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The Curve of the World

The Curve of the World

3.7 7
by Marcus Stevens, Sean Runnette (Read by)

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"Where?" someone yells, "Where are we landing?" "Africa. Somewhere."

A plane in trouble, a terrifying plummet into the depths of an African jungle, and capture by rebel military troops—all in just the first chapter of this brilliant debut novel by Marcus Stevens. The Curve of the World, a page-turner in the truest sense


"Where?" someone yells, "Where are we landing?" "Africa. Somewhere."

A plane in trouble, a terrifying plummet into the depths of an African jungle, and capture by rebel military troops—all in just the first chapter of this brilliant debut novel by Marcus Stevens. The Curve of the World, a page-turner in the truest sense of the word, is a riveting story about survival and losing and regaining love across both physical and psychological borders.

Lewis' day begins with a bitter quarrel with his wife and ends on a crumbling, overgrown jungle airstrip somewhere deep in war-torn Congo. With the cockpit on fire, the pilots of his plane make an emergency landing and within hours the plane is seized by rebel troops. Lewis' flight into the rainforest saves him from one danger only to propel him into an even more terrifying place—a world without rules and no apparent way out. His desperate struggle to survive hunger, intense heat, and thirst forces Lewis to confront his deepest fears and greatest disappointments: his failing relationships with his wife and his blind seven-year-old son. When his wife makes a daring decision to search for him in Africa, The Curve of the World becomes a gripping, heartrending tale about regaining love and conviction.

Editorial Reviews

Barnes & Noble Discover Great New Writers
Tense, gripping, and astonishing -- there are hardly words to describe Marcus Stevens' debut novel, in which a New York businessman, Lewis Burke, struggles to escape the jungles of the Congo following the emergency landing of the jetliner that was taking him home from Paris.

Opening as the plane encounters trouble and the crew scrambles to land the plane on a remote Congolese runway, the passengers soon realize that the local soldiers who quickly board the aircraft are not the hoped-for rescuers, but rebels taking them hostage. When it appears that the rebels plan to destroy the stranded plane along with the remaining passengers, Lewis makes a run for it and flees into the nearby jungle.

Finding himself in a mosquito-infested, densely foliated landscape in the searing heat, Lewis struggles to survive; and the tasks he took for granted in the Western world -- quenching his thirst and obtaining food -- are no longer simple demands easily met. But while Lewis hides from dangerous animals and resorts to drinking contaminated water, his estranged but hopeful wife, Helen, travels to Africa with their blind son, determined to find him and bring him home. As both Lewis and Helen draw nearer, they reflect on the life they've shared and explore the circumstances that have threatened their marriage.

Readers will find themselves, as we did, casting the movie for this dramatically told story that has already been optioned by the producers of Fargo, Dead Man Walking, and Elizabeth. But don't wait for the film. Treat yourself to this incredible story now. (Spring 2002 Selection)

Publishers Weekly
This diverting first novel catches the attention immediately as an American man is cast into sudden danger in the African jungle. Lewis Burke, a Coca-Cola rep flying from Paris to Johannesburg, is aboard a commercial flight that makes a forced landing on an abandoned strip in the Congo. He panics and flees into the jungle when the passengers are threatened by trigger-happy rebels. Predictably, he becomes disoriented, wandering deeper into the tropical forest. Back home, his semi-estranged wife, Helen, has taken Shane, their seven-year-old blind son, with her to Spokane to attend to her aging mother, who has broken her hip. As the narrative alternates between Lewis and Helen, flashback self-recriminating reflections intrude awkwardly into the current action to reveal that their marriage went sour when Helen shifted her priorities to the care of their son. Increasingly terrified about her husband's plight and driven by guilt at their estrangement, Helen decides to fly to Africa with Shane. Meanwhile, Lewis, now befriended by a Congolese boy, wanders aimlessly, narrowly escaping rebels and experiencing feverish dreams of home. The plot is 0verworked, but Stevens displays competent writing and keen human insight. This author, who has traveled widely in Africa, also summon the landscape and atmosphere with vividly descriptive detail, and captures the terror of a man reduced to life's essentials. Agents, David Smith and Silvie Rabineau. $50,000 ad/promo; 8-city author tour; rights optioned by Working Title films. (May 3) FYI: For more on Stevens, see First Fiction feature in PW, Jan. 28. Copyright 2001 Cahners Business Information.
Library Journal
Ever hear the one about the traveling salesman whose plane is downed in the Congo? He escapes rebel capture, survives leeches and murderous simians, is saved by a friendly native boy, returns to civilization, goes back to save the boy, and in the end is reunited with his estranged wife and blind son. There is nothing new in Stevens's first novel, but he puts the plot together with enough verve and solid writing that it draws in the reader. The salesman in question is Lewis Burke, who runs the African route for Coca-Cola. After his plane crashes, he experiences various adventures, which are intermixed with the stories of his marriage, the birth of his son, and the search he and his wife launch for the native child in the war-torn wilds of central Africa. The many stock characters include the snotty young journalist, the ineffectual and mendacious American consul, and both kind-hearted and corrupt Congolese. Still, Stevens keeps the pace both lively and measured, so the whole thing works as post-colonial, commercial, politically driven fiction. Invite patrons to get past the purposely "meaningful" passages, and they won't be disappointed. But also give them a list of works by Chinua Achebe, Ben Okri, T. Obinkaram Echewa, and particularly Ngugi wa Thiong'o for the insider's scoop on sub-Saharan African literature. Recommended; this book has been optioned by the producers of Fargo. Harold Augenbraum, Mercantile Lib. of New York Copyright 2001 Cahners Business Information.
Kirkus Reviews
Commercial-director Stevens wades into fiction with the story of an American businessman lost in the heart of Africa's darkness. Lewis is an international sales rep for Coca-Cola when the plane he's on is forced to make an emergency landing at an abandoned wartime airstrip in the middle of the jungle: while the party lands well enough, it seems that the rebel militia who discover them may kill them all anyway. In fear, Lewis runs off into the forest (he should have just stayed on the plane, since everyone was released), where he learns firsthand of the wilderness by witnessing the brutality of a chimp murder, then by his own killing of a species of dwarf antelope. He contracts malaria and is found by a young African boy named Kofi (wearing a Pepsi shirt), who provides medicine and becomes Lewis's sidekick as Lewis has phantom sex with a ndoki, a witch, and dines on monkey. Meanwhile, Lewis's estranged wife, Helen, packs up their blind-from-birth son and heads to Africa to find the father of her child. Lewis eventually makes his way to civilization but leaves Kofi behind once he gets there-then soon braves the rifles of border guards to go back to find the boy who saved him, with the result that they're both again in the jungle, running with pygmies and participating in gun battles. Helen, meanwhile, has given up searching for her husband and gone home, only to find this decision unbearable, so now she too must go to Africa with the blind boy all over again. Will she find her husband, and will their love be renewed? Do the blind boy's visions suggest magic like the ndoki's? Will Lewis survive this thinly veiled tour of modern Africa? Already optioned for film. The camera work on Africa,applied to a lush subject, should be better than Stevens's competent but dry prose. Film rights to Working Title; author tour
From the Publisher
USA Today Tense and evocative...Stevens captures the overwhelming forces of African nature.

Seattle Post-Intelligencer [A] taut, well-paced adventure.

San Francisco Chronicle A gripping read.

Boston Herald A very good first novel...that is delivered with greatpanache and telling detail.

Winston-Salem Journal Stevens's novel succeeds in combining a suspenseful plot with deeper meaning in a way that contemporary literature only infrequently manages.

Product Details

HighBridge Company
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4.96(w) x 5.66(h) x 1.01(d)

Read an Excerpt

Through the thick glass of this porthole, the night sea is dim and indistinct, barely defining a line between sky and water. Thirty thousand feet beneath a pillow of air, the ocean's blackness swallows even the indurate light of a full moon, and it is only the clouds lingering ten thousand feet below him that offer some faint sense of promise or hope. Beyond that there is a void that extends under the silver clouds to some unfathomable infinity, like something missing, or everything missing—the way Lewis has always imagined blindness.

Most of the other passengers are sleeping, mouths agape like escape hatches flung open. The businessman across the aisle from him looks like a child this way, a desperate boy who hopes no one will see through the disguise and perceive his pillowy kindness. Lewis's eyes meet those of the only other passenger who is awake, an African man, a Muslim. He wears a white djellaba, which in the dim cabin is so brightly lit by his reading light that it gives him an ethereal look. Beyond him a flight attendant sits calmly in the jump seat, flipping through a French edition of Vogue, her stiffly made-up face lit by the warm light bouncing off the magazine.

Lewis turns back to his window. That must be Africa, slipping by beneath the clouds. He presses his face against the cool glass, which is delicately traced with frost on the outside, trying to see some detail, even to confirm that what he sees is land, but there is only an unappeasable darkness and merely his imagination to illuminate it. It seems to approach silently and steadily like sleep. He watches until the faint glimmer of the ocean is consumed by it completely and they have crossed over. His gut stirs with unease. There is an unrealness to his relationship with this place, so thoroughly insulated is he by the dull roar of the turbines, the soft bumps of turbulence in the jet stream. There is also something vaguely threatening.

Who goes to Africa? he thinks. A few camera-laden vacationers on "safari," transported by four-wheel-drive buses, still a bit aloft, or some dusty, sweaty businessmen, miners or arms salesman, the kind of men you never see in the suburbs of America, mercenaries in suits and ties, and doctors, missionaries and Peace Corp volunteers. Lewis never expected to go anywhere near Africa. Not that he avoided it, either; he just never thought of it. Not once. He changed planes in Paris for the ten-hour flight to Johannesburg without a thought of where he was going. It could have been anywhere. Selling Coca-Cola to foreign markets takes him all over the world. One of the local distributors will meet him at the gate, help him with his bags and take him to an office not that different from what he has seen in Australia or New Zealand. At first he won't even be able to distinguish the accent. They will treat him, as he is accustomed, like a client. There will be a basket of biscuits and South African wine and a hat and sunblock waiting in his hotel room.

Somehow he must have fallen asleep with his head against the window. He looks up for a flight attendant—perhaps some water. At first he cannot find her. She is no longer reading. Then he notices the African man staring with an odd intensity at the galley, where she's talking on the interphone. Something in her stance, the way she looks at the floor, the tenseness of her body, seems a bit off. Lewis presses his face into his hands. There is in this unfirm place, this moment between consciousness and unconsciousness as his mind struggles to reassert command, such fertile ground for doubt. In his stomach he can feel the plane descending. He looks for his watch; it seems early, but it could be the time zone difference. His watch isn't set right.

Then two of the other flight attendants join the first. Lewis frowns. He can't shake the impression that something is not right with this scene. The first flight attendant takes the phone away from her mouth and says something to the other two. They nod, listening intently. She gestures with some urgency, and they move off in a hurry. The African man leans out into the aisle, and with a calm hand touches the hem of the flight attendant's uniform.

"Qu'est-ce qui se passe?"

She leans down to explain, but her voice is too soft to make out. From across the cabin she catches Lewis's eyes on her as she finishes, and it's easy to see that whatever she just said was a lie. As if to prove it, the left wing of the jet dips sharply as the plane makes an abrupt course change, and the lights come on suddenly as the cabin blinks awake.

"Mesdames et messieurs, votre attention s'il vous plaît."

The tone of the captain's message is disturbing, and it's maddening to have to listen to it first in French. Lewis makes out the words la fumée, "smoke."

"What the hell is going on?"

"English, please!"

Two flight attendants race by Lewis with a service cart rattling with loose items. They aren't taking time to gather anything from the passengers, and they are yelling as they go.

"Seat belts. Tray tables and seat backs up."

"Ladies and gentlemen. May we have your attention . . ." That much he got already, but it is oddly reassuring. He senses that in the worst kind of emergency, the kind you don't survive, there would be no time for formalities, and even though the plane is descending, it still feels normal, still under control. He can feel the subtle pressure building in his ears. The passengers are all looking up at the speakers above their heads as if to hear better.

"We are experiencing smoke in the cockpit. To ensure your safety, we must land immediately at the nearest possible airport. Flight attendants are preparing for a possible emergency landing and evacuation. Please pay close attention to all flight attendant instructions and demonstrations."

"Please take your safety cards out. Look at the brace position." The flight attendant closest to Lewis holds up her card. The passengers take them out like hymnals at church. "Lean forward and hold your ankles," she says, and then she nearly falls as the nose of the plane suddenly drops and the engines rapidly power down to an idle. There are screams throughout the cabin. The plane is falling like a rollercoaster dropping at a carnival. All around him he sees passengers grabbing their armrests. Lewis quickly tightens his belt and reaches for his safety card. The flight attendant has regained her balance, and she is leaning forward with her feet wide apart to compensate for the steep angle of the descent. She's doing her best to remain calm and demonstrate how the passengers are expected to brace for landing, but she is close enough to Lewis that he can see the fear in her eyes.

"Lean forward and hold your ankles. If that is not possible, cross your hands and place them on the seat back in front of you. Lean forward and place your head on the back of your hands. Flight attendants, check brace position." It comes rapidly, first in French and then in English, but it is hard to hear over the terrific noise of the air rushing outside the plane. They are descending at six thousand feet per minute.

"Christ." Lewis drops his card, leans forward and grabs his ankles for the rehearsal. He looks across the aisle—hands on ankles everywhere. He still has that sick feeling in his stomach. If they hit the ground going this fast, this drill will amount to nothing.

"Please sit up. Check the security of your area. Any loose or sharp objects should be removed and placed in a safe place such as a seat pocket. Flight attendants brief helpers at exits. Appel aux hôtesses. Préparez la cabine pour l'atterrissage."

The last part of the announcement is clipped by a sudden noise and vibration over the wing. The air brakes have been deployed and now the whole frame is shaking. Lewis catches a brief glimpse of the cockpit as the lead flight attendant opens the door. There is no obvious fire, but the gray-white smoke in the cockpit is dense. The pilots are wearing heavy oxygen masks and smoke goggles. They are working frantically with checklists, scanning gauges and switches. He can see them shouting to try to communicate.

"Where?" someone yells. "Where are we landing?"

"Africa. Somewhere."

Lewis looks outside, where dawn has begun to unravel the night's grip on the continent below. What was an indistinct mass is now a deeply textured green. Land? Of course, it looks soft, a verdant carpet of luxurious tropical plant life. It is easy to imagine lying down there in a soft whisper of ferns and yellow birds, but clearly this is a forest below them, a canopy of trees, great trunks of hardwood. At ten thousand feet they are already in the forest's embrace. The patches of white cloud that race by almost have a sound to them, like showers of hailstones. A road appears, like a bright reddish-brown rip in the green fabric, and then passes behind them. At four thousand feet the plane passes over the great curve of a brown river that flashes faintly in the dawn, and then another red gash.

The engines spool up and down now as the pilots struggle with the difficult approach, making rapid corrections. A hint of the sharp smoke invades the cabin. It smells toxic—burning rubber or plastic.

"Please do not be alarmed." Alarmed. It's a strange word in the Frenchman's mouth. It sounds as if it is being eaten whole. "We will be landing soon. Flight attendants will signal when it's time to assume the brace position by shouting, 'Brace!' Remain in the brace position until the airplane has completely stopped."

The landing gear rumbles into position, and the plane slows further. Their attitude is less nose down, and the terrific noise of the air rushing outside has calmed down. At about three hundred feet a flight attendant comes over the intercom.

"Brace! Courage! Baissez la tête! Brace!"

Lewis watches as the cabin obeys, everyone bent over like puppets with their strings cut. The businessman bends over his knees. His face is slack with fear, and he is praying. The words fall from his mouth with the faint smell of alcohol. His toiletries are gripped tightly in his hands, as if for some final ablutions. The African man's hands look powerful and strong on the seat in front of him. The flight attendant closest to Lewis notices him still sitting up.

"Brace!" she shouts. He leans forward, but he cannot take his eyes away from the window. The trees seem smaller than he thought, but he realizes that his sense of scale is off, that they must rise a hundred feet or more. They pass a road and a fence at about the time they come level with the treetops.

"Brace! Baissez la tête! Heads down!"

"Not until I see pavement," Lewis thinks aloud, as the blur of trees reaches up under the belly of the airplane as if trying to grab them, pull them down. Then the pavement is there, cracked and overgrown with weeds. Lewis puts his head down.

He closes his eyes, anticipating the impact like a child who left his body in a dream or nightmare and is now falling back at the realization that he cannot fly. He breathes in deeply and holds it. The plane hits the ground hard and twists sickeningly to the left, popping open several overhead bins as the engines thunder deafeningly in reverse, trying to slow the tin rocket.

As the pilot brakes, the pull of inertia threatens to rip Lewis from his seat, and all of the baggage that fell from the overheads on impact now flies forward, violently striking the terrified flight attendant who has belted herself to the forward jump seat.

The runway is rougher than it looked, and the pilot has trouble keeping the plane straight. The plane shakes and vibrates desperately as the pilot tries to slow its reckless speed. Lewis lifts his head to see what he can. Alongside the black asphalt runway the dirt is blood red. Suddenly there is a terrific noise, and then, as a reward for his temerous curiosity, Lewis is slammed into the seat in front of him like a rag doll. There are a few shouts, barely audible above the incredible sound of the front landing gear failing. The plane lurches violently forward, eliciting more screams from the passengers, then comes to rest, and it is awesomely quiet except for the sound of bottles rolling through broken glass in the aisles.

The turbines wind down, as they would upon a normal arrival. The cabin is in chaos, debris scattered everywhere. As if caught between heartbeats, no one moves, expecting another blow. Then a child crying somewhere in the back restarts the order of things. Suddenly in many languages the passengers shout and yell and thank god. The flight attendant at the bulkhead struggles stiffly to get out of her seat. Around her battered legs is the scattered garbage of the carry-ons, an odd collection of bottles of wine and liquor from Duty Free, cameras, cards, hairbrushes, lipstick and broken vials of perfume.

"Someone's hurt here! For god's sake, someone is hurt," comes a shout from the back.

Lewis watches the hurt flight attendant approach the exit. Her eyes are red from crying, and already her cheek is swelling where she was hit. She looks out the window, with an arm stretched out to keep people away, something she has learned in a drill, then she rapidly clears the door. Warm air pours into the cabin, condensing and creating a lush steam. There is the fantastically loud hiss of the emergency evacuation slide inflating.

"Release your seat belts and get out!"

All around Lewis, passengers are already unbuckling. "Sortez par la sortie en avant. Vite!" The flight attendants yell at passengers to leave their things and get out. "Sortez maintenant! Vite vite vite!"

Lewis jumps onto the slide behind the businessman. The drop down the slick yellow slide is quick and he's glad to have someone to catch his hand as he lands. A young man with wide eyes waves them to a gathering place just past the wing tip. His urgency has everyone running, but Lewis lets the others hurry by. Now that his feet are on the ground, the emergency seems over to him. The tropical air feels good.

He turns when he reaches the group and looks back at the fallen jet. A faint blue haze of smoke hovers over the main wheels. The nose is dipped from the partially collapsed front landing gear. Otherwise the airplane doesn't appear significantly damaged; at least, there is no obvious fuel spill. There are no buildings along the runway, no airport. Some of the grass growing out of the cracks in the tarmac is quite tall. The runway obviously hasn't been used for a long time. There might be a road entering at the far end; otherwise on all sides the forest looms, cut back to a perfect sharp border, yielding just enough room for the pavement and a fifty-yard swath on each side, which has grown back almost chest deep in some places.

One of the flight attendants is kneeling by a big red-haired Dutch man who has injured his head. She drops strips of bloodied gauze on the pavement. His eyes are red, and his black suit is wrinkled, his face wet with tears. A bright green and blue bird sails over the passengers' heads and then settles on the tip of the airplane's wing and flaps its own as if gloating.

The flight crew walk slowly away from their wrecked airship; they seem both elated to have made the landing and shaken up by it. The captain checks to see that the flight attendant has what she needs to help the injured man, and then he approaches the group of more than two hundred passengers. He looks over the faces of those closest to him. They are waiting to hear when they can get back on the plane and how soon they will be taking off again. He has to shout to deliver his message, first in French, then in English.

"The situation in the cockpit, an uncontained fire, was very serious, and it was critical that we get the aircraft on the ground immediately, wherever possible. We have landed in central Africa, the Democratic Republic of the Congo. Unfortunately, this runway is not intended for an aircraft of this size. To attempt a takeoff is impossible. Air traffic control was advised of our position and circumstances. It is important that everyone stay in the immediate vicinity of the aircraft. I'll give an update in about a half hour when we have more information."

The Congo. Lewis almost says the word aloud. For him it's not a name that conjures images of an actual country, a real place, more of an ominous river coiled in a hostile jungle—dark tales of misadventure whispered by a seaman who counts himself lucky to have survived. Lewis looks up at the sky, but the clouds have closed it off. They are so low now that they seem to be dragging in the tops of the highest trees. That's something to be thankful for, he thinks, that the clouds held off, long enough for them to find the field and make this landing. Around him many of the passengers have sat down on the pavement, and they are looking up, too, as if trying to decide whether this could be called unfair.

Meet the Author

SEAN RUNNETTE is a multiple Earphones winner, including one for his narration of The Curve of the World (with Highbridge Audio). He has also directed and produced more than 200 audiobooks including several Audie® Award winners. He is an American Repertory Theater company member and has toured internationally with Mabou Mines. TV and film appearances include Two if by Sea, Copland, Sex and the City, Law and Order, 3rd Watch and lots and lots of commercials. When not behind the mike, he also produced audiobooks and other works.

Marcus Stevens lives on a farm outside Bozeman, Montana, with his wife and three children. He attended the University of California at Berkeley and the University of California at Los Angeles before he began his career as an award-winning commercial director. He has traveled widely in Africa.

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The Curve of the World 3.7 out of 5 based on 0 ratings. 7 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
okay, she went once to find her husband, but the return is not believable. the symbolism must be highly personal to the author, but meant very little to me. suspend belief? sure, but not indefinitely.
Guest More than 1 year ago
Reading a blurb about this book, it sounded like a wonderful adventure story all about the wilds of the Congo. And the opening chapter was really fabulous. Unfortunately, the rest of the book was slow and sometimes tedious. I found myself skipping almost all of the parts from Helen's point of view completely. The author is a beautiful writer and there were many lyrical passages, but overall too slowly paced.
Guest More than 1 year ago
This is story of how relationships turn on loss, loyalty, and love. With the 'hero' Lewis making a run for it, and his wife making not one, but two rescue attempts with her BLIND son. All rather hard to believe at times, but a good page turner for the beach.
Guest More than 1 year ago
Once you begin The Curve of the World, you will be glued to the center figures of Lewis, Helen and their blind son, Shane. The story moves along quickly, scaring us with the nightmares of the exotic jungle, apprehensive of the captors and the natives met along the way. Helen's decision to pursue the search for Lewis who has crashed in the jungle is against the advice and wishes of family, friends and officials. Shane is an inspiration to all of us with handicaps or merely inconveniences. An exciting first novel. Let's hope Marcus Stevens follows with another soon.
Guest More than 1 year ago
I've only read the excerpt where the passenger plane comes down, but I'm already hooked. This will clearly be a good read.