The Evil Hours: A Biography of Post-Traumatic Stress Disorder
“An essential book” on PTSD, an all-too-common condition in both military veterans and civilians (The New York Times Book Review).
 
Post-traumatic stress disorder afflicts as many as 30 percent of those who have experienced twenty-first-century combat—but it is not confined to soldiers. Countless ordinary Americans also suffer from PTSD, following incidences of abuse, crime, natural disasters, accidents, or other trauma—yet in many cases their symptoms are still shrouded in mystery, secrecy, and shame.
 
This “compulsively readable” study takes an in-depth look at the subject (Los Angeles Times). Written by a war correspondent and former Marine with firsthand experience of this disorder, and drawing on interviews with individuals living with PTSD, it forays into the scientific, literary, and cultural history of the illness. Using a rich blend of reporting and memoir, The Evil Hours is a moving work that will speak not only to those with the condition and to their loved ones, but also to all of us struggling to make sense of an anxious and uncertain time.
 
1117827180
The Evil Hours: A Biography of Post-Traumatic Stress Disorder
“An essential book” on PTSD, an all-too-common condition in both military veterans and civilians (The New York Times Book Review).
 
Post-traumatic stress disorder afflicts as many as 30 percent of those who have experienced twenty-first-century combat—but it is not confined to soldiers. Countless ordinary Americans also suffer from PTSD, following incidences of abuse, crime, natural disasters, accidents, or other trauma—yet in many cases their symptoms are still shrouded in mystery, secrecy, and shame.
 
This “compulsively readable” study takes an in-depth look at the subject (Los Angeles Times). Written by a war correspondent and former Marine with firsthand experience of this disorder, and drawing on interviews with individuals living with PTSD, it forays into the scientific, literary, and cultural history of the illness. Using a rich blend of reporting and memoir, The Evil Hours is a moving work that will speak not only to those with the condition and to their loved ones, but also to all of us struggling to make sense of an anxious and uncertain time.
 
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The Evil Hours: A Biography of Post-Traumatic Stress Disorder

The Evil Hours: A Biography of Post-Traumatic Stress Disorder

by David J. Morris
The Evil Hours: A Biography of Post-Traumatic Stress Disorder

The Evil Hours: A Biography of Post-Traumatic Stress Disorder

by David J. Morris

eBook

$14.99 

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Overview

“An essential book” on PTSD, an all-too-common condition in both military veterans and civilians (The New York Times Book Review).
 
Post-traumatic stress disorder afflicts as many as 30 percent of those who have experienced twenty-first-century combat—but it is not confined to soldiers. Countless ordinary Americans also suffer from PTSD, following incidences of abuse, crime, natural disasters, accidents, or other trauma—yet in many cases their symptoms are still shrouded in mystery, secrecy, and shame.
 
This “compulsively readable” study takes an in-depth look at the subject (Los Angeles Times). Written by a war correspondent and former Marine with firsthand experience of this disorder, and drawing on interviews with individuals living with PTSD, it forays into the scientific, literary, and cultural history of the illness. Using a rich blend of reporting and memoir, The Evil Hours is a moving work that will speak not only to those with the condition and to their loved ones, but also to all of us struggling to make sense of an anxious and uncertain time.
 

Product Details

ISBN-13: 9780544084490
Publisher: Houghton Mifflin Harcourt
Publication date: 06/01/2018
Sold by: Barnes & Noble
Format: eBook
Pages: 336
File size: 2 MB

About the Author

David J. Morris is a former Marine infantry officer and war correspondent. His work has appeared in The New Yorker, Slate, Daily Beast, and Best American Nonrequired Reading. In 2008, he was awarded a creative writing fellowship from the National Endowment for the Arts.

Read an Excerpt

Prologue: The Warning
 
Have you ever been blown up before, sir?
Everything was fine until it wasn’t.
Apophenia: finding patterns where there shouldn’t be patterns
 
These were the words I wrote in my journal on October 9, 2007, the day before I was almost killed by a roadside bomb in Baghdad. The last line I wrote in the days afterward. Later, I went back and underlined it in a different colored ink, as if to emphasize that I had come back to it in a different state of mind. As if I were leaving a clue for some future version of myself.
    I was in Iraq for my third reporting trip and had gone out on a patrol with some soldiers from the First Infantry Division into Saydia, a neighborhood that seemed, at least on the surface, to be relatively peaceful. On our way back inside the wire, one of the soldiers asked nonchalantly if I’d ever been blown up before. I considered the question for a moment, and then, as the silence deepened, I sensed that something was amiss. The words came awkwardly as I explained that while I had spent the summer before in Ramadi, at that point the deadliest city in Iraq, I was still a virgin in that particular area.
    It was like my fate had been spoken: I had never been blown up before, but everyone in the Humvee knew that was about to change.
    According to the laws of grunt superstition, I was the injured party, but somehow I managed to feel bad for the kid who’d asked the question. As it happened, the soldiers in the Humvee were from all over Latin America — Peru, Mexico, Guatemala — and they began pummeling him in a variety of languages and accents for what he’d done.
    At the time, I felt embarrassed more than anything else and just wanted the moment to end. I didn’t like being the topic of conversation, and it took everything I had to avoid thinking about being blown into tiny red pieces. This, in fact, was one of the first head tricks I’d learned in Iraq, to systematically ignore the obvious: you were always just about to die — get over it. I was wasted, too, and my mind wasn’t right. I had been in Iraq for a total of nine months by this point, and even though I had seen people killed by roadside bombs, I’d never been hit myself, and somehow I’d come to feel that I had my luck under control. But in posing the question, it was as if the soldier had stolen that control, thrown me over to the forces of chance that I had worked so hard to insulate myself from.
    Later, I interviewed a prominent psychoanalyst, who told me that trauma destroys the fabric of time. In normal time, you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy, or bouncing about like a rubber ball from now to then and back again. August is June, June is December. What time is it? Guess again. In the traumatic universe, the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas.
    Another odd feature of traumatic time is that it doesn’t just destroy the flow of the present into the future, it corrodes everything that came before, eating at moments and people from your previous life, until you can’t remember why any of them mattered.
    What I previously found inconceivable is now inescapable: I have been blown up so many times in my mind that it is impossible to imagine a version of myself that has not been blown up. The man on the other side of the soldier’s question is not me. In fact, he never existed.
    The war is gone now, but the event remains, the happening that nearly erased the life to come and thus erased the life that came before. The soldier’s question hangs in the air the way it always has. The way it always will.
Have you ever been blown up before, sir?
 
Introduction
 
Over the past four decades, post-traumatic stress disorder has permeated every corner of our culture. A condition that went unacknowledged for millennia, and began its public life with a handful of disgruntled Vietnam veterans “rapping” in the offices of an antiwar group in midtown Manhattan in December 1970, has spread to every nation on the globe, becoming in the words of one medical anthropologist a kind of “psychiatric Esperanto.” A species of pain that went unnamed for most of human history, PTSD is now the fourth most common psychiatric disorder in the United States. According to the latest estimates, nearly 8 percent of all Americans — twenty-eight million people — will suffer from post-traumatic stress at some point in their lives. According to the Veterans Administration, which spends more annually on PTSD research and treatment than any organization in the world, PTSD is the number one health concern of American military veterans, regardless of when they served. In 2012, the federal government spent three billion dollars on PTSD treatment for veterans, a figure that doesn’t include the billions in PTSD disability payments made every year to former servicemembers.
    Since the attacks of 9/11, when public awareness of the disorder gained momentum, PTSD (a condition characterized by hyperarousal, emotional numbness, and recurring flashbacks) has, to the dismay of some international aid experts, supplanted hunger as the primary Western public health concern when a war or other humanitarian crisis hits the news. PTSD is one of the newest major psychiatric disorders to be recognized, and yet today it has entered the public lexicon to the degree that it is not uncommon to hear journalists describing entire countries as being stricken with it and writing lengthy articles debating whether or not Batman might be suffering from it. Consumers who are so inclined can now go online and purchase a commemorative patch for $5.99 that reads P.T.S.D.: NOT ALL WOUNDS ARE VISIBLE. As any trauma researcher will tell you, PTSD is everywhere today.
    And yet, like many mental health disorders, there is broad disagreement about what exactly PTSD is, who gets it, and how best to treat it. There remains a small but vocal cadre of researchers who argue that PTSD is a social fiction, a relic of the Vietnam War era foisted upon the global community by well-meaning but misguided clinicians, and that by, in essence, encouraging people to be traumatized, we undermine their recovery. A condition born of strife, PTSD is dominated by conflict in its scientific life as well. There is, however, little disagreement that survivors of rape, war, natural disasters, and torture — the events that are generally recognized to lead to PTSD — experience profound, even existential, pain in the aftermath of such events. This brand of suffering has become so widely recognized that it has in fact permanently altered the moral compass of the Western world and changed our understanding of what it means to be human, what it means to feel pain.
    Pierre Janet, a French neurologist writing in 1925, observed that emotional reactions to traumatic events can be so intense as to “have a disintegrating effect on the entire psychological system.” This book is about that effect and what it looks and feels like from the inside. Over time, PTSD has changed not only the way humans understand loss but also how humans understand themselves generally; I am interested in it both as a mental condition and as a metaphor. How people respond to horrific events has always been determined by a complex web of social, political, and technological forces. For most of human history, interpreting trauma has been the preserve of artists, poets, and shamans. The ways in which a nation deals with trauma are as revealing as its politics and language. The ancient Greeks staged plays that were written and performed by war veterans as a communal method for achieving catharsis. Today, for better or worse, we deal with trauma and horror almost exclusively through a complex, seemingly arbitrary cluster of symptoms known as post-traumatic stress disorder. In the classical world, the ancients in the wake of trauma might look for answers in epic poetry, such as The Iliad or The Odyssey. Today, we turn to the most current edition of the Diagnostic and Statistical Manual of Mental Disorders. This fact alone is worthy of further exploration: most of us no longer turn to poetry, our families, or the clergy for solace post-horror. Instead, we turn to psychiatrists. This is, historically speaking, an unusual state of affairs.

Table of Contents

Prologue: The Warning xi

Introduction 1

1 Saydia 21

2 In Terror's Shadow 41

3 Toward a Genealogy of Trauma 60

4 The Haunted Mind 103

5 Modern Trauma 132

6 Therapy 166

7 Drugs 213

8 Alternatives 231

9 Growth 252

Epilogue: Counterfactuals 268

Acknowledgments 273

Notes 274

Selected Bibliography 317

Index 328

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