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The Emperor's Blades

The Emperor's Blades

4.1 48
by Brian Staveley

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In The Emperor's Blades by Brian Staveley, the emperor of Annur is dead, slain by enemies unknown. His daughter and two sons, scattered across the world, do what they must to stay alive and unmask the assassins. But each of them also has a life-path on which their father set them, destinies entangled with both ancient enemies and inscrutable


In The Emperor's Blades by Brian Staveley, the emperor of Annur is dead, slain by enemies unknown. His daughter and two sons, scattered across the world, do what they must to stay alive and unmask the assassins. But each of them also has a life-path on which their father set them, destinies entangled with both ancient enemies and inscrutable gods.

Kaden, the heir to the Unhewn Throne, has spent eight years sequestered in a remote mountain monastery, learning the enigmatic discipline of monks devoted to the Blank God. Their rituals hold the key to an ancient power he must master before it's too late.

An ocean away, Valyn endures the brutal training of the Kettral, elite soldiers who fly into battle on gigantic black hawks. But before he can set out to save Kaden, Valyn must survive one horrific final test.

At the heart of the empire, Minister Adare, elevated to her station by one of the emperor's final acts, is determined to prove herself to her people. But Adare also believes she knows who murdered her father, and she will stop at nothing—and risk everything—to see that justice is meted out.

Chronicle of the Unhewn Throne
The Emperor's Blades
The Providence of Fire
The Last Mortal Bond

Other books in the world of the Unhewn Throne
Skullsworn (forthcoming)

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Editorial Reviews

Library Journal
★ 11/15/2013
When the emperor of Annur is assassinated, his three children do what they must to survive as well as to track down their father's killer. The eldest son and heir to the Unhewn Throne, Kaden, has lived for eight years in a monastery undergoing rigorous training and discipline to hone all his skills. His younger brother, Valyn, trains with the warriors and assassins who ride the gigantic hawks of the Kettral. Their sister Adair, elevated to the position of Minister of Finance in one of her father's final acts, remains at court, surrounded by intrigue. As the three siblings face their individual challenges, they also gain abilities that may help them find justice and avenge their father's death. VERDICT In this epic fantasy debut, Staveley has created a complex and richly detailed world filled with elite soldier-assassins, mystic warrior monks, serpentine politics, and ancient secrets. Readers of Sara Douglass's Wayfarer novels and George R.R. Martin's "Song of Ice and Fire" series should enjoy this opener.
Publishers Weekly
Debut novelist Staveley introduces a trio of royal offspring separated by distance, training, and the conspiracy that killed their father in this quick-paced, multithreaded fantasy. Kaden, the murdered emperor’s heir, struggles to master the monastic mental discipline that will allow him to control ancient teleportation gates. Valyn, learning to command a bird-borne military unit, must pass initiation and fly to Kaden’s rescue. Adare, their sister, remains in the capital as the head minister of finance and leads the trial against the accused killer. All three find unexpected allies and painful betrayals as a threat long thought dead comes to light. Staveley puts his protagonists to the test and is wise enough to allow them shortcomings even as they develop extraordinary abilities. While the background material and the system of magic are complicated, enough details are leaked to help the reader cope. (Jan.)
From the Publisher

“A complex and richly detailed world filled with elite soldier-assassins, mystic warrior monks, serpentine politics, and ancient secrets. Readers of Sara Douglass's Wayfarer novels and George R.R. Martin's Song of Ice and Fire series should enjoy this opener.” —Library Journal, starred review

“Will hold your attention until the last page. This intense novel is impossible to put down.” —RT Book Reviews

“Staveley puts his protagonists to the test and is wise enough to allow them shortcomings even as they develop extraordinary abilities.” —Publishers Weekly

“Filled to the brim with history, lore and potential…a modern epic fantasy mixed in with a nice dose of Lovecraftian weirdness.” —io9

“Familiar ingredients come to life in the hands of a promising new master chef.” —Locus

“Staveley creates a richly layered world that melds together elements of ancient magic, religion, political intrigue and battles large and small. The suspense is relentless and the moral compromises the protagonists confront, often accompanied by violence, are wrenching.” —Shelf Awareness

“An enchanting union of old and new, Staveley's debut will keep you turning pages late into the night.” —Pierce Brown, New York Times bestselling author of Red Rising

“A spectacular adventure, by turns elegant and brutal, and one I couldn't put down. The Emperor’s Bladesis expertly crafted and wickedly sharp.” — V.E. Schwab, New York Times bestselling author of A Gathering of Shadows

The Emperor’s Blades is a complex and fast-moving fantasy set in a world where treachery and intrigue are everywhere, accomplished through ferocious brutality and subtle intrigues, and everything in between, and where no one is what he or she seems, including the three children of the slain emperor of Annur, who seek who is behind the assassination – if they can even survive a world where powers of all sorts, some dating back millennia, if not longer, seek their own ends, and where everyone’s motives are anything but obvious.”
L. E. Modesitt, Jr., New York Times bestselling author of the Imager Portfolio

“Brian Staveley introduces himself to the field of epic fantasy as a storyteller to watch with an exciting first salvo involving Machiavellian politics on multiple levels, an intriguing world of magic,and three protagonists whose personal journeys after the murder of their father - the emperor - may not only save or destroy everything they hold dear but will also keep the reader impatiently waiting for the next book!”
—Richard A. Knaak, New York Times Bestselling author for The Legend of Huma

“Come for the intrigue, assassination, death priests, black-ops bird riders, and giant poisonous hive-lizards. Stay for Staveley's characters, his language, and his way-cool fantasy Zen.” —Max Gladstone, author of the Craft Sequence

“Intricate characters, complex relationships, and plots within plots... these are the hallmarks of great fantasy and Staveley succeeds across the board. A brilliant debut!” —Jason Hough, New York Times bestselling author of The Darwin Elevator

“Takes a story of family, loss, conspiracy and revenge and gives it new legs. It's epic fantasy with a sharp, jagged edge to it, a modern sensibility, prose as tight as the leather wrapped around a sword's hilt, and characters that you can relate to and give a damn about. I look forward to the next installment of Staveley's chronicle.” —R. S. Belcher, author of The Six-Gun Tarot

“Staveley brings together a richly imagined world and vibrant characters, and serves them up with monks and monsters, tension and treachery--an exhilarating adventure.” —Elspeth Cooper, author of Songs of the Earth

“A vividly imagined story of conspiracy and empire.” —Col Buchanan, author of Farlander

“Here, Staveley has delivered on what this reader seeks; an embracing of what is enjoyable about the genre in a fun, very engaging debut and launch book for Chronicles of the Unhewn Throne.”—SFFWorld.com

“This is epic fantasy for a new generation, gritty and grim at times, but never losing sight of the awe and the wonder.”—Beauty in Ruins

New York Times bestselling author of The Darwin El Jason Hough

Intricate characters, complex relationships, and plots within plots... these are the hallmarks of great fantasy and Staveley succeeds across the board. A brilliant debut!
Kirkus Reviews
A political coup and an ancient menace threaten the stability of a vast empire in the first volume of a new series. The emperor of Annur has been assassinated, and his children may be next. The eldest, Adare, chief finance minister, can't rule, since women don't sit on the Unhewn Throne. However, as the only sibling in the Dawn Palace, she takes it upon herself to seek justice for her father, if only she can discover a way to prove his alleged murderer's guilt. Her brother Kaden does not yet know that he is emperor, as he has spent the last several years at an isolated monastery, learning mental disciplines whose utility will soon become apparent. The youngest, Valyn, is eager to rush to his brother's aid, but he must complete his training in an elite military corps first—and root out the threat against his own life. Although the general outline of the story may seem familiar to experienced epic fantasy readers, the worldbuilding is solid, appealing and fairly assured for a debut. The rituals of the Kettral (the fantasy equivalent of Navy SEALs), who use giant predatory birds to travel to their missions, worship at an oak tree covered in blood-sucking bats and whose graduation exam involves seeking the eggs of vicious, sightless lizards within their underground lair, are particularly well-imagined. And if the momentum is a bit slow to build, it seems likely that Staveley is merely putting his pieces in place for what will no doubt be an intriguingly complex and bloody game. Worth sticking around to see what comes next.

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Tom Doherty Associates
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Chronicle of the Unhewn Throne , #1
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The Emperor's Blades

Chronicle of the Unhewn Throne, Book 1

By Brian Staveley

Tom Doherty Associates

Copyright © 2013 Brian Staveley
All rights reserved.
ISBN: 978-1-4668-2843-8


The sun hung just over the peaks, a silent, furious ember drenching the granite cliffs in a bloody red, when Kaden found the shattered carcass of the goat.

He'd been dogging the creature over the tortuous mountain trails for hours, scanning for track where the ground was soft enough, making guesses when he came to bare rock, doubling back when he guessed wrong. It was slow work and tedious, the kind of task the older monks delighted in assigning to their pupils. As the sun sank and the eastern sky purpled to a vicious bruise, he started to wonder if he would be spending the night in the high peaks with only his roughspun robe for comfort. Spring had arrived weeks earlier according to the Annurian calendar, but the monks didn't pay any heed to the calendar and neither did the weather, which remained hard and grudging. Scraps of dirty snow lingered in the long shadows, cold seeped from the stones, and the needles of the few gnarled junipers were still more gray than green.

"Come on, you old bastard," he muttered, checking another track. "You don't want to sleep out here any more than I do."

The mountains comprised a maze of cuts and canyons, washed-out gullies and rubble-strewn ledges. Kaden had already crossed three streams gorged with snowmelt, frothing at the hard walls that hemmed them in, and his robe was damp with spray. It would freeze when the sun dropped. How the goat had made its way past the rushing water, he had no idea.

"If you drag me around these peaks much longer ...," he began, but the words died on his lips as he spotted his quarry at last — thirty paces distant, wedged in a narrow defile, only the hindquarters visible.

Although he couldn't get a good look at the thing — it seemed to have trapped itself between a large boulder and the canyon wall — he could tell at once that something was wrong. The creature was still, too still, and there was an unnaturalness to the angle of the haunches, the stiffness in the legs.

"Come on, goat," he murmured as he approached, hoping the animal hadn't managed to hurt itself too badly. The Shin monks were not rich, and they relied on their flocks for milk and meat. If Kaden returned with an animal that was injured, or worse, dead, his umial would impose a severe penance.

"Come on, old fellow," he said, working his way slowly up the canyon. The goat appeared stuck, but if it could run, he didn't want to end up chasing it all over the Bone Mountains. "Better grazing down below. We'll walk back together."

The evening shadows hid the blood until he was nearly standing in it, the pool wide and dark and still. Something had gutted the animal, hacked a savage slice across the haunch and into the stomach, cleaving muscle and driving into the viscera. As Kaden watched, the last lingering drops of blood trickled out, turning the soft belly hair into a sodden, ropy mess, running down the stiff legs like urine.

"'Shael take it," he cursed, vaulting over the wedged boulder. It wasn't so unusual for a crag cat to take a goat, but now he'd have to carry the carcass back to the monastery across his shoulders. "You had to go wandering," he said. "You had ..."

The words trailed off, and his spine stiffened as he got a good look at the animal for the first time. A quick cold fear blazed over his skin. He took a breath, then extinguished the emotion. Shin training wasn't good for much, but after eight years, he had managed to tame his feelings; fear, envy, anger, exuberance — he still felt them, but they did not penetrate so deeply as they once had. Even within the fortress of his calm, however, he couldn't help but stare.

Whatever had gutted the goat did not stop there. Some creature — Kaden struggled in vain to think of what — had hacked the animal's head from its shoulders, severing the strong sinew and muscle with sharp, brutal strokes until only the stump of the neck remained. Crag cats would take the occasional flagging member of a herd, but not like this. These wounds were vicious, unnecessary, lacking the quotidian economy of other kills he had seen in the wild. The animal had not simply been slaughtered; it had been destroyed.

Kaden cast about, searching for the rest of the carcass. Stones and branches had washed down with the early spring floods and lodged at the choke point of the defile in a weed-matted mess of silt and skeletal wooden fingers, sun-bleached and grasping. So much detritus clogged the canyon that it took him a while to locate the head, which lay tossed on its side a few paces distant. Much of the hair had been torn away and the bone split open. The brain was gone, scooped from the trencher of the skull as though with a spoon.

Kaden's first thought was to flee. Blood still dripped from the goat's gory coat, more black than red in the fading light, and whatever had mauled it could still be in the rocks, guarding its kill. None of the local predators would be likely to attack Kaden — he was tall for his seventeen years, lean and strong from half a lifetime of labor — but then, none of the local predators would have hacked the head from the goat and eaten its brain either.

He turned toward the canyon mouth. The sun had settled below the steppe, leaving just a burnt smudge above the grasslands to the west. Already night filled the canyon like oil seeping into a bowl. Even if he left immediately, even if he ran at his fastest lope, he'd be covering the last few miles to the monastery in full dark. Though he thought he had long outgrown his fear of night in the mountains, he didn't relish the idea of stumbling along the rock-strewn path, an unknown predator following in the darkness.

He took a step away from the shattered creature, then hesitated.

"Heng's going to want a painting of this," he muttered, forcing himself to turn back to the carnage.

Anyone with a brush and a scrap of parchment could make a painting, but the Shin expected rather more of their novices and acolytes. Painting was the product of seeing, and the monks had their own way of seeing. Saama'an, they called it: "the carved mind." It was only an exercise, of course, a step on the long path leading to the ultimate liberation of vaniate, but it had its meager uses. During his eight years in the mountains, Kaden had learned to see, to really see the world as it was: the track of a brindled bear, the serration of a forksleaf petal, the crenellations of a distant peak. He had spent countless hours, weeks, years looking, seeing, memorizing. He could paint any of a thousand plants or animals down to the last finial feather, and he could internalize a new scene in heartbeats.

He took two slow breaths, clearing a space in his head, a blank slate on which to carve each minute particular. The fear remained, but the fear was an impediment, and he pared it down, focusing on the task at hand. With the slate prepared, he set to work. It took only a few breaths to etch the severed head, the pools of dark blood, the mangled carcass of the animal. The lines were sure and certain, finer than any brushstroke, and unlike normal memory, the process left him with a sharp, vivid image, durable as the stones on which he stood, one he would be able to recall and scrutinize at will. He finished the saama'an and let out a long, careful breath.

Fear is blindness, he muttered, repeating the old Shin aphorism. Calmness, sight.

The words provided cold comfort in the face of the bloody scene, but now that he had the carving, he could leave. He glanced once over his shoulder, searching the cliffs for some sign of the predator, then turned toward the opening of the defile. As the night's dark fog rolled over the peaks, he raced the darkness down the treacherous trails, sandaled feet darting past the downed limbs and ankle-breaking rocks. His legs, chill and stiff after so many hours creeping after the goat, warmed to the motion while his heart settled into a steady tempo.

You're not running away, he told himself, just heading home.

Still, he breathed a small sigh of relief a mile down the path when he rounded a tower of rock — the Talon, the monks called it — and could make out Ashk'lan in the distance. Thousands of feet below him, the scant stone buildings perched on a narrow ledge as though huddled away from the abyss. Warm lights glowed in some of the windows. There would be a fire in the refectory kitchen, lamps kindled in the meditation hall, the quiet hum of the Shin going about their evening ablutions and rituals. Safe. The word rose unbidden to his mind. It was safe down there, and despite his resolve, Kaden increased his pace, running toward those few, faint lights, fleeing whatever prowled the unknown darkness behind him.


Kaden crossed the ledges just outside Ashk'lan's central square at a run, then slowed as he entered the courtyard. His alarm, so sharp and palpable when he first saw the slaughtered goat, had faded as he descended from the high peaks and drew closer to the warmth and companionship of the monastery. Now, moving toward the main cluster of buildings, he felt foolish to have run so fast. Whatever killed the animal remained a mystery, to be sure, but the mountain trails posed their own dangers, especially to someone foolish enough to run them in the darkness. Kaden slowed to a walk, gathering his thoughts.

Bad enough I lost the goat. Heng would whip me bloody if I managed to break my own leg in the process.

The gravel of the monastery paths crunched beneath his feet, the only sound save for the keening of the wind as it gusted and fell, skirling through the gnarled branches and between the cold stones. The monks were all inside already, hunched over their bowls or seated cross-legged in the meditation hall, fasting, pursuing emptiness. When he reached the refectory, a long, low stone building weathered by storm and rain until it looked almost a part of the mountain itself, Kaden paused to scoop a handful of water from the wooden barrel outside the door. As the draft washed down his throat, he took a moment to steady his breathing and slow his heart. It wouldn't do to approach his umial in a state of mental disarray. Above all else, the Shin valued stillness, clarity. Kaden had been whipped by his masters for rushing, for shouting, for acting in haste, or moving without consideration. Besides, he was home now. Whatever killed the goat wasn't likely to come prowling among the stern buildings.

Up close, Ashk'lan didn't look like much, especially at night: three long, stone halls with wooden roofs — the dormitory, refectory, and meditation hall — forming three sides to a rough square, their pale granite walls washed as though with milk in the moonlight. The whole compound perched on the cliff's edge, and the fourth side of the square opened out onto cloud, sky, and an unobstructed view of the foothills and distant steppe to the west. Already the grasslands far below were vibrant with the spring froth of flowers: swaying blue chalenders, clusters of nun's blossom, riots of tiny white faith knots. At night, however, beneath the cold, inscrutable gaze of the stars, the steppe was invisible. Staring out past the ledges, Kaden found himself facing a vast emptiness, a great dark void. It felt as though Ashk'lan stood at the world's end, clinging to the cliffs, holding vigil against a nothingness that threatened to engulf creation. After a second swig of water, he turned away. The night had grown cold, and now that he had stopped running, gusts of wind off the Bone Mountains sliced through his sweaty robe like shards of ice.

With a rumble in his stomach, he turned toward the yellow glow and murmur of conversation emanating from the windows of the refectory. At this hour — just after sunset but before night prayer — most of the monks would be taking a modest evening meal of salted mutton, turnips, and hard, dark bread. Heng, Kaden's umial, would be inside with the rest, and with any luck, Kaden could report what he had seen, dash off a quick painting to show the scene, and sit down to a warm meal of his own. Shin fare was far more meager than the delicacies he remembered from his early years in the Dawn Palace, before his father sent him away, but the monks had a saying: Hunger is flavor.

They were great ones for sayings, the Shin, passing them down from one generation to the next as though trying to make up for the order's lack of liturgy and formal ritual. The Blank God cared nothing for the pomp and pageantry of the urban temples. While the young gods glutted themselves on music, prayer, and offerings laid upon elaborate altars, the Blank God demanded of the Shin one thing only: sacrifice, not of wine or wealth, but of the self. The mind is a flame, the monks said. Blow it out.

After eight years, Kaden still wasn't sure what that meant, and with his stomach rumbling impatiently, he couldn't be bothered to contemplate it. He pushed open the heavy refectory door, letting the gentle hum of conversation wash over him. Monks were scattered around the hall, some at rough tables, their heads bent over their bowls, others standing in front of a fire that crackled in the hearth at the far end of the room. Several sat playing stones, their eyes blank as they studied the lines of resistance and attack unfolding across the board.

The men were as varied as the lands from which they had come — tall, pale, blocky Edishmen from the far north, where the sea spent half the year as ice; wiry Hannans, hands and forearms inked with the patterns of the jungle tribes just north of the Waist; even a few Manjari, green-eyed, their brown skin a shade darker than Kaden's own. Despite their disparate appearances, however, the monks shared something, a hardness, a stillness born of a life lived in the hard, still mountains far from the comforts of the world where they had been raised.

The Shin were a small order, with barely two hundred monks at Ashk'lan. The young gods — Eira, Heqet, Orella, and the rest — drew adherents from three continents and enjoyed temples in almost every town and city, palatial spaces draped with silk and crusted with gold, some of which rivaled the dwellings of the richest ministers and atreps. Heqet alone must have commanded thousands of priests and ten times that number who came to worship at his altar when they felt the need of courage.

The less savory gods had their adherents as well. Stories abounded of the halls of Rassambur and the bloody servants of Ananshael, tales of chalices carved from skulls and dripping marrow, of infants strangled in their sleep, of dark orgies where sex and death were hideously mingled. Some claimed that only a tenth of those who entered the doors ever returned. Taken by the Lord of Bones, people whispered. Taken by Death himself.

The older gods, aloof from the world and indifferent to the affairs of humans, drew fewer adherents. Nonetheless, they had their names — Intarra and her consort, Hull the Bat, Pta and Astar'ren — and scattered throughout the three continents, thousands worshipped those names.

Only the Blank God remained nameless, faceless. The Shin held that he was the oldest, the most cryptic and powerful. Outside Ashk'lan, most people thought he was dead, or had never existed. Slaughtered by Ae, some said, when she made the world and the heavens and stars. That seemed perfectly plausible to Kaden. He had seen no sign of the god in his years running up and down the mountain passes.

He scanned the room for his fellow acolytes, and from a table over by the wall, Akiil caught his eye. He was seated on a long bench with Serkhan and fat Phirum Prumm — the only acolyte at Ashk'lan who maintained his girth despite the endless running, hauling, and building required by the older monks. Kaden nodded in response and was about to cross to them when he spotted Heng on the other side of the hall. He stifled a sigh — the umial would impose some sort of nasty penance if his pupil sat down to dinner without reporting back first. Hopefully it wouldn't take long to relate the tale of the slaughtered goat; then Kaden could join the others; then he could finally have a bowl of stew.


Excerpted from The Emperor's Blades by Brian Staveley. Copyright © 2013 Brian Staveley. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Brian Staveley has an MA in Creative Writing from Boston University. He works as an editor for Antilever Press, and has published poetry and essays, both in print and on-line. The Emperor's Blades is his first novel.
Brian Staveley has an MA in Creative Writing from Boston University. He works as an editor for Antilever Press, and has published poetry and essays, both in print and on-line. He is the author of The Emperor's Blades.

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The Emperor's Blades 4.1 out of 5 based on 0 ratings. 48 reviews.
Anonymous More than 1 year ago
I'm not an avid reader of fantasy. I have, of course, read The Lord of the Rings, and I've dabbled in George RR Martin and Robert Jordan, but never really felt particularly engrossed by or invested in the worlds of those books (Tolkien excepted). It's not that I didn't appreciate them for what they were; I just didn't happen to be the kind of person who naturally gravitated to the genre. But, when I was fortunate enough to get my hands on an advance copy of The Emperor's Blades, I was hooked within the space of a few chapters. The book isn't just great fantasy, it's great all-around writing, with a spectacular and spectacularly portrayed world, very real characters whom I felt I both knew and cared about early in the book, and a juggernaut of a plot that made it pretty impossible to put down. I've spoken to so many friends about this book that they're as annoyed that the release date is still pretty far away as they are at me for bringing it up too much. So, naturally, I had to take to the internet to proselytize it to complete strangers. This is a book I see myself owning a very well-worn and well-loved copy of decades in the future, and enjoying just as much on the umpteenth read-through as I did the first time. It's unusual for me to get this excited about a new series, particularly a new fantasy series, but this one is well worth it--I would have a hard time underselling it.
Anonymous More than 1 year ago
+Character development- very intricate, excellent pov voice, no mary sues to be found (even in minor characters) 8.5/10 +Plot- great development, no unnecessary plot lines, good balance between the three main plot lines with a good merger at the end 9/10 +World building- amazing detail, great consistency, very good imagery 9/10 +Pace- surprisingly good for 500+ pages, no dull patches or long soliquies 8/10 +Favorite part- the world was interesting and full of originality, not just a dollhouse of sorts for the characters to romp in +Least favorite part- the cussing the author invented was lacking; if you're going to write foul-mouthed soldiers, give their language more than one kent'-kissing cuss word +Overall- one of the best fantasy/action books I've ever read, a definite recommend 9/10
Anonymous More than 1 year ago
I am an avid reader of scifi, fantasy, and swords. While characters behave somewhat predictably, the story is not. Well worth reading. Look forward to more!
Guardianwulf More than 1 year ago
This is a good read. You come to care about the characters and it leaves you wanting to pick up the next book in the series as soon as possible to find out what unfolds. Well written, involving, and a new twist on a sinister 'evil' race whose relationship to humanity is startling. Ready for the next one please!
Anonymous More than 1 year ago
Excellent characters and well developed story and history.
Anonymous More than 1 year ago
I had hopes for this book, but found the dialog too predictable. Events that altered the characters timeline were not believable and seemed to be created with no consideration of plausibility.
M2D More than 1 year ago
Add this book to your collection. Sets off to be a remarkable series. For fans of Michael J Sullivan, Peter V Brett. 
Anonymous 6 days ago
Very engaging.
Anonymous 3 months ago
What if we had an unlimited number of years? Would we lose our humanity? Would our logic tell us that the only acceptable thing to do is destroy our less desirable offspring? And those who are not us? Do they have the right to exist? Who decides...
Anonymous 7 months ago
Well written
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hectorcartel More than 1 year ago
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awful book
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Anonymous More than 1 year ago
A good first book but it was hampered by the scope it tried to set without backing it up with sound, logical plot development. I felt like Stavely really wanted to make a story about a trio of coming of age heroes that are super talented "but don't know it yet" with cool "ninja" powers but then he made them the children of an emperor and expects the reader to believe that they have literally no power within their own massive kingdom to stop the villians by simply just ordering someones head to be chopped off. Instead these royal children struggle in their "training" and agonize over moral and ethical dilemnas as if they lived in a more modern day setting. They are also kind of boneheads and the author covers their ineptitude under the auspices of youth. Instead of finding intelligent answers to their problems, the characters basically blunder along until the finale when they "figure things out". The Kettral Wing idea is a take on modern day special forces that has a cool twist in its final test but there is too much emphasis the technical aspect of the military and not on the camraderie. I didn't get that close barracks feeling I get when reading authors like Cook or Erikson. Of course there is an overarching plot about a shadowy plot to destroy/seize/enslave the world by an ancient enemy...why aren't they ever new enemies? But that does have some interesting twists as well. I will continue reading this series and recommend you give it a try.
Anonymous More than 1 year ago
Big fan of Abercrombie, Weeks, Rothfuss, and the like. Thoroughly enjoyed myself - found it hard to put down. Will be picking up the other two installments.
TheLoon More than 1 year ago
The book moved along quit well and had a certain tension in the action. Good. However, this genre is really starting to read as if each is written from the same cookie cutter. Always the young aristocrats betrayed by evil insiders and diabolical monsters from the ancient past. In the end, I just found that had been reading the same story once again and I have no interest in reading the next two volumes because I already know where they are going as well.
Anonymous More than 1 year ago
One of the best works of fantasy I have read in some time. The world is believable, the characters feel alive, and the plot keeps moving at a good pace. Overall a fun read, I look forward to the sequal and its third part.
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Anonymous More than 1 year ago
This book really would normally get 4 stars from me, as there really wasn't much action; but was so well written, so smooth and flowing, that i couldn't put it down. Seconds after finishing it i purchased the 2nd book and began reading. Hard to describe, but some books i read recently i've been thinking of other things while reading, just not captivated with the story. This had me hooked throughout, and i have to, i guess, attribute this to the author's skill. Hope Stavely writes many more and i definitely suggest reading his books
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