The Children's Writer's Guide examines how you can get started as a writer, create time and space to pursue your craft and deal with lack of motivation and writers block. Topics covered include where ideas come from and how writers turn them into stories, choosing names for characters that are appropriate to the story, the importance of historical research if your novel is set in a different era, writing science fiction and fantasy, and the use of magic in stories for children. The author examines the role of editing and revision and how to deal with what is often the inevitable process of rejection, at least until good fortune comes your way. The author also recounts some of his experiences with marketing and promotion, such as book launches and in-store signings, websites, blogs, and social media, and discusses presentations, workshops and author-in-residence programs at schools and libraries.
|Product dimensions:||6.00(w) x 9.00(h) x 0.29(d)|
About the Author
Simon Rose is the author of The Alchemist's Portrait, The Sorcerer's Letterbox, The Clone Conspiracy, The Emerald Curse, The Heretic's Tomb, The Doomsday Mask, The Time Camera, The Sphere of Septimus, and Flashback. He is also a contributing author to The Complete Guide to Writing Science Fiction, and has written many non-fiction books with Weigl Educational Publishers and Capstone. You can learn more about Simon and his work at www.simon-rose.com.
Most Helpful Customer Reviews
The Children's Writer's Guide based on 0 ratings. 1 reviews.
Reviewed by Emily-Jane Hills Orford for Readers' Favorite “Writing books for children is a marathon, not a sprint.” So claims children’s author, Simon Rose. With quite a few children’s books published and in circulation, the author knows the amount of time and effort that goes into writing a book. And the work never slows down. It’s more than just writing. As he points out in his book, The Children’s Writer’s Guide, there is a great deal of discipline and dedication that goes into pursuing an idea from its roots to the final product of a published book. And the work doesn’t stop there, as all writers today will agree. There’s the promotional package, the book signings, the in-school visits and presentations, and much more. Writing a book, any book, is a job that never really comes to an end. Simon’s guide is a valuable resource for both beginner and established children’s book writers. In the first chapter, he provides some basic groundwork for all writers, with subsections with headings like: “In the Beginning” and “No Happily Ever After.” He continually stresses that writing is more than just generating a great idea. It’s hard work and lots of it. So writers need to be organized and committed to what they propose to write. He leads you through the initial concept of finding the great idea to inspire the book, how to hook the reader, and some less traditional writing guide topics like choosing the right names for your characters and dealing with rejection. Using examples from his own experience and his own published works, Simon provides a clear and concise guide to writing a good children’s book. Very useful.