The Cambridge Companion to Jazz

The Cambridge Companion to Jazz

ISBN-10:
0521663202
ISBN-13:
9780521663205
Pub. Date:
01/27/2003
Publisher:
Cambridge University Press

Hardcover

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Overview

The Cambridge Companion to Jazz

The vibrant world of jazz may be viewed from many angles, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays offers informed and accessible guidance to the challenge, taking the reader through a series of five basic subject areas—locating jazz historically and geographically; defining jazz as musical and cultural practice; jazz in performance; the uses of jazz for audiences, markets, education and for other art forms; and the study of jazz.

Product Details

ISBN-13: 9780521663205
Publisher: Cambridge University Press
Publication date: 01/27/2003
Series: Cambridge Companions to Music Series
Pages: 426
Product dimensions: 7.01(w) x 10.00(h) x 0.94(d)

About the Author

Mervyn Cooke is Professor of Music at the University of Nottingham. He is the author of Jazz, The Chronicle of Jazz, and Britten and the Far East; co-author of Benjamin Britten: Billy Budd; editor of The Cambridge Companion to Benjamin Britten (1999) and The Cambridge Companion to Twentieth-Century Opera (forthcoming) and is currently writing a history of film music for Cambridge University Press. He is also a composer and pianist.

David Horn is Director of the Institute of Popular Music at the University of Liverpool. He was a founding editor of the journal Popular Music (Cambridge University Press) and is author of two bibliographies of American music. He is currently joint managing editor of The Encyclopedia of Popular Music of the World.

Table of Contents

Chronology of jazz; The word 'jazz' Krin Gabbard; Part I. Jazz Times: 1. The identity of jazz David Horn; 2. The jazz diaspora Bruce Johnson; 3. The jazz audience Jed Resula; 4. Jazz and dance Robert Crease; Part II. Jazz Practices: 5. Jazz as musical practice Travis Jackson; 6. Jazz as cultural practice Bruce Johnson; 7. Jazz improvization Ingrid Monson; 8. Spontaneity and organization Pete Martin; 9. Jazz among the classics, and the case of Duke Ellington Mervyn Cooke; Part III. Jazz Changes: 10. 1959: the beginning of beyond Darius Brubeck; 11. Free jazz and the avant-garde Jeff Pressing; 12. Fusions and crossovers Stuart Nicholson; Part IV. Soundings: 13. Learning jazz, teaching jazz David Aka; 14. History and myth: the problem of early jazz David Sagar; 15. Analysing jazz Thomas Owens; Part V. Jazz Takes: 16. Valuing jazz Robert Walser; 17. The jazz business Dave Laing; 18. Images of jazz Krin Gabbard; Personalia.

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