'
I am truly impressed with the [The Black Church and Hip Hop Culture]’s subject matter and content and view it as successfully targeting two of the most important “institutions” in American society and life involving people of Africana descent today and that these institutions represent best the generational divide. I agree that the Black Church and its reaction to and connection with Hip Hop Culture must be problematized and interrogated. This [volume] delivers on its purpose and mission of doing just that.