This book establishes a Mannerist context for the early commedia dell'arte during its advent in the latter half of the sixteenth century and the beginning of the seventeenth century. The geographical area is based in Italy, with consideration of commedia dell'arte influences in other European countries. The commedia dell'arte is linked to maniera, the word from which Mannerism is etymologically based, and other concepts such as disegno interno, licenzia, and gusto.
Utilizing a synchronic methodology, Castagno explores the link between the Mannerist pittore vago («wandering painters») and the itinerant performers of the commedia dell'arte. By way of conclusion, Castagno demonstrates how Mannerist terms can be applied to the salient performance features of the commedia dell'arte, establishing this theatrical form and practice within a Mannerist context.
|Publisher:||Lang, Peter Publishing, Incorporated|
|Series:||American University Studies Series: Series 26: Theatre Arts , #13|
About the Author
The Author: Paul C. Castagno is an associate professor of Theatre and Director of the New Playwrights' Program at The University of Alabama, Tuscaloosa. He received his B.F.A. from the University of Connecticut and his Ph.D. from The Ohio State University, with prior graduate work at Stanford University. In addition to numerous published articles, Dr. Castagno is Editor of Theatre Symposium: Journal of the Southeastern Theatre Conference, a previous recipient of the Lilly Teaching/Scholar Award, and Chair of the SETC New Play Contest.