The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of M�sica Popular Brasileira

The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the Creation of M�sica Popular Brasileira

by Sean Stroud

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Overview

Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.

Product Details

ISBN-13: 9781138278431
Publisher: Taylor & Francis
Publication date: 11/28/2016
Series: Ashgate Popular and Folk Music Series
Pages: 222
Product dimensions: 6.14(w) x 9.20(h) x (d)

About the Author

Sean Stroud completed his PhD in Brazilian popular music at King's College, University of London in 2005. He recently concluded a year of post-doctoral research at the University of Säo Paulo, studying the Vanguarda Paulista musical movement of the early 1980s. He has published several articles on the subject of Brazilian popular music and he is also a contributor to The Babel Guide to Brazilian Fiction in English Translation (Boulevard, 2001). seanjpstroud@yahoo.co.uk

Table of Contents

Contents: Introduction; Musical nationalism and the 'cultural invasion' debate; Inventing the idea of MPB; Television and popular music; Cultural imperialism, globalization, and the Brazilian record industry; The state as cultural mediator: the Política Nacional de Cultura, FUNARTE and the Projeto Pixinguinha; Musical mapping: locating and defending the regional; Reconsidering musical tradition: Música do Brasil and Tumos Itaú Cultural Música; Conclusion; Bibliography; Index.

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