Finally available, a high quality book of the original classic edition.
This is a new and freshly published edition of this culturally important work, which is now, at last, again available to you.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside:
Every year thousands are now added to the large party abroad who have ceased from believing in the great musical revolutionary of [pg xiv] the seventies; that he was one with the French Romanticists and rebels has long since been acknowledged a fact in select circles, both in France and Germany, and if we still have Wagner with us in England, if we still consider Nietzsche as a heretic, when he declares that "Wagner was a musician for unmusical people," it is only because we are more removed than we imagine, from all the great movements, intellectual and otherwise, which take place on the Continent.
...If I felt inclined to make any changes at all, these would take the form of extensive additions, tending to confirm rather than to modify the general argument it advances; but, any omissions of which I may have been guilty in the first place, have been so fully rectified since, thanks to the publication of the English translations of Daniel Halévys and Henri Lichtenbergers works, "The Life of Friedrich Nietzsche,"2 and "The Gospel of Superman,"3 respectively, that, were it not for the fact that the truth about this matter cannot be repeated too often, I should have refrained altogether from including any fresh remarks of my own in this Third Edition.
...The statement in question was to the effect that many long years before these pamphlets were even projected, Nietzsches apparent volte-face in regard to his hero Wagner had been not only foreshadowed but actually stated in plain words, in two works written during his friendship with Wagner,-the works referred to being "The Birth of Tragedy" (1872), and "Wagner in Bayreuth" (1875) of which Houston Stuart Chamberlain declares not only that it possesses "undying classical worth" but that "a perusal of it is indispensable to all who wish to follow the question [of Wagner] to its roots."
...Nevertheless, for fear lest some doubt should still linger in certain minds concerning this point, and with the view of adding interest to these essays, the Editor considered it advisable, in the Second Edition, to add a number of extracts from Nietzsches diary of the year 1878 (ten years before "The Case of Wagner," and "Nietzsche contra Wagner" were written) in order to show to what extent those learned critics who complain of Nietzsches "morbid and uncontrollable recantations and revulsions of feeling," have overlooked even the plain facts of the case when forming their all-too-hasty conclusions.
...An altogether special interest now attaches to these pamphlets; for, in the first place we are at last in possession of Wagners own account of his development, his art, his aspirations and his struggles, in the amazing self-revelation entitled My Life;5 and secondly, we now have Ecce Homo, Nietzsches autobiography, in which we learn for the first time from Nietzsches own pen to what extent his history was that of a double devotion-to Wagner on the one hand, and to his own life task, the Transvaluation of all Values, on the other.