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The Dark Room
     

The Dark Room

by R. K. Narayan
 

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"There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a

Overview

"There are writers--Tolstoy and Henry James to name two--whom we hold in awe, writers--Turgenev and Chekhov--for whom we feel a personal affection, other writers whom we respect--Conrad for example--but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."--Graham Greene

Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.

"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness--like one's own reflection seen in a green twilight."--Margaret Parton, New York Herald Tribune

Editorial Reviews

Christopher Wordsworth
"Narayan's limits are meticulously imposed and observed by his humour and compassion come from a deep universal well, with the result that he has transformed his imaginary of Malgudi into a bubbling parish of the world." -- The Observer
Margaret Parto
"The experience of reading one of his novels is...comparable to one's first reaction to the great Russian novels: The first realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness -- like one's own reflection seen in a green twilight." -- The New York Herald Tribune Book Review

Product Details

ISBN-13:
9780226568362
Publisher:
University of Chicago Press
Publication date:
03/01/1981
Pages:
210

What People are Saying About This

B Wright
"There are writers -- Tolstoy and Henry James to name two -- whom we hold in awe, writers -- Turgenev and Chekhov -- for whom we feel a personal affection, other writers whom we respect -- Conrad for example -- but hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."

Meet the Author


R. K. Narayan (1906–2001) was one of the most prominent Indian novelists of the twentieth century. Most of his stories are set in the fictional South Indian town of Malgudi, a place that Narayan populated with numerous characters. He was the recipient of many awards for his work including the National Prize of the Indian Literary Academy, India's highest literary honor. In 1980 he was awarded the AC Benson Medal by the Royal Society of Literature, of which he was an honorary member and in 1982 he was elected an honorary member of the American Academy of Arts and Letters.

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