Praise for THE BURNING AIR:
“Erin Kelly is a seriously good writer, and this gripping novel is her best yet. I really loved it-couldn't put it down!”
“The Burning Air is a clever, creepy exploration of the deceit hidden even within the most apparently loving of families and the very fine line between justice and revenge. Erin Kelly is brilliant at showing the relentlessness of obsession and the evil that can be done in the name of love.”
Elizabeth Haynes, author of Into the Darkest Corner
“Tension-filled . . . skillfully drawn characters and masterful building of suspense, which reaches a literally searing climax."
Praise for THE DARK ROSE:
“Everything we love in a thriller-obsessive passion, haunting secrets, a shocking ending-is here, set among the creepily atmospheric ruins of a 16th century English garden."
O, The Oprah Magazine
“With its rich intertwining of viewpoints and time frames, its nuances of character and class, its sustained suspense . . . this harrowing novel is a work of true talent.”
Publishers Weekly, starred review
“[Kelly] draws readers in with her compelling stories; then, she dims the lights, darkens the worldview and bolts the exit doors. . . . It's useless to resist: You must read it.”
Maureen Corrigan, NPR.org
“Erin Kelly has delivered a stunning look at human desperation, loyalty, and absolute terror. . . . First class writing that is absolutely captivating!”
Praise for THE POISON TREE:
“A terrific suspense debut, reminiscent of another British woman's auspicious bow: Daphne DuMaurier's Rebecca. The shadows gather until the ending looms like a threatening figure. This one gets the writer's ultimate bit of praise: I wish I had written it.”
“A compelling creeper . . . More please, Ms. Kelly! Quickly!”
The Washington Post
“There is a brooding sense of impending doom and imminent danger. . . . [T]he explosive ending, its revelations about the threesome and the lengths to which people will go to preserve or take what's theirs, makes THE POISON TREE a rich and satisfying pleasure.”
Kelly has hit her stride in this third outing, a classic dark thriller combining suspense with gorgeous, evocative prose. Told from the perspectives of four individuals, this story is British journalist Kelly's third offering and by far her most inventive novel. Set in England, the tale involves a close-knit family named MacBride, whose members soon become the focus of a pathological mission to destroy them. It starts with Lydia, beloved mother of the clan and magistrate of the court, who is dying. Lydia confesses in one of the diaries she's kept most of her life a deed so terrible and life altering that she realizes if her family reads it, the contents would forever change them. But she doesn't plan on that happening since she intends to destroy all of her diaries before the end arrives. Meanwhile, the rest of the MacBride family continues on with their lives: Her disfigured son, Felix, once a happy and handsome child, brings a mysterious woman into their midst. Sophie, the oldest daughter and mother of three boys and a baby girl, struggles with her once-perfect marriage to Will. And Tara, mother of the mixed-race teen, Jake, seems to finally be happy with her boyfriend, Matt, a surrogate father to Jake. Rowan, the former schoolmaster, mourns his wife but takes great joy in his grandkids. And the entire group comes together at the traditional family getaway near a remote village, where cellphones won't work and no electronics are allowed. It is there and in both Saxby and London that a tale of unreasonable, sustained hatred and revenge bubbles up, threatening to tear the happy family apart and leave them with a wound that will never heal. With writing so seductive and multiple voices that are pitch-perfect for the characters she's created, Kelly shows that she is a writer who doesn't need to keep repeating herself to stay in the game. A book that will consume the reader as fully as the bonfire set by the novel's characters.