Amid the changes of the modernist movement in twentieth-century Barcelona, a miraculous encounter brings two families together. The lovely Laura Jufresa, daughter of a wealthy goldsmith and one of the most prominent artisans in the city, dreams of going to Rome to learn how to make the most avant-garde jewelry of her time. Dimas Navarros, part of a humble and hardworking but poor family, searches for enchantment in Barcelona. The entwinement of these two lives and the metropolis in which they must thrive will forever change their fates.
Centered around the construction of Antoni Gaudí’s phantasmagoric Sagrada Família and the pull it has on each character, The Dream of the City is both a historical imagining and a vibrant vision of the shapes and people that bring Barcelona to life.
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About the Author
Mollà continues to write both under other pseudonyms and his real name, and has penned a number of novels that are successes in Spain, including Inheriting the Earth (2010) and The Sea of Free Men (2013), in addition to The Banned Books Workshop (2011), The Secret of the Sacred Mountain (2011), and The Teacher (2015).
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The Dream of the City
By Andrés Vidal, Adrian West
Grupo PlanetaCopyright © 2015 Andrés Vidal
All rights reserved.
Ten years later, the big city, darkened with shadows, passed again before Juan de Navarro's eyes. It was a winter evening in 1914 and the streetlights of the main streets downtown glimmered like fireflies above the cement. Streetcar line 46 was moving toward Horta. The pedestrians were indifferent to the machine that would shoot off the occasional spark. Juan found it impossible to look away from the passing landscape; how it had changed in recent years. In the meantime, the streetcar continued gliding over the iron tracks almost without a rattle. That day, the first of March, was coming to a close, with little light remaining on the horizon where the beautiful, jagged massif of Collserola rose up. Juan remembered then the Sundays in the past when he used to go up there, amid the smooth, slanting limestone and the cane apple trees, to enjoy a picnic in the countryside and the glorious view the location offered. When his family was normal, of course.
A boy with his hands in his pockets and a beret covering the better part of his head smiled at him. Juan returned the gesture with his one still-useful hand. Soon he would arrive at the ancient town of San Martín de Provensals, now a part of Barcelona thanks to the plan thought up by Ildefons Cerdà the century before. When Juan began to think of all the changes he'd seen, he couldn't help but feel that his life was turning in the opposite direction; while the city seemed to know no limits to its growth, he felt smaller and smaller all the time. Since Carmela had left him twenty years back, his life had been in constant collapse.
After passing the intersection of the Avenida Argüelles and Calle Valencia, Juan stood up. Despite his tall stature, it was hard for him to make his way through the people, who were so tightly packed in the streetcar that the cold could scarcely penetrate inside. The ticket taker looked at him askance before his eyes came to rest on a boy who was pressing the fifteen cents for the ticket into his hand. Juan knew very well that the man disapproved of the free access that the veteran drivers conceded him, but he didn't put up a fight.
He approached the conductor's post to say good-bye. Carles had been his coworker until the accident and was also one of the most strident voices among those who clamored for him to receive a pension. Though it never did arrive, at least he could travel for free on the lines where his old friends were in charge.
"See you tomorrow, Carles. And thanks," Juan said, raising his corduroy cap. He uncovered a nest of chestnut hair with a glimmering bald spot at its center.
"See you later, Juan. Tell your son not to come in late. Things are getting rough down in the bays and he doesn't want to end up looking bad."
"I'll tell him, for his sake and mine," he answered.
Dimas was still working in the repair shop. The idea that his son might lose his job gave Juan an empty feeling in the pit of his stomach. While he got lost in these thoughts, his hand caused the coins in his pocket to jingle: six reales he'd been paid in Doña Inmaculada's textile store. From time to time, friends from the neighborhood would send Juan on little errands that served more to keep Juan feeling useful than to earn him money. It had been a while since he'd mentioned these chores to his son. The boy saw it as taking alms, and he wasn't exactly wrong: That day, Juan had made one and a half pesetas carrying packages up and down through the city nearly the entire day, a pittance compared to what he'd made as a conductor ten years back. Moreover, if he did make it to the end of the month, it was only because he didn't pay for the streetcar. No one would hire a man with only one good arm, and his chance for a job was even less with the flood of immigrants constantly flowing into the City of Counts. Juan resigned himself to what the present offered, and that was better than nothing.
With worry accompanying his steps, Juan descended from the streetcar. The stop had been inaugurated only recently, just beside the Sagrada Familia, perennially under construction. His other son, the eight-year-old Guillermo, went to school nearby. When he looked up, he saw the church scaffolding was empty: the workers had already gone home. At that moment he couldn't help but solicit a bit of help from that supreme being who dwelled between the incomplete towers driving into the sky. Juan left behind the vacant lot that surrounded the future basilica and walked along the Calle de Mallorca until he crossed the Calle Igualdad. That was where he lived.
He began his trek up to the top floor, his breathing heavy. At fifty-two years of age, his weary legs couldn't hold up the way they had when he and Carmela first arrived in the city. It had been impossible to make a living in his village, and they had emigrated together. Back home, people spoke of the wonders of Barcelona; they said it was full of opportunities, and it was true that he'd found work as soon as he got there. The misfortunes would come later: The city, like a riled beast, had revealed its ruthless claws.
The wooden steps now creaked beneath his threadbare shoes. There weren't many floors to climb, only four, but Juan had to stop and rest a moment on each landing to catch his breath.
"Father!" Guillermo exclaimed from the hallway. He ran to Juan when he heard the door of their tiny apartment — just two barely furnished rooms — open.
Juan took off his cap and jacket and left them on the rack at the entrance. He kissed Guillermo and asked after Dimas.
"He's in his room," Guillermo said, referring to the bedroom the two brothers shared. "He just got home."
The boy wasn't really Juan's; he belonged to his brother, Raúl, who had suffered the worst consequences of the Tragic Week in 1909. His wife, Georgina, the one the boy owed his blond hair and blue eyes to, had gone along with Raúl during the wave of protests against the conservative government of Antonio Maura between July 26 and August 2. Once again, it had been the poorest of the poor who were called upon to maintain control of the Moroccan Protectorate in the Second Rif War. The war had been a folly of the Spanish administration, still stinging from the loss of Cuba and the Philippines only a few years before.
Men and women raised barricades and faced off against the ruling powers in the streets of Barcelona. The Catholic Church was also affected: convents, churches, and schools were burned to the ground by the hands of an enraged populace. Martial law and a state of war were declared inside the city.
The conflict ended after a fierce repression: more than eighty were dead, nearly two hundred were sent into exile, and seventy life sentences were meted out. The unions and the secular schools were closed down indefinitely. The iron hand tightened its grip on the working class and the more liberal sectors of society.
To Juan, it seemed like it was only yesterday that he'd gone to the police station to pick up Guillermo, then only three, his cheeks red with mourning. From that moment on, the boy had no one but him and Dimas.
"Help me make dinner," said Juan. "That way you can tell me how your day at school went."
Guillermo agreed with a smile and took his place beside him in front of the charcoal stove. Juan didn't want to bother Dimas; he thought he must be very tired from work. He would let them know when he was ready.
With the remaining potatoes and carrots from the pantry, father and son made a soup to be accompanied with a large loaf of bread. Guillermo talked continuously about the lessons he'd been taught that day by Father Flotats and Juan poured the broth into the bowls — with great effort he had learned to get by with his left hand. The little one said he had been the first in the class to be able to add four rows of numbers and that they had given him a prize for his good handwriting. Juan congratulated him. Guillermo's intelligence was nothing new; Juan had watched the boy grow and seen his intelligence flourish much faster than any other child his age. His passion and curiosity reminded Juan of Guillermo's father, Raúl, whose bright-eyed, nonconformist temperament had impelled him to fight for the rights of the working class. How Juan missed his little brother, who had decided to follow in his footsteps and escape the poverty of the village.
"Go get Dimas while I finish setting the table," he told the boy, who obeyed without complaint.
Juan listened to the boy's knuckles rapping the door while he put the spoons and glasses out in the living room. Since Carmela had left them, he had always been the one in charge of cooking and keeping the house in order.
He heard the door closing and sat down at the square table. The tall, wiry shadow of his elder son followed Guillermo. Juan didn't know how he did it, but the boy was the only one capable of touching Dimas's tender side; Dimas was distant with everyone else. When Juan saw his son's angular face, he knew the dinner wouldn't be a calm one. Dimas sat down, forming a triangle with the other two. Juan closed his eyes and gave thanks to God for the food they were about to eat. Only Guillermo said "Amen," while Dimas rolled up his sleeves and began to eat with savor.
With his spoon sunk in the broth, Juan ventured a comment about what his former coworker had said to him in the streetcar.
"Carles tells me things aren't good around there. Is it true?" he asked, a bit unsettled.
Dimas squeezed his lips together. He knew Carles was an old friend of his father's from work, and if they had run into each other, it was because Juan had been out running his goddamned errands. Juan saw the tension in his son's face, but the latter restrained himself, nodding curtly and continuing with the conversation.
"Was there ever a time when they went well?" Dimas asked wearily.
"When I was working ..."
Dimas interrupted him. He spoke with a heavy voice, a bit louder now.
"When you were working, they were already bad. If not, why is your brother dead?" Juan glanced sideways at Guillermo, who went on eating without reacting. "The difference is, you never complained, everything seemed fine to you. ... But it's not! We work more than eleven hours a day and they pay us in scraps." Dimas turned back to his plate, hoping to calm himself down. He carried on with a somewhat calmer tone: "I'm twenty-eight now and I've been working myself to the bone since I was fourteen. And we only have enough for this." He raised his spoon with a sliver of carrot floating inside. "Guillermo is smart and he could go far if he studied, but since we don't have a spare cent to our names, he won't be able to take the examinations for the university, and he'll end up in the bay with me, breaking his back every day to be able to eat potatoes for the rest of his life."
"I won't work in the bays," the boy interrupted, with a convinced air. "Father Flotats says I can be whatever I want to be. So don't worry, I won't go to work with you."
Dimas looked at his brother and fell silent, seeing his face full of innocence. He ruffled his already unkempt hair and answered: "You're right. Sometimes I talk nonsense."
"So it could be you're a little dumb, don't you think?" the child said with a roguish smile, leaving Dimas no option but to smile back.
"A little bit, he is," Juan added, jovial now as well. And he cut a large slice of bread for each of them and considered the argument ended.
Guillermo was right, his father thought. Dimas wasn't a bad kid, but he was fed up. For years Juan had tried to instill in his son the virtues of respect, love of hard work, and the importance of a steady job, and though he knew without a doubt that these principles had stuck, he often noticed that the young man seemed to live in a permanent state of dissatisfaction. It reminded him of how he was as a young man, when he refused to stick it out in the village and ignored the protests of his family, rebelling at the thought of carrying on with his existence in that hovel far from any progress or opportunity to prosper.
But now everything was different, or that's what Juan believed. In his eyes, Dimas had never known real hunger, real misery, and maybe he didn't appreciate what he had.
Regardless, it was undeniable was that he found his son's perennial dissatisfaction discomfiting. It reminded him of Raúl, and he was afraid that Dimas would one day follow in his brother's footsteps and do something crazy, ending up as Raúl did . Keeping the smile on his face, Juan grasped his spoon more forcefully. He refused to think that something bad could occur that would disturb the security of their already fragile home.CHAPTER 2
At six in the morning the next day, the sun had still not given any sign of its presence. In the sleepy city, the short, cold days monotonously followed one after another. The cobblestones were covered with the morning dew, which seemed to settle on his eyelids as well. Dimas Navarro, squeezed into his corduroy cap, with the collar of his jacket pulled up past his chin and his hands in his shredded pockets, walked toward the streetcar bays. As he approached, the noise of other footsteps chimed in. When they entered, every employee already knew what to do, where to go, all with the same dark determination scored into their faces. They seemed to act like strangers, but perhaps it was just they were so used to living side by side that a mere glance sufficed for a greeting. Weariness flew about their heads like a ferocious scavenger bird. The sun struggled to appear, but the sky finally did light up with a metallic glimmer.
The bays in Horta consisted of a number of adjacent buildings in the Arabian style. The largest was the one containing the streetcars themselves, where the vehicles from lines 45 and 46 were stored and readied for daily use. Beyond this building were others holding the workshops of the painters and carpenters and the offices. The rest of the structures housed the substation, the capacitors, the storage areas, the gas generators, and the pumps. What there was not, however, was a dining hall where the workers could enjoy their midday meal; as a result, the majority of them scattered out onto the courtyard or to the surrounding farm fields and vegetable gardens. Sometimes, at midday, they could be seen strolling in the vicinity of the few country houses that still remained there, holding out against the new-style buildings that had recently been built or the worker housing that went up from one day to the next. There they would meet day laborers and seasonal workers, people who didn't even have the good fortune of a regular salary. They moved like shadows without a destination amid the marshlands and dusty ravines of a city still not yet completed, looking for some occupation to fill their days.
Nor did the workers have a place to change their clothes: There was only an empty space beside a water tank with a couple of taps in a courtyard to wash up. Most of them left home already in their uniforms, and in wintertime, they waited until they got home to clean up. Most people had simple charcoal stoves in their homes where they could heat their water.
Inside the depot, the space was divided into six tracks where a great number of vehicles were lined up. Toward the end of the bay, set aside against the blackened wall, lay rusty pantographs, different colored doors taken from their hinges, an endless array of panes of glass, some rectangular, all looking utterly useless out of their frames. In that dead zone in the bay were both the new parts destined to be mounted promptly and the broken or old ones that needed to be replaced.
In the various sections, the workers got started with whatever job they'd been assigned. Most of them had been employed there for years; they either worked on the damaged vehicles, on the cleaning and preparation of those that would be running that day — the maintenance according to the rules set out by the manufacturer — or on implementing some improvement or other that had been made, usually very slowly, to the older models.
The feeling was of nonstop activity, but since the workers were isolated from one another, it created the strange impression that some were destroying what others had just created. All were busy putting together and taking apart, repainting, filing, and lubricating the various parts, alone or in small groups spread through the different work areas. The movement seemed utter anarchy, as if each person were devoted solely to what appealed to his interests.
Excerpted from The Dream of the City by Andrés Vidal, Adrian West. Copyright © 2015 Andrés Vidal. Excerpted by permission of Grupo Planeta.
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